Arts and Humanities Commons^™

Paul Hanson, Piano, Performing And Discussing The Solo Piano Music Of Arnold Schoenberg, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Keyboard Collaborative Arts Faculty Recital, Clara Cheng, Janet Kao, Esther Kim, Hye Young Kim, Mikhail Korzhev, Louise Thomas, Hannah Yi, Marc Callahan, Jenny Kim, Kyla Mccarrel, Emily Dyer Reed, Phillip Triggs

Printed Performance Programs (PDF Format)

No abstract provided.

2023-2024 Philharmonia No. 4, Lynn University Philharmonia, Guillermo Figueroa

Philharmonia

Philharmonia No. 4

• February 3, 2024 at 7:30 PM and February 4, 2024 at 3:00 PM
• Guillermo Figueroa, music director and conductor
• Sinfonietta, mov. 1 / Robert Luke Benedict -- Petrouchuka (1947 version) / Igor Stravinsky -- Symphony No. 7 in D Minor, op. 70, B. 141 / Antonin Dvorak

Lyris Quartet, Lyris Quartet

Printed Performance Programs (PDF Format)

No abstract provided.

2023-2024 Performance Forum - February 2, 2024, Li Yang Liu, Sheng Yuan Kuan, Youbeen Cho, Mark Severeniuk

Performance Forum

No abstract provided.

Dr. Ryan Fogg In A Guest Artist Recital, Ryan Fogg

Guest Artist Concert Performances, Programs, and Posters

This is the poster for the guest artist recital of pianist Dr. Ryan Fogg. The recital took place on February 1, 2024, in the McBeth Recital Hall.

Richard Becker, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Singing Culture: Songs Reflecting African American Life And Culture, Jennifer K. Mitchell, Kyounghwa Molinari

Faculty Performances

This is the poster for the faculty recital, "Singing Culture: Songs Reflecting African American Life and Culture," presented by soprano Dr. Jennifer K. Mitchell and pianist Kyounghwa Molinari. The recital took place on January 30, 2024, in the McBeth Recital Hall.

Senior Recital - Kimberly Lewin, Kimberly Ann Lewin

All Music Department Programs

This recital is in partial fulfillment of the requirements for the degree of Bachelor of Music in Music Performance.

2023-2024 Performance Forum - January 26, 2024, Yilian Concepcion, Jon Cruz, Mark Severeniuk, Sheng Yuan Kuan, Caroline Drantal, Yance Zheng

Performance Forum

No abstract provided.

Reflection, Reflexivity, Learning And The Influence Of Formalised And Experiential Piano Training, Dorothy Li

The Qualitative Report

This autoethnographic study examines how music learning is influenced by teachers and socio-cultural environments and how this influences not only our musical journeys but the way we view our lives, of the progress we have made, the goals in which we hope to achieve, and the way we perceive we will achieve them. This study explores how my musical background, understanding, learning, music-making abilities, and skills have shaped my present beliefs, attitudes and identity as a musician, educator, and researcher. Focusing on teacher pedagogy and practice, the study reveals how prevailing teacher-centred and didactic approaches to teaching impact the perspectives …

2023-2024 Performance Forum - January 19, 2024, Shuqi Yang, Yilian Concepcion, Brenda Lorenzo, Lillian Platte, Sheng Yuan Kuan

Performance Forum

No abstract provided.

Roger Voisin Memorial Trumpet Competition 2024, Marc Reese, Gerald Karni, Lynn University Philharmonia

Roger Voisin Memorial Trumpet Competition

Founder and Artistic Director

• Marc Reese

Judges

• Christopher Martin
• Amy McCabe
• Clément Saunier

Composer

• Joseph Turrin
• Comissioned Work: Sonata for Trumpet and Piano

Pianists

• Sheng-Yuan Kuan
• Lisa Leonard
• Tatiana Lokhina
• Darren Matias

Competition Schedule

• January 12, 2024 at 10:30 a.m. - Semi-final Round
• January 12, 2024 at 7:30 p.m. - Judges' Recital
• January 13, 2024 at 7:30 p.m. - Final Round and Award Ceremony

2023-2024 Performance Forum - January 12, 2024, Ryan Barrett, Graydon Howard, Gabrielle Malaniak, Samuel Dionisio, Rosa Ortega, Jeremy Jefferson, Sheng Yuan Kuan

Performance Forum

No abstract provided.

