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Articles 8491 - 8520 of 25573

Full-Text Articles in Arts and Humanities

Concert Recording 2016-11-15, Jacob Arnold, Megan Beard, Tim Clifford, Caleb Evans, Dakota Larey, Durgan Maxey, Cali Alexander, Maigen Anderson, Sandy Nieves, Phillip Sais, Maddi Campbell, Marissa Johnson, Hayen Bradberry, Codashti Mcallister, Luke Snyder, Michael Hallock, Vordie Mathis, Anna-Claire Butler, Elizabeth Gschwend, Charles Hartman, Nick Irby, Ron Juzeler, Aya Rowe, Christian Serrano, Michael Warrick, Allyssa Riley, Miranda Baker, A. J. Carson, Joshua Bland, Amanda Davis, Emily Thompson, Zachariah Davis, Edrei Cerda, Jayme Amonsen, Mckay Clarke, Sandy Nieves, Erin Horner, Prashant Anand, Josh Hannon, Bryce Owens, Elizabeth Greener, Natalia Karnes, Alisha Jones, Eva Martin, Kailey Miller Erwin, Jake Harris, Chase Mcclure, Lance Nix, Charles Robinson, Taylor Wilson, Kristine Mezines, E. Scott Sewell, Chris Scherer, Anthony Graham Jan 2016

Concert Recording 2016-11-15, Jacob Arnold, Megan Beard, Tim Clifford, Caleb Evans, Dakota Larey, Durgan Maxey, Cali Alexander, Maigen Anderson, Sandy Nieves, Phillip Sais, Maddi Campbell, Marissa Johnson, Hayen Bradberry, Codashti Mcallister, Luke Snyder, Michael Hallock, Vordie Mathis, Anna-Claire Butler, Elizabeth Gschwend, Charles Hartman, Nick Irby, Ron Juzeler, Aya Rowe, Christian Serrano, Michael Warrick, Allyssa Riley, Miranda Baker, A. J. Carson, Joshua Bland, Amanda Davis, Emily Thompson, Zachariah Davis, Edrei Cerda, Jayme Amonsen, Mckay Clarke, Sandy Nieves, Erin Horner, Prashant Anand, Josh Hannon, Bryce Owens, Elizabeth Greener, Natalia Karnes, Alisha Jones, Eva Martin, Kailey Miller Erwin, Jake Harris, Chase Mcclure, Lance Nix, Charles Robinson, Taylor Wilson, Kristine Mezines, E. Scott Sewell, Chris Scherer, Anthony Graham

Concert Recordings & Programs

[00:00]. Subjugation. Connection ; Captivation / Durgan Maxey -- [07:32]. Fight / Bryce Owens -- [09:23]. Overture to "Stay" / Joshua Bland -- [12:24]. A cellist's legacy. Part I ; Part II / Eric Dreggors -- [21:39]. Evening prayer / Robbie Baker -- [25:22]. Elegy / Brandon Wade -- [31:45]. The grotesques trio. Gargoyles ; Chimera ; Grotesques / Marissa Johnson -- [42:33]. Crosshair / Joshua Bland -- [43:59]. Nightwind sings / L. Coley Pitchford -- [52:55]. Six reflections through poetry. Memories (Walt Whitman) [55:59]. The musician's wife (Weldon Kees) ; The road not taken (Robert Frost) ; Lessons (Whitman) …


Concert Recording 2016-10-20a, Laurissa Backlin, Christopher Macrae, S. Michael Shuman Jan 2016

Concert Recording 2016-10-20a, Laurissa Backlin, Christopher Macrae, S. Michael Shuman

Concert Recordings & Programs

[00:00]. A questo seno deh vieni, K. 374 / Wolfgang Amadeus Mozart -- [09:10]. Alma del core / Antonio Caldara -- [11:38]. Amarilli / Giulio Caccini -- [14:20]. Se floridna è fedele / Alessandro Scarlatti -- [16:32]. Già il sole dal gange / Scarlatti -- [18:32]. On this island, op. 11 / Benjamin Britten -- [33:18]. Selection from Acht Lieder aud letzte Blätter, op. 10 / Richard Strauss -- [40:57]. Vier duette, op. 78 / Robert Schumann -- [51:40]. Deux duos, op. 10 / Gabriel Faure.


