Digital Commons Network^™

Ensemble Concerts: Normal West High School Wind Ensemble And Wind Symphony, April 5, 2023, Ryan Budzinski, Anthony C. Marinello, Midori Samson

School of Music Programs

Center for the Performing Arts
April 5, 2023
Wednesday Evening
7:00 p.m.

Gaining Insights Into Signed Music Through Performers, Pamela E. Witcher, Jody Cripps, Hodan Youssouf

Society for American Sign Language Journal

Signed music is best described as an inter-performative art form that combines lyrical and non-lyrical musical performances and is deeply rooted in the culture of deaf people who communicate through signed language (J. H. Cripps & Lyonblum, 2017; J. H. Cripps et al., in press [a]). The key investigative component for this article includes outlining the experiences that three Canadian performers had about their signed music creativity during a plenary at the Partition/Ensemble 2020 Conference held by the Canadian Association for Theatre Research in Montreal, Quebec. The panelists responded to two questions that they developed for themselves: What inspired us …

Volume 5, Issue 2, Full Issue

Society for American Sign Language Journal

No abstract provided.

42nd Umn Morris Jazz Fest Is April 14, Communications And Marketing

Campus News Archive

No abstract provided.

Adorn The Earth: Treble Choir, University Men's Glee, And Belle Voix In Concert, April 2, 2023, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
April 2, 2023
Sunday Afternoon
3:00 p.m.

The Psychogeographic Relationship With Memories, Popular Music, And Identity: A Case Study From 1995-2022 Of The Grateful Dead, Margaret Lane Walton

Theses

This paper will explore sonic geography and its impact on human and cultural geography through popular music, specifically the Grateful Dead, from 1995 to 2022. This research focuses on the eventization of the band and popular music post-Jerry Garcia’s death, whereas previous research has focused primarily on the band from 1965 to 1995. The infamous psychedelic rock and roll band was widely known for the created and imagined communities that it forged over their 30-year run. Recent research on soundscapes and music’s role in the study of geography precipitated the need for more attention to music geography. This paper explores …

“De Manhattan Pa El Bronx:” Dembow As The Sound Of Dominicanidad Ausente, Patricia Bautista Tiburcio , '23

Senior Theses, Projects, and Awards

This research project begins with the question, what is the role of music in the lives and identities of contemporary Dominicanyorkers? As a Dominicanyorker and a student of sociology, this project begins from the embodied knowledge that Dembow music is actively doing something important in relation to how Dominican migrants and their descendants navigate their Dominican identity and belonging in present-day New York City. I claim that Dembow is the sound of a particular urban condition of diasporic identities, what I call following Dominican studies, “dominicanidad ausente.” To fully understand the role of music in identity development, I use ethnographic …

The Headbangers Of The Himalaya: An Investigation Of Nepal’S Rock And Metal Scene, Samuel White

Independent Study Project (ISP) Collection

The goal of this research endeavor was to generate findings which unveil information about the culture, the bands, and the lives of the musicians and fans who make up the Nepali rock and metal scene. The community is rather esoteric and information regarding certain bands and their musicians’ background is limited to broad, outdated articles published online. Thus, most of the information regarding the scene can only be obtained if one truly immerses themselves within it. I was fortunate enough to make friends which granted me a firsthand look into the Nepali rock and metal scene. The general questions which …

A Conductor’S Guide To Lucrecia Roces Kasilag’S Misang Pilipino (1965), Denise Ysabel Ellis

Theses and Dissertations

Composer Lucrecia Roces Kasilag (1918-2008) is a National Artist for the Philippines and a UNESCO International Artist of the World. Though she has many more accolades and triumphs to note, both national and international, Kasilag is not well known outside of her native Philippines. One factor that obscures this composer from the world is that much of her work is unpublished, as are other historical Filipino composers’ works.

Kasilag composed her first Misang Pilipino in 1965 to commemorate the 400^th year of Christianization in the Philippines, but multiple editions of the work were written and used for different occasions. …

Appalachian Dreams: Traditional Folk Songs In Concert Literature For Classical Guitar, Jackson Douglas Roberson

Theses and Dissertations

Transcriptions and arrangements of works for other instruments make up a substantial portion of the concert literature for the classical guitar. Additionally, the classical guitar’s connections with folk music traditions from around the world are undeniable. While much of the folk-inspired repertoire for guitar engages with the musical traditions of Spain and Latin America, this document will examine a work for solo guitar that uses traditional Appalachian folk music as source material: John Duarte’s Appalachian Dreams.