All Things New: An Analysis Of Alfred Gaul’S “A New Heaven And A New Earth”, Hope V. Dornfeld

Montview Journal of Research & Scholarship

These program notes originally accompanied the performance of a vocal piece, “A New Heaven and a New Earth” by English composer Alfred Robert Gaul. The notes provide a brief overview of the historical context of Gaul’s work as well as an examination of classification difficulties that arise when dealing with sacred works of the mid-to-late nineteenth century. They further detail the unique challenges that are inherent in presenting an underperformed musical work. As part of a performing arts research project, these program notes also address the methods of expression and creative process that went into preparing the performance of this …

Kentucky Music Legacy Project (Fa 1411), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1411. Audio interviews conducted by WKU students with regional musicians regarding their experience and thoughts about the southcentral Kentucky music legacy.

Ecuadorian Vocal Anthology In Four Rhythms, Wagner Mauricio Pástor Pazmiño Dr.

Theses and Dissertations--Music

Ecuador is a pluricultural and multilingual territory with four natural regions, several musical genres, and interpretations. Amazon, Galápagos, Mountain Range, and Coastal region. In the following dissertation, the author develops concepts of four traditional rhythms, their composers, and harmonic and phonetic characteristics from the mountain range region of his homeland, Ecuador.

The present document is a descriptive study of vocal Andean music and the application of the operatic style in classical vocal technique for performance practice.

The dissertation will support a lecture recital to fulfill the doctoral program's requirement in voice performance from the University of Kentucky.

Sculpting Time: A Performance Guide To Four Fragments Of Time By Marcus Siqueira, Luis Felipe Vargas Magdaleno De Moraes

Theses and Dissertations--Music

This dissertation investigates the musical and phenomenological aspects of Four Fragments of Time by Marcus Siqueira (b. 1974) and provides a performance guide for this work. Furthermore, this dissertation analyzes previous guitar works by the composer, seeking to understand Siqueira’s compositional idiosyncrasies and to provide context for the interpretation of Four Fragments of Time. This dissertation includes a biography of the composer, an analysis of the compositional process of Four Fragments of Time, an analysis of the recurrent idiomatic procedures in Siqueira’s guitar works, and an overview of the collaborative process between the composer and the author. Additionally, an analysis …

Response To “Spontaneous Wellsprings Of Music” By Nicholas Mcnair, Michael Hamman

Turning Toward Being: The Journal of Ontological Inquiry in Education

No abstract provided.

The Spontaneous Wellsprings Of Music, Nicholas Mcnair

Turning Toward Being: The Journal of Ontological Inquiry in Education

Western Classical Music has traditionally been described in terms of fixed structures, carefully built up by the composer and presented to the performer in the form of a score. This has crystallised over the centuries into an ideological position which, in the last analysis, gives absolute authority to the composer over the performer, severely limiting the freedom of expression of the latter. In this article I seek to reverse this position by pointing to the essential spontaneity, represented by improvisation, that lies at the heart of all music-making, albeit fiercely opposed by the fundamentalism of an endless number of structural …

An Examination Of Maria Schneider’S Big Band Artistry Through The Lens Of Wind Band Arranging, Amy Birdsong

Dissertations, 2020-current

Within the world of instrumental music there tends to be strict adherence to styles and genres that have historically been connected to a standard collection of instruments. Wind ensembles are expected to perform contemporary art music, orchestral transcriptions, or military marches, with little expectation of individual creative interpretation. Jazz ensembles, or “big bands,” are expected to perform styles of music such as “swing,” which cannot be properly notated using western notation, while also being rigidly glued to reduced instrument choices, repetitive chord cycles and standard song forms. While wind ensemble performers are confined to read and perform all aspects of …

Selected Lieder Transcriptions Of Franz Liszt And Leopold Godowsky: A Comparative Analysis, Jeremiah Padilla

Dissertations, 2020-current

Musicians have held differing views regarding the art of transcription. Purists, who are against the very idea of transcribing existing works, think of the genre as being disrespectful to the composer(s) of the original work. Conversely, musicians who appreciate the art of transcription welcome the opportunity to perform works not originally written for the piano. This document will examine Lieder (German art songs) transcriptions, which is is a valuable genre for transcription. The Lied has historically appealed to many composers, particularly Liszt and his contemporary, Leopold Godowsky, as a source of transcription material.