Concert Recording 2016-09-14, Yoonie Han Jan 2016

Concert Recording 2016-09-14, Yoonie Han

Concert Recordings & Programs

[00:00]. Orfeo ed Euridice. Melodie / C.W. Gluck Ignaz Friedman -- [03:33]. Tango / Issac Albeniz ; arranged by Leopold Godowsky -- [07:00]. Goyescas, op. 11. Quejas, o la maja y el ruiseñor ; El amor y la muerte / Enrique Granados -- [26:05]. El Jaleo for Yoonie Han / Theodore Wiprud -- [31:24]. Rhapsody in blue / George Gershwin -- [47:00]. Suite bergamasque. Claire de lune / Claude Debussy.


Concert Recording 2016-09-16, Andrew Irvin, Kate Hamilton, Stephen Feldman, Milton Masciadri, Julie Cheek Jan 2016

Concert Recording 2016-09-16, Andrew Irvin, Kate Hamilton, Stephen Feldman, Milton Masciadri, Julie Cheek

Concert Recordings & Programs

[00:00]. Passione amorosa / Giovanni Bottesini -- [14:15]. Gran duo concertante for violin, double bass, and piano / Bottesini -- [28:41]. Quintet for piano and strings in A major, op. 114, D. 667, "Trout quintet" / Franz Schubert.


Concert Recording 2016-10-19, Guy Harrison, Jeremy Samolesky Jan 2016

Concert Recording 2016-10-19, Guy Harrison, Jeremy Samolesky

Concert Recordings & Programs

[00:00]. Sonata for violin & piano in D major op. 12, no. 1 / Ludwig van Beethoven -- [19:33]. Irkanda I for violin alone / Peter Sculthorpe -- [29:47]. Nocturne in E-flat major, op. 9, no. 2 / Frédéric Chopin ; arranged by Pablo de Sarasate -- [34:59]. Sonata in A major for violin & piano / César Franck.


Concert Recording 2016-11-20, Maigen Anderson, Henry Runkles Jan 2016

Concert Recording 2016-11-20, Maigen Anderson, Henry Runkles

Concert Recordings & Programs

[00:00]. Concerto in D minor for 2 oboes and piano, RV 535 / Antonio Vivaldi -- [09:14]. Rondeau cinquain / Joshua Bland -- [10:25]. Duet from Lakmé / Leo Delibes -- [14:55].Trio for piano, oboe, and horn, op. 188 / Carl Reinecke.


Music For Brass Quintet With Orchestral Accompaniment: Commissioned Works, The Annapolis Brass Quintet, And A Survey Of Literature For Brass Quintet And Orchestra, Stacy L. Simpson Jan 2016

Music For Brass Quintet With Orchestral Accompaniment: Commissioned Works, The Annapolis Brass Quintet, And A Survey Of Literature For Brass Quintet And Orchestra, Stacy L. Simpson

Theses and Dissertations--Music

Today’s leading brass chamber ensemble is the brass quintet, whose inception was relatively late compared to the string quartet or woodwind quintet. The first modern brass quintet formed in the 1950s, while the first string quartet can be traced to the 17th century. Compositions for woodwind quintet were written as early as 1811 during the Classical Period.

