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To Waken An Old Lady, Randall Snyder

Randall Snyder Compositions

For Soprano, Alto Flute, and Harpsichord.

poem: William Carlos Williams

6 pages

Soundpieces, Randall Snyder

Randall Snyder Compositions

Score in C

Parts:
I Prelude
II Dramatic Episode
III Chorale
IV Lyrical Interlude
V Three Recitatives
VI Postlude

Instruments:
Flute 1(picc)
Flute 2 (picc)
Flute 3 (picc, alto)
Oboe 1
Oboe 2
Oboe 3 (E. Hn.)
Bassoon 1
Bassoon 2
Bassoon 3 (contra)
Clarinet in Bb 1
Clarinet in Bb 2 (Eb Cl.)
Clarinet in Bb 3 (Eb Cl.)
Clarinet in Bb 4
Clarinet in Bb 5
Clarinet in Bb 6
Bass Clarinet
Soprano Sax.
Alto Sax.
Tenor Sax.
Baritone Sax.
Trumpet in Bb 1
Trumpet in Bb 2
Trumpet in Bb 3
Horn in F 1
Horn in …

Improvisations, For Alto Sax., 3 Percussion And Piano, Randall Snyder

Randall Snyder Compositions

No abstract provided.

Piano Sonata No. 3, Randall Snyder

Randall Snyder Compositions

No abstract provided.

Quiet Music For Oboe And Piano, Randall Snyder

Randall Snyder Compositions

No abstract provided.

Improvisations, For Alto Sax., 3 Percussion And Piano, Randall Snyder

Randall Snyder

No abstract provided.

Quiet Music For Oboe And Piano, Randall Snyder

Randall Snyder

No abstract provided.

Piano Sonata No. 3, Randall Snyder

Randall Snyder

No abstract provided.

How Brightly Shines The Morning Star, John G. Barr

Music Faculty Scholarship

No abstract provided.

The Liechtenstein Music Archive On Microfilm At Syracuse, Don L. Smithers

The Courier

Small but significant former church libraries in Poland and Czechoslovakia, often in remote areas, do not normally have the facilities or the technically skilled personnel to provide photographic copies of their unique sources. Music and documents relating to pre-eighteenth-century musical establishments, especially ecclesiastical foundations, are often preserved in such libraries. One of these is located in the small town of Kromerli in Moravia, Czechoslovakia. The unique musical sources in this somewhat remote library are now most felicitously preserved on microfilm at Syracuse University. The films are part of the growing microfilm resources of the University, and, for American scholars, constitute …

Water Pot, George T. Montague S.M.

Musical Compositions about the Marianist Charism

Song about making ourselves empty so God can fill us

School Of Music Recital Programs From 1972-1973, Wright State University School Of Music

School of Music Printed Programs

This is a collection of programs from a variety concerts, recitals, and other performances previously held at Wright State University during the 1972 to 1973 school year.

A Linguistic Analysis Of The Lyrics Of Frequently Sung Hymns Of Three Protestant Congregations, Marjorie A. B. Thompson

Morehead State Theses and Dissertations

A monograph presented to the faculty of the Department of English at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Arts by Marjorie A. B. Thompson in January of 1972.

Statement Regarding Magnificat, John Stanley Hilliard

Theses and Dissertations

This thesis statement presents an analysis and explanation of a music composition entitled: Magnificat. The full music score to the Magnificat may be found in the collection of the Music Department of the School of the Arts, Virginia Commonwealth University. The King James Version is the source for all of Biblical text. The presentation here of the text for the Magnificat corresponds to the manner it is introduced into the music score. Thus, the use of small case primarily to contrast those parts of the text of high volume intensity which are capitalized, and parallel text to show simultaneous reading.

