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The Moors Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film
THE MOORS
Written by Jen Silverman
April 13-15 and April 20-22, 2018
Angell Blackfriars Theatre, Smith Center for the Arts
Music by Daniel Kluger
Directed by MARY G. FARRELL
Scenic Design: JOSHUA CHRISTOFFERSEN
Sound Design:CHRIS WARREN
Lighting Design: JEN ROCK
Costume Design: DAVID COSTA-CABRAL
Voice and Dialect Coach:MEGAN CHANG
Fight Choreographer: JIM BEAUREGARD
Contributing Fight Choreographer: Craig Handel

CAST

Agatha: Mireya Lopez, Emilie: Gabriella Sanchez, Hudley: Brittany Price, Marjory: Grace Dolan, Mastiff: Thomas Edwards, Moor-hen: Deirdre Lahiff

The Moors Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film
THE MOORS
Written by Jen Silverman
April 13-15 and April 20-22, 2018
Angell Blackfriars Theatre, Smith Center for the Arts
Music by Daniel Kluger
Directed by MARY G. FARRELL

We Get To Give -Daphna Tobey's Life Of Biblical Stewardship, Taylor University

2018 Website News Stories

No abstract provided.

Ohio University Eastern Theatre Presents ‘The Importance Of Being Earnest’ (April 13, 2018), University Communications And Marketing

OHIO News Articles Archive

No abstract provided.

Hope College Abstracts: 17th Annual Celebration Of Undergraduate Research And Creative Performance, Hope College

17th Annual Celebration of Undergraduate Research and Creative Performance (2018)

The 17th Annual Celebration of Undergraduate Research and Creative Performance was held on April 13, 2018 in the Richard and Helen DeVos Fieldhouse at Hope College and featured student-faculty collaborative research projects. This program is a record reflective of those projects between the 2017-2018 academic year.

Stage Managing The Glass Menagerie By Tennessee Williams, Makeya Royer

17th Annual Celebration of Undergraduate Research and Creative Performance (2018)

The stage manager is a role that requires organizational skills, composure, and confidence to help a production run smoothly. In February of 2018, Hope College put The Glass Menagerie, by Tennessee Williams, on their stage. I accepted the role of stage manager and began my work immediately. My job was to organize and lead production meetings, run rehearsals, gather and share information, and keep everyone involved in the process updated and informed. This project will show stage management documentation of The Glass Menagerie from the beginning of the production to the end.

April 13, 2018 Ereporter, University Of Alabama At Birmingham

eReporter (campus newsletter)

No abstract provided.

Daily Eastern News: April 13, 2018, Eastern Illinois University

April

No abstract provided.

Written With Love: An Interpretation Of Love Stories Through Movement And Emotion, Olivia Crawford

Undergraduate Distinction Papers

What is love? People all over the world have different stories pertaining to this phenomenon, but do the experiences in our personal lives stop us from understanding the experiences of others? Although it may be difficult to see other points of view besides, it is possible to connect to stories that are not our own. The purpose of this study is to assess how people perceive and connect to different love stories, and how these perceptions differ between those in the fine arts and those in the arts & sciences. Participants in this study will be exposed to a dance …

Getting The Golden Ticket, Fatimah Nouilati

UNH Today Archive

No abstract provided.

Junior Recital - Emily Rosenfeldt And Sarah Hanna, St. Norbert College Music Department

Music Performances

The recital of Emily Rosenfeldt is presented in partial fulfillment of the Music Education degree. Emily is in the studio of Dr. Yi-Lan Niu.

The recital of Sarah Hanna is presented in partial fulfillment of the Music Education triple certification degree. Sarah is in the studio of Dr. Sarah Parks.

Junior Recital - Kieran Wallace, St. Norbert College Music Department

Music Performances

This is the junior trumpet recital of Kieran Wallace. Kieran is from the studio of Dr. Linda Cook.

Uab Doctoral Hooding, Commencement Ceremonies Set For April 27, 28, Staff

Browse All News

No abstract provided.

The Giver (2018) | Program, Jacksonville State University

Department of Theatre & Film Performance Archive

Performed: 13-15 April 2018; Lois Lowry's "The Giver" novel was adapted by Eric Coble. Jonas lives in a utopian society in which each person is assigned a role in the community. When he is chosen for special training from The Giver, Jonas discovers what is means to grow up and take control of your own destiny. The director was Alexis Loren Robinson, assistant director was Jessika Holmes, stage manager was Ashlee Cheyenne Oliver, assistant stage manager was Chloe Barnes, dramaturg was Rebecca Weaver, scenic designer was Elizabeth Neese, lighting designer was Jennifer Luck, costume shop supervisor was Freddy Clements, costume …

22nd Annual Isu Jazz Festival, April 13, 2018, School Of Music

School of Music Programs

Center for the Performing Arts

April 13 and 14, 2018

Iago As Moral Other In Jonathan Munby's Production Of Othello (2016), Emma Magbanua

Honors Theses

Jonathan Munby produced a contemporary adaptation of Shakespeare's Othello at the Chicago Shakespeare Theatre in Spring of 2016. While continuing to utilize Shakespeare's language, Munby modernized Othello through the use of contemporary military costumes, props, accents, music, and dance. Munby did not limit his adaptation to solely visual and auditory aspects of Othello, but also took the liberty of contemporizing the principle of "otherness" in the play. This research explores the identification of Munby's character as Iago as "Moral Other," whose actions lead to the fall of his wife, Emilia, a fellow officer, Roderigo, Desdemona, and the protagonist, Othello.

