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Skin Drums, Squeeze Boxes, Fiddles And Phonographs: Musical Interaction In The Western Arctic, Late 18th Through Early 20th Centuries, Paul R. Krejci

Anthropology

This dissertation explores the nature of early globalization in the Western Arctic with a focus on musical interaction between indigenous and foreign populations during the late 18th through the 20 th centuries. The region experienced an unprecedented amount of cultural contact represented by various cultural groups including Native Alaskan, Canadian, Chukotkan, European American, African American, Latin American, Asian American, Oceanic peoples and others. Numbering in the thousands, natives and non-natives developed continuous and long-term relations working as explorers, whalers, traders, missionaries, miners, hunters, trappers, seamstresses, educators, law enforcement officials, and scientists. The Western Arctic's ethnically diverse population, relatively harsh physical …

Hip Hip 101: A University Level Course Curriculum For Examining Hip Hop In The Modern World, David Ma

Master's Theses

Hip Hop 101 is a university level course curriculum intended for use by college level educators. It serves as a primer on hip-hop history and includes daily lesson plans that use multi-media tools to scaffold student learning. It was produced under the belief that hip-hop (its music and culture) deserve the time and examination as other longstanding disciplines.

A Case Study Of Music-Making In A Ghanaian Village: Applications For Elementary Music Teaching And Learning, Sara Rachel Mccall

LSU Master's Theses

This thesis explores music teaching and learning in Ghana, West Africa from a music education standpoint. Fieldwork was conducted at the Dagbe Cultural Institute, in Kopeyia, Ghana, West Africa to investigate methods of teaching and learning, the function of music within the culture, and formulate implementation strategies for elementary classrooms in the United States. Main themes on teaching and learning that emerged within the center focused on the use of strategies like drum syllables and analogy with Western students during classes. The use of learning in context through cultural outings also provided teaching opportunities for students. The overall function of …

An Anxiety Of Authenticity? Fusion Musics And Tunisian Identity, Rachel R. Colwell

Honors Papers

The analytical trope of "hybridity" has a troubled past in the social sciences. The careless adoption of scientific terminology without adaptation to cultural contexts can result in dangerous consequences for ethnomusicology. This paper challenges, and ultimately accepts, the efficacy of "hybridity" as a model for musical contact. Mindful of essentialization, post-colonial situations, and the perils of over-generalization, ethnomusicology holds sophisticated tools for examining local understandings of hybridity and the role that fusions play in shaping identities. Approaching musics from internal perspectives returns agency to musicians and listeners, liberating the local experience from the cloaking paradigm of "hybridity" as a strict …

Culturally Identifying The Performance Practices Of Astor Piazzolla's Second Quinteto, Kacey Quin Link

Open Access Theses

Astor Piazzolla (1921-1992) captivated Argentine and international audiences with his innovative works in a nuevo tango style and his bandoneón performances. Piazzolla?s success culminated during the 1980s with his second Quinteto, which performed remarkable concerts in venues such as the Teatro Colón in Buenos Aires and the Central Park Bandshell in New York, in addition to the performances at the Montreal and Montreux Jazz Festivals. His music also grew popular with a plethora of internationally acclaimed classical and jazz artists as well as with Argentine musicians themselves. However, Piazzolla?s music poses a challenge today, because nuevo tango represents a synthesis …

Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng

Faculty Scholarship

Artworks produced with official sanction during periods marked by turmoil and human suffering are challenging subjects for scholars who would like to discuss them in a fair and responsible manner. If they aestheticize the works’ form and political affiliation, how would they be doing justice to these works whose creation and content are so meshed with the politics of their time? On the other hand, can an approach that takes ideology into account be developed that does not appear to ignore, condone or support the odious acts of violence associated with those periods? This article explores the latter question with …

You Are What You Listen To A Study Of Social Judgment Strength Based On Musical Identities And Preferences, Jennifer Creighton

