Arts and Humanities Commons^™

Come To The Table, A. Greer Morgan

Senior Independent Study Theses

Why can our favorite practical objects not also be individually created, and for that matter, even designed as works of art? I believe there is value in creating items for daily life, paying them as much attention as any artwork. This begs several questions: Where is the intersection between art and life? When does life become art, and when is art life? I have addressed these questions with my Senior I.S. project, using interdependent sculptures made from ceramics and bread to urge contemplation about the mediums themselves, as well as by offering hospitality and encouraging community through the physical act …

Terrain, Rebecca Newhouse

Senior Independent Study Theses

This thesis explores the complexity of human involvement with the gigantism of nature. I studied this experience by creating my own natural panoramas, to intensify the human interaction by enabling the viewer to see a vast space in a small, concentrated form. Reversing the scale from massive to miniscule is the center of my thesis; what is it about the all-encompassing scenery of towering mountains, or long green fields that makes them so visually and conceptually powerful? Using plaster and plywood, I explored this reaction by recreating familiar geological features, such as cave dwellings, cliffs, mountains and fields. Soon the …

Taxidermy Of Thought, Jason Walker

Art Theses

Sculpture is how I bring to life the dark corners of my mind. There have always been images of creatures, geology, and botanical life swirling around my head. Images that often include spires of exoskeleton, creeping tendrils searching for sustenance, or something that moves in an unnatural way. After years of envisioning and automatically sketching out these "things" it is beginning to get a bit crowded in there. It was time to excise this world in my mind and bring it into existence through my hands.
Using many different materials, including plaster, wire, paper mache, epoxy, urethane resins, many different …

Design And Production Aspects Of An Electroluminescent Segment Display, Veronica Kopp, Chris Nixon

Graphic Communication

The purpose of this study was to get a better understanding of the different ways printed circuits could be constructed and then implemented into creative, visual designs for printed electroluminescent displays. A variety of circuit design variables, such as area and length, were tested that will help create solutions for printed electronics.

This study tested different variables of circuit design, such as length of silver traces and the size of the image area, to help optimize ways to build a printed circuit. Then, findings were implemented into a segmented graphic display in order to analyze innovative ways to utilize multiple …

Rebel Chick, Bernice Calvario

Calliope

No abstract provided.

The Eye Alone Is The Judge: Images And Design Patents, Rebecca Tushnet

Georgetown Law Faculty Publications and Other Works

Design patents are an area of intellectual property law focused entirely on the visual, unlike copyright, patent, trademark, trade secret, or the various sui generis protections that have occasionally been enacted for specific types of innovation. Judges and lawyers in general are highly uncomfortable with images, yet design patents force direct legal engagement with images. This short piece offers an outsider’s view of what design patent law has to say about the use of images as legal tools, why tests for design patent infringement are likely to stay unsatisfactory, and what lessons other fields of intellectual property, specifically copyright, might …

Teaching Conversations, Contemporary Art, And Figure Drawing, Mark Graham

Faculty Publications

An important problem for high school art teachers is deciding what belongs in the art curriculum. What works of art, media, or ideas will inspire their students to more fully develop their own artistic potential and critically engage with contemporary art and culture? What artifacts of art, visual culture, or material culture should be included and how can these artifacts be connected to student interests? This article will visit these questions and contextualize figure drawing within contemporary art practice and emerging discussions about art education curricula. Although new media and technologies have important and unexpected places within the art curriculum, …

To See The World Clearly: - Painting, The Camera Obscura And The Lens Of Spinoza, Paul Uhlmann

Research outputs 2012

My practice-led PhD research project seeks to find ways to create immersive painting installations to invoke contemplation of immanence, interconnectedness and impermanence in the mind of the viewer. In this paper I will discuss the methodology of my practice-led research as it relates to the concept of sensation (Deleuze) in relation to the body and to painting. In addition to this I will outline ways in which Spinoza’s monist concept of ‘one substance’ has illuminated and influenced my thinking and work. Central to this concept is the notion that mind and matter are not two separate things but one thing. …

Let Reality Worry, Here You Are Free, Calliope

Calliope

No abstract provided.