Carving Out A Space For Female Achievement In Early Modern England: The Life Of Lady Elizabeth Russell., Frankie Urrutia-Smith

Student Research Symposium

This poster will focus on ongoing research into the life of Elizabeth Russell, an early modern English gentlewoman. Currently, this research is funded by an URCO grant through the Office of Research and Graduate Studies. Elizabeth Cooke Hoby Russell lived during the 16th and 17th centuries and played a unique role in her community. She was politically and religiously active, she owned several properties in her own right, and she had several books published, all activities which were rare for women of the time. This poster will explore the reasons for her unusual success, involving several sub-categories of inquiry. First, …

The Theatre Of Ambiguity, Hannah Wamhoff

Celebration of Research

The increased diversity of beliefs surrounding the definition of gender identity and gender roles has enhanced the need for research on historical societies' beliefs and practices. By examining the private and professional theatre of Elizabethan England through contemporary scholarship, primary sources, and plays of the time, I found a contrast between companies comprised entirely of boys and those comprised of adult men. Boy players were able to play female and male characters across a wide age range. My analysis shows that the Elizabethan society's acceptance of this theatrical convention depended upon the widespread view of adolescents as ambiguous in age …

The Observer, Central Washington University

Student Newspaper

Student newspaper for Central Washington University for April 12-18, 2018. Vol. 110, No. 2.

The Setonian, April 12, 2018, Seton Hall University

2018

No abstract provided.

M Stabat Mater, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2017-2018 Women Innovators in the Performing Arts

“M”is the most common sound in the word for “mother” in languages all over the world. In this stunning tribute to motherhood, contemporary dance, set to baroque music, probes its joys and sorrows. While pregnant with her third child, emerging Israeli choreographer Inbal Oshman found inspiration in Pergolesi’s version of Stabat Mater, the 13th-century hymn about Mary’s vigil at the foot of the cross. Oshman’s dance explores the vulnerability and tenderness required of mothers, and the strength and ferocity that come with the territory. She borrows from the mythological mothers of history, including the Mary of Christianity, the dark and …

Women Speak Gala To Raise Funds For Women’S Health Recovery Housing April 21 (April 12, 2018), University Communications And Marketing

OHIO News Articles Archive

No abstract provided.

04-12-2018 Swosu Students Ready For Theatrical Showcase, Southwestern Oklahoma State University

THE BARK ARCHIVE 2018

Southwestern Oklahoma State University students participating in a showcase of theatrical works on the Weatherford campus…

"Song Is The Simple Rhythmic Liberation Of An Emotion": Stephen Dedalus' Musical Martyrdom, Colleen E. Mulhern

The Criterion

A Portrait of the Artist as a Young Man, published in 1916, is Joyce’s semi-autobiographical bildungsroman centered on Stephen Dedalus’ struggle to reconcile Catholic teachings with his own artistic ambitions. In Portrait, music aids Stephen’s epiphanies. Stephen uses music to express emotions unable to be conceived of in – what Joyce calls –“cut-and-dry language.” He appreciates the ability of songs to arouse emotion and induce thought; the songs that Stephen encounters help to form his identity, first as a martyr and, later, as a creator.

Awarded The Leonard J. McCarthy, S.J., Memorial Prize for 2018

The Inkwell, Armstrong State University

The Inkwell

No abstract provided.

The Daily Gamecock, Thursday, April 12, 2018, University Of South Carolina, Office Of Student Media

April

No abstract provided.

Fort Hays State University Tiger Weekly, April 12, 2018, University Relations

Tiger Weekly Newsletters

No abstract provided.

Making Of Nationalistic Dance: Agrippina Vaganova And Choi Seung-Hee, Angela Kim

Graduate Dissertations and Theses

This thesis applies nationalism theories from Eric Hobsbawm's Inventing Tradition and Benedict Anderson's Imagined Communities to show how Agrippina Vaganova and Choi Seung-hee's dances became their nation's representative dance forms. Agrippina Vaganova's Modern Russian Ballet and Choi Seung-hee's Sinmuyong (New Dance) made significant impacts in their respective countries in the twentieth century by each becoming a systematic dance form that became synonymous with the nation. This thesis argues that Agrippina Vaganova's Modern Russian Ballet and Choi Seung-hee's Sinmuyong (New Dance) became their nation's representative dance forms due to interactions between performance, social changes, and discourses of media. These, along with …

Vista: April 12, 2018, University Of San Diego

USD Vista (1965-)

No abstract provided.

The Zircon, April 12, 2018 [Spoof Issue], Dordt College

Dordt Diamond

No abstract provided.