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Full-Text Articles in Arts and Humanities

The Cedarville University Orchestra Concert, Cedarville University Nov 2014

The Cedarville University Orchestra Concert, Cedarville University

Ensemble Concerts

No abstract provided.


Marshall University Music Department Presents The Marshall University Symphony Orchestra In What's Missing?, Elizabeth Reed Smith Jul 2014

Marshall University Music Department Presents The Marshall University Symphony Orchestra In What's Missing?, Elizabeth Reed Smith

Elizabeth Reed Smith

No abstract provided.


Marshall University Music Department Presents The Marshall University Symphony Orchestra, Family Concert, Dr. Elizabeth Reed Smith, Conductor, With, Olivia Hay, Violin Soloist, And, Dr. Jeffrey Pappas, Narrator, Elizabeth Reed Smith, Jeffrey L. Pappas, Olivia Hay Jul 2014

Marshall University Music Department Presents The Marshall University Symphony Orchestra, Family Concert, Dr. Elizabeth Reed Smith, Conductor, With, Olivia Hay, Violin Soloist, And, Dr. Jeffrey Pappas, Narrator, Elizabeth Reed Smith, Jeffrey L. Pappas, Olivia Hay

Elizabeth Reed Smith

No abstract provided.


Marshall University Music Department Presents The Marshall University Symphony Orchestra In A Family Concert, Elizabeth Reed Smith Jun 2014

Marshall University Music Department Presents The Marshall University Symphony Orchestra In A Family Concert, Elizabeth Reed Smith

Elizabeth Reed Smith

No abstract provided.


Marshall University Music Department Presents The Marshall University Symphony Orchestra In Faculty Showcase Concert, Elizabeth Reed Smith, Michael Stroeher Jun 2014

Marshall University Music Department Presents The Marshall University Symphony Orchestra In Faculty Showcase Concert, Elizabeth Reed Smith, Michael Stroeher

Elizabeth Reed Smith

No abstract provided.


The Application Of Contemporary Double Bass Left Hand Techniques Applied In The Orchestra Repertoire, Eric Hilgenstieler May 2014

The Application Of Contemporary Double Bass Left Hand Techniques Applied In The Orchestra Repertoire, Eric Hilgenstieler

Dissertations

The uses of contemporary left hand techniques are related to solo playing in many ways. In fact, most of these techniques were arguably developed for this kind of repertoire. Generally the original solo repertoire is idiomatic for the double bass. The same cannot be said for the orchestral repertoire, which presents many technical problems too difficult to solve using the traditional technique. Historically, the double bass passed through several transformations in its shape, structure, and tuning system. Only in the late 19th century did the instrument begin to have its own standard pedagogy and experiments with the tuning system diminished. …


Sounds Of The Symphony Educational Orchestra Concert, Abigail Feder Apr 2014

Sounds Of The Symphony Educational Orchestra Concert, Abigail Feder

Honors Projects and Presentations: Undergraduate

During the 2013-2014 school year, Dr. Timothy Dixon and I partnered to program and realize an educational orchestra concert geared toward families and children. This process included researching several professional orchestras’ approach to programming and advertising for educational concerts, choosing a theme, programming the specific music for the concert, and advertising our concert. Once this had been done, the Messiah College Symphony Orchestra rehearsed weekly and performed the Sounds of the Symphony concert to an audience of community and faculty members on November 23, 2013.


Marshall University Music Department Presents The Marshall University Symphony Orchestra In A Family Concert, Elizabeth Reed Smith Mar 2014

Marshall University Music Department Presents The Marshall University Symphony Orchestra In A Family Concert, Elizabeth Reed Smith

All Performances

No abstract provided.


Marshall University Department Of Music Presents Missa In Angustiis, Hob. Xxii: 11 “Nelson Mass” Franz Joseph Haydn And Fantasia In C Major, Opus 80 For Piano, Chorus, And Orchestra, Ludwig Van Beethoven, David Castleberry, Henning Vauth, Elizabeth Reed Smith, Marlayna Maynard Feb 2014

Marshall University Department Of Music Presents Missa In Angustiis, Hob. Xxii: 11 “Nelson Mass” Franz Joseph Haydn And Fantasia In C Major, Opus 80 For Piano, Chorus, And Orchestra, Ludwig Van Beethoven, David Castleberry, Henning Vauth, Elizabeth Reed Smith, Marlayna Maynard

Henning Vauth

No abstract provided.


Marshall University Music Department Presents The Marshall University Symphony Orchestra, Family Concert, Dr. Elizabeth Reed Smith, Conductor, Elizabeth Reed Smith Feb 2014

Marshall University Music Department Presents The Marshall University Symphony Orchestra, Family Concert, Dr. Elizabeth Reed Smith, Conductor, Elizabeth Reed Smith

Elizabeth Reed Smith

No abstract provided.


Marshall University Department Of Music Presents Missa In Angustiis, Hob. Xxii: 11 “Nelson Mass” Franz Joseph Haydn And Fantasia In C Major, Opus 80 For Piano, Chorus, And Orchestra, Ludwig Van Beethoven, David Castleberry, Henning Vauth, Elizabeth Reed Smith, Marlayna Maynard Feb 2014

Marshall University Department Of Music Presents Missa In Angustiis, Hob. Xxii: 11 “Nelson Mass” Franz Joseph Haydn And Fantasia In C Major, Opus 80 For Piano, Chorus, And Orchestra, Ludwig Van Beethoven, David Castleberry, Henning Vauth, Elizabeth Reed Smith, Marlayna Maynard

Elizabeth Reed Smith

No abstract provided.


The ‘Μegaron’ Concerto For Guitar And String Orchestra By Nikita Koshkin: An Exploration Of Performance Issues, A Performing Edition And A Cd Recording, Elena Papandreou Feb 2014

The ‘Μegaron’ Concerto For Guitar And String Orchestra By Nikita Koshkin: An Exploration Of Performance Issues, A Performing Edition And A Cd Recording, Elena Papandreou

Doctoral

This dissertation puts the spotlight on the music of Nikita Koshkin (b. 1956)—Russia’s most important composer for guitar and one of the world’s leading composers for the instrument—and, in particular, his ‘Megaron’ Concerto for guitar and string orchestra, composed in 2005 and premiered in 2006 by this author. Performance issues are discussed in detail, in an innately practical manner, so that the guitarist who wishes to perform this work will have enough information to assist him. Moreover, a guitar instructor will find valuable guidance, not only for teaching this particular piece and other guitar music by Koshkin, but with regard …