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Articles 23821 - 23850 of 25515
Full-Text Articles in Arts and Humanities
Ensemble Concerts: Contemporary Percussion Quintet And Repertory Percussion Ensemble, December 15, 1971, Roger Faulmann
Ensemble Concerts: Contemporary Percussion Quintet And Repertory Percussion Ensemble, December 15, 1971, Roger Faulmann
School of Music Programs
Centennial East Recital Hall
Wednesday Evening
December 15, 1971
8:15 p.m.
Ensemble Concerts: Men's Glee Club, December 14, 1971, Lloyd Farlee, Tom Biggins
Ensemble Concerts: Men's Glee Club, December 14, 1971, Lloyd Farlee, Tom Biggins
School of Music Programs
Capen Auditorium
Tuesday Evening
December 14, 1971
8:15 p.m.
1971 Ursinus College Messiah Performance Program, Music Department
1971 Ursinus College Messiah Performance Program, Music Department
Messiah Programs
This music event program from 1971 contains information about the 34th annual performance of Handel's "Messiah" at Ursinus College. It lists the performers and conductor as well as the order of each piece of music.
Ensemble Concerts: Chamber Orchestra, December 8, 1971, Robert Oppelt
Ensemble Concerts: Chamber Orchestra, December 8, 1971, Robert Oppelt
School of Music Programs
Recital Hall
December 8, 1971
8:15 p.m.
Recital: Mary Costa, Soprano; David Garvey, Piano; December 7, 1971, Mary Costa, David Garvey
Recital: Mary Costa, Soprano; David Garvey, Piano; December 7, 1971, Mary Costa, David Garvey
School of Music Programs
Capen Auditorium
December 7, 1971
8:15 p.m.
Guest Recital: Edward Kaizer, Piano; December 2, 1971, Edward Kaizer
Guest Recital: Edward Kaizer, Piano; December 2, 1971, Edward Kaizer
School of Music Programs
Centennial East Recital Hall
Thursday Evening
December 2, 1971
7:00 p.m.
Faculty Woodwind Quintet: Max Schoenfeld, Flute; David Sheaffer, Oboe; Herbert Sanders, Clarinet; James Thornton, Bassoon; Philip Hillstrom, Horn; December 2, 1971, Max Schoenfeld, David Sheaffer, Herbert Sanders, James Thornton, Philip Hillstrom
Faculty Woodwind Quintet: Max Schoenfeld, Flute; David Sheaffer, Oboe; Herbert Sanders, Clarinet; James Thornton, Bassoon; Philip Hillstrom, Horn; December 2, 1971, Max Schoenfeld, David Sheaffer, Herbert Sanders, James Thornton, Philip Hillstrom
School of Music Programs
Hayden Auditorium
Thursday Evening
December 2, 1971
8:15 p.m.
Faculty Recital: Won-Mo Kim, Violin; Harold Gray, Piano; November 21, 1971, Won-Mo Kim, Harold Gray
Faculty Recital: Won-Mo Kim, Violin; Harold Gray, Piano; November 21, 1971, Won-Mo Kim, Harold Gray
School of Music Programs
Centennial East Recital Hall
Sunday Evening
November 21, 1971
8:15 p.m.
Piano Music For Four Hands, Department Of Music, University Of Richmond
Piano Music For Four Hands, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Faculty Recital: Max Schoenfeld, Flute; Harold Gray, Piano; November 18, 1971, Max Schoenfeld, Harold Gray
Faculty Recital: Max Schoenfeld, Flute; Harold Gray, Piano; November 18, 1971, Max Schoenfeld, Harold Gray
School of Music Programs
Hayden Auditorium
Thursday Evening
November 18, 1971
8:15 p.m.
Guest Recital: Michael Coonrod, Piano; November 17, 1971, Michael Coonrod
Guest Recital: Michael Coonrod, Piano; November 17, 1971, Michael Coonrod
School of Music Programs
Centennial East Recital Hall
Wednesday Evening
November 17, 1971
8:15 p.m.
Senior Recital: Robert W. Gill, Percussion; Kris Baker, Piano; November 14, 1971, Robert W. Gill, Kris Baker
Senior Recital: Robert W. Gill, Percussion; Kris Baker, Piano; November 14, 1971, Robert W. Gill, Kris Baker
School of Music Programs
Centennial East Recital Hall
Sunday Afternoon
November 14, 1971
3:15 p.m.
