Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Arts and Humanities (3301)
- Music (2732)
- Ethnomusicology (1753)
- Music Performance (1262)
- History (1254)
-
- Musicology (1209)
- Music Education (1010)
- Religion (923)
- Composition (888)
- Music Theory (886)
- Music Pedagogy (878)
- Music Practice (868)
- Social and Behavioral Sciences (790)
- Liturgy and Worship (769)
- Fine Arts (766)
- Anthropology (362)
- Race, Ethnicity and Post-Colonial Studies (290)
- Education (281)
- Sociology (240)
- Other Music (237)
- Social and Cultural Anthropology (193)
- American Studies (155)
- Cultural History (151)
- Social History (147)
- Oral History (143)
- Library and Information Science (140)
- Pacific Islands Languages and Societies (120)
- Political Science (117)
- Art and Design (116)
- Film and Media Studies (114)
- Institution
-
- Gardner-Webb University (771)
- City University of New York (CUNY) (247)
- Illinois State University (215)
- Brigham Young University - Hawaii (185)
- Liberty University (155)
-
- University of Denver (129)
- Kennesaw State University (107)
- Bowling Green State University (105)
- Yale University (101)
- University of Mississippi (74)
- University of Southern Maine (72)
- University of Memphis (59)
- Louisiana State University (50)
- Chulalongkorn University (49)
- Northern Illinois University (49)
- University of Kentucky (48)
- Technological University Dublin (47)
- Western Kentucky University (45)
- East Tennessee State University (44)
- Lawrence University (44)
- University of Arkansas, Fayetteville (44)
- California Polytechnic State University, San Luis Obispo (43)
- Macalester College (43)
- University of Miami (43)
- University of Nebraska - Lincoln (41)
- Cleveland State University (40)
- Edith Cowan University (39)
- University of Connecticut (39)
- James Madison University (38)
- The University of Southern Mississippi (38)
- Keyword
-
- Music (424)
- Ethnomusicology (157)
- College of Arts Humanities and Social Sciences (119)
- Lamont School of Music (117)
- Musicology and Ethnomusicology (111)
-
- Piano (92)
- Christmas issue (71)
- Jazz (54)
- Music education (53)
- Beethoven (51)
- Identity (51)
- Colonialism (49)
- Folk music (46)
- Performance (45)
- History (44)
- Musicology (44)
- Papua New Guinea (44)
- Chopin (43)
- Center for Southeast Asian Studies (40)
- Culture (39)
- Liszt (39)
- Ethnography (38)
- Gender (37)
- Bowling Green State University (35)
- Faculty (35)
- Micronesia (35)
- Composition (33)
- Education (31)
- Music teacher (31)
- Migration (30)
- Publication Year
- Publication
-
- The Etude Magazine: 1883-1957 (769)
- Pacific Studies (182)
- School of Music Programs (174)
- Publications and Research (124)
- Musicology and Ethnomusicology: Student Scholarship (114)
-
- Masters Theses (110)
- Yale Journal of Music & Religion (91)
- Theses and Dissertations (87)
- Bailey School of Music Concert Programs (86)
- Dissertations, Theses, and Capstone Projects (83)
- Electronic Theses and Dissertations (83)
- WMPG Program Guides (69)
- Doctoral Dissertations and Projects (42)
- Shake, Rattle & Roll (41)
- Dissertations (38)
- LSU Doctoral Dissertations (38)
- Theses and Dissertations--Music (35)
- The Journal of Traditions & Beliefs (34)
- Visions of Research in Music Education (34)
- HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies (33)
- Open Access Dissertations (32)
- Independent Study Project (ISP) Collection (31)
- Journal of Urban Culture Research (31)
- CSEAS Bulletin (29)
- Graduate Theses, Dissertations, and Problem Reports (ETD) (29)
- Music Department Concert Programs (28)
- Commencement Programs (25)
- University of Mississippi News (24)
- Monitor (23)
- UNLV Theses, Dissertations, Professional Papers, and Capstones (19)
- Publication Type
- File Type
Articles 661 - 690 of 4770
Full-Text Articles in Entire DC Network
Songs Of Sorrow, Hope, And Praise: Toward A Historical Analysis Of Negro Spirituals, Hope Victoria Dornfeld
Songs Of Sorrow, Hope, And Praise: Toward A Historical Analysis Of Negro Spirituals, Hope Victoria Dornfeld
Masters Theses
Traditional Negro spirituals play a key role in America’s music history. Spirituals were initially perpetuated by enslaved Africans in the American South through the oral tradition but today are available in a wide variety of choral, vocal, and instrumental arrangements. The lecture recital that accompanies this document will present seven traditional spirituals of varying themes: “Hold On,” “Witness,” “Deep River,” “Sweet Little Jesus Boy,” “Balm in Gilead,” “Steal Away,” and “Ride On, King Jesus.” Spirituals can be described by three closely interrelated textual categories or descriptors which correspond with their original use and historical context. Songs of sorrow are those …