Béla Bartók: The Uncompromising Hungarian, Sally Mccarty

Honors Theses

Years before the earliest recorded compositions by professional musicians, the common people sang, danced, and chanted lullabies, work songs, and prayers to their gods. Gradually, professional musicians and art music developed, and a distinction grew up between art music and folk music. The theory was that everything good and beautiful came from the gifted few and never from the common crowd. It never struck anyone as odd that those who expressed contempt of the people and all their works, continued to borrow all the best productions of the people, such as its finest folk melodies, dance rhythms, scales, and instruments. …

The Life And Songs Of John Danyel, Sally J. Wylie

Masters Theses

The lute song or "ayre" as it was usually spelled by its Elizabethan and early Jacobean composers was a type of English song whose melody was predominant and its accompaniment carefully composed. It was usually accompanied by the lute and often the viol doubled the bass line. The term "ayre" or "aire" was used by English writers of the seventeenth century in the sense of key or mode. The texture of the lute song was generally homophonic and much simpler than that of the polyphonic madrigal. Of course, lutenist-song composers like John Dowland and John Danyel often used all of …

Department Of Music Programs 1971 - 1972, Department Of Music

School of Music: Performance Programs

Includes the program music flyers for the year 1971 - 1972.

The Effects Of The Bolshevic Revolution Of Four Russian Composers, Philip Wayne Hardin

Honors Theses

The Bolshevik Revolution in 1917 was the culmination of over fifty years of political and social unrest. For millions of Russian peasants it represented a welcome and just end to an unresponsive, autocratic government. The communism being preached by the Bolsheviks promised economic improvements for these oppressed masses, and they needed and wanted such improvements.

But in the minds of the intellectual classes of Russia, the teachers, scholars and artists, the Revolution created a fear. A fear that in place of an unpredictable, stifling autocracy, a government would develop that would completely control even the creative activity of Russian life. …

Beethoven Mini-Festival, 1972, Illinois State University School Of Music

School of Music Programs

In Conjunction with Professor Tong-Il Han's Summer Session Seminar
1972

Romanzen Aus Magelone: Characteristics Of Style, Benjamin Fredrick Hammack

All Master's Theses

Brahms' Romanzen aus Magelone serves as an excellent model for the German lied. Although other musical elements are important, Brahms never sacrifices his melodic lines, which progress diatonically in a wide range. Complex rhythms, with such devices as hemiola and holding over the measure line, are frequent. Although some songs are ternary or strophic, a free-sectional form is generally employed. The textures vary; one song may be both homophonic and polyphonic. A complex piano accompaniment always enhances the text and requires an accomplished pianist.

The Structure Of Paul Creston's Narrative No. 2, Op. 79 No. 2 For Piano, Myrna Evelyn Johnson

All Master's Theses

This paper presents an analytical discussion of the structure of Paul Creston's Narrative No. 2. An explanation of Mr. Creston's approach to composition is followed by a general description of the free-sectional form. Next, each section is investigated separately according to its rhythm, harmony, and melody. However, at the same time relationships between the sections are mentioned also. Some characteristics of Mr. Creston's style which are revealed in this study are his use of various rhythmic structures, pantonality, the lydian mode, and tangential variation.

Stabat Mater : Opus 7, J. Timothy Kolosick

University of the Pacific Theses and Dissertations

No abstract provided.

Prometheus In Sound : One Hundred Years Of Musical Adaptations Of The Myth Of Prometheus: Beethoven, Shubert, Liszt, Wolf, Parry, Fauré And Scriabin, Lurene Mattson

University of the Pacific Theses and Dissertations

The Promethean characteristics of contemporary young iconoclasts as they have expressed disapproval of the society which they have inherited and in which they feel entrapped prompted this study. Our interest here lies with the nature of the dissatisfaction rather than with ways of expressing it. If follows that out concern is primarily with the gift of Prometheus - the fire rather than with the rebellion and defiance associated with the demigod who took action against the tyranny of Zeus.

Ua3/9/4 Scrapbook Iii, Wku President's Office - Downing

WKU Archives Records

Scrapbook regarding WKU administration, history, faculty, staff and students for period August 1971 through August 1972 compiled by the president's office.

The Aesthetics Of Stravinsky's Musical Style: The Relationship Of Culture And The Arts, Rose M. Trahey

Masters Theses

No abstract provided.

A Comparative Study Of Selected Chorale Settings From Martin Luther To J.S. Bach, Emmanuel Mark Allen

Masters Theses

No abstract provided.