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Articles 28441 - 28470 of 36643
Full-Text Articles in Arts and Humanities
Untitled, Paul Saneaux
2sday, Ashley Pigford, Fleet Library, Special Collections, Jan Baker
2sday, Ashley Pigford, Fleet Library, Special Collections, Jan Baker
Letters
This book was completed for Jan Baker's artists' book class.
Alluvium, Mare Blocker, Special Collections, Fleet Library
Alluvium, Mare Blocker, Special Collections, Fleet Library
Artists' Books
hand-sewn couplets, linked at spine; letter-fold wrapper, partially open; back cover; front cover; page spreads. copy 2 of 40
Exquisite Pain, Sophia Calle, Special Collections, Fleet Library
Exquisite Pain, Sophia Calle, Special Collections, Fleet Library
Artists' Books
264 pages : ill. (some color) ; 19 cm. "Original French edition c2003 Actes Sud, Alres, France, translated from French by Charles Penwarden"--Colophon. "I left for Japan on October 25, 1984, unsuspecting that this date would mark the beginning of a 92 day countdown to the end of a love affair."--Backcover.
An Icelandic Saga, Part I, Dorothoy Iannone, Special Collections, Fleet Library
An Icelandic Saga, Part I, Dorothoy Iannone, Special Collections, Fleet Library
Artists' Books
[12] pages : illus. Booklet published on the occasion of the exhibition: Dieter Roth & Dorothy Iannone, held May 22-Sept. 11, 2005, Sprengel Museum Hannover. Title from colophon: An Icelandic Saga, 1978, 1983, 1986. Booklet originally issued mounted on the inside backcover of the Roth/Iannone exhibition catalog. Notes for an autobiography, part II, Berlin 1978, continued on the request of D. Schwarz.
Hunkering : The Last Gaebberjabb Number Eight And Ix/Xviths Or Aleatory Annexations Or Odd Bondings Or Fortuitous Encounters With Incompatible Realities Or Love, Anguish, Wonder ... / Largely By Walter Samuel Haatoum Hamady ; Augmented By Henrik Drescher, Patrick Flynn, David Mclimans, Peter Sis, And William Stafford., Walter Samuel Haatoum Hamady, Special Collections, Fleet Library
Hunkering : The Last Gaebberjabb Number Eight And Ix/Xviths Or Aleatory Annexations Or Odd Bondings Or Fortuitous Encounters With Incompatible Realities Or Love, Anguish, Wonder ... / Largely By Walter Samuel Haatoum Hamady ; Augmented By Henrik Drescher, Patrick Flynn, David Mclimans, Peter Sis, And William Stafford., Walter Samuel Haatoum Hamady, Special Collections, Fleet Library
Artists' Books
[160] pages : illustrations (some color), portraits. Hamady, Walter. Interminable gabberjabb ; 8. The eighth book in Hamady's "series" known as Interminable gabberjabbs. Edition of 108 copies. Mounted, signed collage on page [24]. Includes handprinting, marbled endpapers, collage, rubber stamping, maps, envelopes, postage stamps, special papers and mounted elements. "Here is the fade-out volume of an unforseen series begun in 1976. It was printed on our single-owner, all-manual, Vandercook SP-15 in more than 285 press-runs utilizing a numerosity of colors, typefaces and papers--hand, mould and machine made. In addition to the usual lay-ons of languid letterpressing, there is an affluence …
Conversations In The Sky, Andre Bassuet Lee, Special Collections, Fleet Library
Conversations In The Sky, Andre Bassuet Lee, Special Collections, Fleet Library
Artists' Books
1 folded sheet. Numbered and signed edition of 100 copies Photography and design by André Lee. Printed in Osaka, Japan --colophon. "When I look at the modern Japanese landscape, I see continuous lines of communication, telephone wires connecting friends and family. The Japanese sky is unique in it's infinite lines against a mountainous and architectural backdrop. Can you imagine all the conversations going on in the sky through telephone threads?"--colophon. A single thread runs through the entire text and covers. Accordion fold. Text and back cover printed in light blue on white. Cover printed in light blue and green on …
How To Prepare A Piano, Annea Lockwood
How To Prepare A Piano, Annea Lockwood
Sound Scripts
My original Piano Transplants (1969-72) were about relishing the shock of displacement: pianos planted in an English garden, sinking in a Texas cattle pond, pianos beached and aflame; observing their slow transformation through natural processing the five year decay. My relationship with the piano did not end with the Piano Transplants, though. I will also discus more recent works stemming from my fascination with the rich array of sounds which can be drawn from every part of the instrument once the keyboard is dethroned.
