Digital Commons Network^™

Teaching The Grateful Dead, Happenings, & Spontaneous Pedagogy, Ryan Slesinger

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

To teach a course on the Grateful Dead I developed a praxis I call “spontaneous pedagogy” that pairs academic rigor with flexible curriculum details to enable creativity and engagement among students in a truly studentcentered classroom. The pairing of spontaneous pedagogy with the Grateful Dead course worked well because the subject emphasizes improvisation, which initially inspired and—during the course—paralleled my praxis. I had developed this praxis previously, implementing it each semester from 2007 to2010 for one Composition II unit on definitional arguments entitled, “The Nature of Reality.” Students were asked to define what they consider as real and apply that …

Constraining The (Im)Possible: Improvisation And Violence In Rafi Zabor’S The Bear Comes Home, Hannah Ianniello

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This paper will explore the role of jazz improvisation in the characterization of the protagonist in Rafi Zabor’s 1998 jazz novel, The Bear Comes Home. I suggest that Zabor represents the process of improvisation to not only enhance the enigma of The Bear’s ability as a jazz musician, but also to enhance his capacity towards violence.

Through the exploration of the actual process of improvisation in the research of Paul Berliner, Ingrid Monson and Alyn Shipton, Improvisation in a real jazz context is collaborative and exploratory. However, Zabor, like many other authors (such as Michael Ondaatje, James Baldwin and …

Discovery In The Stacks: A Primer (Or Refresher!) For Stacks Maintenance Of Music Collections In Libraries Maintenance Of Music Collections In Libraries, Sarah Ward, Bonnie Finn, Laura Thompson, Jessica M. Abbazio, Carol Lubkowski

Scholarship and Professional Work

As libraries evolve to meet changing user and organizational needs, the work of maintaining music materials may take a backseat to other priorities. The value of physical collections endures, however, and thoughtful stacks maintenance is crucial for making library materials discoverable and accessible. This article discusses policies and workflows for maintaining music collections at academic institutions, supplying readers with practical suggestions and a best practices checklist for stacks maintenance activities. By taking a thoughtful approach to maintaining collections of music formats like scores and recordings, the authors explore the ways that stacks maintenance work can enhance users’ experience.

Sijniyya: New Prison Songs In Sednaya, Eylaf Bader Eddin

Regards

The research Sijniyya: New Prison Songs in Sednaya seeks to study and analyze musical practices from the perspective of personal expression, rather than through the lens of authority and control, contrasting with studies that primarily focus on Syrian prisons. This approach is based on the belief that focusing on personal practices will indirectly reveal the power dynamics within Syrian prisons, especially in Sednaya. Unexpectedly, and by chance, a conversation with a friend suggested that even Syrian torture facilities may hold traces of musical practices. To explore this, the research examines political prisoners affiliated with the Syrian Communist Party, who were …

Factors Associated With The Implementation Of The Protocols For Native American Archival Materials: An Exploratory Study, Kimberly D. Anderson (Kliewer)

Journal of Contemporary Archival Studies

This study examines motivations for adopting the Protocols for Native American Archival Materials (PNAAM), the factors that might impact implementation of PNAAM in practice, and an exploration of how and why new ethical standards are accepted or rejected. The researcher conducted a survey in 2023 of archivists and/or memory workers working at non-Tribal institutions that have some materials about Indigenous people. The study was designed around the respondent’s perceptions of authority, skills, knowledge, relationships, and resources both as individuals and within their repositories. The study also incorporated Albert Bandura’s framework for moral disengagement hypothetically as a mechanism for assessing ethical …

Anthropology & Aging From The Editor-In-Chief, Manonita Ghosh

Research outputs 2022 to 2026

No abstract provided.

Methodological Combinations In Qualitative Research In Music Education: Autobiography And Grounded Theory, Monica Marques, Teresa Mateiro

The Qualitative Report

This article explores the theoretical and methodological approaches of (auto)biographical qualitative research and grounded theory, based on their historical and epistemological characteristics. This study in music education aimed to gain an understanding of the process of becoming a primary school music teacher. The Supervised Internship course in teacher education for a music degree was analyzed using the methodological and formative (auto)biographical dispositifs of the Biographical Project Workshop (Delory-Momberguer, 2006) and situational analysis (Clarke, 2005), constructed through the students’ oral, written, and musical narratives based on their experiences as music teachers in the public elementary schools. As a result of the …

A Content Analysis Of Graduate Degrees In Music Education In Nasm Accredited Institutions, Karen Koner

Visions of Research in Music Education

The purpose of this study was to examine graduate degree programs in music education in NASM accredited institutions with the specific areas of degree and institution information, admissions, and curricula. For this content analysis, I collected data through the websites of NASM accredited institutions that offered graduate degrees in music education, including master’s degrees (N = 203) and doctoral degrees (n = 53). The institution and degree information for these graduate degree programs included types of degrees offered, format of degrees (e.g., summers only, distance learning), location where the programs were located, and Carnegie Classifications (American Council on Education, 2023). …

Treble Choir With Guests In Concert: October 13, 2024, Lara Reem, Cristian Larios, Daniel Provis

School of Music Programs

Center for the Performing Arts

October 13, 2024

Sunday Afternoon

6:00 p.m.