Research In Onondaga Music: Challenges And Opportunities, Kristi Eve Adams
Research In Onondaga Music: Challenges And Opportunities, Kristi Eve Adams
Masters Theses
The main topic of focus is the resistance by indigenous people to communicate their cultural practices to researchers and those who are not part of their immediate community, especially in a post-COVID-19 world. The topic will be explored through the music and ceremonies of the Haudenosaunee people, also known as the Iroquois, consisting of members of Native American heritage that are still in existence today and recognized by the United States federal government as an official tribe. Onondaga Nation is one of the few remaining self-governing sovereign Native American nations in the United States. The music of the Onondaga people …
Texas Exceptionalism And Texas Style Fiddling: Fiddle Contests, Patriarchs, And Musical Markers, Emilie Catlett
Texas Exceptionalism And Texas Style Fiddling: Fiddle Contests, Patriarchs, And Musical Markers, Emilie Catlett
Music Theses and Dissertations
The phrase “Texas Fiddle Player” indicates a unique musical identity within the Greater North American Fiddling community. Beyond fiddle tunes, fiddling culture involves technical diversity, interpersonal relationships, various performance contexts, teaching and learning, and the stories making up a community’s collective memory. The Texas Fiddle Player identity is the result of a process of connecting these aspects of fiddling culture to symbols and narratives that evoke a specific kind of “Texan-ness.” This process is a form of musical Texas Exceptionalism, in that it asserts a belief that Texas Fiddle Players are somehow different from their American fiddling peers. This manifests …
Chinese Inner Mongolian Folk Elements In Jin Ta's "Mongol" Sonata, Yuecheng Lu
Chinese Inner Mongolian Folk Elements In Jin Ta's "Mongol" Sonata, Yuecheng Lu
Doctoral Projects
“Mongol” Sonata, Op. 6 was written by the composer Jin Ta (b. 1972) in 2019 and published in 2020. This sonata is a contemporary flute and piano work based on the folk music elements of Inner Mongolia, the region of northern China adjacent to Mongolia. This work interprets some Inner Mongolian folk music elements such as Long Song, Nugalaa, Khoomii, Uliger and mimics the traditional Inner Mongolian instruments’ sound on flute and piano. This project will introduce the main Chinese Inner Mongolian folk elements and analyze the way Op. 6 portrays them in the music.
Musical Time In Network Interaction: The Case Of Unfinished Line, Silvio Ferraz, William Teixeira
Musical Time In Network Interaction: The Case Of Unfinished Line, Silvio Ferraz, William Teixeira
Journal of Network Music and Arts
Considering recent world events, art and music could not be unmoved by the dramatic turn of directions in both the way people relate and the place of technology in their lives. An ongoing project of both the authors in writing a new piece for cello and Disklavier operated by interactions in real-time gave place to a new kind of composition, mixing written music to improvisation and replacing real-time for something we are calling remote time. This paper presents such walking of resilience, first reviewing some relevant points of view about musical interaction in real-time and the importance of synchrony for …
For What Is A Man?: Towards Languaging Contemporary Dance In A Black, Queer, Male-Presenting Body, Thomas Ford
For What Is A Man?: Towards Languaging Contemporary Dance In A Black, Queer, Male-Presenting Body, Thomas Ford
Theses and Dissertations
This paper examines Queering Blackness: Solo on a Theme of Reconciliation, a performance event that invokes movement, spoken text, projections and sound to explore the mechanisms of identity. Engaging performance, Black, queer and dance studies, the paper contextualizes cultural identity markers, towards an understanding of what it means to be Black, queer and male-assigned in Black spaces.
Made In Italy: Gli Effetti Della Musica Italiana (T)Rap Sulla Società E Sulla Lingua, Paraskevi Z. Gkana-Alberico
Made In Italy: Gli Effetti Della Musica Italiana (T)Rap Sulla Società E Sulla Lingua, Paraskevi Z. Gkana-Alberico
Theses and Dissertations
This paper explores the history of Italian (t)rap music, and uses the lyrics of famous songs in an attempt to examine the effects the sometimes vulgar and explicit themes, which are usually accompanied by the use of foreign languages, could have on society and the Italian language.
New Music Ensemble, Chapman New Music Ensemble
New Music Ensemble, Chapman New Music Ensemble
Printed Performance Programs (PDF Format)
No abstract provided.