The New York Brass Quintet, American Brass Quintet, and Annapolis Brass Quintet commissioned a large portion of the currently existing brass quintet literature. The literature grew exponentially as the brass quintet became popular in the 1960s. Also during this time, a new genre …


An Alternative Approach To The Singer's Breath: Method And Workshop, Bradley S. Williard Jan 2016

An Alternative Approach To The Singer's Breath: Method And Workshop, Bradley S. Williard

Theses and Dissertations--Music

This research endeavors to stretch the boundaries of vocal training, a field defined by its century-old techniques and teachings, to include the cultivation of a relationship with the breath, body, and Self. The paper reviews the contributions of Ilse Middendorf and Carl Stough’s work with the breath and body and outlines a new method, Unlock Your Breath (UYB) – Performance Breathwork, which integrates the greatest strengths of those methods. UYB Performance Breathwork teaches the singer’s breath as a way towards deeper embodiment of Self (mind-body-voice relationship), while creating a stronger breath-body-voice connection with minimum effort and maximum efficiency. This …


La Voix Humaine: A Technology Time Warp, Whitney Myers Jan 2016

La Voix Humaine: A Technology Time Warp, Whitney Myers

Theses and Dissertations--Music

In 1959 French composer Francis Poulenc composed the opera La Voix humaine based on Jean Cocteau’s original play (1928). La Voix humaine is a one-act opera for soprano. The main character, Elle, spends the opera on the phone with her ex-lover who is marrying another the next day. Many musicians believe this opera is difficult or impossible to update, due to the use of the telephone and its dated operator system, which is a large aspect of the action and drama.

This document provides the reader with a new interpretation of the opera with modern technology. Chapter One begins with …


Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio Jan 2016

Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio

Theses and Dissertations--Music

My recent engagement as music director and conductor of Robert Nelson’s A Room with a View (1992, rev. 2004) has offered me the valuable opportunity to work on an opera side by side with its composer. The purpose of this dissertation is to reconstruct the various stages of the process of creation, interpretation, and performance of a contemporary opera, addressing aspects of the collaboration between the composer and the conductor.

The methodology used in my research is based primarily on direct observation and interview. The investigation is conducted from the perspective of a “participant-observer,” due to my personal involvement in …


Childe Roland: String Quartet, Percussion And Electric Guitar, David Blevins Jan 2016

Childe Roland: String Quartet, Percussion And Electric Guitar, David Blevins

Theses and Dissertations--Music

An original composition in five movements for string quartet, percussion and electric guitar. Majority of the electric guitar parts are marked “quasi-improvisation”, with the intent of allowing the player freedom to explore their own creativity and expand upon the notated guitar parts as desired. The percussion parts, also marked “quasi-improvisation”, allow the player to expand upon the notated rhythms and choose their own combination of muted wood blocks as desired.

The name of this piece and its individual movements pay homage to the author Steven King and his series of books known as the The Dark Tower. Much of …


A Performance Guide For Lyric Tenor: A Pedagogical Analysis Of Ten Francesco Paolo Tosti Songs, Mark Aaron Kano Jan 2016

A Performance Guide For Lyric Tenor: A Pedagogical Analysis Of Ten Francesco Paolo Tosti Songs, Mark Aaron Kano

Theses and Dissertations--Music

This study provides background information, International Phonetic Alphabet (IPA) transcriptions and pronunciations, poetic translations, and pedagogical analyses of ten Francesco Paolo Tosti songs. Included is the connection between the rhythm and meter of the poetry and its’ influence on Tosti’s setting of the text to music. In addition, a portion is devoted to an overview of pedagogy, specifically, appoggio, registers and passaggi in the lyric tenor voice, range and, as well as chiaroscuro. This document addresses potential vocal challenges presented for the lyric tenor voice within each song, as well as the benefits. In particular, suggestions for vowel …


The Choral Composer/Conductor Collective: An Ongoing Experiment In Musical Self-Governance, Julian D. Bryson Jan 2016

The Choral Composer/Conductor Collective: An Ongoing Experiment In Musical Self-Governance, Julian D. Bryson

Theses and Dissertations--Music

C4: The Choral Composer/Conductor Collective and Triad: Boston’s Choral Collective are the first choirs to explore collectivity as a method of ensemble organization. While more traditional ensembles have a single artistic director, C4 and Triad share and rotate leadership responsibilities among the full membership. Artistic and logistical decisions develop through conversation, consensus, and/or voting.

