Digital Commons Network^™

Mediated Locality: Assembling The Independent Music Scene In Brooklyn, New York, Frank Meegan

Dissertations, Theses, and Capstone Projects

This dissertation investigates how independent musicians, concert organizers, and other scene participants in Brooklyn, New York use digital technology and new media in their artistic practice. It is based on three years of participant observation in Brooklyn from 2016 to 2019, where I attended events at small venues like bars and DIY spaces, and interviewed musicians, concert organizers, independent label runners, and other scene participants. I also observed the online activity of musicians and organizers on public Facebook, Instagram, and Bandcamp pages. I argue that Brooklyn independent musicians use digital media, and are themselves mediated, as their activities at physical …

Exploring Jam Sessions In New York, Ricardo Pinheiro

The IASJ Journal of Applied Jazz Research

This paper addresses the relationship between jazz jam sessions in Manhattan, and the concepts of Scene, Ritual and Race. These issues emerged during research that, from an ethnomusicological perspective, focused on the role of jam sessions in Manhattan as a privileged context for the following:

i) learning performative styles of jazz,

ii) developing the creative process,

iii) constructing professional networks,

iv) establishing of the status of musicians.

Studying and analysing the jam sessions at five jazz performance venues in New York, I demonstrate the vital importance of participating in jam sessions by examining their relationship with this performative occasion (Pinheiro …

January 25, 2023, Faculty, Illinois Wesleyan University

2022-2023

No abstract provided.

Ama Oforiwaa Aduonum To Perform ‘Walking With My Ancestors, Mj Soria

News and Events (Discontinued Series)

No abstract provided.

Applied Groove Research, Toni Bechtold, Rafael Jerjen, Olivier Senn

The IASJ Journal of Applied Jazz Research

This paper is the first step to bridge this gap by asking whether groove research can help us teach groove to students, and, if so, how it can best be taught. Simultaneously, the paper serves as an introduction to groove research for those unfamiliar with this academic discourse.

The Exceptional Fauziah Gambus: Negotiating Novelty, Piety, And Self-Promotion In An Androcentric Malaysian Musical Scene, Joe Kinzer

Library Faculty & Staff Publications

This article highlights several performance personas—including novelty and Islamic piety—at work in the career of Fauziah Gambus, a female gambus player in a highly androcentric musical scene. I argue that gendered assumptions and stereotypes have not restricted her but have instead enabled her to gain more popular success and notoriety than many of her Malaysian male counterparts. In unpacking her career, I examine how Fauziah synthesizes a variety of self- promotion strategies to achieve success beyond traditional gambus music channels.

Does Gender Matter? Gendered Relations In The Recording Studios, Diane Wong

Theses and Dissertations

Only 8.6% of all recording engineers currently employed in the United States are women. To understand the influence of a woman’s gender in their recording career, this study presents their experiences from multiple angles – the recording studio business, women engineers’ obstacles, the recording education pipeline, and diversity and inclusion in the industry.

Identity, Memory, And Performance In The Time Of Pandemic: A Duoethnography, Terry Sefton, Danielle Sirek

Visions of Research in Music Education

How can a musician maintain her sense of self in quarantine, a self that is constructed by intertwined strands of creativity, performativity, and relationship? The hiatus brought about during the pandemic has created a lack for musicians and music educators, an absence or loss of professional identity and personal meaning. On March 12, 2020, we found ourselves shut out of the classroom and barred from the performance stage. Over the course of a year, we two musician-educators engaged in duoethnography as a way of documenting our experiences. It became a site where we could provide each other with a “destabalizing …

Music Education And The Shrinking Public Space: Implications Of Richard Sennett's Sociological Ideas For Music Education, Paul Louth

Visions of Research in Music Education

Richard Sennett’s theory that industrial capitalism triggered the gradual elimination of shared cultural symbolism and thus contributed to the impoverishment of civic involvement deserves to be revisited in light of its implications for music education in an age of global information capitalism. In 1974 Sennett produced an extensive examination of the relationship between public culture and public space, arguing that our response to large-scale social and economic forces over which we have limited control is to retreat from public cultural expressions and consequently from public life. Extending Sennett’s sociological argument, I contend that the subjectivizing of musical meaning may lead …

Perspectives On Social Realism Within North American Higher Music Education, Kyle Zavitz

Visions of Research in Music Education

This article critically examines the suitability of Social Realist perspectives within North American higher music education, with a particular focus on its relationship with jazz musical knowledges. Social Realist scholarship continues to emerge within the field of education sociology, driven by claims to contribute to student access and opportunity. In spite of this, scholars have continued to critique Social Realist perspectives for various reasons including maintaining an ideological status quo and devaluing the experiences of students, going as far as argue that Social Realist frameworks may in fact limit the access and opportunity espoused by its proponents. Drawing upon past …

Director's Statement, Andrea Leland

Jamesie: King of Scratch

No abstract provided.