Review Of Afterparties Stories By Anthony Veasna So, Allan Zheng
Review Of Afterparties Stories By Anthony Veasna So, Allan Zheng
Journal of Southeast Asian American Education and Advancement
You’re Khmer, right?” Tevy, one of So’s characters from “Three Women of Chuck’s Donuts,” asks a customer (So, 2021, p. 21). Khmer is commonly seen as an ethnic identity and distinct from the broader national identity of Cambodian. Therefore, what does it mean to be Khmer, or generally as I will write in this review, Cambodian American? In his short story collection Afterparties (2021), Anthony Veasna So explores this question in Afterparties (2021) through a rich collage of stories featuring sisters in a donut shop, a cynical high school literature teacher, a reluctant son at the temple to tver bon, …
We Are Gullah: A Community Approach To Preserving Gullah Geechee Historical Sites Of Significance, Peter Gaytan
We Are Gullah: A Community Approach To Preserving Gullah Geechee Historical Sites Of Significance, Peter Gaytan
All Theses
The National Register of Historic Places is an inventory established by the National Historic Preservation Act of 1966 that identifies architectural and archaeological sites significant to American history. The National Register was created to encourage the documentation, evaluation, and protection of America’s historic resources. Over 96,000 historic properties, sites, and structures are currently listed on the National Register. Despite the number of historic places listed on the National Register there is still an overwhelmingly low number of sites listed on the National Register relating to underrepresented communities. This thesis assessed the definition of significance laid out in the National Register …
Raps Sheet, May 2023, Retirement Association Of Portland State
Raps Sheet, May 2023, Retirement Association Of Portland State
RAPS Sheet: Monthly Newsletter
No abstract provided.
Asian Culture In Western Music: Piano Music By Tan Dun And Bright Sheng, Guqi Zhang
Asian Culture In Western Music: Piano Music By Tan Dun And Bright Sheng, Guqi Zhang
UNLV Theses, Dissertations, Professional Papers, and Capstones
Chinese-American composers Tan Dun and Bright Sheng present culturally eclectic writing styles in their contemporary compositions by leveraging Chinese folk elements, which have gained them an international reputation. This paper examines folk music elements in Tan Dun’s and Bright Sheng’s piano works and their methods of incorporating them. Two main sources provide my methodological models. Locating East Asia in Western Art Music, a collection of essays that compares Asian-influenced Western composers and Western-influenced Asian composers, combines music theory, musicology, and ethnomusicology to explore how composers construct and utilize Eastern and Western musical concepts. Le Kang’s 2009 “The Development of Chinese …
Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, Kyle Kaldhusdal
Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, Kyle Kaldhusdal
Capstone Projects and Master's Theses
This paper traces the history of hip-hop culture through the evolution of the drum break, the original context of drum breaks in funk and soul music, their influence on DJ culture, and the subsequent impact of drum breaks on music and music production. It follows the development of breakbeat compilations in the 1970s and 1980s, parallel to the development of turntablism and sampling techniques. It also examines in detail how copyright litigation in the 1990s shaped the development of sample-based music genres and created a niche market for originally-recorded drum breaks over the subsequent decades.
Ethnomusicological Research And Local Songwriting In Local Churches In Sarawak, Malaysia, Qianxi Lim
Ethnomusicological Research And Local Songwriting In Local Churches In Sarawak, Malaysia, Qianxi Lim
Senior Honors Theses
Ethnomusicology is a relatively new field of study. Its value is seen as Christian worldwide employ the principles of ethnomusicology to encourage the local church to use their musical gifts and styles to worship God. Many indigenous people groups in Malaysia are being overlooked and treated unjustly. The local Christian Church in Malaysia is responsible for reaching the local population with biblical truth and hope. Although Christians in Malaysia are a minority, Christianity is a major religion in Sarawak, Malaysia. This disparity is reflected in more ethnomusicological research conducted in Sarawak than West Malaysia. Local pastors and musicians in Sarawak …
The Issue Of Communicability In Guerra-Peixe’S 1947 Solo Violin Works, Lucas Henrique Teixeira Martins
The Issue Of Communicability In Guerra-Peixe’S 1947 Solo Violin Works, Lucas Henrique Teixeira Martins
UNLV Theses, Dissertations, Professional Papers, and Capstones
Throughout an important period of his career as a composer, César Guerra-Peixe demonstrated a preoccupation with both the issue of communicability between listeners and the musical composition, as well as avenues for expressing national identity in music. The works composed between 1944 and 1948 present several possible paths for answering these questions with the musical language of the twelve-tone style. Música no. 1 and Música no. 2 for solo violin demonstrate a search for familiarity through the use of chords created by grouping sets of pitches from the originating tone row. The simple linear motif of the movements within these …
Ensemble Concerts: Choral College, April 30, 2023, Illinois State University School Of Music
Ensemble Concerts: Choral College, April 30, 2023, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
April 30, 2023
Sunday Afternoon
3:00 p.m.