This monograph draws primarily on interviews with thirteen current and former members of the two ensembles as well as the author’s personal experiences with Triad’s inaugural concert cycle to present a narrative description of member characteristics, governance, and operational processes. Interview responses are compared to relevant …


The Adjudicator Speaks: A Study Of Choral Festival Adjudicators’ Practices, Procedures And Preferences, David L. Hensley Jan 2016

The Adjudicator Speaks: A Study Of Choral Festival Adjudicators’ Practices, Procedures And Preferences, David L. Hensley

Theses and Dissertations--Music

Choral Festivals, whether competitive or non-competitive, involve preparation, performance, and evaluation. The process of preparing for and performing at a choral festival often leaves the conductor and choir members wondering what the adjudicators (judges) will be listening for and on what basis the choir will receive its critique. Few if any music education publications (including methods textbooks, scholarly publications, and journal articles) have addressed this topic, and those that have addressed it have failed to include the adjudicator’s point of view. This dissertation addresses the point of view of the choral festival adjudicator, giving insight into the standards of performance …


Concert Recording 2016-02-27, Nancy Ambrose King, Ann Rye, Theresa Delaplain Jan 2016

Concert Recording 2016-02-27, Nancy Ambrose King, Ann Rye, Theresa Delaplain

Concert Recordings & Programs

[00:00]. Sonata in G minor, BWV 1030b. Andante ; Siciliano ; Presto / J.S. Bach -- [14:06]. Sonate für oboe solo / Heinz Holliger -- [19:25]. Impromptu / Jean-Michel Damase -- [24:31]. Sonata in E-flat major. Adagio ; Alla breve ; Andante ; Allegro / George Frideric Handel -- [34:01]. Concerto sopra motivi dell'opera La favorita / Antonio Pasculli.


Concert Recording 2016-11-13a, Tori Bingham, Robert Mueller, Maggie Matheny, Miranda Smithey, Heather Deal, Dylan Adkins, Hannah Mindeman Shuman Jan 2016

Concert Recording 2016-11-13a, Tori Bingham, Robert Mueller, Maggie Matheny, Miranda Smithey, Heather Deal, Dylan Adkins, Hannah Mindeman Shuman

Concert Recordings & Programs

[00:00]. Partita for English horn and organ. Andante sostenuto / Jan Koetsier -- [02:10]. Niobe / Thea Musgrave -- [08:51]. Wind quintet in G minor. Allegro / Paul Taffanel -- [16:48]. Koncertstuck fur oboe / Julius Rietz.


Exploration Of Empfindsamer Stil: The Creation And Performance Of An Informed Performance Edition Of Cpe Bach's Concerto In D Minor For Flute And Orchestra, Emily C. Bicknese Jan 2016

Exploration Of Empfindsamer Stil: The Creation And Performance Of An Informed Performance Edition Of Cpe Bach's Concerto In D Minor For Flute And Orchestra, Emily C. Bicknese

Honors Program Theses

Through research of the unique Empfindsamer stil (“sensitive style”) developed by Carl Philipp Emanuel Bach, I have constructed an informed performance edition for the second movement, “Un poco andante,” of Bach’s Concerto in D minor for Flute and Orchestra according to the performance practices of the era. The slow movement allows the greatest possibilities for embellishment and stylistic interpretation. For the second movement performance edition, I have written exact musical notation for the solo flute line, including ornamentation, articulation, phrasing, dynamics, tempo, and an original cadenza. All notations have been based on performance practices of the Empfindsamer stil. In the …


Graduate Voice Recital, Kayla Kjeldseth Jan 2016

Graduate Voice Recital, Kayla Kjeldseth

Dissertations and Theses @ UNI

Kayla Kjeldseth, soprano, presented her graduate voice recital on Thursday, March 24th, 2016 at 6:00 p.m. in Davis Hall of the Gallagher Bluedorn Performing Arts Center at the University of Northern Iowa campus. The recital was given with collaborative pianist, Korey Barrett, and included works by Mendelssohn, Marx, Gluck, Puccini, and Griffes.