Faculty Recital: Christoph Henkel, Cello; Francoise Regnat, Piano; November 12, 1971, Christoph Henkel, Francoise Regnat
Faculty Recital: Christoph Henkel, Cello; Francoise Regnat, Piano; November 12, 1971, Christoph Henkel, Francoise Regnat
School of Music Programs
Centennial East Recital Hall
Friday Evening
November 12, 1971
8:15 p.m.
Ensemble Concerts: Contemporary Percussion Quintet And Concert Percussion Ensemble, November 3, 1971, Roger Faulmann
Ensemble Concerts: Contemporary Percussion Quintet And Concert Percussion Ensemble, November 3, 1971, Roger Faulmann
School of Music Programs
Centennial East Recital Hall
Wednesday Evening
November 3,1971
8:15 p.m.
Graduate Woodwind Quintet: Sally Titland, Flute; Peggy Mccreary, Oboe; Sarkis Halajian, Clarinet; Lora Tannenholz, Horn; Adrienne Nescot, Bassoon; November 1, 1971, Sally Titland, Peggy Mccreary, Sarkis Halajian, Lora Tannenholz, Adrienne Nescott
Graduate Woodwind Quintet: Sally Titland, Flute; Peggy Mccreary, Oboe; Sarkis Halajian, Clarinet; Lora Tannenholz, Horn; Adrienne Nescot, Bassoon; November 1, 1971, Sally Titland, Peggy Mccreary, Sarkis Halajian, Lora Tannenholz, Adrienne Nescott
School of Music Programs
Hayden Auditorium
Monday Evening
November 1, 1971
8:15 p.m.
Faculty Trio Concert: Tong-Il Han, Piano; Won-Mo Kim, Violin; Christoph Henkel, Cello; October 31, 1971, Tong-Il Han, Won-Mo Kim, Christoph Henkel
Faculty Trio Concert: Tong-Il Han, Piano; Won-Mo Kim, Violin; Christoph Henkel, Cello; October 31, 1971, Tong-Il Han, Won-Mo Kim, Christoph Henkel
School of Music Programs
Centennial East Recital Hall
Sunday Evening
October 31, 1971
8:15 p.m.
Stafford Wing, Tenor, Department Of Music, University Of Richmond
Stafford Wing, Tenor, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Faculty Recital: Ed Livingston, Tuba; Harold Gray, Piano; October 27, 1971, Ed Livingston, Harold Gray
Faculty Recital: Ed Livingston, Tuba; Harold Gray, Piano; October 27, 1971, Ed Livingston, Harold Gray
School of Music Programs
Capen Auditorium
Wednesday Evening
October 27, 1971
8:15 p.m.
Ensemble Concerts: Concert And Treble Choir, October 21, 1971, Donald Armstrong, Douglas Weeks, Patricia Whikehart
Ensemble Concerts: Concert And Treble Choir, October 21, 1971, Donald Armstrong, Douglas Weeks, Patricia Whikehart
School of Music Programs
Capen Auditorium
Thursday Evening
October 21, 1971
8:15 p.m.
Faculty Recital: Tong-Il Han, Piano; October 20, 1971, Tong-Il Han
Faculty Recital: Tong-Il Han, Piano; October 20, 1971, Tong-Il Han
School of Music Programs
Centennial East Recital Hall
October 20,1971
Wednesday Evening
8:15 p.m.
Faculty Recital: Robert Oppelt, Viola; Harold Gray, Piano; October 17, 1971, Robert Oppelt, Harold Gray
Faculty Recital: Robert Oppelt, Viola; Harold Gray, Piano; October 17, 1971, Robert Oppelt, Harold Gray
School of Music Programs
Capen Auditorium
Sunday Evening
October 17,1971
8:15 p.m.
Faculty Recital: Alan Peters, Bass-Baritone; Harold Gray, Piano; October 3, 1971, Alan Peters, Harold Gray
Faculty Recital: Alan Peters, Bass-Baritone; Harold Gray, Piano; October 3, 1971, Alan Peters, Harold Gray
School of Music Programs
Capen Auditorium
Sunday Evening
October 3,1971
8:15 p.m.