Analogous, Catherine G. Mcdonald
Analogous, Catherine G. Mcdonald
Recital Papers
The recording process and traditional fiddle could be perceived as unrelated; however, the evolution of both in many ways could also be considered analogous. Correspondingly, the culminating recording of this project arranged, recorded, and produced tunes that emulated the evolution of the traditional fiddle and its recorded medium. This process included historically accurate arrangements, instrumentation, performance technique, and locations for recording. The double-sided album compared the usage of analog and digital recording and production methods based on the appropriate era for each composition. The “A” side of this project was recorded entirely with analog recording methods. The musical works for …
Creating A Seven-Track Project In Diverse Commercial Styles, Steven Schumann
Creating A Seven-Track Project In Diverse Commercial Styles, Steven Schumann
Composition/Recording Projects
This paper presents a comprehensive overview of the production process for a commercial instrumental album featuring the cello as the prominent instrument. The project includes over 25 minutes of recorded material, with approximately half recorded in a home studio setting and the other half recorded in a professional studio environment. The paper covers various aspects of music production and audio technology, geared towards musicians who have received formal performance training but may lack similar education in music production.
A Look Into Spiritual Sketches: A Performance To Damien Sneed’S Arrangements Of Selected Spirituals, Katrina Cox
A Look Into Spiritual Sketches: A Performance To Damien Sneed’S Arrangements Of Selected Spirituals, Katrina Cox
Doctoral Projects
The African American Spiritual is a long-standing genre of music in the classical arena that drew influence from slave songs or enslaved Africans in America. The Spiritual has always required specific knowledge and understanding of the Black culture and struggle since its conception. As an art form, its genesis came around the end of the 18th century with the abolishment of slavery. The Spiritual (folk melodies) became a popular addition to the concert hall repertoire and were first brought to the forefront by the famed Fisk Jubilee Singers between 1853 and 1943. The Concert Spiritual became more popular in the …
Lucky’S Legacy: Determining An Effective Relationship Between Music And Business Management Principles, Jacob Joseph
Lucky’S Legacy: Determining An Effective Relationship Between Music And Business Management Principles, Jacob Joseph
Honors Projects
The Recognition-Conversation-Reflection (hereafter “RCR”) framework is modeled after popular change management frameworks for accomplishing projects and goals, utilizing concepts found often in business management and strategy. While traditionally these ideas are found in the workplace, they also serve as complex practices that can be used in various contexts. The music industry is composed of a plethora of professions exploring vast genres and interpretations of melody around the world. Despite its diverse perspectives, music is rooted in performance involving ensembles of varying capacities. With the complexities of the RCR framework and the diversity of the music industry, the question I looked …
Connecting Music To The Mathematics Classroom, Nicholas Parr
Connecting Music To The Mathematics Classroom, Nicholas Parr
Honors Projects
This project investigates the importance of integrating music into mathematics classrooms K-12. By outlining the numerous connections between mathematics and music, and applying those to pedagogy, the project provides interdisciplinary overlaps that may be unknown to current teachers. Evidence supports the conclusion that mathematical abilities improve after musical infusion, yet the presence of this intervention is lacking in grades 7-12. Therefore, both mathematical and musical intelligence suffer as a result of the separation of electives and core classes. This project contains eight original mathematics content standards, which would coincide with the Ohio Learning Standards for Mathematics, as well as a …
Five Thousand Years Of Egyptian Double-Pipes And Musical Cultural Influences, Samuel T. Holtkamp
Five Thousand Years Of Egyptian Double-Pipes And Musical Cultural Influences, Samuel T. Holtkamp
ATU Scholars Symposium
Ancient Egypt was one of the earliest of human societies to pursue the development of music, and many of the musical concepts they pioneered over five-thousand years ago are still in use. Along with the preservation of musical ideas, certain ancient Egyptian instruments have also stood the test of time, through both preservation and evolution. However, the development of these instruments from their ancient to modern forms is sparsely discussed. Along with this, virtually no research explores the evolution of these instrument forms from a chronological context. This paper seeks to investigate and chronologize forms of the ancient Egyptian double-pipe, …
The Impact Of Southern Baptist Worship Ministries On Denominational Effectiveness, Laura S. Brod
The Impact Of Southern Baptist Worship Ministries On Denominational Effectiveness, Laura S. Brod
Masters Theses
Worship ministries maintain prominent roles in Southern Baptist (SB) churches. Despite ample available literature for today’s church educational methods and congregational discipleship, little study has focused on ways SB music ministries can bolster the spiritual health of congregants. SBs currently experience the consequences of recent scandals alongside dwindling attendance numbers. To address this multifaceted, spiritually rooted issue, this historical qualitative study proposes to discover characteristics and methods of music and worship ministries (WM) and leadership qualities that can best promote spiritual growth within SB churches to strengthen the denomination’s health. To undertake this, the study will explore SB history and …
Ensemble Concerts: Concerto-Aria, April 23, 2023, Glenn Block, Katherine Shindledecker, Rachel Nulf, Carlos Leon
Ensemble Concerts: Concerto-Aria, April 23, 2023, Glenn Block, Katherine Shindledecker, Rachel Nulf, Carlos Leon
School of Music Programs
Center for the Performing Arts
April 23, 2023
Sunday Afternoon
3:00 p.m.
