Arts and Humanities Commons^™

Senior Recital: Peyton Gray, Trombone; Lu Witzig, Piano; April 5, 2024, Peyton Gray, Lu Witzig

School of Music Programs

Kemp Recital Hall
April 5, 2024
Friday Evening
9:00 p.m.

Junior Recital: Jennifer Budlong-Brewer, Saxophone; Lu Witzig, Piano; Lauren Cancio, Trumpet; April 5, 2024, Jennifer Budlong-Brewer, Lu Witzig, Lauren Cancio

School of Music Programs

Kemp Recital Hall
April 5, 2024
Friday Evening
6:00 p.m.

Soundscape - A Guided Approach To Post-Tonal Horn Repertoire, Selena B. Boyda

LSU Doctoral Dissertations

More modern post-tonal works are being composed and it is imperative that horn players interpret the music as accurately as possible. Analyzing the music is a way one can interpret the music accurately. The purpose of this research is to develop a guided approach for interpretation of post-tonal horn repertoire using analytical techniques. Selected works analyzed and used are Olivier Messiaen’s “Appel Interstellaire,” Stanley Friedman’s Topanga Variations, and Jenni Brandon’s Dawn. Analytical techniques used include set theory, limited modes of transposition, contour relations, motivic patterns, modal analysis, and motifs.

Sophomore Recital: Chelsea Davis, Flute; Lu Witzig, Piano; April 5, 2024, Chelsea Davis, Lu Witzig

School of Music Programs

Kemp Recital Hall
April 5, 2024
Friday Evening
7:30 p.m.

A Study Of Selected Vocal Works By Shande Ding: The Mysterious Sound Of Flute And Poems On Western Yunnan, Chuyan Luo

LSU Doctoral Dissertations

This study aims to delve into and interpret “The Mysterious Sound of Flute” and “Poems on Western Yunnan” from a singer’s perspective while also providing guidance and recommendations for other performers. The research encompasses the history of Chinese art songs, a biography of Shande Ding, and an introduction to his compositional style. A comprehensive examination of each song includes background information, song analysis, translation, a Chinese lyric diction guide, and performance suggestions.

Art songs constitute a significant genre in music composition, and Chinese art songs have yielded numerous outstanding composers and captivating works over the years. Among these composers, Shande …

Yiyang Cheng, Composition In A Graduate Recital, April 4, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Caroline Mcreynolds & Lauren Geerlings, Oboe, April 4, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Uni Concert Band, April 4, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Introducing Chinese Folk Songs Through Arrangements For Trombone & Piano And Chamber Music, Tianyu Xue

LSU Doctoral Dissertations

The scarcity of trombone in traditional Chinese music reflects the limited exposure and education for the trombone in China. Additionally, Chinese folk songs have minimal presence on the global stage. This project will bridge this gap by developing a series of trombone pieces that incorporate Chinese musical elements, explicitly focusing on elevating Chinese folk songs through trombone performance. This initiative offers an opportunity for trombonists worldwide to delve into the richness of Chinese folk music. The core of this work involves selecting Chinese folk songs that represent diverse historical contexts, regional characteristics, and emotional content and then arranging them for …

Unveiling The Idiomatic And Performance Inspirations: A Comparative Study Of The Red Violin Caprices By John Corigliano., Johan Alexander Pepper

LSU Doctoral Dissertations

John Corigliano's composition for "The Red Violin," a 1998 film by Don McKellar and François Girard, presents a multifaceted exploration of thematic material and performance challenges. This dissertation investigates Corigliano's creation of the "Red Violin" Caprices, examining their origins in the film's soundtrack and their transformation into solo works. Corigliano's intention to showcase the artistry of violinist Joshua Bell through these caprices underscores their technical and musical complexity. The Caprices, replete with references to the Baroque era and various virtuosic works, demand a high level of virtuosity from performers. Drawing on a sequence of seven chords and Anna’s Theme from …

Recital: Violin Studio: Music From Latin America, April 4, 2024, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
April 4, 2024
Thursday Evening
7:30 p.m.

Emerging Artist Competition, April 3, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Maria Rosa Ribas Monné: A Case Study, Rebeca Lemos Gonzalez

LSU Doctoral Dissertations

This dissertation explores the musical legacy of Catalan composer Maria Rosa Ribas Monné, emphasizing the influence of the Catalan context on her compositions and recognizing the contributions of Spanish women in music, particularly in cello music. Through an in-depth exploration of Maria Rosa's life, musical perspective, and analysis of her works "Faust", "Disperato,"and "Record d'una música," this study unveils pivotal insights into her artistic journey. Additionally, it includes a comprehensive catalogue of her compositions, providing a detailed overview of her musical output.

The dissertation begins by examining how M. Rosa Ribas' deep connection to Catalan culture, influenced by poet Màrius …

A Study Of Select Arias From Three Obscure Operas By Antonio Vivaldi: ‘Ottone In Villa,’ ‘Arsilda, Regina Di Ponto,’ And ‘Il Farnace’, Qinan Cai

LSU Doctoral Dissertations

This paper provides an analysis of select compositional tools found in chosen arias from Antonio Vivaldi’s lesser-known operas, Ottone in Villa RV 729, Arsilda, Regina di Ponto RV 700, and Farnace RV 711. It aims to illuminate Vivaldi’s exploration of human emotions and relationships through his music. The research focuses on select arias from each opera, emphasizing Vivaldi’s compositional style, use of sequential patterns, development of harmonic shifts in the music, and the inclusion of the Lombardic rhythm. In addition, commentary is included regarding the application of modal principles, and rhythmic speech patterns. The study also offers historical context and …

Recital: Bassoon Studio, April 3, 2024, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
April 3, 2024
Wednesday Evening
7:30 p.m.

