Arts and Humanities Commons^™

A Selected Analytical Bibliography Of Works For Saxophone By Composers Associated With The Darmstadt International Summer Courses For New Music: 1946-2021, Christopher Mark Delouis

Graduate Theses, Dissertations, and Problem Reports (ETD)

Although the saxophone is one of the most recently invented concert instruments, countless pieces of music have been written for it. This document aims to contribute to the established scholarship that examines and highlights existing saxophone repertoire, by looking specifically at composers associated with the Darmstadt International Summer Courses. Bruce Ronkin’s Londeix Guide to the Saxophone Repertoire 1844-2012 is a standard resource for the 21st century saxophonist to have. It includes some, but not all, compositions for saxophone written before 2012. By looking at this specific set of composers, with many who are alive today, this document is able to …

Chamber Music Fundamentals And Rehearsal Techniques For Advancing String Students, Gabrielle Padilla

Graduate Theses, Dissertations, and Problem Reports (ETD)

Chamber music pedagogy is an area that is crucial to a comprehensive music education. There is no manual when it comes to chamber music rehearsal or coaching techniques. Many of the great quartets have biographies written on them, yet few shed light on how the quartet handled the problem-solving processes used during rehearsal. This could be due to the longstanding tradition of string quartet education which uses a coach or leader who shares their wisdom and techniques, often as they had learned as young chamber musicians. Without this guidance, young quartets (and sometimes coaches) often have few ideas of how …

Francis Poulenc: The Compositional Influences Of Les Six And Sergei Prokofiev On The Poulenc Oboe Sonata (1962), Evan Klein

Graduate Theses, Dissertations, and Problem Reports (ETD)

This research document contextualizes the compositional influences found within Francis Poulenc’s oboe sonata. In his lifetime, Poulenc was an extremely well-connected individual, often dedicating his works to his close friends and patrons. The Sonata for Oboe and Piano, in particular, is one of these compositions dedicated to his friend and famous composer Sergei Prokofiev. Written in 1962 toward the end of Poulenc’s life, he glanced back to the start of the twentieth century for inspiration and source material. The oboe sonata is then a collage of sorts—it takes on the shared contextual principles of Les Six in which he was …

A Foundation For Collaboration: An Analysis Of Robert Schumann’S Dichterliebe, Op. 48, Kailang Zhan

Graduate Theses, Dissertations, and Problem Reports (ETD)

This paper provides an analysis of Robert Schumann’s Dichterliebe offering historical information and insights into each of the sixteen songs. The analysis includes the English translation of the texts and discussion of the form of each song as well as highlights of the special moments of harmonic, rhythmic, and melodic structure in relation to Schumann’s setting of each poem. The analysis provides a foundation for collaborative skills for the singer and pianist for the study and performance of Dichterliebe. In addition, the paper includes brief biographies of Robert Schumann and Heinrich Heine and background information on the poetry and …

Jerome Franke’S “Architectural Practice” Exercises For Mendelssohn’S Violin Concerto In E Minor, Op. 62 And Lalo’S Symphonie Espagnole In D Minor, Op. 21, Yaniv Gutman

Graduate Theses, Dissertations, and Problem Reports (ETD)

Since their original publications, Otakar Ševčík’s Analytical Studies & Exercises books have been used as practical guides to practicing standard violin repertoire. Jerome Franke (1948-2019) was Assistant Concertmaster of the Milwaukee Symphony Orchestra for approximately twenty-five years, Concertmaster of the Milwaukee Ballet Orchestra and the Green Bay Symphony Orchestra, string advisor for the Milwaukee Youth Symphony Orchestra and the Fox Valley Youth Symphony Orchestra, founder of the Cedarburg Chamber Ensemble and a founding member of Quartet Dubuffet, violin instructor at Wisconsin Lutheran College and conductor of the school’s “Chamber Strings'' orchestra, and a crossover musician and recording artist. Franke, who …

The Three Piano Sonatas By José De Almeida Penalva, Heron Alvim Moreira

Graduate Theses, Dissertations, and Problem Reports (ETD)

This research project discusses the three piano sonatas by José de Almeida Penalva (1924-2002), a priest and composer from the southern region of Brazil, who lived most of his life in the city of Curitiba, in Paraná state.

