Architectural History and Criticism Commons^™

Future Interior Of The Past: An Air Terminal Comes Of Age At Detroit-Willow Run, Joss Kiely

Interiority

After the Second World War, manufacturing plants were no longer needed for wartime production levels, prompting the closure and repurposing of industrial facilities that became obsolescent overnight across the United States and in the manufacturing region of Southeastern Michigan. Located twenty miles west of Detroit, the Willow Run airfield in Ypsilanti was one such case. Best known for the massive B-24 Liberator manufacturing plant designed by Albert Kahn that opened in 1942 as Air Force Plant 31, the airfield played a key role in ending the war. Just to the south, a Kahn-designed hangar was loosely repurposed in 1946–1947 as …

Colloquium, Or The Argument For A New School Of Architecture..., Austin Turner

Bachelor of Architecture Theses - 5th Year

Colloquium, or an argument for the new school of Architecture... is an interrogation on the power of Architectural discourse and its impact on the built environment.

The research begins by analyzing the works and theories of four distinct architects: Peter Eisenman, Rem Koolhaas, Zaha Hadid, and Bjarke Ingels. During my investigation, I ask myself, “What happened in their school environment that made them great,” or in other words, “What can a student, like me, do to be like these people?”

To answer this question, I found the best way to analyze this would be to look back on their own …

Foster Rhodes Jackson And The Visual Conquest Of The West, Eve Kaufman

Scripps Senior Theses

Colonizers settled the Los Angeles and the Southern California region in part by using Modernism’s visual rhetoric and propagandic implications during the time of suburban sprawl. Suburban sprawl refers to the mass single family home development which took place from the 1920^[1]s until now but peaked from the 1970s to the 1990s. Los Angeles sprawl grew particularly in the 1950^[2]s as soldiers returned from WWII. It was a way for middle class white families to accrue generational wealth and follow through on the American Dream^[3].

The primary result however disenfranchised already marginalized groups. This …

Staging A Modern Nation: The Art And Architecture Of The Peruvian Pavilion At The 1939/40 New York World’S Fair, Alida R. Jekabson

Theses and Dissertations

At the 1939/40 New York World’s Fair, the Peruvian government installed a multimedia display of objects and products in a foreign pavilion. An examination of the building and its contents provides a basis to understand how art and commerce work together to construct narratives of authenticity, nationalism and modernity.

Frederic Lindley Morgan : Gentleman Architect And Reluctant Modernist., Lisa Grace Carpenter

Electronic Theses and Dissertations

Frederic Lindley Morgan, a major architect in Louisville,Kentucky, was born in Loda,Illinois in 1889. Morgan, in partnerships with other architects throughout his career, designed a variety of projects including homes, schools, churches, commercial buildings and even an airport. Morgan worked up until he died, in 1970, in Louisville. What makes Mr.Morgan's work distinctive is not the timelessness of his designs, nor the fact he was dubbed "Louisville's society architect," nor his lengthy 50 plus year career. Morgan had the ability to take his training, in combination with his talent and savvy business sense, and work successfully in a variety of …

Patterns Of Thought, Noel Brady

Other resources

No abstract provided.

Marcel Breuer And Postwar America, Marcel Breuer, Barry Bergdoll, Jonathan Massey

School of Architecture - All Scholarship

At the center of Slocum Hall, four stories below a large skylight, stands a big shaggy lens - a deep, fur-lined scoop framed by a broad rectangle eight feet high. Between stepped floor and slanted ceiling is a curved wall punctuated by a trapezoidal aperture through which you glimpse a purple-tinted fragment of face. Forehead and cheeks, a nose and two eyes: Marcel Breuer.

The lens, a pavilion encasing deep embrasures, marks an exhibition of material from the archive of this leading 20th century architect. It points you toward the adjacent gallery, where more than 120 drawings and photographs reproduced …

Marcel Breuer And Postwar America, Barry Bergdoll, Jonathan Massey

School of Architecture - All Scholarship

At the center of Slocum Hall, four stories below a large skylight, stands a big shaggy lens - a deep, fur-lined scoop framed by a broad rectangle eight feet high. Between stepped floor and slanted ceiling is a curved wall punctuated by a trapezoidal aperture through which you glimpse a purple-tinted fragment of face. Forehead and cheeks, a nose and two eyes: Marcel Breuer.

The lens, a pavilion encasing deep embrasures, marks an exhibition of material from the archive of this leading 20th century architect. It points you toward the adjacent gallery, where more than 120 drawings and photographs reproduced …

Lessons From Bernard Rudofsky, Jean-François Bédard

School of Architecture - All Scholarship

A review of the exhibition of Bernard Rudofsky's work, organized by the Architekturzentrum Wien and the Getty Research Institute (GRI) in associated with the Canadian Centre for Architecture (CAA). This exhibit outlined Rudofsky's career and theoretical interests. Rudofsky was at the margins of high modernism, but unlike some of his contemporaries, focused on traditional, indigenous vernacular forms.

Ernst May And The Campaign To Resettle The Countryside: Rural Housing In Silesia, 1919-1925, Susan Henderson

School of Architecture - All Scholarship

May's Silesian work chronicles the impact of Modernism and corporatism on Weimar housing

Cities Of Artificial Excavation: The Work Of Peter Eisenman, 1978-1988 Introduction, Jean-François Bédard

School of Architecture - All Scholarship

In this introduction, Bédard traces American architect Peter Eisenman's evolution as an architect and theorist from his work on houses from 1967 until 1980 to a body of work titled, "Cities of Artificial Excavation," which he completed between 1978 and 1988. In "Cities of Artificial Excavation," Eisenman interrogates a series of fictions by using dissimulation to produce an "artificial" architecture.

William Lescaze Reconsidered, William H. Jordy

The Courier

This article gives a critical look to William Lescaze's architectural career. While he had early success, his later career seems to pale in comparison. Regardless, the author praises Lescaze for remaining eclectic and not adhering too strongly to the orthodoxy of modernism.

William Lescaze And Cbs: A Case Study In Corporate Modernism, Dennis P. Doordan

The Courier

During the period 1934 to 1949, the Columbia Broadcasting System provided William Lescaze with a series of commissions that, considered together, constitute one of the largest, most varied, and most important bodies of work in his entire career.

Lescaze was responsible for the design of a major new broadcasting facility, the interior design of studio and office spaces, the design of a variety of studio furnishings such as microphones and clocks, the design of a mobile broadcasting vehicle, and the graphic design for CBS facilities across the country. A careful review of the material indicates that Lescaze made a major …

The "Modern" Skyscraper, 1931, Carol Willis

The Courier

This article details the history of The Philadelphia Saving Fund Society (PSFS) building, constructed through the partnership of William Lescaze and George Howe in 1932. The author argues the building to this day remains "modern", displaying complexity and a varitey of color and materials. The building is also, the author says, the first skyscraper designed in the International Style. The author also examines the PSFS in the context of other tall buildings of the period, usually described as belonging to the Art Deco style.

European Modernism In An American Commercial Context, Robert Bruce Dean

The Courier

This article seeks to explain why architect Willaim Lescaze's career proceeded the way it did. The author also makes observations about Lescaze's life in America during a secular, materialist age.

The William Lescaze Symposium Panel Discussion, Dennis P. Doordan

The Courier

This article is an adapted form of a panel discussion that took place discussing the architect William Lescaze. Overall, the panel seemed divided between those who judged Lescaze's achievements acoording to the established tenets of orthodox modernism and those who sought a new critical framework for evaluating Lescaze's contribution to the rise of modern design in American based upon typological, professional, and commercial criteria.