Arts and Humanities Commons^™

Muop 356/856: Intermediate/Advanced Opera Techniques—A Peer Review Of Teaching Project Inquiry Portfolio, Jamie M. Reimer

UNL Faculty Course Portfolios

Intermediate/Advanced Opera Techniques is a two credit elective course offered each spring at the University of Nebraska-Lincoln. At its genesis, the course was primarily an opera scenes workshop, focused solely on the preparation and performance of an opera scene in a final concert. It is a cross-listed course meaning that students from the first year through advanced graduate study may enroll. Students may or may not have any experience on the music theater stage, nor have they had training in how to prepare a new role from casting to completed performance.

This course is an elective in the School of …

Ua68/1/2 Potter College Of Arts & Letters Dean, Assistant Deans, Committees Events, Wku Archives

WKU Archives Collection Inventories

Records created by the Potter College of Arts & Letters Dean's Office regarding events, performances, series, conferences, and lectures sponsored or produced by Potter College for faculty, staff, students and general public.

Includes records related to the Cultural Enhancement Committee, Fine Arts Festival, Faculty Lecture Series, Visual & Performing Arts and Kentucky Heritage Project.

Claude Debussy: Harmonic Innovations In Historical And Musical Context, Ford Joseph Forqurean

Theses and Dissertations

Claude Debussy's music developed as a product of his environment and culminated in the creation of a unique harmonic vernacular that permeates the twentieth century's tonal language. Through a historical and musical context, his early life through his formative years as a composer will be examined as a natural progression of his environment. The first section of this work will discuss these developments while the second part will analyze the structure and form of the Premiere Rhapsodie for clarinet and piano to illustrate the culmination of this trajectory.

Love, Lust, And Loss: A Senior Recital/An Afternoon Of Contemporary Works, Emily Cedriana Donato

Senior Projects Spring 2014

I am graduating with a Bachelor of Arts degree from Bard College’s Music Department as a classical vocalist. For my senior project I have put together a set of two recitals. My goal was to create contrasting programs that were interesting, each with a specific theme.

The first recital took place on Sunday, December 15th at 7:00 p.m. in the László Z. Bitó Conservatory Performance Space. The concert was titled “Love, Lust and Loss: A Senior Recital” and it explored these themes while demonstrating a wide range of abilities in my voice. Throughout all musical eras, composers have written about …

Requiem: All That's Left Is Noise, Danielle R. Dobkin

Senior Projects Spring 2014

Danielle R. Dobkin

Artist Statement

May 2014

Requiem: All That’s Left if Noise

Requiem: All That’s Left is Noise is a personal interpretation of the traditional Latin liturgy of the Western Church’s Requiem Mass- a composition meant to be the carrier for the soul, on it’s journey to paradise. The requiem is comprised of 7 movements: Introit, Kyrie (Lord have Mercy), Dies Irae (Day of Wrath), Lycrimosa (Day of Weeping), Sanctus (Holy, Holy, Holy), Lux Aeterna (Eternal Light), and the Libera Me (Deliver Me). These seven movements sonically replicate the range of human emotion, ending on the soul’s delivery in …

Explorations In Double-Stops: Three New Pieces For Expanding The Role Of The Double Bass In The Jazz Ensemble, Ashley De Neef

Theses : Honours

This dissertation investigates the potential for using double-stops - the sounding of two or more simultaneous notes - as a means for extending the traditional role of the double bass, within compositions for a small jazz ensemble. It is the contention of this dissertation that it is possible to use double-stops to perform a more advanced function within the jazz ensemble, without compromising the double bass’ primary harmonic and rhythmic duties.

A historical overview of the history of the double bass within western classical and jazz music will be provided, as to outline and define what the double bass’ role …

Tunetracker: Tensions In The Surveillance Of Traditional Music, Bryan Duggan, Norman M. Su

Conference papers

We describe the design and deployment of the first system ever to dynamically track and publish records of folk music playing. TuneTracker is a software system that has been, at time of writing, deployed at a pub in Dublin, Ireland for five months. It captures, stores, and posts the names of tunes played in Irish traditional music sessions on a public website. This paper makes two contributions: (1) drawing from a two year ethnographic study of trad musicians, it details the design and development of a system to track and publish traditional musicians’ practices while respecting the ethos of tradition, …

Department Of Music Programs 2013 - 2014, Department Of Music

School of Music: Performance Programs

Includes the music program flyers for the year 2013 - 2014.

A Master's Recital In Piano, Min Jeong Kim

Dissertations and Theses @ UNI

On March 14, 2014, Min Jeong Kim presented a recital in completion of her Master’s degree in Piano Performance. The recital was held at 6 p.m. in Davis Hall at the University of Northern Iowa School of Music. Pieces on the program included: Prelude and Fugue in C minor, BWV 871 by Johann Sebastian Bach, Klavierstücke, Op. 118 by Johannes Brahms, Rain Tree Sketch II by Toru Takemitsu, and Sonata in E-flat Major, Op. 81a by Ludwig van Beethoven.