Along with overall information about the composer’s life and general output, the reader will find brief discussions of Penalva’s keyboard works, along with comprehensive formal analyses of his three piano sonatas.

Sonata no. 1 (1970, chronologically the second to be written) appears in one large movement that reveals two distinct sections. Its language is atonal and its first section displays sonata-allegro form. …

James Macmillan’S Miserere: History, Compositional Elements, And A Conductor’S Guide, Ryan A. Keeling

Graduate Theses, Dissertations, and Problem Reports (ETD)

Scottish composer James MacMillan, born in 1959, composed choral music throughout his life but initially rose to prominence as a composer of instrumental works in the early 1990s. In the first decade of the 2000s primarily with The Strathclyde Motets MacMillan solidified his position as a preeminent composer in both choral and instrumental genres with international notoriety.

MacMillan’s Roman Catholic upbringing and continuing faith have had a profound effect on his compositional style which is evident in both his instrumental and choral works. His skill in text-setting coupled with his deep faith provide a rich foundation for choral composition.

This …

Selected Principles Of Practicing For Security In Performance, Hsing-Yi Tsai

Graduate Theses, Dissertations, and Problem Reports (ETD)

This research focuses on extending the imagination for the purposes of activating our brain to strengthen memorization of music for a stronger and more secure performance. This research explores the concept of self-awareness in the sense of having a conversation with ourselves in order to understand the primary reasons we pianists spend hours in the practice room. I introduce selected strategies for learning pieces through a meticulous process of memorization which impacts not only new pieces, but also the resurrecting of old repertoire. Along with including the concept of the Memory Palace, I explore different methods of memorizing music to …

Touching Light: A Framework For The Facilitation Of Music-Making In Mixed Reality, Ian Thomas Riley

Graduate Theses, Dissertations, and Problem Reports (ETD)

Drawing upon the historical development of analog and digital technologies alongside the proliferation of computer-assisted performance practices, this research seeks to develop a framework for integrating Mixed Reality applications to live musical performance, specifically through the creation of a Microsoft HoloLens 2 Mixed Reality application in order to facilitate a live performance of an original musical composition for percussion and real-time Mixed Reality environment. Mixed Reality enables a performer to interact with virtual (holograms, VSTs, etc.) and physical (vibraphone, tuned drums, microphones, etc.) objects simultaneously. Tandem to the development of the conceptual framework was the composition of an original score …

"A Long Life In Music:" The Career And Legacy Of Ann Schein, Anthony William Gray

Graduate Theses, Dissertations, and Problem Reports (ETD)

This research paper is devoted to the life, career, teaching and legacy of the celebrated pianist Ann Schein. Having led a remarkable career spanning more than six decades, Schein was taught by such towering figures as Mieczysław Munz, Arthur Rubinstein and Dame Myra Hess and has in turn influenced countless musicians through her own teaching. This research paper includes a detailed portrait of Schein through a biography, an interview with Schein, and interviews with six of her former students from the Peabody Institute of the Johns Hopkins University: Dr. Matthew Bengtson, Ms. Ya-Ting Chang, Dr. Inna Faliks, Dr. Mansoon Han …

A Selective Study On Chinese Art Songs After 1950, Gehui Zhu

Graduate Theses, Dissertations, and Problem Reports (ETD)

The purpose of this paper is to provide an insightful study of Chinese art songs after 1950. A number of works have been written in English about the repertoire of Chinese art songs, but most of these studies concentrated on songs written before 1950. It is difficult for English speakers to find and study Chinese art songs after 1950. In fact, they have largely been ignored. However, these songs have significant pedagogical and aesthetic values. This study aims to provide musicians and voice teachers a handy and practical tool to study and sing Chinese art songs composed after 1950.

This …

Concert Recording 2021-11-21, University Of Arkansas, Fayetteville. World Music Ensemble

Concert Recordings & Programs

[00:00] Dialogue -- [06:23] Morenika -- [10:37] Cachua a voz y bajo -- [12:54] Tomada el diamante -- [15:31] Summer afternoon raga -- [21:11] Jovano jovanke -- [24:31] Trance, music -- [32:18] Desert blues, music -- [41:31] El cascabel.

