Arts and Humanities Commons^™

“Neither In Nor Out Of Blackwood's": The Marketing Of Edgar Allan Poe’S Prose Address, Jonathan Hartmann

Dissertations, Theses, and Capstone Projects

This dissertation seeks to help explain Poe's circulation of his journalism by performing close readings of both canonical works including "William Wilson" (1839) and "The Philosophy of Composition" (1846) and lesser-known articles such as "The Literary Life of Thingum Bob, Esq." (1844) and "Loss of Breath" (1832/5). Chapter One describes Poe's involvement in the transatlantic literary marketplace prior to the enforcement of literary copyright. Chapters Two and Three treat his development of a literary brand in works including "Letter to B" (1831/6) and "A Reviewer Reviewed" by playing off his critical assertions against his practice as a critic. Chapters Four …

Dangerous Memories: Lynching And The U.S. Literary Imagination, Anne P. Rice

Dissertations, Theses, and Capstone Projects

The terrorization of African Americans through lynching was a national cultural trauma producing a struggle over the meaning of suffering, victimization and moral responsibility. The lesson you were meant to learn from white supremacy and terror powerfully affected how you remembered lynching. My dissertation asks who remembered (and did not remember) what about lynching and how these habits of memory influenced literary and visual representations. I consider the impact of race, gender, class, and sexuality on how lynching was textualized and performed, avoided and blocked. While much recent scholarship has concentrated on the visual technologies of lynching, lynching was also …

Play For Mortal Stakes: Funerals As Modernist Acts Of Fiction, Janine Marie Utell

Dissertations, Theses, and Capstone Projects

The purpose of this dissertation is to examine the ritualization of death in British literature of the interwar period and its implication for narrative and genre. The authors under consideration include poets of the Great War (Robert Graves, Charles Sorley, Isaac Rosenberg, the Sitwells), and later writers such as Katherine Mansfield, Aldous Huxley, Virginia Woolf, W. H. Auden, Ivy Compton-Bumett, and James Joyce. Using the methodology of ritual studies, an interdisciplinary approach combining the perspectives of religion, anthropology, and literary criticism, I examine how these texts create a fictive space in which death can be ritualized and how this process …

The American Colonization Of The Philippines And The Self-Examination, Self-Presentation And Re-Presentation Of American Identity, Jennifer Marie Mcmahon

Dissertations, Theses, and Capstone Projects

This study is an exploration of the disruptions that can be perceived in American identity through a close examination of America's colonial experience in the Philippines in three different, but related, contexts. The first is an analysis of American writers' reactions to the colonization, specifically those of Mark Twain, W. E. B. Du Bois, and William James. These writers were vocal contributors to the debate surrounding the colonization, though, like the colonization itself, these works have been largely ignored. These writers identify contradictions in American identity, focusing on issues concerning race, capitalism, individualism, American innocence, exceptionalism, and self-reliance. These are …

Chaucer's Troilus And Criseyde In Male Homosocial Contexts: The Politicization Of Same-Sex Desire, Richard E. Zeikowitz

Dissertations, Theses, and Capstone Projects

I explore the dynamics of homosociality in late medieval culture, investigating both Chaucer's Troilus and Criseyde and its cultural and political environments. I articulate two conflicting attitudes toward male same-sex relations: one affirming and celebratory, the other homophobic. I conclude that Chaucer's poem both replicates and generates a late medieval sociocultural discourse characterized by tension between normative male same-sex behavior and the potential politicization of such behavior.

In the introductory chapter, I survey important recent historical and feminist criticism of Troilus and Criseyde and situate my project within the current debate regarding definitions of premodern sexuality. In chapter 2, part …

The Calamus Root: American Gay Poetry Since World War Ii, Walter Ralph Holland

Dissertations, Theses, and Capstone Projects

This dissertation argues that there is a clear gay poetic tradition dating back to nineteenth century Europe, and it describes an historical taxonomy for gay poetry in America since 1945 by reference to its characteristic themes, influences and leading figures. After a brief discussion of early precursors such as Paul Verlaine, Arthur Rimbaud, Walt Whitman, C. P. Cavafy, Hart Crane, Langston Hughes and W. H. Auden, the dissertation traces, through close explication of texts, the works of Harold Norse, Allen Ginsberg, Tennessee Williams, Frank O'Hara, Adrian Stanford, Richard Howard, Alfred Corn and Essex Hemphill. The influences on such poets of …

Ghosts In The Machine: The Black/Africanist Presence In The Sea Novels Of Edgar Allan Poe And Herman Melville, Peter F. Decataldo

Dissertations, Theses, and Capstone Projects

The attempt to situate historically the connections between African blacks and the sea represents just one aspect of the broader effort to assess how the presence of blacks operated to determine the language, choices, representations, and directions of the narratives that Poe and Melville set at sea. What is proposed here is a rethinking of American sea fiction from the unique perspective of its racial dynamics, especially with regard to what Toni Morrison has called the "Black/Africanist presence" in American literature, a presence that she justifiably claims to have been silenced, degraded, and distorted in American criticism. This work examines …

(En)Gendering Romanticism: A Study Of Charlotte Bronte's Novels, Ariella Bechhofer Brown