A Brief History Of Jazz Drumming, Zachary A. King

Honors Theses and Capstones

No abstract provided.

Italian And Spanish Influence On Selected Works Of Mexican Composers: María Grever, Ignacio Fernández Esperón “Tata Nacho,” And Agustín Lara, Manuel M. Castillo

Theses and Dissertations--Music

The last decades of the 19th Century and the first decades of the 20th Century encompass a revolutionary movement worldwide. The growth and advances throughout all disciplines of study and especially the collaboration across Literature, Music, Performing Arts, Culture and Politics became stronger and more evident than ever before.

As the Mexican Revolution (1910) developed in frightening fights, the country became increasingly insecure and violent. It was the duty of the living artist to create pathways to escape reality, embellishing the surroundings with its music, paintings and poetry. This climate is what paved the way to the bohemian living-style that …

Fiesole: The Hillsides Of Tuscany, A Musical Work For The Classical Guitar And A Study Of The Compositional Process, Matthew Goodman

Music

Fiesole: The Hillsides of Tuscany

This piece of music is composed for 4 guitars, and it includes all of the right and left-hand fingerings for all notes. The individual parts are printed out so it can be distributed easily.

A Study Of J.S. Bach’S Sacred And Secular Vocal Works Influenced By Popular Stylized Dance Of The French Baroque Court: A Performer’S Guide, Dione J. Napier

Theses and Dissertations--Music

Among the existing body of literature on J.S. Bach’s massive compositional output, a scarce percentage of this research is dedicated specifically to the study of French Baroque court dances and their influence on Bach’s solo vocal repertoire. This study presents secular and sacred solo vocal works by J.S. Bach that were influenced by popular French court dances of the eighteenth century. The study explores musical and dance traits extracted from some of the most popular French Baroque court dances and incorporated into solo vocal repertoire. The intent of this paper is to provide a resource from a performer’s perspective that …

A Performance Guide To Glenn Kotche's "Monkey Chant", Jonathan Sharp

Theses and Dissertations--Music

Solo percussionist and composer Glenn Kotche has achieved international fame with his experimental percussion-based music, collaborating with and composing for renowned contemporary music ensembles such as the Kronos Quartet, Band on a Can All-Stars, So Percussion, and Eighth Blackbird. One of his most celebrated compositions in recent years is Monkey Chant, which combines acoustic and electronic elements in a solo multiple percussion setting. Written and premiered in 2006, Kotche was inspired to compose Monkey Chant after listening to original field recordings in Bali from the Nonesuch Explorer Series. Found in these recordings is the popular Balinese music and dance …

An Examination Of A Conductor’S Performance Preparation Of The Mendelssohn Violin Concerto In E Minor, Robert J. Seebacher

Theses and Dissertations--Music

The music of Felix Mendelssohn-Bartholdy (1809-47) has earned a prominent position in the orchestral repertoire. One of his greatest works, and certainly one of the most performed, is his Violin Concerto in E minor, Op. 64. The work enjoys much popularity with, and recognition by, soloists, orchestras, and conductors alike. Even with its fame and familiarity, it remains a work that must be carefully studied and prepared by the conductor. This document presents an examination of a conductor’s performance preparation of the Mendelssohn Violin Concerto. The purpose of this examination is to equip the conductor with a depth of knowledge …

A Performance Guide To Gabriel Fauré’S La Chanson D’Ève, Op. 95, Sarah E. Klopfenstine-Wear

Theses and Dissertations--Music

In this study, background information, International Phonetic Alphabet pronunciations, poetic translations, and musical analyses of the ten songs that comprise Gabriel Fauré’s La Chanson d’Ève, Op. 95 are provided. Included is the relationship between his original poetry and Fauré’s resultant song cycle. Additionally, a portion is dedicated to an overview of the registers of the mezzo-soprano voice, and it specifically addresses who is best suited to perform La Chanson d’Ève. This document looks at the vocal challenges presented for the mezzo-soprano voice within each song, particularly the subject of vowel modification as it relates to the IPA pronunciation …

Folk Influences Of Aaron Copland And Britten, Tyler Krug

Theses and Dissertations

In the more recent past, nationalism, or a pride in one's country, has been the dominating factor for much of the world's historical events. Wars have been propagandized, countries have been fundamentally built, destroyed and reinvigorated, and for better or worse, this principle influences one's beliefs today as one's knowledge of the world expands in conjunction with technology. Folk music has always been a form of national pride and has been used as an exploit for the reasons listed above; therefore composers have maintained an interest in a national sound. During the eighteenth and nineteenth centuries, composers began to use …

Eighteenth Century Techniques Of Classical Improvisation On The Violin: Pedagogy, Practice And Decline, Flavia Claudia Todea