Chapters one and two will primarily compare …

The Art Of Sustaining Orchestras Through Intentional Educational Experiences, Kimberly Souther

Dissertations, 2020-current

The purpose of this study is to identify the most current and successful advances in audience engagement that champion connection and result in sustainability through purposeful educational experiences.

The Symphony Orchestra currently serves an audience which represents a multiplicity of perspectives, background, and understanding. In an era of expanded canon and outreach to local communities, the orchestra must acknowledge that change is necessary if we are to truly create fulfilling experiences for our listeners. Unfortunately, many orchestras fail to connect their outreach to the concert hall, woefully categorizing their patrons into pre-determined subsets. What if all patrons were trusted with …

Effect Of Selective Memory And Use Of Triangulation To Critique Songwriting, Maxwell A. Ramsey

Recital Papers

The cowriting of three successful popular songs is reconstructed through blind interviews with each of the contributors. In addition to insights into the actual compositional aspects, the interview questions were designed to reveal what role music industry executives may have played in arranging, inspiring, or promoting the songs throughout their journey to find success. The process of triangulation was applied to the interview answers in accordance with previous successful qualitative research methods to uncover the decisions and techniques that proved pivotal in best serving the respective song idea. The ultimate success of the songs is examined through chart and sales …

Chamber Studio Recital, Andrews University

Concerts and Event Programs 2023-2024

Chamber Studio Recital performs works by Pau Rougnon, Ludwig Van Beethoven, and Johannes Brahms.

Holiday Wassail Concert, Chapman Orchestra, Chapman University Treble Choir, Chapman University Choir, Chapman University Singers

Printed Performance Programs (PDF Format)

No abstract provided.

Exploring The 19th-Century Bel Canto Style In Flute Playing: Selected Compositions By Leonardo De Lorenzo, Katerina Bachevska

Doctoral Projects

The subject of this research project is the accomplished and multifaceted Italian-American flutist, pedagogue, writer, and composer, Leonardo De Lorenzo. Although a limited amount of information is available about De Lorenzo, the bulk of all substantial research on the musician is predominantly in Italian, thereby creating limited accessibility for those who are not fluent in the language. Despite his significant musical influences, De Lorenzo's legacy remains underappreciated outside of Italian-speaking circles, leaving a profound void in the knowledge of his unique musical style and artistic vision. This document aims to bridge that void by providing contextualized information about this remarkable …

La Fiesta Del Espiritu Santo: An Original Work For Choir, Soloists, And Small Ensemble Influenced By The Santeria Music Of The African-Dominican Community In The Dominican Republic, Rafael Scarfullery

Electronic Theses and Dissertations

ABSTRACT

This study examines the role of Santería music as practiced by African Dominicans in Villa Mella, a neighborhood of Santo Domingo, Dominican Republic. This musical tradition comes from the culture and religion of the Yoruba people who were brought as slaves from Africa, and features complex drum rhythms and call-and-response chants. This paper deals with the historical and social context of Santería music within the Dominican Republic, but its principal objective is to adopt the musical language of this tradition and use it to create a new contemporary work for mixed choir and small ensemble.

One of the most …

Ouachita Jazz Band In A Concert, Jazz Band

Student Concert Performances, Programs, and Posters

This is the poster for the Ouachita Jazz Band concert held on December 8, 2023, at Dr. Jack's.

2023-2024 Performance Forum (Chamber Juries) - December 8, 2023, Jeremy Jefferson, Yubin Zhang, Clarece Lamarr, Nia Morgan, Peter Pao, Yance Zheng, Hoon Chang, Nataniel Farrar, Keegan Neely, William Penn, Pablo Camacho, Paola Garcia, Lite Pei, Julian Rauh, Ethan Sanchez, Giah Bush, Isabella Swalm, Sarah Conley, Jaewon Baek

Performance Forum

No abstract provided.