Sequencing Orchestral Repertoire For Collegiate Orchestras: Addressing The Educational Needs Of Students In Various Stages Of Development, Cheuk Nok Francis Ku

LSU Doctoral Dissertations

Sequencing is a fundamental aspect of music education, not only in individual instrumental teaching but also in large-ensemble instruction. Collegiate orchestras, like other educational ensembles, experience turnover of students each academic year, and face unique challenges in repertoire selection due to the diverse skill levels and experience of their members. This document presents a case study of the LSU Symphony Orchestra program spanning from 2021 to 2024, and complements a performance featuring works by Amy Beach, Ludwig van Beethoven, Joseph Haydn, and José Pablo Moncayo. The document also delved into the study of performance practice during the Classical period and …

Uni Elementary Treble Honor Choir Festival, April 2, 2024 [Program}, University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Charles W. Bolen Faculty Recital Series: Faculty String Quartet: Dr. Igor Kalnin, Violin; Gibson Swalley, Violin; Katherine Lewis, Viola; Cora Swenson Lee, Cello; Kimberly Risinger, Flute; April 2, 2024, Igor Kalnin, Gibson Swalley, Katherine Lewis, Cora Swenson Lee, Kimberly Risinger

School of Music Programs

Kemp Recital Hall
April 2, 2024
Tuesday Evening
7:30 p.m.

Clap Your Hands: Schola Cantorum, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

2023-2024 Junior Recital - Maria Paula Mora Alfaro (French Horn), Paula Mora Alfaro, Brenda Lorenzo

Junior and Senior Recitals

No abstract provided.

Clarinet Chamber Music Recital, April 1, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

The Correlates Of Neurobiology And Lived Experiences Of Music-Induced Bonding, Empathy, And Shared Flow, Ashley Marie Sherwood

Masters Theses

An alarming decline in mental health and increase in addiction and substance use disorders over the last few decades have generated increased interest in exploring how improved social health in the community could be a protective factor against mental health crises. Interventions which increase perceived emotional synchrony and shared flow may positively impact the social fabric of society. This paper examines the relationship between self-reported perceptions of emotional synchrony and shared flow and changes in measures of cortisol, dopamine, oxytocin, and vasopressin in blood samples following musical improvisation, with a review of relevant literature also presented. Vasopressin was found to …

A Poetics Of Handel’S Operas, By Nathan Link, Jonathan Rhodes Lee

Music Faculty Research

Textbooks and program notes summarize the relationship between story and music in opera seria with tidy bullet points: recitatives = action; arias = reflection; ensembles sometimes contribute to a story’s progression, while instrumental pieces typically do not. Nathan Link’s A Poetics of Handel’s Operas dismisses such generalizations as caricatures, going so far as to assert that opera seria is “easily among the most complex forms of storytelling yet devised” (p. 7). The author turns to narratological theory, with occasional forays into opera studies and cinema studies (including film music scholarship), to explain the “semantic decoding” (p. 2) that audiences must …

Junior Recital: Lydia Cermak, Horn; Grant Cermak, Piano; April 1, 2024, Lydia Cermak, Grant Cermak

School of Music Programs

Kemp Recital Hall
April 1, 2024
Monday Evening
7:30 p.m.

Exploring The Spanish Pianistic Landscape: A Study On Salvador Brotons's Solo Piano Works, Angela P. Gonzalez Gimenez

LSU Doctoral Dissertations

This dissertation delves into the figure of Spanish composer Salvador Brotons, focusing on his solo piano works, particularly his Piano Sonata, Op. 124. Through performative and music theory analyses, it aims to deepen musicians' understanding of Brotons's compositional style, providing insights into his musical language and influences. Key questions addressed include Brotons's compositional style, influences in his music, and the necessary insights for effective performance. Brotons, a multifaceted musician, excels not only as a composer but also as an instrumentalist, conductor, and educator, enriching each role with his diverse expertise. The study concentrates on his piano compositions while acknowledging …

Senior Recital: Aneesah Phillips, Soprano; Aerim Kim, Piano; March 30, 2024, Aneesah Phillips, Aerim Kim

School of Music Programs

Kemp Recital Hall
March 30, 2024
Saturday
Noon

Graduate Recital: Sara Eckert, Percussion; Erin Brown, Clarinet; Aidan Perrault, Vibraphone; Matt Mcadams, Marimba; Hannah Fedorchak, Marimba; Wyatt Matson, Marimba; March 30, 2024, Sara Eckert, Erin Brown, Aidan Perrault, Matt Mcadams, Hannah Fedorchak

School of Music Programs

Kemp Recital Hall
March 30, 2024
Saturday Afternoon
2:00 p.m.

2023-2024 Senior Recital - Peter Pao (Cello), Peter Pao, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

2023-2024 Junior Recital - Steven Halpner (Percussion), Steven Halpner, Jeremiah Grace

Junior and Senior Recitals

No abstract provided.

Chapman University Choir And University Singers, Chapman University Choir, Chapman University Singers

Printed Performance Programs (PDF Format)

No abstract provided.