Theses : Honours

The art of improvisation flourished in both instrumental and vocal music during the late seventeenth and throughout the eighteenth centuries. The violin techniques of improvisation taught in the eighteenth century (such as ornamentation of melody, decoration of fermatas, extemporization of cadenzas and creation of preludes) formed an integral part of instrumental pedagogy and performance practice at the time, which then declined significantly from the early nineteenth century onwards. It seems that this practice of improvisation has been neglected and its principles almost forgotten in the world of classical Western music today. This paper makes an argument for the re-introduction of …

A Master's Recital In Flute, Tara Lynn Meade

Dissertations and Theses @ UNI

Tara Lynn Meade performed a graduate flute recital at eight o’clock in the evening on Friday, March 7, 2014 in Davis Hall at the Gallagher Bluedorn Performing Arts Center. Collaborating with Ms. Meade on selected works were pianists Polina Khatsko and Brittany Lensing and flutists Mara Miller and Natalie Neshyba. The recital was presented in partial fulfillment of a Master of Music in flute performance. The program opened with a set of contrasting fantasies — Telemann’s Fantasia No. 3 in B Minor, a baroque work for solo flute, followed by François Borne’s virtuosic Fantasie brillante on themes from Bizet’s Carmen. …

Graduate Recital In Choral Conducting, Alice Reid Pruisner

Dissertations and Theses @ UNI

Alice Reid Pruisner presented her graduate recital in choral conducting in four parts. The first section, presented on September 20, 2013, was J.S. Bach’s sacred cantata BWV 84, Ich bin vergnügt mit meinem Glücke, performed by UNI’s Cantorei and members of the Northern Iowa Symphony Orchestra. The featured soprano soloists were Michelle Joy Monroe and Lara Wasserman. The second section, presented on October 24, 2013, included selections from Giovanni Battista Pergolesi’s Stabat Mater, performed by UNI’s Women’s Chorus and members of the Northern Iowa Symphony Orchestra. The Varsity Men’s Glee Club, accompanied by Jessica Schick, also performed a set of …

A Graduate Recital In Voice, Brent M. Smith

Dissertations and Theses @ UNI

Brent Smith presented his graduate recital on March 3, 2014 at 6:00 p.m. in Davis Hall of the Gallagher-Bluedorn Perfroming Arts Center on the University of Northern Iowa campus. The program consisted of four sets of music, in collaboration with pianist Jessica Schick, by the composers Theron Kirk, Robert Schumann, Francis Poulenc and Tom Lehrer. This abstract discusses musical and historical features of the recital pieces in the order of the program.

Graduate Recital In Composition, Joseph Carey

Dissertations and Theses @ UNI

This graduate composition recital was a compilation recital of two separate events. The first was a public recital which took place on 29 March 2013. This recital included three main pieces: in the day, cloak + dagger, and Fib. The second event was a reading session of Corpus Loci by UNI Concert Chorale, which took place on 14 November 2013. This abstract will summarize the structural, rhythmic, melodic, and harmonic components of each of these pieces, and will recognize and acknowledge the many musicians who donated their time to make this recital possible.

The Conscious Guitarist: Alexander Technique And Body Mapping For Guitarists, Alma Sehic

Theses and Dissertations

Musicians “move” for a living, yet many guitarists (among other instrumentalists) seem to be unaware of the quality of their movements in playing and teaching the instrument. This may simply be due to the lack of appropriate movement training and body awareness incorporated into current teaching practices, which leaves guitarists vulnerable to playing-related injuries, pain, and frustrating technical limitations. The purpose of this dissertation is to introduce somatic education into guitar pedagogy and performance, as a means of enhancing performing abilities and preventing injury.

After introducing the basis and principles of Alexander Technique and Body Mapping, the author provides practical …

Community Concerts Grant 2014., Oscar Macchioni

Oscar Macchioni

Awarded for the second year (2014-2015) a competitive, peer reviewed grant from the City of El Paso Museum and Cultural Affairs Department through the Texas Commission on the Arts to perform concerts at underserved communities. Concerts at: Burges Library 11.18.2014 El Paso Symphony Yough Orchestras Toccando Project 12.02.2014

Tromboteam! Trombone Quartet, 2008-Present, Sarah Paradis

Sarah R. Paradis

TROMBOTEAM! is an established trombone ensemble, seeking to inspire and entertain audiences throughout the country. This unique chamber ensemble prides itself on performing music of different styles and historical periods. Tromboteam! commissioned ten composers to write new music for trombone ensemble.

Bell(E) Collective, 2011-Present, Sarah Paradis

Sarah R. Paradis

The Bell(e) Collective is a female brass ensemble that performs across the Midwest, including at the 2012 International Women’s Brass Conference in Kalamazoo, Michigan.

Review Of Encyclopedia Of Great Popular Song Recordings, Nevin Mayer

Nevin J Mayer

No abstract provided.

O'Rourke's Feast (Music Recording), Amy M. Shaw

Amy M. Shaw

Argentine Dances (6 Mvts.)

Dan Rager