Undergraduate Catalog Of Studies, 2022-2023, University Of Arkansas, Fayetteville

Undergraduate Catalog of Studies

No abstract provided.

Moroccan Trance: Unruly Bodies And The Colonial Imagination, Samuel Llano

World Music Textbook

This article considers colonialism’s impact on the production and perpetuation of negative stereotypes about Sufi trance in Morocco by exploring how it developed under strict strutiny and control as an object of fear, misunderstanding, dismissal, and scorn.

2023 Spring And Winter - Schedule Of Classes, Office Of The Registrar, East Tennessee State University

Registration Resources

No abstract provided.

Ethics In Kakadu (1988): Finding Djilile’S “True Tracks”, Natasia T. Boyko

Electronic Theses and Dissertations

Tasmanian-born Peter Sculthorpe (1929 – 2014) was one of Australia’s most iconic modernist classical composers of the twentieth century. Kakadu (1988) seems to have sparked the most controversy of Sculthorpe’s works and has become one of his most well-known pieces. In the program notes provided in the score’s foreword, Sculthorpe asserts that “the melodic material in Kakadu, as in much of my recent music, was suggested by the contours and rhythms of Aboriginal chant.” Sculthorpe attributed this melodic material to the Arnem Land chant, Djilile. Consequently, Sculthorpe has been criticized for extracting Djilile from its authentic context as …

Rhythmic Theory Pedagogy, Ways Of Knowing, And Experiential Learning, Ben Duinker

Journal of Music Theory Pedagogy

This article proposes an approach to rhythmic theory pedagogy that foregrounds the intersection of performance, creation, and analysis. Daphne Leong’s recent work on this intersection uses the German verbs wissen (knowing that), können (knowing how), and kennen (knowing of) to describe the different kinds of knowledge generated and utilized by theorists and performers. I use Leong’s theory to identify a mismatch, or gap, between what undergraduate students learn about rhythm in the theory classroom and what their practical needs are as music majors—a plurality of whom specialize in performance. As a means of remedying this mismatch, I use David Kolb’s …

Music And Archives, Ryan Koons

World Music Textbook

This article provides an overview of critical issues regarding music in archives.

11. Dreamers: Adventures In Dreams And Dreams Of Adventures ... By David Kennedy, David Kennedy

Middle School Curriculum

Dreamersis a philosophical adventure novel for ages 12 and beyond, told through the eyes of four pre-adolescent children of varying ethnic and racial backgrounds living in a small town in the American Southwest, who embark together on a school inquiry project centered on the phenomenon of dreaming. Not only do they record and share their dreams with each other, they inquire together into the role and status of dreaming in cultures past and present, the interpretation of dreams, the scientific analysis of dreaming, and the role of dreams in mythology and religion. The dramatic events of the novel are …

Tennessee Folklore Society Bulletin - Volume 72, Tennessee Folklore Society

Tennessee Folklore Society Bulletin

No abstract provided.

Journal Policies, Jucr Staff

Journal of Urban Culture Research

No abstract provided.

Sorginak, Bruxas, Meigas, Bruixes… Performing Feminisms In Spanish Folk Revival, Marina Gonzalez-Varga, Inmaculada Vera-Carbonell

Journal of Urban Culture Research

The imaginaries constructed around witches and witchcraft throughout history have reflected non-accepted social conduct and behaviors. Assuming women’s bodies, knowledge, and social agency as a depiction of the savage, strange, and taboo figure. In this way, the witch linked to the feminine and negative aspects has been recently reappropriated and reshaped by feminism in the last decades. In this study case, I examine how Spanish revival folk has reflected female gender models through musical practices. The main goal of folk revival is revitalizing a countercultural movement, which shows a context of a clash of ideologies and identities. Identities and ideologies …