Theses & ETDs

The current study examined self-identity from within the context of musical preferences. It investigated whether the strength with which music preferences impact overall identity predicted the strength of judgments made of other music fans. One-hundred-sixty-nine participants, 65 males and 104 females, completed online surveys and listened to clips of "favorite songs" of five hypothetical music "fans." Social assessments of each "fan" were elicited. Each participant also completed a self-questionnaire and responded to similar social assessment questions, as well as items designed to assess musical identity and musician status. Results showed that musical identity strength was positively correlated with making "extreme" …

Sacred Sound: Experiencing Music In World Religions. By Guy L. Beck, Editor, Greg Hansen

BYU Studies

Guy L. Beck, editor. Sacred Sound: Experiencing Music in World Religions. Waterloo, Ontario, Canada: Wilfrid Laurier University Press, 2006.

Deconstructing The Corrido's Validity: The Transformation Of The Corrido Into The Narcocorrido, Wayne D. Meals

Theses & Dissertations

The classic corrido is a part of Mexican tradition and is woven into Mexico's rich cultural history. Listeners have endeared corridos for generations simply for the storytelling. They characterize small Mexican communities and their iconic heroes and represent the hope and courage that they must have in the face of injustice, oppression or danger. The protagonist in the corrido, commonly possessing the characteristics of Robin Hood, is a constant theme. This hero character also meets with an untimely death, usually the result of betrayal. The heightening of the element of conflict and violent death has transformed the classic corrido into …

Letting Go Of Data In Aboriginal Australia: Ethnography On “Rubber Time", Sara Stevens Zur

The Qualitative Report

While attempting to investigate modes of musical transmission among the Yol ŋ u People in Northeast Arnhem Land Australia, questions regarding the meaning of the word “research” led to the decisive abandonment of data collection. Specifically, the processes of observation, recording, and other typical Western means of genera ting data seemed to be in direct opposition to the way knowledge was traditionally shared. The author critically examines her multiple attempts at conducting this research, and discusses why eventually giving up on the research led to a more profound understanding.

Why Concert Music Is Wonderful: Three Ways To Approach Western Art Music, Conrad Winslow

Rollins Undergraduate Research Journal

There are three modes of listening to music which correspond to increasing mental involvement. These listening methods are tools for appreciating concert music and enjoying the deep structure that great art music contains. Organized by level of accessibility and amount of investment on the part of the listener, they provide listeners a rudimentary Rosetta stone for enjoying and even understanding concert music.

Babelian Cosmopolitanism Or Tuning In To “Sublime Frequencies”, Puspa Damai

English Faculty Research

Jacques Attali, in his critically acclaimed book, Noise: The Political Economy of Music, cites one of Leibniz’s little known but “extraordinary” texts, “Drôle de pensée touchant nouvelle sorte de représentation,” in which the philosopher describes the “Palace of Marvels.” The Palace of Marvels is Leibniz’s idealization of a perfect political organization, which is built in such a way that the master of the house is able to hear and see everything that is being said and done in the premises without himself being perceived by his subjects. Leibniz’s vision of disciplinary society not only predates Bentham’s or Foucault’s subsequent versions …

Program Review: Music & Performing Arts, University Of Nebraska At Kearney Department Of Music And Performing Arts Faculty

Academic Program Reviews

No abstract provided.

Being Touched By Music: A Phenomenological-Hermeneutical Approach To Understanding Tranformational Musical Experience, Kurt Kumler

Electronic Theses and Dissertations

This dissertation investigated the lived experience of being personally transformed by listening to music. The investigation started with an exploration of the literature that relates to the phenomenon of musical transformation, including natural-scientific research as well as ideas from musicology, ethnomusicology, psychology, literature, and philosophy. This research was designed to access the nuanced and subjective aspects of the phenomenon by attending to the experience as lived by the experiencer. The method was qualitative in nature, based on a phenomenological-hermeneutical methodology. Throughout the research process, the researcher maintained a reflexive stance, attending to assumptions and preconceptions held about the phenomenon. This …