Building Block Tetraptych 2, Shiloh Gastello

Calliope

No abstract provided.

Bull And Wife, Bernice Calvario

Calliope

No abstract provided.

I Have This Condition, Alex Zaworski

Calliope

No abstract provided.

Diary Of The Past Five Years, 2007-2012, Harrison W. Inefuku

Calliope

No abstract provided.

Lights And Shadows - 2012, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Perceptions Of Life And Death Through The Metaphor Of Paint: Construction And Deconstruction Of Form, Nannette Cherry

Electronic Theses and Dissertations

This paper will explore classical and contemporary methods of painting applied to the portrait. It will emphasize the metaphor of paint as flesh and the connotations of the breakdown of the painted form that stands in for flesh as it relates to our preoccupations with our own mortality. Borrowing from influences like Lucian Freud, Jenny Saville, and Francis Bacon, the artwork explores the creation of a form that is physical and confrontational, and is intended to provoke a psychological response in the viewer. This series of figuration bases its processes on traditional methods, while borrowing from modern art devices to …

Afterimage, Thea Liberty Nichols, Dahlia Tulett-Gross, Louise Lincoln, Jason Foumberg, Lucas Bucholtz, Mia Dmeo, Erin Nixon, Karsten Lund, Britton Bertrand, Monica Westin, Jenny Gheith, Jessica Cochran, Abraham Ritchie, Paige K. Johnston, Anthony Stepter, Elizabeth Chodos, Bryce Dwyer, Zachary Cahill, Caroline Picard, Robin Dluzen, Chad Kouri, Claudine Isé, Abigail Satinsky, Robyn Farrell

DePaul Art Museum Publications

No abstract provided.

Table Of Contents

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Submission Information

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Hemisphere Volume 5, 2012, Matthew Q. Breatore, Ethan Cole, Amy Hamman, Tatiana Reinoza, Ryan Henel, Annick Benavides

Hemisphere: Visual Cultures of the Americas

No abstract provided.

What You Could Know, Becca Wyant

Calliope

No abstract provided.

Mimi's Imagination, Maraiam Al-Enezi

Calliope

No abstract provided.

Daydreaming, Eric Koester

Calliope

No abstract provided.

My Time, Becca Wyant

Calliope

No abstract provided.

Early American Bookbinding In Brigham Young University's Special Collections, Kylie Ladd

Student Works

Bookbinding is a tradition that began in America before America itself. The earliest identified binder was John Ratcliff, who came to Boston from England about 1662. In fact, bookbinding preceded printing in America – the first (anonymous) binding was completed in 1636, and the first printer didn't appear until two years after that. Save for a few major figures, most binders and the bindings they completed remain anonymous, identifiable only by the style of decoration. In this paper will attempt to study the characteristics and traditions of early 19th century publishers and book binding through a case study of a …

Mena, Sasha Strelitz

Digressions: Literary & Art Journal

No abstract provided.

Bella, Natalie Hernadez

Digressions: Literary & Art Journal

No abstract provided.

Untitled, Renata Villar

Digressions: Literary & Art Journal

No abstract provided.

Electric Justice, Joe Cirino

Digressions: Literary & Art Journal

No abstract provided.

The Collective Alphabet, Angela Lorenz, Special Collections, Fleet Library

Artists' Books

The Collective Alphabet was created by a class at the Scuola Internazionale di Grafica Venezia in 2012 and donated to Special Collections, Fleet Library, Rhode Island School of Design. Read more about the workshop.

Bread+Butter, Minali Chatani, Fleet Library, Special Collections, Jan Baker

Food

This book was completed for Jan Baker's artists' book class, Printed Books.