Traumas And Exile, Music As An Instrument Of Psychoanalysis, Marco Ramelli

Conference papers

Gerhard was able to create works of great richness that connect distant musical styles, extra- musical narratives, autobiographical references, and abstract musical concepts. The composer lived through extraordinarily tumultuous times, including the Spanish Civil War and the Second World War, as an exile in England. Away from his homeland, he maintained a pacifist stance, firmly opposing Franco's regime. It was Gerhard's personal connection to the Civil War that may have prompted the BBC to commission him to write incidental music for adaptations of two important books set during the Spanish Civil War. In both compositions,9 The Revenge for Love (1957) …

Redi Report, January 2023, School Of Music

REDI (Representing Equity, Diversity, and Inclusion) Report

Report from the Illinois State University School of Music REDI (Representing Equity, Diversity, and Inclusion) Committee

Bruja Theory: Latinidad Without Latinos In Popular Narratives Of Brujería, William Orchard

Publications and Research

No abstract provided.

“Hin Le Le” Folk Songs In Phitsanulok Province : Identity And Existence In Times Of The Covid-19 Pandemic, Sasinut Phongnil

Journal of Urban Culture Research

The objectives of this qualitative research were to investigate (1) the identity of folk songs in Phitsanulok province, Thailand (2) the forms, methods and existence of folk songs during the COVID-19 pandemic, using musicological methodology. The examination of the background, musical characteristics, components and forms at present revealed that the identity of Hin Le Le folk songs is “the songs that reflect the way of life of the locals in Phitsanulok province, keep up with ongoing events for all age groups and are created by the elderly in the community.” The examination of the forms and existence methods of folk …

Revolutionary Songs From Myanmar: Reconsidering Scholarly Perspectives On Protest Music, Heather Maclachlan

Department of Music Faculty Publications

Since the February 1, 2021 military coup in Myanmar, Burmese musicians have been creating and circulating anti- coup songs. This article describes a representative sample of these songs, explaining how the lyrics reference important tropes in Burmese life and history. Further, the article argues that these anti-coup songs, while they can be understood as protest music, do not fit precisely into categories previously delineated for protest songs. Nor do these songs provide a neat answer to the question that scholars so often pose of protest music, to wit: do these songs work to persuade listeners to take an anti-authoritarian position? …

Negotiating Intersectional Identities In The Music Culture Of The Deeper Christian Life Ministries In Nigeria, If-Not-God Moses

Electronic Theses and Dissertations

Christianity is the largest religion in the world with a population of over two billion. More than ever before, the rapid growth of this religion is getting more diverse due to a great variety of doctrines and practices that it accommodates. From the inception of Christianity, music has been prominent and a powerful bedrock of its religious worship. This thesis, underpinned by the paradigm of sound as a social structure as espoused by Steven Feld, examines the intersectional identities in the music culture of the Deeper Christian Life Ministries (DCLM) in Nigeria. This research aims to fathom the musical functions …

Don Mula (Original Dance) And The “Sacred Sound”Of Buddhism: Performing Collective Identity Among The Pwo Karen In Thung Yai, Thailand, Jarun Kanchanapradit, Sooi Beng Tan

Journal of Urban Culture Research

The Don Mula (Original Dance) represents an important part of the collective consciousness and identity of the Pwo Karen people in the Laiwo sub-district, Thung Yai Naresuan Wildlife Sanctuary in Western Thailand. Due to modernization and changes that have occurred in Karen society at the turn of the millennium, many functions of the dance have been transformed. While the dance continues to be performed to pay respect to the Rice Goddess, it is employed to educate the younger generation about Buddhist knowledge and Karen beliefs as expressions of "Karen-ness." Through in-depth interviews and a study of the musical lyrics and …

Perspectives 2023, Oberlin College Libraries

Perspectives Annual Reports

No abstract provided.

Kirtan In The Americas: Music And Spirituality In A Transcultural Whirlpool, Gustavo Moura

Theses and Dissertations (Comprehensive)

Kirtan (Sanskrit: कीर्तन; IAST: Kīrtana) is a broad term referring to various forms of devotional singing commonly done in South Asian traditions. It is a core practice in the Hindu and Sikh faiths that is becoming increasingly popular around the world among people of all ethnicities. Beyond its expected propagation within Hindu and Sikh diasporas, kirtan is also spreading among members of new religious movements such as ISKCON and the 3HO/Sikh Dharma, who may engage in this practice as part of their daily cultivation. Even more broadly, a form of what has been called “neokirtan” has been gaining popularity in …