Western Electric: A Survey Of Recent Western Australian Electronic Music, Lindsay Vickery
Western Electric: A Survey Of Recent Western Australian Electronic Music, Lindsay Vickery
Sound Scripts
This paper surveys developments in recent Western Australian electronic music through the work of a number of representative artists in a range of internationally recognised genres. The article follows specific cases of practitioners in the fields of Sound Art (Alan Lamb and Hannah Clemen), live and interactive electronics (Jonathan Mustard and Lindsay Vickery) and noise/lo-fi electronics (Cat Hope and Petro Vouris) and glitch/electronica (Dave Miller and Matt Rösner).
Invisible Symmetries: A Retrospective Of The Work Of Lindsay Vickery, Jonathan Mustard
Invisible Symmetries: A Retrospective Of The Work Of Lindsay Vickery, Jonathan Mustard
Sound Scripts
The following is a retrospective of the work of Western Australian born composer Lindsay Vickery. The paper examines the composer's diverse output in composed and improvised instrumental and electronic music and multimedia works. A nine digit string of numbers that the composer calls a "cypher", ties together a significant portion of Vickery's output for almost two decades of compositional activity, but the sense in which these works are about something else is palpable in each and every one. Iconic pieces where a serial-like method is an anathema and cypher based pieces all seem to point to a structure the composer …
Sound Art / Mobile Art, Cat Hope
Sound Art / Mobile Art, Cat Hope
Sound Scripts
This paper examines the role of sound installation and music composition practices in addressing the relationship between sound and telecommunications devices, in this case the mobile phone. The popularity of mobile phone artworks is rapidly increasing, with handsets readily available, artists excited about sponsorship opportunities, and the general push in electronic arts. This paper focuses primarily on work by Perth mobile phone Sound Art collective, Metaphonica, which explore many issues raised by this art form. "Phonebox" (2005) was a site specific sound installation where phones are called from a remote computer, presenting a synchronized composition featuring sounds created by the …
Modernist And Postmodernist Arts Of Noise, Part 1: From The European Avant-Garde To Contemporary Australian Sound Art, David Bennett
Modernist And Postmodernist Arts Of Noise, Part 1: From The European Avant-Garde To Contemporary Australian Sound Art, David Bennett
Sound Scripts
The broad aim of the paper that follows is to test the claim of critics such as Miriam Fraser and Steve Connor that the modernist deconstruction of the music/noise dichotomy has entered a distinctively postmodern phase. The article below therefore traces the history and poetics of this dichotomy from the modernist avant-garde to contemporary Australian postmodernist Sound Art, moving from a discussion of the ideas of Russolo, Cage, Boulez and Schaeffer, to a close reading of Ros Bandt's "Stack" (2000- 01). These themes as expressed in contemporary Australian composition are then explored in Part Two.
Modernist And Postmodernist Arts Of Noise, Part 2: From The Clifton Hill Mob To Chamber Made Opera’S Phobia, Linda Kouvaras
Modernist And Postmodernist Arts Of Noise, Part 2: From The Clifton Hill Mob To Chamber Made Opera’S Phobia, Linda Kouvaras
Sound Scripts
This paper will continue to trace negotiations outlined in Part 1 of the music/noise dichotomy as expressed in modernist and postmodernist works.1 Drawing connections with the trajectory of "glitch" in popular music since the 1970s. The paper will examine a number of key ways in which the music/noise dichotomy has been addressed as a borderline dispute between, for example, the embodied and the disembodied, the scored and the unscored, the accidental and the intentional, sense and nonsense, culture and nature. Two key figures from the highly influential group of sound artists who came together at Melbourne's Clifton Hill Community Centre …
Surface Noise, Philip Samartzis
Surface Noise, Philip Samartzis
Sound Scripts
This paper seeks to trace the genealogy of surface noise as a tool of musical expression by surveying a range of artistic practices based around the record and turntable that privilege detritus, abrasion, repetition and decay as key compositional devices. The paper begins by examining the acoustic properties of the oldest playable recording (Frank Lambert's talking clock) in order to outline the numerous characteristics and flaws inherent in early models of mechanical reproduction and storage that vigorously conspired to interfere with the listening experience. This is followed by an examination of the way recording technology was converted from a tool …