Concert Recording 2021-12-09, Valeri Rymer, Miroslava Panayotova

Concert Recordings & Programs

[00:00]. Sonate Es-dur, BWV 1031. I. Allegro moderato ; III. Siciliana ; IV. Allegro / Johann Sebastian Bach -- [09:30]. Romance in D-flat major, op. 37 / Camille Saint-Saëns -- [15:42]. Schrezina, op. 55, no. 6 / Joachim Andersen -- [17:58]. Allegro and Menuett / Ludwig van Beethoven -- [23:54]. Nocturne for alto flute / Kevin Leomo.

Concert Recording 2021-04-23, Matthew Swerts, Miroslava Panayotova, Lisa Auten

Concert Recordings & Programs

[00:00]. Allegro from Concerto / J.B.G. Neruda -- [04:55]. Concerto / Alexander Arutunian -- [20:20]. Fantasy for trumpet / Malcolm Arnold -- [24:33]. Centennial Horizon. I. Aspen grove ; Interlude, Alpenglow ; II. Roaring gunnison / Kevin McKee.

Concert Recording 2021-04-08, Bailey Ross

Concert Recordings & Programs

[00:00]. Jackdaw ; [10:35]. Jackdaw, sax, perf, 2004 / Wayne Siegel -- [21:01]. I will not be sad in this world / Eve Beglarian -- [27:33]. Fragmented spirit / Stacy Garrop -- [35:55]. Pequenña Czarda / Pedro Iturralde.

Concert Recording 2021-11-17, Lauren Nicole Clare, Lenora Green-Turner, Jonathan Stinson, Helen Becqué

Concert Recordings & Programs

[00:00]. Die tote Stadt. Tanzlied des Pierrot / Erich Korngold -- [05:23]. Let us garlands bring. Come away, come away, death ; Who is Sylvia? ; Fear no more the heat o' the sun / Gerald Finzi -- [16:20]. Finding Neverland. Neverland / Gary Barlow ; Eliot Kennedy -- [19:47]. Cosi fan tutte. Come Scoglio / W. A. Mozart -- [25:22]. Daybreak in Alabama / Ricky Ian Gordan -- [29:12]. Let America be America again / Ethan Godfrey -- [33:59]. Nightsongs. Creole girl / Leslie H. Adams -- [36:48]. Poéme de Max Jacob. III. La petite servant / Francis Poulenc …

Concert Recording 2021-04-09, Grant Hollis

Concert Recordings & Programs

[00:00]. Solace: a lyric concerto / Joel Love -- [21:20]. Energy drink I / Mark Engebretson -- [30:37]. Tantrum / Stacy Garrop -- [46:03]. Star bits / Corey Dundee.

Concert Recording 2021-12-03, Ethan Andrews, Miroslava Panayotova

Concert Recordings & Programs

[00:00]. Tuba concert. I. Allegro ; II. Lento e mesto ; III. Allegro giocoso / Edward Gregon -- [19:55]. Divertissement for solo tuba. I. Statement ; II. Waltz ; III. Chant / Bennie Beach -- [27:46]. Emission nebula . Emission nebula, backing track / Davis Vaughn -- [40:47]. Song for the skies / Paul Lovatt-Cooper.

Concert Recording 2021-04-22a, Jenelle Edwards, Sophie Lopez

Concert Recordings & Programs

[00:00]. Sicilienne and rigaudon in the style of Francoeur / Kriesler -- [06:13]. Suite for violin and orchestra in A minor, op. 10. I. Presto ; II. Adadio / Sinding -- [13:41]. Concerto for violin no. 1 in A minor. I. Allegro ; II. Adagio / J.S. Bach -- [24:56]. Violin concerto in B minor opus 35. I. Allegro moderato ; II. Andante ; III. Alegro moderato / Rieding.

Concert Recording 2021-10-29b, Megan Park, Miroslava Panayotova

Concert Recordings & Programs

[00:00]. Maestoso from Heroic Music / Georg Philipp Telemann -- [02:54]. Triptyque. I. Scherzo ; II. Largo ; III. Saltarelle / Henri Tomasi-- [07:21]. Concerto for trumpet and orchestra / Alexandra Pakhmutova.