The Music Of Nicola Ferro: A Description And Performance Guide To Tetralogy Of The Sun Suite And Annotated Guide To Published Works, Bradley James Keesler Jan 2016

The Music Of Nicola Ferro: A Description And Performance Guide To Tetralogy Of The Sun Suite And Annotated Guide To Published Works, Bradley James Keesler

Theses and Dissertations

The subject of this research document is the music of Italian trombonist and composer Nicola Ferro (b. 1974). The main purpose of this document is an attempt to initiate scholarly research of Ferro and his compositions. While much of his music has been performed and recorded by some of the world’s greatest musicians (most notably Joseph Alessi, New York Philharmonic Principal Trombonist), there is very little written research on the subject of Ferro or his music.

Part of this document will serve as a performance guide to one of his most important compositions, the Tetralogy of the Sun Suite for …


A Performance Practice Guide For Select Baroque Transcriptions For Clarinet, Michael Brady Hough Jan 2016

A Performance Practice Guide For Select Baroque Transcriptions For Clarinet, Michael Brady Hough

Theses and Dissertations

The purpose of the study is to provide a performance practice guide of selected works from the Baroque period that are transcribed for clarinet.

The Baroque period has an important but often overlooked wealth of literature for clarinet players. Although there are few original works for the clarinet that were composed during this period due to the clarinet's later development, there is still much that clarinet players can learn from this important body of work.

Performance practice of Baroque transcriptions is particularly significant. For instance, taking music written for a string instrument and transcribing it for a wind instrument brings …


Samuel Barber’S Settings Of James Joyce’S Chamber Music: A Proposal For A Posthumous Song Cycle, Michael Pierre Laroche Jan 2016

Samuel Barber’S Settings Of James Joyce’S Chamber Music: A Proposal For A Posthumous Song Cycle, Michael Pierre Laroche

Theses and Dissertations

Samuel Barber’s Opus 10 songs are some of his most well-known vocal works. These settings from Chamber Music by James Joyce were published in 1939, but posthumous research by biographer Barbara Heyman and a complete vocal recordings project by Thomas Hampson, Cheryl Studer, and John Browning led to the discovery and recording of ten additional songs, including three more Joyce settings. Schirmer published these Ten Early Songs around the same time as the Deutsche Grammophon. Research has shown the dates of composition to be within days of the published Opus 10 songs, but no other information on these songs exists …


Paul Jacobs, Elliott Carter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies, Alan Michael Rudell Jan 2016

Paul Jacobs, Elliott Carter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies, Alan Michael Rudell

Theses and Dissertations

This study concerns the life and career of Paul Jacobs, focusing in particular on the role Jacobs played in bringing about new American works for piano in the second half of the twentieth century. Jacobs was a key figure in the New York new music scene of the 1960s and 1970s and a personal friend to many composers who were active during this period. The study provides an overview of historical events which brought about the musical climate of late twentieth century America, a climate that was not entirely hospitable to native-born American composers. It examines Jacobs’ collaboration with Elliott …


The Prepared Flute: A Survey Of Its History, Techniques, And Repertoire, Stacey Lee Russell Jan 2016

The Prepared Flute: A Survey Of Its History, Techniques, And Repertoire, Stacey Lee Russell

Theses and Dissertations

Beginning with Varese’s Density 21.5 in 1936, composers have been experimenting with extended techniques to expand the flute’s range of sound. In an attempt to increase the timbral possibilities of the instrument, contemporary composers are writing for the prepared flute: adding objects on or inside the flute, or subtracting parts of the flute to alter its sound.

is the first written document to focus on the prepared flute. Deborah Fethers, in her major project discussing contemporary flute design in 2005, mentions the use of prepared flute by Michael Pestel, and states that “to my knowledge the only use of such …


