Arts and Humanities Commons^™

Graduate Recital: March 23, 2025, Ender Loya, Aerim Kim

School of Music Programs

Kemp Recital Hall

March 23, 2025

Sunday Evening

6:30 p.m.

Junior Recital: March 23, 2025, Chelsea Davis, Lu Witzig

School of Music Programs

Kemp Recital Hall

March 23, 2025

Sunday Afternoon

5:00 p.m.

Celebrating Women In Music: March 23, 2025, School Of Music,

School of Music Programs

Sigma Alpha Iota

Kemp Recital Hall

March 23, 2025

Sunday Evening

8:00 p.m.

Senior Recital: Russell Drowota, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Guest Artist Recital: March 22, 2025, Pei-I Wang

School of Music Programs

Kemp Recital Hall

March 22, 2025

Saturday Evening

4:00 p.m.

Wind Symphony Chamber Players: March 21, 2025, Anthony C. Marinello Iii, F. Mack Wood, Colby Powers

School of Music Programs

Center for the Performing Arts

March 21st, 2025

Friday Evening

8:00 p.m.

2024-2025 Performance Forum - March 21, 2025, Jenna Salliman, Jeremy Jefferson, Sheng Yuan Kuan, Yian Liu, Victoria Bramble, Brooke Gunter, Christian Curran, Roey Dushi

Performance Forum

No abstract provided.

Guest Artist Recital Trio Speranza: March 20, 2025, Anna Griffis, Cora Swenson Lee, Jason J. Moy

School of Music Programs

Kemp Recital Hall

March 20, 2025

Thursday Evening

7:30 p.m.

An Interdisciplinary Analysis Framework For Found Object Experimental Music, Erin Demastes

LSU Doctoral Dissertations

Found object experimental music consists of compositions and performances created with objects not intended for musical performance. Found objects can range from appliances and household items to power tools and consumer products to souvenirs and heirlooms. Although these objects are used with the intent of creating musical compositions, new characteristics that are not found in traditional music emerge. One major characteristic that differentiates found object music from traditional music is that the objects have inherent cultural associations and meaning outside of their use in the composition. While an analysis of the sonic structures and scores of found object experimental music …

Charle W. Bolen Faculty Recital: March 19, 2025, Katherine Lewis, Daniel Baer

School of Music Programs

Center for the Performing Arts

March 19, 2025

Wednesday evening

7:00 p.m.

2024-2025 Senior Recital - Olivia Oakland (Oboe), Olivia Oakland, Sheng Yuan Kuan, Yu-Hsuan Feng

Junior and Senior Recitals

No abstract provided.

Junior Recital: March 18, 2025, Ryan Daimid, Momoko Gresham

School of Music Programs

Kemp Recital Hall

March 18, 2025

Tuesday Evening

7:30 p.m.

2024-2025 Senior Recital - Elisabeth Thomashoff (Piano), Elisabeth Thomashoff

Junior and Senior Recitals

No abstract provided.

2024-2025 Senior Recital - Megan Hagel (Cello), Megan Hagel, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

Woodwind/Percussion Seminar, March 14, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Claire Uselding, Saxophone, March 14, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Nathan Boorman, Trombone, In Collaboration With Natia Shioshvili, Piano, And The Fresh Bones, March 14, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2024-2025 Performance Forum - March 14, 2025, Jose Ignacio Diaz, Yilian Concepcion, Sheng Yuan Kuan, Pablo Camacho, Brenda Lorenzo, Samuel Dionisio, Mable Lecrone, Nabil Hetman, Joseph Muhl, Baran Zolfaghari, Michael Shipps, Omar Mata

Performance Forum

No abstract provided.

A Conversation With Loe Gino, Loe Gino, Seb Taylor

Digital Laboratory: Publisher of Internet Journal

LOE Gino is a Bay Area native from Berkeley, California and an independent artist. He has been a pioneer in the music industry for new age artistry. His ability to be a voice for independent artists parallels his wordsmith-skills as a rapper. As a part of the Bay Area cultural scene, he is a real life example of how to set a vision and build it as you go. Every aspect of his creative vision is thought out and executed with the accuracy of a freestyle. LOE Gino stands as an example of what it means to never conform to …

Shakhrom Murodov, Piano, In A Graduate Recital, March 12, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Luke Mcilhon, Alto Saxophone, March 11, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

String Studio Recital Spring 2025, Andrews University

Concerts and Event Programs 2024-2025

The String Studio, led by Professor Carla Trynchuk, presents its Spring 2025 Violin and Viola Recital

Isu Junior High Honor Band: March 8, 2025, School Of Music,

School of Music Programs

Saturday, March 8, 2025

Center for the Performing Arts

12:00 p.m.

A Case For The Original Setting Of Rachmaninoff’S Piano Sonata No. 2, Op. 36, Alexias L. Ferrer

LSU Doctoral Dissertations

This document aims to examine both the original 1913 and revised 1931 settings of Sergei Rachmaninoff’s Piano Sonata No. 2 Op. 36, and to present a case in favor of the lesser-known 1913 rendition of the piece as the more definitive setting of the work. The study begins with historical background information on the work and shows how the piece originated from a mature composer at the most productive period in his life and contrasts this to the historical background of the work’s revision. In a deeper analysis of form and content, the positives and negative qualities of each version …

Woodwind/Percussion Seminar, March 7, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Mason Bush, Tuba, March 7, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Will Yager, Double Bass, Faculty Recital, March 7, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Abigail Holschlag, Trumpet, March 7, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Diversity Recital: March 7, 2025, School Of Music,

School of Music Programs

Kemp Recital Hall

March 7, 2025

Friday Evening

7:30 p.m.

Isu Clarinet Choir: March 7, 2025, Anne Dervin

School of Music Programs

Kemp Recital Hall

March 7, 2025

Friday Evening

6:00 p.m.