Concert Recording 2021-11-16, Eric Troiano, Tyler Trickey, Bailey Ross, Quintin Roper, Crystal Espinosa, Haley Evans, Gabriel Garcia, Andrew Swerts, Markell Cox, Dylan Matheny, Sallie Hendrix, Max Morrow, Dylan Engholm, Nathan Alexander, Erin Newberry, Ryan Miller, Eric Aguilar, Catherine Ryan, Bumblebee Saxophone Quartet, Kopi Saxophone Quartet, Sunaru Saxophone Quartet, Rose Saxophone Quartet, Castalia Saxophone Quartet, University Of Arkansas, Fayetteville. Saxophone Ensemble

Concert Recordings & Programs

[00:00]. Cello Suite No. 4. Prelude / J.S. Bach -- [05:49]. Black Mary / Shelley Washington -- [14:54]. Ali / Alex Mincek -- [20:02]. Premiere Quatour. Andante / Jean Baptiste Singelee -- [26:15]. Variations Saxophoniques / Fernande Decruck -- [36:03]. Mountain Roads. Overture / David Maslanka -- [42:45]. Passaggi. Bugarka / Pepito Ros -- [47:46]. Blueprint / Caroline Shaw ; arranged by Dylan Matheny -- [55:16]. Lo Yisa Goy / Stacy Garrop -- [01:01:30]. First Suite in E-flat. Chaconne / Gustav Holst ; arranged by Christian T. Anderson.

Concert Recording 2021-11-08, Hannah Myers, Casey Hanauer, Michael Lindsey, Maryfrances Bressler, Gavin Engholm, Logan Morris, Jenna Wheeler, Lorilee Erdman, Katelyn Barry, Abigail Short, Josue Avelar, Theresa Delaplain, University Of Arkansas, Fayetteville. Blossom Winds

Concert Recordings & Programs

[00:00]. Six metamorphoses after Ovid. I. Pan ; IV. Bacchus ; V. Narcissus / Benjamin Britten -- [08:33]. Wind quintet, op. 79. I. Allegro non troppo / August Klughardt -- [17:19]. Shepherds of provence. I. Pastorale provencale ; II. Chant des berges provencaux (Call at dawn) ; III. Sous les etoiles (Beneath the stars) ; IV. Fete villageoise / Eugene Bozza -- [28:36]. Trio, op. 87. I. Allegro / Ludwig van Beethoven -- [37:59]. Brushstrokes. I. Monet / Alyssa Morris -- [41:03]. The dark-eyed sailor / Ralph Vaughan Williams ; arranged by Bussick.

Sonatina For Cello And Piano By Zoltan Kodaly In The Light Of Stile Evolution, Galiaskar Bigashev

Eurasian music science journal

The creative heritage of Zoltan Kodaly, an outstanding Hungarian composer and folklorist of the twentieth century, attracts attention with its deeply original national character, classical style and mastery of musical forms. However, often in the sphere of interests of musicologists, the analysis of his innovative musical and pedagogical system, symphonic and vocal music, prevails. Considering in this article one of the little-studied rarely performed Kodaly’s works - Sonatina for cello and piano-this paper fill the gap. Sonatina analyzed in a complex way: from the point of view of its formal structure, expressive features, style and musical language as such. The …

Safeguarding Curricular Self-Experiences In Undergraduate Music Therapy Education And Training, James Hiller, Courtney Belt, Susan Gardstrom, Joy Willenbrink-Conte

Department of Music Faculty Publications

The purpose of this paper is to put forth a model to support the psychological safety of undergraduate students as they engage in a form of experiential learning called self-experiences. Self-experiences pair active engagement in learning episodes with learner self-inquiry. The need to safeguard curricular self-experiences is grounded in the American Music Therapy Association’s Professional Competencies and Code of Ethics and the Certification Board for Music Therapists’ Board Certification Domains. We first explicate several types and benefits of self-experiences and identify potential risks and contraindications that may compromise learners’ psychological safety and even cause harm. Next, we describe …

The Future In Their Imaginations: Music And Robotics School Holidays Program For School-Aged Children, Adam Manning, Amelia Bessenyei, Helen English