Faculty Recital: Philip Hillstrom, Horn; Harold Gray, Piano; Diane Merril, Violin; Miriam Oppelt, Violin; Toyoko Henkel, Violin; September 30, 1971, Philip Hillstrom, Harold Gray, Diane Merrill, Miriam Oppelt, Toyoko Henkel
Faculty Recital: Philip Hillstrom, Horn; Harold Gray, Piano; Diane Merril, Violin; Miriam Oppelt, Violin; Toyoko Henkel, Violin; September 30, 1971, Philip Hillstrom, Harold Gray, Diane Merrill, Miriam Oppelt, Toyoko Henkel
School of Music Programs
Capen Auditorium
Thursday Evening
September 30, 1971
8:15 p.m.
Ensemble Concerts: Summer Choir In Concert, August 8, 1971, Donald Armstrong
Ensemble Concerts: Summer Choir In Concert, August 8, 1971, Donald Armstrong
School of Music Programs
Hayden Auditorium
August 8, 1971
8:00 p.m.
The Performance Interpretation Of Paul Creston's Six Preludes, Opus 38 For Piano, Ginger Anne Jensen
The Performance Interpretation Of Paul Creston's Six Preludes, Opus 38 For Piano, Ginger Anne Jensen
All Master's Theses
It was the purpose of this study to help enable a pianist to make the best possible interpretation of the work for piano, Six Preludes, Opus JS by Paul Creston. The procedure used was (1) devising alternate melodic, rhythmic, and tempo interpretations and alternate ways of pedaling; (2) consultations with the composer, which included performing the work for him and questioning him concerning the alternate methods; and (3) finally deciding upon the composer's preferred interpretation for performance of the work.
Handel's Bass Solos In His Oratorios, Ronald E. Jones
Handel's Bass Solos In His Oratorios, Ronald E. Jones
All Master's Theses
Handel, recognized as a great Baroque composer, has had his vocal compositions performed by most serious singers. Many of these would agree that his compositions are, in general, very considerate of the singer and seldom vocally awkward. Since Handel wrote for all types of voices, most singers may find appropriate literature in his oratories. All singers should have some acquaintance with Handel's vocal compositions. Unfortunately, much of the present repertoire represents little of the bel canto techniques of the golden age of singing of which Handel was a part. This writer believes every serious vocal student should at least know …
Recital: Vincent Cosmano, French Horn; Sharon Kazmierski, Piano; Diane Merrill, Violin; August 1, 1971, Vincent Cosmano, Sharon Kazmierski, Diane Merrill
Recital: Vincent Cosmano, French Horn; Sharon Kazmierski, Piano; Diane Merrill, Violin; August 1, 1971, Vincent Cosmano, Sharon Kazmierski, Diane Merrill
School of Music Programs
Centennial Recital Hall
August 1, 1971
4:00 p.m.
A Survey Of Saxophone Literature, John A. Johnson
A Survey Of Saxophone Literature, John A. Johnson
All Master's Theses
In preparing a graduate recital the writer had to select a variety of music for his program. In reviewing several small lists of saxophone music, one comprehensive collection would have been more helpful. Many hours of research in comparing smaller catalogues could have been spared the writer, if one complete survey had been available. Music teachers, students and professional musicians also could use one comprehensive list extensively and from it obtain the needed music more quickly and efficiently.
Characteristics Of Style In On The Beach At Fontana, Jeffrey Lloyd Mitchell
Characteristics Of Style In On The Beach At Fontana, Jeffrey Lloyd Mitchell
All Master's Theses
An investigation of this contemporary vocal composition has revealed many unusual features. To accomplish a competent performance these features should be examined and understood.
76th Annual Convocation; 76th Annual Spring Concert, Sherwood Music School
76th Annual Convocation; 76th Annual Spring Concert, Sherwood Music School
Commencement Programs
Programs for the Sherwood Music School 76th Annual Spring Concert held at Thorne Hall (740 North Lake Shore Drive) on Jnue 6, 1971 and the Commencement ceremony held at Recital Hall (1014 South Michigan Avenue) on June 16, 1971.