Dicotomía: Context, Aesthetic, And Performance Of The Symphonic Works Of Margarita Luna García, Gabriela Sofía Gómez Estévez
Dicotomía: Context, Aesthetic, And Performance Of The Symphonic Works Of Margarita Luna García, Gabriela Sofía Gómez Estévez
LSU Doctoral Dissertations
Dominican women had an active role in the musical life and discourse of the Dominican Republic in the twentieth century and made substantial contributions as composers, performers, pedagogues, and scholars. Margarita Luna García (1921-2016), Dominican composer and pedagogue, was one of the most notable figures of avant-garde music in the Dominican Republic in the twentieth century. Numerous modernist trends converge in her works including serialism, indeterminacy, and graphic notation. Influenced by Paul Hindemith, Béla Bartók, Krzysztof Penderecki, and Dominican composer Manuel Simó, her works synthesize vernacular musical material and modernist techniques. Luna García’s orchestral works make use of folk rhythms, …
Ensemble Concerts: 24th Annual Isu Jazz Festival, April 21, 2023, Illinois State University School Of Music
Ensemble Concerts: 24th Annual Isu Jazz Festival, April 21, 2023, Illinois State University School Of Music
School of Music Programs
ISU Center for the Performing Arts
April 21 and 22, 2023
Ensemble Concerts: Isu Philharmonia And String Project Sinfonia, April 19, 2023, Glenn Block, Katherine Shindledecker, Igor Kalnin
Ensemble Concerts: Isu Philharmonia And String Project Sinfonia, April 19, 2023, Glenn Block, Katherine Shindledecker, Igor Kalnin
School of Music Programs
Kemp Recital Hall
April 19, 2023
Wednesday Evening
7:30 p.m.
The Kemp Foundation’S Teaching Excellence Award Ceremony (2023 Program And Video), Illinois Wesleyan University
The Kemp Foundation’S Teaching Excellence Award Ceremony (2023 Program And Video), Illinois Wesleyan University
The Kemp Foundation's Teaching Excellence Award Ceremony Programs
This video contains the entire event, including the address given by the current Kemp Award winner, Professor of Chemistry Ram Mohan. Retiring faculty are also honored (bios included in the program) and the Kemp Award winner for next year is revealed.
"Azat, Ankakh, Artsakh": Music, Memory, And The Second Nagorno-Karabakh War, Sasha Linn Arteaga
"Azat, Ankakh, Artsakh": Music, Memory, And The Second Nagorno-Karabakh War, Sasha Linn Arteaga
Music ETDs
In this thesis, I examine a selection of music videos, from those created in 2015 at the centenary of the Armenian Genocide, to those created in response to the Second Nagorno-Karabakh War, considered by Armenians to be a continuation of the Armenian Genocide. To the Armenian people, Nagorno-Karabakh is part of their ethnic homeland and has maintained a majority-Armenian population and separatist government backed by the Republic of Armenia since the First Nagorno-Karabakh War. I apply a music-as-text approach in this thesis, examining these music videos through examination of the visual, musical, and lyrical elements. I then analyze these videos …
The Illinois State University Civic Chorale Spring Concert: Music Of Isu Composers Past And Present, April 14, 2023, John M. Koch, Dennis Gotkowski
The Illinois State University Civic Chorale Spring Concert: Music Of Isu Composers Past And Present, April 14, 2023, John M. Koch, Dennis Gotkowski
School of Music Programs
Center for the Performing Arts Concert Hall
Friday
April 14, 2023
7:00 p.m.