Arts and Humanities Commons^™

The Bright And Dim Of Childhood, Kannah Price

Diamond Line Undergraduate Literary Magazine

No abstract provided.

The Poetry I Love, Emma Shiltz

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Starburn, Emma Bracken

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Dried & Saved, Luci Green

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Across The Harbor, Susan Elliott

Diamond Line Undergraduate Literary Magazine

No abstract provided.

A Billowing Wind, Dark Drawing Its Breath, Noah Truelove

Diamond Line Undergraduate Literary Magazine

No abstract provided.

An Inevitability, Elizabeth Burger

Diamond Line Undergraduate Literary Magazine

No abstract provided.

The Harbinger, Emma Bracken

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Contributors, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Acknowledgements, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Letter From The Editors, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Table Of Contents, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Echoes Of Neon, Evan Meyers

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Diamond Line - Spring 2025, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Wulver In Appalachia, Wylan Blair

Persimmon Creek

A poem about a mysterious figure who comes to the aid of a mountain community.

Tsenacommacah, Wylan Blair

Persimmon Creek

This poem is about the area that was once called Tsenacommacah, the Powhatan people, and the horrors of the centuries that followed 1607.

Warmth, Brandi E. Shuler

Persimmon Creek

The short story Warmth is about an unnamed character who encounters a violent fire elemental. It is an experimental piece about what it feels like to experience a traumatic burn and what the character went through afterward.

Undefinitive, Lan Mu

MFA in Visual Art

My thesis project, Undefinitive, examines the cyclical process of destruction, transformation, and rebirth through installation, ceramics, and text. With a deep unease toward my own gendered body, I investigate how vulnerability, both physical and psychological, can become a site of resistance and empowerment. Drawing from feminist theory, Chinese mythology, and stream-of-consciousness narratives, my work explores the monstrous and the fragmented as inseparable states of one’s becoming. Through references to body art, speculative fiction, and queer theory, I reimagine femininity and queerness as forces capable of dismantaling societal structure and forging new modes of existence.

Set in a post-apocalyptic world where …

How Kirby’S Return To Dream Land Deluxe Subverts Narrative Expectations, Kelley I. Hale

Aurora

The Kirby series has been around for over 30 years, and very little has been done to research it. This is a shame, as I believed (and still do believe) the series has a lot to offer in terms of research. For this paper, I analyzed Kirby's Return to Dream Land Deluxe, a Switch remake of the Wii game Kirby's Return to Dream Land. I analyzed the cutscenes found within the game using fantasy theme criticism. I did this to explore how the game subverts narrative expectations, as well as show that Kirby games have value when it comes to …

Two Fawns, Siena Maciej

Studio One

In 1978, Patricia and Leonard Percello endowed this prize to honor Patricia’s parents, Louis and Mary Wagner-Berger, and to support college students who are interested in writing short stories and novels. It is designed to encourage and reward excellence in creative writing at the College of Saint Benedict. The Wagner-Berger Prize for fiction is the first scholarship of its kind at the College of Saint Benedict. It is a scholarship awarded annually to the CSB student who submits the most original, previously unpublished short story. All submissions are judged by a committee of English & Creative Writing Department members, and …

We Are Not Birds, Vicki Roberts

Studio One

No abstract provided.

The Painting, Hannah Gouge

Studio One

No abstract provided.

Voices, Julie A. Ferraro

Studio One

No abstract provided.

Reimagining Heroes: The Evolving Narratives Of Helen And Achilles In Feminist Greek Mythology Retellings, Elena A. Smith

Honors Scholar Theses

“Reimagining Heroes: The Evolving Narratives of Helen and Achilles in Feminist Greek Mythology Retellings” is an analysis of an array of novels, monographs, and critiques regarding the genre of mythology retellings. Combining feminist ideas with historical examples, this thesis delves into why retellings are so popular in the twenty-first century and why the stories of Greek Antiquity have stayed relevant.

