Arts and Humanities Commons^™

Faculty Recital: James Thornton, Bassoon; Patricia Whikehart, Piano; Herbert Sanders, Technical Assistance; November 18, 1970, James Thornton, Patricia Whikehart, Herbert Sanders

School of Music Programs

Lecture (CE) 121
November 18, 1970
8:15 p.m.

The Quarles Trio, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Ensemble Concerts: Contemporary Percussion Quartet And Percussion Ensemble, November 11, 1970, Illinois State University School Of Music

School of Music Programs

Centennial Lecture Hall
November 11, 1970
8:15 p.m.

[Faculty Recital]: Lindsey Peters, Soprano; John Mackay, Piano; Jack Jarrett, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Gordon Warren, Percussion; Harold Gray, Piano; November 1, 1970, Gordon Warren, Harold Gray

School of Music Programs

CE121
November 1, 1970
3:00 p.m.

Suzanne Kidd, Organist, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Junior Recital: Douglas Trumble, Tenor; Donna Stadsholt, Piano; October 18, 1970, Donna Trumble, Donna Stadsholt

School of Music Programs

Lecture Hall
October 18, 1970
3:00 p.m.

Faculty Recital: Alan Peters, Bass-Baritone; Harold Gray, Piano; October 11, 1970, Alan Peters, Harold Gray

School of Music Programs

Capen Auditorium
October 11, 1970
3:00 p.m.

Brahms' Vier Ernste Gesange, Moses Turner

All Master's Theses

An investigation into the style characteristics of Vier Ernste Gesange should help one to better interpret and perform the composition. Inasmuch as this cycle is one of Brahms' most introspective compositions, a study of this work would seem to have value for any singer.

Current Status Of Chamber Ensembles In The First-Class High Schools Of Washington State, Dennis C. Crabb

All Master's Theses

The problem concerned in this paper is to establish the extent to which ensembles are used as a teaching method in music departments of the high schools of the first-class school districts of Washington State.

The Preparation Of A Graduate Eb Alto Saxophone Recital, Thomas G. Barber

All Master's Theses

For years there has been a controversy about whether a person must be a good performer to be a good teacher. It is the writer's hypothesis that the musicianship developed in becoming a better performer will help one to become a better teacher.

Ua37/35/1 Cultural Enrichment Through Community Action, O. J. Wilson

Faculty/Staff Personal Papers

Final report for he Cultural Enrichment through Community Action project 1966 to 1970 "as a technique to eliminate a cultural blight or void in the areas of art, music and theatre in the service area of Western Kentucky University." [Final Report, p. 1]

75th Annual Convocation, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 75th Annual Spring Concert at Orchestra Hall (220 South Michigan Avenue) on May 26, 1970 and the Convocation ceremony at The Kungsholm (100 East Ontario Street) on June 16, 1970

Marshall University Music Department Presents A Faculty Recital, J.D. Folsom, Trumpet, William B. Stacy, French Horn, John H. Mead, Trombone, J. D. Folsom, William B. Stacy, John H. Mead

All Performances

No abstract provided.

Ua37/39 Gemini 15 Program, David Livingston

Faculty/Staff Personal Papers

Program for Gemini 15 concert held in Van Meter Auditorium, May 21, 1970. Part of UA37/39 David Livingston Personal Papers donated by Pam Thurman.

Marshall University Music Department Presents A Graduate Student Recital, Mary Lusk

All Performances

No abstract provided.

Marshall University Music Department Presents The Zeta Eta Chapter, Phi Mu Alpha Sinfonia, Actives Recital, Paul A. Balshaw

All Performances

No abstract provided.

Marshall University Music Department Presents A Senior Recital, Myrna Davis Mckendree, Soprano, Cletis E. Napier, Tenor, Myrna Davis Mckendree, Cletis E. Napier

All Performances

No abstract provided.

Marshall University Music Department Presents The A Cappella Choir, The Chamber Singers, Paul A. Balshaw Dr.

All Performances

No abstract provided.

Marshall University Music Department Presents William R. Davidson, Piano, William R. Davidson

All Performances

No abstract provided.

Marshall University Music Department Presents The Marshall Community Symphony In A Freedom Concert, Alfred P. Lanegger

All Performances

No abstract provided.

Visions Infernales: Characteristics Of Style And Interpretation, George F. Skipworth

All Master's Theses

Visions Infernales by the French composer Henri Sauguet is a song cycle for the bass voice with piano accompaniment set to a text by the twentieth-century poet, }fax Jacob. This composition, published in France in 1950, is contemporary in style with considerable dissonance, and therefore is probably not well known in this country. However, student and professional should become more familiar with the style characteristics and performance of modern repertoire.

Marshall University Music Department Presents The Symphonic Choir, Symphonic Wind Ensemble, Paul A. Balshaw, Robert R. Clark, Jane Hobson, Paul W. Whear

All Performances

No abstract provided.

Marshall University Music Department Presents The Symphonic Choir, Paul A. Balshaw

All Performances

No abstract provided.

The University Choir, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Marshall University Music Department Presents An Opera Workshop, Don Pasquale, Paul A. Balshaw

All Performances

No abstract provided.

Marshall University Music Department Presents A Senior Recital, James T. Romanek, Saxophone, Debora Sue Bailes, Clarinet, James T. Romanek, Debora Sue Bailes

All Performances

No abstract provided.

Six Chansons Of Paul Hindemith : An Analysis In Relation To Performance, Pamela Jean Flory

Undergraduate Honors Thesis Collection

The Problem

To determine what factors are necessary for the choral director to achieve a successful and musical performance of Six Chansons.

Source of Data

The data used as a basis for this study has been obtained chiefly from texts, contact with successful choral directors, and personal experiences.

Method and Objectives

An analytical study of the composer's life and works will be made. A textual analysis of each of the songs will be presented along with a detailed musical analysis. The purpose of this study is as follows:

1. To show the necessity for an analytical study in achieving a musical …

Wvme 1970 State Convention, Charleston, Nels Leonard

All Performances

No abstract provided.

Zeta Eta Chapter Of Phi Mu Alpha Sinfonia And The Marshall University Music Department Presents The Third Annual Contemporary Music Festival, Gardner Read

All Performances

No abstract provided.