Radio Art : A Slovak Perspective, Michal Murin
Radio Art : A Slovak Perspective, Michal Murin
Sound Scripts
January 16, 2000, marked the history of Slovak New Media art and technologies with the first international internet radio art project. Entitled "LENGOW and HEyeRMEarS Meet Radio Artists", it was a live acoustic performance that utilized radio internet broadcast between ORF1 Kunstradio Vienna with its project Arts Birthday 1.000.037,1 Radio Free B92 Beograd, and Tilos Radim Budapest. The performance took place on 16 Jan 2000, from 11 p.m. to midnight in Nové Zámky, Slovakia (Klik Klub). An edited soundtrack of the event was captured on a CD titled "SOUND OFF 1999-2000". On the occasion of the staging of the performance, …
I.B.R. Variation 1, Miha Ciglar
I.B.R. Variation 1, Miha Ciglar
Sound Scripts
In this paper I would like to introduce my recent composition: "I.B.R. Variation 1" (a composition for computer, electrified guitar, mixing board and human body), which is derived from three different projects, - Illusions, Body Mix, Resistance -, fusing three different and already unusual interfaces for musical expression into a powerful new musical instrument. The piece is implemented by employing computers and common sound synthesis/processing techniques in combination with a rather primitive manipulation and misuse of low tech analogue equipment. The main idea was to assign unusual tasks to usual pieces of musical equipment, transforming a mixing board into an …
It Wasn't Little Rock, Clarissa Sligh, Special Collections, Fleet Library
It Wasn't Little Rock, Clarissa Sligh, Special Collections, Fleet Library
Artists' Books
1 volume (unpaged) : illustrations (some color) . Commemorates the 50th anniversary of the U.S. Supreme Court's Brown vs. Board of Education (1954) decision. "This softcover edition of 150 books was printed on an Indigo Digital Press"--Colophon. Author describes her family's experience with racism and school integration. As a high school student, the author was named lead plaintiff in Clarissa Thompson et al. v. County School Board of Arlington County (June 1956), a school desegregation class action suit filed in U.S. District Court. Metal spiral binding. Signed by the author on the title-page. Curated title for Fleet Library Special Collections …
Terminal Home, Marcia Ciro, Special Collections, Fleet Library
Terminal Home, Marcia Ciro, Special Collections, Fleet Library
Artists' Books
3 folded sheets : color illustrations. Title from box. In oval shaped cloth wrap box (18 x 13 x 5 cm) with metal clasp. Photographs and text printed with archival ink on Moab paper. Limited edition of 8 copies. Library has copy no. 6. Gift of the artist. RISD Alumna, BFA, GD, 1977. Fleet Library at RISD Alumni Collection.
Aggregate Memory, Macy Chadwick, Lisa Onstad, Special Collections, Fleet Library
Aggregate Memory, Macy Chadwick, Lisa Onstad, Special Collections, Fleet Library
Artists' Books
cloth covered box exterior; accordion, dos a dos, housed in a clamshell box; cloth covered box interior; page spread; "Returning again, past and present converge"; page spread; "Days steeped..."; page spread; inside front cover. number 34 in an edition of 65, a collaborative work signed by both artists
Nightfall Faces, Carolyn Leigh, Special Collections, Fleet Library
Nightfall Faces, Carolyn Leigh, Special Collections, Fleet Library
Artists' Books
drum leaf binding with hidden built up compartment holding BB's. Enclosed in a collaged and painted wrapping envelope, held with woven ribbon. Book closed with wrapper; book closed with wrapper open; interior spreads; back cover; cover. Visions of a primitive ritual dance performed around a fire are evoked through these images of tribal masks. Rhythmic sounds can be made by shaking the book like a maraca.
2005 Yearbook, Risd Archives, Center For Student Involvement (Csi)
2005 Yearbook, Risd Archives, Center For Student Involvement (Csi)
RISD Yearbooks
No abstract provided.
San Francisco. Exhibit: Irreducible: Contemporary Short Form Video: California College Of The Arts/Wattis Institute Of Contemporary Art, Logan Galleries, Dore Bowen
Faculty Publications
No abstract provided.