Issue 04, Cariso!Summer 2005, Columbia College Chicago

Cariso! The Alton Augustus Adams Music Research Institute newsletter

Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: "Performance Forum on VI Music and Dance Traditions", "CBMR Rockefeller Resident Fellows for 2005-06", "March 2005 Lecture and Summit", "AMRI Holds First Workshop for Teachers", "Family of the 'Duke of Iron' Donates Instrument to the People of the Virgin Islands", "Upcoming AMRI Events", "Brown Girl in the Ring and Other Game Songs of the U.S. Virgin Islands", "Stanley …

More Than Meets The Ear: The Culture Behind The Music, Anita Sant

Undergraduate Honors Capstone Projects

More than Meets the Ear: The Culture behind the Music is a traveling exhibit that was designed and created over more than a year's time at Utah State University's museum of anthropology. As one member of a team of interns, I helped decide on an exhibit focus, its audience, content, and design. We started from the ground up as inexperienced undergraduates under the tutelage of the museum's curator, Lara Petersen, and the museum's director, Dr. Bonnie Pitblado.

As the project gradually progressed and was honed to the subject of ethnomusicology, I took on the responsibility of the educational aspect of …

Issue 03, Cariso! Winter 2005, Columbia College Chicago

Cariso! The Alton Augustus Adams Music Research Institute newsletter

Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: ""Christmas with the Ancestors: Jonkonnu and Related Festivities in Jamaica", "New AMRI Hours", "St. John People Love and Honor Their Elder Musicians", "Support from VICA", "St. Croix Colloquium" , "Rockefeller Fellow Dr. Kennth Bilby Lectures on Jonkonnu", "Teaching the Music of Alton Adams", "Tra-la-la-la-la: Music in the U.S. Virgin Islands", "The 2004=05 Rockefeller Fellows". Issue 3, 12 pages.

Ancient Maya Music Now With Sound, Cameron Hideo Bourg

LSU Master's Theses

The subject of Maya music is by no means a new field of study for Hispanic cultural scholars or Mesoamerican anthropologists. For example, the archeological reports of Dr. Norman Hammond and Dr. Paul Healy have greatly increased the information in this area of study. The instrumentation utilized by ancient Maya musicians and the raw materials that were the essence of their production have been the major themes in these previous publications. However, these perspectives exclude the sound of music and aspects of ancient Maya society. This thesis has been planned to examine ancient Maya music according to archaeology, society and …

Soul Shakedown: The Politics Of Soul Music, Melanie Catherine Young

UNLV Retrospective Theses & Dissertations

This thesis demonstrates the value of the 'hegemonic' theory of politics as a basis for the discussion of the importance of commercially popular music in the political socialization process. The theoretical foundations of popular music studies are considered, the existing literature on popular soul music is reviewed, and an analysis of the lyrics of primarily popular soul songs from 1965 to 1975 is presented. The content analysis suggests that the conception of the black man as described by the whites served a hegemonic function in the culture of African-Americans. However, popular soul music lyrics of the 1960s and 1970s vocalized …

Music Of The Tibetan Diaspora, Keila Diehl

HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies

No abstract provided.

On Researching Music In Everyday Life:Assessing The Musician As Producer Of Commercialised Music, Alan Bradshaw, Roger Sherlock, Pierre Mcdonagh

Articles

Adorno & Horkheimer (1998) argue that the Culture Industry generates cultural artefacts that fail to develop human consciousness and hence support the domination of the capitalist system. Steinert (2003) states that the pressures facing musicians to negotiate between the demands of the culture industry and the traditional role of the artist generates a fundamental contradiction within art which is symbolically enacted through artistic production. This study, which draws on on-going postgraduate research aims to develop a research framework that investigates how musicians negotiate this contradiction. The study considers if a more reflexive approach to art exists, typified by the Pop …

Edifying Tones: Using Music To Teach Asian History And Culture, E. Taylor Atkins

Faculty Articles, Papers, and Other Scholarship

Discusses the ways that music and musical aesthetics can be used to illustrate cultural characteristics and philosophies in Asian history curriculum.