The Influence Of Romantic Poetry On The Career And Music Of Nicolas Medtner, Denise Rudell Jan 2016

The Influence Of Romantic Poetry On The Career And Music Of Nicolas Medtner, Denise Rudell

Theses and Dissertations

Nicolas Medtner was a composer born out of his time. He was a true Romantic in the Russian Silver Age and his creative ideology owes much to the Romantic poetry that he was devoted to all his life. This poetry put a decisive stamp on his music and influenced his career decisions. Medtner was exposed to the most renowned literature from an early age. Influenced by his father, and his oldest brother Emil, he developed a lifelong love for literature and especially poetry. Literary connections are apparent throughout Medtner’s music, including (and not limited to) references to Goethe, Pushkin, Lermontov, …


Concert Recording 2016-11-27, Caleb Evans Jan 2016

Concert Recording 2016-11-27, Caleb Evans

Concert Recordings & Programs

[00:00]. Canaries / Elliott Carter -- [02:53]. Mono no aware / Henry Bowen -- [07:02]. Etude 6 from Douze etudes / Jacques Delecluse -- [08:36]. Prelude from Cello suite no. 1 / J.S. Bach -- [10:56]. Reflections on the nature of water. I. Crystalline ; IV. Gently swelling ; VI. Relentless / Jacob Druckman.


Concert Recording 2016-11-21, Chandler Reid Evans, Kristine Mezines Jan 2016

Concert Recording 2016-11-21, Chandler Reid Evans, Kristine Mezines

Concert Recordings & Programs

[00:00]. Semele. Where'er you walk / George Frederic Handel -- [02:30]. Lydia / Gabriel Faurè -- [07:14]. Drei Gesange, op. 83 / Ludwig van Beethoven -- [14:35]. Sepia life / John Bucchino.


Concert Recording 2016-11-19a, Melody Schmidt, Megan Dobbs, Chalon L. Ragsdale, Rob Edwards, Rosabelle Zhou Jan 2016

Concert Recording 2016-11-19a, Melody Schmidt, Megan Dobbs, Chalon L. Ragsdale, Rob Edwards, Rosabelle Zhou

Concert Recordings & Programs

[00:00]. Percussion music / Michael Colgrass -- [05:52]. Jesus loves me / Chad Floyd -- [12:02]. Evergreen / Ben Finley -- [19:11]. Eight pieces for four timpani. VIII. March / Elliott Carter -- [22:05]. Irish spirit / Bill Douglas -- [28:45]. Land / Takatsugu Muramatsu -- [33:02]. Over the rainbow / Harold Arlen ; arranged by Robert Oetomo -- [36:45]. Eight pieces for timpani. V. Improvisation / Elliott Carter -- [39:44]. Catching shadows / Ivan Trevino.


Concert Recording 2016-09-15, Ronda Mains, Miroslava Panayotova Jan 2016

Concert Recording 2016-09-15, Ronda Mains, Miroslava Panayotova

Concert Recordings & Programs

[00:00]. Spiral lament / Ian Clarke -- [07:16]. Sonate pour flûte et piano / Mel Bonis -- [23:16]. Sonata in D major, op.94 / Sergei Prokofieff.


Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis Jan 2016

Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis

History: Faculty Publications and Other Works

A detailed examination of Richard Wagner's reception in Nazi Germany.


Concert Recording 2016-12-03, Brena Lackey, Miroslava Panayotova Jan 2016

Concert Recording 2016-12-03, Brena Lackey, Miroslava Panayotova

Concert Recordings & Programs

[00:00]. Sonata in E major / Johann Sebastian Bach -- [10:11]. Suite for flute and piano, op. 24 / Charles Marie-Widor -- [16:09]. Hypnosis / Ian Clarke -- [20:27]. Lovebirds for 2 flutes / Gary Schocker -- [24:50]. Sonata for flute and piano, op. 14 / Robert Muczynski.