This thesis focuses specifically on Helen of Troy, Achilles, and the events of the Trojan War in The Iliad. Comparing the epic with retellings of its events may reveal why these characters, gods, and heroes have continued to be discussed …

The Prescribing Of Gender, A Scope On The Societal Ideologies Showcased Within Le Roman De Silence, Derrian Fernandez

Master's Theses

Culture is constantly evolving, its ideologies cementing themselves within our minds, shaping how we as a society guide ourselves through living in such. Social class, religion, gender, all are forms of identity that have a place, and a certain understanding and standing within our culture and society. Through this understanding of ourselves, we are defined, creating multiple forms of distinct expression to help differentiate our place further. A pope is expected to wear a certain attire just as a bride is expected to. The same ideology trickles down, creating demarcations of attire that subsequently ingrain themselves into our culture and …

Transgressive Fiction And The Problem Of Negative Affect: A Case Study Of Samuel Delany’S Hogg, Brian Thornton

Master's Theses

Samuel Delany began drafting Hogg in March of 1969 and worked on it intermittently before completing the novel in October of 1973.1 Yet Hogg remained unpublished until 1995 before finally seeing the light of day “during the ‘transgressive turn’ in American literature” (Mitchell 1). As such, the novel is historically situated along what Jonathan Mitchell calls a “dual temporality,” which “allows the novel to be located as an intervention in two key moments in America’s LGBT+ history: first, the developments in identity politics coming out of the socio-political cultural shifts of the 1960s; and, second, the post-AIDS awareness 1990s”.

Feral And Free: The Queering Of Motherhood In Rachel Yoder’S Nightbitch, Cassandra Haskell

Master's Theses

This thesis explores motherhood from a perspective that seeks to inform and challenge the patriarchal definitions of motherhood in order to simultaneously confront its restrictions and create new meanings from its institutionalized definition. The main text that this thesis analyzes is the 2021 novel Nightbitch by Rachel Yoder, as well as the 2024 film of the same name, critiquing how it successfully queers motherhood by questioning, challenging, and defying the impractical expectations placed upon mothers by society. Some secondary scholars whose works that I utilize to support my argument are authors such as Audre Lorde, Jessica Calarco, Adrienne Rich and …

Arrow Rock, Spring 2025, Full Issue

Arrow Rock

No abstract provided.

Trapped In Polygamy: European Women Converting To Mormonism And Living In Polygamous Marriages In 1850s Utah Featuring She Who Left Zion: A Wife, A Witness, A Woman Unsealed, Rebecca Sanchez

Undergraduate Honors Theses

This Honors Capstone project explores the lived experiences of European women who converted to Mormonism and entered polygamous marriages in 1850s Utah. Through rigorous historical research and creative writing, it culminates in a novel-in-progress titled She Who Left Zion: A Wife, A Witness, A Woman Unsealed. The story follows Phoebe Carter, a fictional English convert who immigrates to Zion after being promised eternal family unity—only to confront the brutal reality of polygamy, spiritual coercion, and patriarchal control.

Grounded in primary and secondary sources—including autobiographies, diaries, and letters from women like Ann-Eliza Young, Fanny Stenhouse, and contributors to The Women …

“More Than What [They] Made Us To Be”: From Passing To Perception In Victorian And Modern Vampire Media, Lauren Sieberg

English (MA) Theses

Throughout Victorian Gothic horror fiction, vampires function as deviant figures, maneuvering within social confines of passing until their status quo-threatening identity is exposed. Of the popular vampires from this period, most gradually fail to maintain status as social insiders—as demonstrated with Bram Stoker’s Count Dracula or Sheridan Le Fanu’s Carmilla, who possess the temporary capacity to pass until their hidden monstrosity is revealed over time. Even if Gothic monsters are confined to a limited space and time far from society, this is still not enough; in accordance with the Victorian culture of morality policing by dominant groups, the vampiric Other …