Modernity And Musical Structure: Neo-Marxist Perspectives On Song Form And Its Successors, Peter L. Manuel

Publications and Research

No abstract provided.

The Symphony In America: Maurice Abravanel, And The Utah Symphony Orchestra: The Battle For Classical Music, Alex D. Smith

Theses and Dissertations

Between 1947 and 1979 the Utah Symphony Orchestra was transformed from an obscure, part-time, amateur orchestra into one of the major symphony orchestras in America. By 1947 the orchestra, which had begun as a Works Progress Administration organization, was barely hanging on. The symphony struggled to remain financially solvent, performing only a few concerts per year. Thirty-two years later the Utah Symphony Orchestra was one of the most prestigious musical ensembles in the country— receiving rave reviews from critics around the world, touring extensively, and with more than a hundred albums to its credit. The remarkable growth of the Utah …

[Review Of] Adelaida Reyes. Songs Of The Caged, Songs Of The Free: Music And The Vietnamese Refugee Experience, Deborah Wong

Ethnic Studies Review

This important book documents two areas, the history of the Vietnamese traumatic emigration to the U.S. from 1975 to the early 1990s and the central role of music in Vietnamese responses to diaspora. Because ethnographic studies of the Vietnamese diaspora are still limited in number, and this is the first focused on Vietnamese expressive practices, Songs of the Caged is a major contribution on both fronts. Unlike many accounts of the Vietnamese American experience, Reyes' book is based on extended field research and addresses big issues with attention to history and to real people in real situations often conveyed through …

Ethnic Identity, National Identity, And Music In Indo-Trinidadian Culture, Peter L. Manuel

Publications and Research

No abstract provided.

The Times They Were A-Changing' : A Study Of Popular Protest Songs, 1963-1970, Holly Kingsley Miller

Student Work

The 1960's were very turbulent times in American society. The Vietnam War created battle lines on the home-front between the young and the old, and patriots and the counter culture. During these years, protest songs were evidence of the discontent of American youth. This thesis explored the message content and message structure of popular Vietnam War related protest songs from 1963 - 1970. A sample of sixteen songs were studied through lyrical analysis, structure and style evaluation and an examination of their musical elements. Lyrical analysis revealed that all the sample songs introduced listeners to perceived problems in the status …

Popular Music In A Transnational World: The Construction Of Local Identities In Singapore, Lily Kong

Research Collection School of Social Sciences

As an area of geographical inquiry, popular music has not been explored to any large extent. Where writings exist, they have been somewhat divorced from recent theoretical and methodological questions that have rejuvenated social and cultural geography. In this paper, I focus on one arena which geographers can develop in their analysis of popular music, namely, the exploration of local influences and global forces in the production of music. In so doing, I wish to explore how local resources intersect with global ones in a process of transculturation. Using the example of English songs by one particular songwriter and artiste …

Popular Music And A Sense Of Place In Singapore, Lily Kong

Research Collection School of Social Sciences

This paper illustrates how popular music written, produced, and performed by Singaporeans provides a means through which the culture and society of Singapore may be understood. Music with English language text conveys a sense of place and reflects a distinctively Singaporean spirit and identity. The paper examines four themes: the portrayal of Singapore's multiracial population which reflects a unique cultural synthesis; the Singaporeans' concept of urbanity, manifested as the simultaneous attraction and repulsion towards the city and the desire for nature and the rustic; the distinctive social engineering in Singapore; and the way in which global issues are imported into …

Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis

History: Faculty Publications and Other Works

A review of Michael H. Kater's article, "Carl Orff im Dritten Reich." Vierteljahrshefte für Zeitgeschichte 43, 1 (January 1995): 1-35.