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Articles 33151 - 33180 of 36559
Full-Text Articles in Arts and Humanities
Interview With John Kay "Everything Is Gravity", John R. Turner, Jim Engelkes (Illustration By)
Interview With John Kay "Everything Is Gravity", John R. Turner, Jim Engelkes (Illustration By)
Black and White
No abstract provided.
Foxhole, Dwight D. Allbee
Future Love, L. Lamont Hawkins Jr.
Three Poems, James Hearst
Buffalo Moses [Cartoon], Jim Engelkes
Penny Arcade, P. Marlow
The A&W, P. Marlow
Cement Pie, Isaac Scarbourough
Bed Manners, M. Swanson
The Coming Of Age, Michael Moore
An Adventure In Moving, James Hiduke
Short Orders--This Time, Tidbits, G. A. P.
The Vanity Pool, John Stull
Orange, John R. Turner
The Hill Girl, P. Marlow
Back To The Cutouts Again, Norm Briden
A Child's Garden Of Class, Norm Briden
Rabbit's Foot, John R. Turner, Sandra R. Turner (Illustration By)
Rabbit's Foot, John R. Turner, Sandra R. Turner (Illustration By)
Black and White
No abstract provided.
Police, Robley Wilson
Leaving, Jim Engelkes
Cover - Table Of Contents - Staff List
Black & White, Volume 1, Issue 1, Winter 1979 [Download Entire Issue]
Black & White, Volume 1, Issue 1, Winter 1979 [Download Entire Issue]
Black and White
No abstract provided.
American Splendor, No. 4, Harvey Pekar, Special Collections, Fleet Library
American Splendor, No. 4, Harvey Pekar, Special Collections, Fleet Library
Underground Comix
volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. …
The Checkered Demon Iii, S. Clay Wilson, Special Collections, Fleet Library
The Checkered Demon Iii, S. Clay Wilson, Special Collections, Fleet Library
Underground Comix
3 volumes : illustrations. "Adults only." Nos. [1] and 3 in a wider than tall format, no. 2 in standard comic book format. Issues contain material collected from the Checkered Demon comic strip which ran in the L.A. Weekly. LOCAL NOTE Library has nos. [1], 2, 3The Adler Archive of Underground Comix, Gift of Bill Adler.
Snappy Sammy Smoot, Skip Williamson, Bijou, Special Collections, Fleet Library
Snappy Sammy Smoot, Skip Williamson, Bijou, Special Collections, Fleet Library
Underground Comix
[32] pages : chiefly illustrations. At head of cover title: Skip Williamson's comix & stories featuring ... "Adults only." Snappy Sammy Smoot is an American underground comix character created by Skip Williamson in 1968. A counterculture Candide who never loses his innocence, Smoot appeared in his own strips in a number of comix titles, most notably Bijou Funnies, Comix Book, and Blab!. Cultural critic David Manning White wrote about the strip, "But what is . . . interesting about 'Snappy Sammy Smoot' is that it manages to be politically radical at the same time it is satirical and funny," and …
Pennsylvania Folklife Vol. 28, No. 2, Nancy K. Wierman, Joyce Demcher Moran, Louis Winkler, Alvin F. Kemp, Judith E. Fryer
Pennsylvania Folklife Vol. 28, No. 2, Nancy K. Wierman, Joyce Demcher Moran, Louis Winkler, Alvin F. Kemp, Judith E. Fryer
Pennsylvania Folklife Magazine
• The Pennsylvania Dutchman
• Miz Ukraini: "We are From the Ukraine"
• Pennsylvania German Astronomy and Astrology XVII: German Language Almanacs
• Pennsylvania Dutch Dialect Stories
• Taufscheine: A New Index for People Hunters, Part II
• Aldes un Neies
A New Kind Of Joy, C Don Ensor
A New Kind Of Joy, C Don Ensor
Morehead State University Art Collection
A 1979 print of miscellaneous sports items by C. Don Ensor.
Felting: A Medium Of Visual Expression, Deborah Mcmahon Osterholtz
Felting: A Medium Of Visual Expression, Deborah Mcmahon Osterholtz
Graduate Work – Art
The purpose of the weaver and the place of the craftsperson through history has developed from being purely utilitarian to a medium of personal visual expression. Early man used weaving as a functional craft building structures and making cloth to protect himself from his environment. Medieval weaving was artistic and utilitarian, it was used as decoration and insulation in housing. With the advent of new architectural advances of the Renaissance weaving was no longer required to function as housing insulation. During this time, with the growing emphasis on painting and the development of chemical dyes, weavers turned to new colors …
Ice, Dave Hoing, Jan Spivey Johnson (Illustration By)
Ice, Dave Hoing, Jan Spivey Johnson (Illustration By)
Black and White
No abstract provided.