Appalachian folk music is a primarily oral tradition, and documentation of the music did not appear until the late nineteenth century. This project …

Ensemble Concerts: Symphonic Winds, March 31, 2023, Mack Wood, Jeason Lopez, Allison Isely

School of Music Programs

Center for the Performing Arts
March 31st, 2023
Friday Evening
8:00 p.m.

Chinese Folk Elements In Dunnan Liu’S Piano Concerto The Mountain Forest, Boya Li

Doctoral Projects

The Mountain Forest is a piano concerto composed by Chinese-American composer Dunnan Liu in 1979. The Concerto was inspired by the folk elements of the Chinese Miao ethnic minority group, including the elements of one of their most famous folk tunes, the “Fly Tune,” as well as folk instruments, dance, and festivals. The purpose of this project is to address how the Miao minority folk materials influence this work.

The project contains a brief historical background of the piano in China, a brief biography of the composer and historical background of the Concerto, as well as an introduction of …

Global Sounds: Uncovering Music From Popular Refugees As A Space For Counternarratives, Henrique Villela

Theses and Dissertations

As episodes of mass displacement become the subject of worldwide headlines, the news media discourse on refugees seems often to reduce the refugee experience to either depictions of helpless victims or threatening foreigners. However, dynamic media such as music can prove a useful avenue through which refugeeism may be creatively discussed in a new light. Utilizing a counternarrative lens, this thesis presents a textual analysis of music albums from K’naan, M.I.A., and Wyclef Jean, prominent refugee musicians who utilize global expressions of rap to address refugee experiences. Through both points of shared realities and individual perspectives, these artists engage in …

Neumann Lecture On Music, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Music Listening As A Contemplative Practice In The College Classroom, Vanessa Cornett

Journal of Contemplative Inquiry

Music listening, a cultural practice most college students have in common, is well suited to mindfulness because music only occurs in linear time as it unfolds moment by moment. When students learn to listen mindfully to music or other external stimuli, they can begin to listen more attentively and objectively to their own thoughts. Cultivating the skill of external listening can help improve the skill of internal listening, thereby encouraging greater self-awareness. This paper describes the contemplative practices and experiences of students enrolled in two undergraduate liberal arts courses integrating music and mindfulness. The intent is to share, with other …

Recital: Celebrating Women's History Month, March 6, 2023, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
March 6, 2023
Monday Evening
7:30 p.m.

Sociological Aspects Of Music Education In Higher Education In Brazil, Canada, Israel, Norway, And The United States During The Covid-19 Pandemic, Edward Richard Mcclellan, Stian Vestby, Jennifer Lang, Amira Ehrlich

Visions of Research in Music Education

The purpose of this study was to examine the sociological aspects of music education and perspectives of university music education professors in five continents in relation to remote learning during the COVID-19 pandemic. The concepts of community of practice and agency were used to investigate the social interaction, socialization, and collective impact of people and experiences observed in university-level music education in different parts of the world. As the global pandemic completely changed the conditions on university campuses and music education programs, each participant provided 1) an overview of the parameters of virtual and in-person instruction implemented by select institutions, …

Making American Opera After Einstein, Ryan Ebright Dr.

ICS Fellow Lectures

In the wake of the avant-garde opera Einstein on the Beach in 1976, opera in the United States experienced a renaissance, one which has continued to the present. My book project, Making American Opera after Einstein, centers on contemporary attempts to remake opera in an American image. In it, I detail how American opera—as a genre, a sphere of cultural institutions, an expression of national identity—has transformed significantly over the past four decades. Whereas many composers embrace operatic convention, tailoring their operas to audiences through adaptations of cherished American stories, others attempt to test the genre’s aesthetic boundaries. By exploring …

"Having A Textbook Locks Me Into A Particular Narrative": Affordable And Open Educational Resources In Music Higher Education, Rachel E. Scott, Anne Shelley

Faculty and Staff Publications – Milner Library

This paper reports music scholars' experiences with and perspectives on commercial textbooks and Open Educational Resources and situates these within the context of music instruction in higher education. Interviews with twenty-one music scholars in various subdisciplines explored the course materials they assign and their motivations or obstacles with respect to integrating open or affordable resources in their courses. Participants articulated a variety of concerns about both commercial and open course materials and spoke to institutional support for creating or adopting open and affordable course materials. Analysis of the interviews reveals tension around audience and gatekeeping, the value of music scholars' …

Ensemble Concerts: Philharmonia String Orchestra, February 28, 2023, Glenn Block, Katherine Shindledecker

School of Music Programs

Kemp Recital Hall
February 28, 2023
Tuesday Evening
7:30 pm

Graduate Recital: John Gonzalez Jr., Conductor; February 18, 2023, John Gonzalez Jr.