The Transdisciplinary STEAM+ Journal

This report reflects on an exploratory STEAM workshop at the University of Newcastle, School of Creative Industries, Conservatorium of Music, Australia. Twenty-six middle school-aged students attended the two-day workshop. On the final day, students presented an immersive concert for parents and friends, showcasing creativity, innovation and teamwork. Interestingly, Lego robots were employed as a physical tool through which music-making students interacted with each other and built attributes of creative engagement. These attributes were measured via the Six C’s established by Bers comprising: (1) Collaboration; (2) Community Building; (3) Communication; (4) Content Creation; (5) Creativity; and (6) Choices of Conduct. This …

Music, Science And Expert Listening: Interdisciplinarity And Solo Percussion Performance, Georgina Hughes

The Transdisciplinary STEAM+ Journal

Contemporary culture is embracing the creative and pedagogical potential of interdisciplinary collaboration as a means of promoting the relevance of the arts in society. Dame Evelyn Glennie, the world’s first solo percussionist, is finding new ways to connect with the listener. Her motto, “to teach the world to listen” is intended to resonate both within and beyond her professional domain. Sounds of Science (2016), a collaborative project exploring mankind’s timeline of scientific innovation through music, visuals, narrative and live performance, offers an indicative example of how interdisciplinarity can serve to create art works which function as vibrant forums for learning …

Characteristics Of The Structure Of Quartet Cycles And Their Interpretation (On The Example Of The Works Of The Vienna Classics), Anvar Raimdjanov

Eurasian music science journal

The string quartet is central among the chamber instrumental ensembles. Despite the limited number of participants, the quartet ensemble is self-assembling, requiring no addition and harmonic support from a multi-voice instrument like the piano. The leading position of the string quartet in the panorama of other types of ensembles is well known. The highly developed quartet art has been widely spread in all countries of the world, including Uzbekistan. High-artistic quartet literature is an integral part of concert programs and educational repertoire of all levels of musical formation of stringers.

It should be noted that there is a stable demand …

Influence And Innovation: Beethoven's Impact On The Sonatas For Piano And Cello By Mendelssohn And Chopin, Patrick T. Bellah

Dissertations, 2020-current

The bulk of the scholarship in this paper centers around Beethoven’s five sonatas written for piano and cello and how he established a new normal within the genre. This is evidenced by what are arguably the two most noteworthy sonatas for the same instrumental medium, written by Mendelssohn and Chopin, following Beethoven’s death. I posit that the five sonatas written by Beethoven establish a series of models upon which the latter two works by his successors are based.

Chapters two and three of this document are separated into subsections that detail the plausibility of Beethoven’s influence through circumstantial evidence, musical …

Violin And Piano Pieces By Fattakh Nazarov In Concert-Performing And Educational-Pedagogical Practice, Adilhoca Azizov

Eurasian music science journal

This article examines pieces for violin and piano by the honored artist of Uzbekistan and Karakalpakstan, composer, conductor, professor Fattakh Nazarov (1919-1982). He is widely demanded in concert-performing and educational-pedagogical practice. Analyzing the pieces for violin and piano by F. Nazarov, the composer focuses on aspects such as programmaticity, imaginative world, musical language, and means of expressive performing. Based on the composer's editions, proposed solutions help performing musicians to achieve high quality sound embodiment and psychological impact on listeners.

In this article, the pieces for violin and piano by F. Nazarov are for the first time studied and previously unexplored …

Monitored Freedom: Swing Rhythm In The Jazz Arrangements Of Roland Dyens, Milton Mermikides

Soundboard Scholar

This paper provides an analysis of jazz swing in the work of classical guitarist and composer Roland Dyens. Drawing on Dyens’s published and recorded arrangements of jazz standards, I study both his notation and his performance of swing, starting with a preliminary study of his collection Night and Day and proceeding to a detailed analysis of Nuages—his notated arrangement and four recorded performances. To provide context for Dyens’s stylistic referents, I analyze Django Reinhardt’s 1940 ensemble performance of Nuages. Throughout the discussion, I utilize digital audio analysis and models of microtiming to reveal Dyens’s sophisticated understanding and execution …