Dissertations, Theses, and Capstone Projects

Through her writing, Charlotte Bronte takes issue both with the masculinist assumption of Romanticism and the limitations of the conventional woman's novel. Bronte was drawn to Romanticism for its elevation of subjectivity, the poet's creative imagination, and emotional intensity, as well as its representation of the questing spirit in pursuit of self-definition and transcendence. She also appreciated the Romantics' recognition of the limits of expression and the fields of interpretation opened up by the lack of fixity which is emphasized by Romantic irony. Yet, writing as a Romantic also presented an obstacle to Bronte as a woman writer, for the …

I Couldn't Kill It Any Other Way: Infanticide In Nineteenth-Century Literature, Deirdre Mary Day-Macleod

Dissertations, Theses, and Capstone Projects

This dissertation looks at maternal infanticide in texts by William Wordsworth, Walter Scott, George Eliot, and Harriet Beecher Stowe in order to trace a relation between the rise of a discourse of the moral mother in the Eighteenth century and literary depictions of infanticide in the Nineteenth century. In Wordsworth's "The Thorn" (1798) infanticide provides a means to express anxiety over modernization, industrialization and authorship in a revision of the traditionally oral and rural ballad. The Heart of Midlothian (1818) by Sir Walter Scott tells the story of the effects of an infanticide that has never occurred suggesting maternal infanticide …

Mary Mccarthy, Mary Gordon, And The Irish-American Literary Tradition, Stacey Lee Donohue

Dissertations, Theses, and Capstone Projects

There is a distinct literary canon in the United States, composed of Irish-Catholic-American writers, which requires different modes of criticism or evaluation than other U.S. literatures, particularly the dominant, largely Protestant or Protestant-influenced, American literary canon. In addition, as a recently recognized literary tradition, many women writers have either been ignored or unnoticed because their works do not immediately fit into the evolving criteria of evaluation for the Irish-American literary tradition. My purpose in this study is not to survey the Irish-American literary canon, but to examine two women writers who have not always been admitted to an innately misogynistic …

The Spectacle Of Suffering: Repetition And Closure In The Eighteenth-Century Gothic Novel, Rebecca E. Martin

Dissertations, Theses, and Capstone Projects

Since the publication of The Castle of Otranto in 1764 initiated the genre of the gothic novel, critics have claimed that gothic endings are bland, inadequate, or otherwise unsatisfying. Analyzing works written in the period 1764 to 1820 by Horace Walpole, Ann Radcliffe, Matthew Lewis, Charlotte Dacre, Mary-Anne Radcliffe, Mary and Percy Shelley and Charles Robert Maturin, this dissertation demonstrates that the focus on endings has blinded critics to the reader's source of pleasure in the gothic. I have drawn upon a representative sampling of novels to present a model of the interaction of reader and gothic text focused on …

The Changing Face Of Fortune In Six English Versions Of The Tragedy Of Antony And Cleopatra, Mary Aileen Mallery

Dissertations, Theses, and Capstone Projects

This study traces the development and changes in the depiction of the goddess Fortune in a selected group of dramas written between 1592 and 1678: the six English versions of the tragedy of Antony and Cleopatra. The concepts surrounding the goddess Fortune and her place in any culture change with the idea of the individual's ability to shape his own destiny. In the seventeenth century in particular Fortune becomes increasingly connected to questions of personal identity and what Stephen Greenblatt has called "self-fashioning," so that by 1678 the subject of John Dryden's All for Love is not the quest for …

Mrs. Trollope's American Novels, Linda Abess Ellis

Dissertations, Theses, and Capstone Projects

Frances Milton Trollope (1779-1863) was one of the most popular novelists and travel writers of her generation. Her visit to the United States (1827-32) provided her with material for her first and most famous book, Domestic Manners of the Americans (1832), and for four novels set in America (The Refugee in America, 1832; Jonathan Jefferson Whitlaw, 1836; The Barnabys in America, 1842; and The Old World and the New, 1849).

This study treats all four American novels, examining them against a background of other travellers' accounts and against other fiction of the early nineteenth century in order to show how …

Escaping The Alphabet: The Reading Of Silence In The Novels Of Virginia Woolf, Patricia Laurence

Dissertations, Theses, and Capstone Projects

The exploration of the theme and narration of silence in Virginia Woolf's novels in this dissertation brings under scrutiny nothing less than her perceptions of the nature of gender, being, mind, knowledge and language. Woolf, searching for a language of mind amid changing concepts of mind in the twentieth century, creates a new rhetoric of silence. In defining silence as a "presence" and not just an "absence" in life and narration, Woolf displaces the privileged place of the "speaking subject" and speech or dialogue in the novel. In Chapter 1, there is an attempt to define what "silence" is in …

Wilkie Collins And His Victorian Readers: A Study In The Rhetoric Of Authorship, Sue Lonoff

Dissertations, Theses, and Capstone Projects

No abstract provided.

Chaucer And The Gods, Barbara Apstein

Dissertations, Theses, and Capstone Projects

No abstract provided.

Chaucer And The Gods, Barbara Apstein

Dissertations, Theses, and Capstone Projects

No abstract provided.