Overcoming Speech And Library Anxiety, Rozanne Leppington, Rebecca Feind
Overcoming Speech And Library Anxiety, Rozanne Leppington, Rebecca Feind
Faculty and Staff Publications
Students at higher education institutions need to learn how to use the library and to give public speaking presentations, and most will experience Speech and or Library Anxiety. We review Library and Speech Anxiety, and a collaboration between librarians and faculty that produced a freshman course Library Demonstration Assignment. We describe its generation, implementation, and refinement and its effectiveness in preparing students to use the library and to practice public speaking with confidence.
Communication, Culture, And Curiosity: Using Target-Culture And Student-Generated Art In The Second Language Classroom, Deborah Berho, Victoria Defferding
Communication, Culture, And Curiosity: Using Target-Culture And Student-Generated Art In The Second Language Classroom, Deborah Berho, Victoria Defferding
Faculty Publications - Department of Sociology
Studying art from the target culture and student creation of original artwork in the second language (L2) classroom have many benefits. Both provide a springboard for discussion of the culture(s) under study as well as one's own. These activities also positively change the classroom atmosphere, generating student curiosity and lowering the affective filter to language learning. Surprising as it may seem, little has been published about the visual arts and second language acquisition (SLA). This article surveys this limited research, briefly describes how brain research and language learning theories interact with art, ans presents the authors' observations of student response …
Codes Of Interaction, Timothy Michael Martin
Codes Of Interaction, Timothy Michael Martin
Theses and Dissertations
The ideas within this thesis are meant to clarify my explorations, research and painting practice during my studies at Virginia Commonwealth University. I expand on my general statements about being fascinated by advancing technologies and concerned about the after effects of these advancements. The writing explores my curiosity about the internal, skeletal structure of things and how they operate. I explain how the paintings are idiosyncratic hybrids that evoke animation, imaginary scientific propositions, blueprints, maps, and advancing technologies. The work combines these interests with my observations of day-to-day experiences. Isolated events provide found compositions which I then manipulate: a seemingly …
Experimental Navigation And The Creative Process, Teresa A. Engle
Experimental Navigation And The Creative Process, Teresa A. Engle
Theses and Dissertations
For this creative project, I am exploring alternate methods of navigating urban environments, and ways in which this activity can inspire creativity. This process is intended to create a new awareness of the urban landscape, break out of the prescribed, and to inspire innovation. The range of possibilities for this way of navigating is vast, and part of the challenge of my experience has been defining boundaries, assigning variables, and using strategies for exploration making my process inherently morphological. I hope that my work here will encourage others to step out of their comfort zone and experience their environment …
Posthumous, Michael K. Lease
Posthumous, Michael K. Lease
Theses and Dissertations
This thesis reviews the background, influences, and evolution of three works that form Posthumous, an exhibit by the thesis candidate. The thesis begins with a series of vignettes that relate a number of personal experiences involving death, and photography, which have influenced the conceptual development of the work. Chapters devoted to each piece follow the vignettes. These chapters refer to the various influences that have led to the development of the following works: Obit to Self: April 10, 2005, Posthumous, and Jay. These influences range from the movie Hotel Rwanda, to handbills for punk-rock shows. The thesis ends with a …
The Marinhieros Project: Roseneath Rd & Patterson Ave, Jacqueline H. Crowley
The Marinhieros Project: Roseneath Rd & Patterson Ave, Jacqueline H. Crowley
Theses and Dissertations
In questioning the very nature of a thing, at its most basic level, a new assessment can be made of what the thing in question truly is. When we ask ourselves, what is a weed, we begin to pull the word apart - to decrypt the word from the cultural baggage that has collected around it over the course of the history of language.The cultural connotations of 'weed' cling to it like barnacles, removing the word from its true value. We reevaluate meaning, chronicling all the possible constructions of a word, all the possible varieties, where it came from, what …
We Believe In Nothing, Sarah Bednarek
We Believe In Nothing, Sarah Bednarek
Theses and Dissertations
A discussion of the important aspects informing my work, including, ideology, and feminism among other issues.
Memories We Forget, Michael Dax Iacovone
Memories We Forget, Michael Dax Iacovone
Theses and Dissertations
I have always preferred the journey to the destination. When I was growing up, my family drove back and forth between Florida and New York every summer. My father did the driving, my mother sat next to him, and my older brother and sister sat in the back seat. This left the cavernous back of the family station wagon for me and the luggage. There was no radio, very little conversation, and I didn't sleep. I spent these summer trips staring for endless hours, out of the back window of the car, transfixed on the expanse of open road behind …