School of Music Programs

Center for the Performing Arts
February 18, 2023
Saturday Afternoon
3:00 p.m.

Listening To The World: A Brief Survey Of World Music, Antoni Pizà

Publications and Research

A short and engaging introduction to music around the world.

Listen to the world. Explore music from around the globe. Acquaint yourself with a variety of international music styles and traditions. Investigate issues in popular music from both a social perspective (such as race, religion, language, economics, gender, diaspora, and politics), as well as an intrinsically musical position (beat, pitch, meter, rhythm, form, timbre, texture). Learn about how music reinforces values and negotiates tradition with innovation; how rural and urban contexts inform musical experiences; how soundscapes shape identity. Learn how to collect sounds and ask questions: what is this instrument’s …

February 16, 2023, The Daily Mississippian

Daily Mississippian (all digitized issues)

No abstract provided.

Ensemble Concerts: Symphonic Winds And Wind Symphony, February 15, 2023, Anthony C. Marinello Iii, Mack Wood, John Gonzalez, Jeason Lopez

School of Music Programs

Center for the Performing Arts
February 15, 2023
Wednesday Evening
8:00 p.m.

Choral Showcase, February 12, 2023, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
February 12, 2023
Sunday Afternoon
3:00 p.m.

Volume Cxliii, Number 12, February 3, 2023, Lawrence University

The Lawrentian

No abstract provided.

White Supremacy And The Major Scale: Reframing Narratives To Teach The Blues, Improvise, And Check In With Students, John B. Bass Iii

Research & Issues in Music Education

Increasing diversity and equity in secondary and college music programs is a common thread in the scholarship across disciplines in the field. While crucial work is being done to decolonize curricula broadly, students often express difficulty relating to formal music study and teachers struggle to balance desires to diversify repertoire and incorporate alternative pedagogical strategies with their own training. Narratives of white supremacy and music have intersected for over 400 years, but the effect goes beyond the composers and pieces we choose to program or teach. It influences foundational concepts of theory, tuning, and even what notes are (the major …

Ol Woman Blong Wota (The Women Of The Water), Sandy Sur, Ashley Burgess, Maeve Mckenna, Catherine Grant

World Music Textbook

The women of Leweton have been performing Water Music for international audiences since the founding of the Leweton Cultural Village in 2008, and have been practising this tradition for as long as they remember. The women performers who feature in this film are Denilla Frazer, Melinda Frazer, Jerolyn Frazer, Beverley Frazer, Cecilia Tingris, Cicilia Wari, Marie Sur, Sonrin Sur, Trisha Sur, and Margaret Tingris.

Pleasure And Power In A Cover Culture: Audiences, Musicians, And Venues In İZmi̇R’S Popular Music Scene, Yılmaz Onur Sönmez

Dissertations, Theses, and Capstone Projects

The live popular music scene in İzmir, Turkey, is dominated by slow-changing cover repertoires that are performed by musicians who have been on stage for a few decades, at places that have been hosting covers shows for a prolonged time. In this dissertation, I question the reasons behind this practice, which I call cover culture, and analyze it from the three different but interrelated perspectives of audiences, musicians, and venues. My analysis relies on the fieldwork data I collected between March 2019 and May 2022, and on my long-term involvement with and observations of the scene since the early 2000s. …

“All The Evil Music Has:” Musical Representations Of The Vamp In Interwar American Popular Media, Martha Schulenburg

Dissertations, Theses, and Capstone Projects

This dissertation explores the vamp as a symbol of sociosexual deviance in film and American popular music of the 1910s and ‘20s. Abbreviated from vampire, “vamp” came to be used as a term for sexually voracious and predatory women in the early 20^th century. Following the unprecedented success of the 1915 film A Fool There Was, vamps then became a staple in American popular media. My project examines the process of remediation and cultural dissemination at the dawn of mass media via the vamp in music. Vamps were pervasive in cinematic accompaniment, vaudeville, jazz, and Tin Pan Alley …