Mozart's Requiem: October 13, 2024, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts

October 13, 2024

Sunday Afternoon

3:00 p.m.

Musicology Of Religion: Theories, Methods And Directions, Sarah Moerman

Yale Journal of Music & Religion

A book review is presented for Musicology of Religion: Theories, Methods and Directions, authored by Guy Beck, by Sarah Moerman.

Jewish Worship, Music, And Technology During The Covid-19 Pandemic, Jeffrey A. Summit

Yale Journal of Music & Religion

This article examines the impact of the Covid-19 pandemic on Jewish worship and considers a range of worshippers’ reactions to livestreamed and Zoom prayer services. Focusing on the Jewish Emergent Network, innovative communities who are known for cultivating vibrant, participatory music in worship, leaders discuss the challenges of not being able to sing together online, the Jewish legal ramifications of using technology on the Sabbath and the on-going changes they believe could occur as virtual worship returns to in-person prayer. These leaders also discuss surprisingly positive developments in online prayer, as congregants deepened interpersonal relationships in discussion breakout rooms, discovered …

Sacred Recitation Of The Tibetan Yungdrung Bön Tradition: The Kharnatsang Collection Of Skad And The Arrangement Of The Three Heart Mantras, Christiane Strothmann

Yale Journal of Music & Religion

The digital age has long dawned in many of the Tibetan Monasteries in exile. Thus, the inclusion of internet platforms and the usage of digital communication technologies was naturally part of my ethnomusicological collaboration with the Tibetan Bön monastic chant leader and scholar Geshé Dawa Namgyal Kharnatsang on the sacred recitation of the Yungdrung Bön tradition of Menri Monastery in Dolanji, India. In this article I will offer insights into Kharnatsang’s and my motivation to develop a hybrid collaboration and discuss the role and impact of the digital technologies on the traditional chain of transmission. I will draw on two …

The Online Cathedral: A Case Study Analysis Of Egalitarian Music Outreach At Liverpool Cathedral For Mental Health And Spiritual Wellbeing During The Covid-19 Pandemic, Simone Krüger Bridge

Yale Journal of Music & Religion

Liverpool Cathedral holds a special place in the story of English Cathedral music, notably because of the recent role played by choral music for outreach engagement and community participation. This article undertakes an in-depth case study investigation of Liverpool Cathedral’s music outreach portfolio, which moved online during the Covid-19 pandemic and was delivered variously via pre-recorded podcasts, zoom, and hybrid means, while examining its impact on mental health and spiritual wellbeing amidst the challenges posed by the Covid-19 pandemic. The primary emphasis is placed on the participation in online music activities during the Covid-19 pandemic, highlighting the strategies employed for …

The Voice Of Azerbaijan: Experiencing Recordings Of Hajibaba Huseynov And Post-Soviet Muslim Musical Identities, Polina Dessiatnitchenko

Yale Journal of Music & Religion

Singer and poet Hajibaba Huseynov (1919–1993), revered by some as the “voice of Azerbaijan” is one of the most popular stars featured in recordings of classical devotional ghazal poetry. Curiously enough, video or audio recordings of his recitations seem to be especially moving, often becoming the focal point for audiences of musicians and poets at public live performances, private meetings, lessons, and virtual contexts. While fans of the ghazal genre are found at every turn, I limit my analysis to the subculture of poets, musicians, experts, and especially ardent fans of traditional Azerbaijani arts. Relying on ethnographic data gathered in …

Coltrane’S A Love Supreme: Mediations Of Immediacy In Jazz Ritual And Recitation, James R. W. Crockford

Yale Journal of Music & Religion

This paper explores the ritualized performance ethic of John Coltrane’s later career, which is charged with a determined exploration of freedom and spiritual ascendance through participative and gestural immediacy. Conceiving of this music as a spiritual and political tool for embodied transformation, this paper traces this ethic at play in Coltrane’s iconic 1965 album A Love Supreme, identifying ways the work effects a mediation of immediacy. Through focus on the album’s closing “Psalm” recitation, its parallels in Coltrane’s other works, and their analogue in traditions of ecstatic liturgical and political oratory, this paper demonstrates the consistent priority Coltrane gives …

Sacred Recitation And Ritual In Digital Worlds, Anne K. Rasmussen

Yale Journal of Music & Religion

The digital has long been a focus of popular music studies and digitally based communications have complemented traditional fieldwork methodologies since the advent of the internet. It is high time we added the realms of religious musical practice to our roster of inquiries into the digital.

Symphonic Band And Symphonic Winds: October 3, 2024, Tj Mack, Colby Powers, Dr. Mack Wood, Dr. Useon Choi

School of Music Programs

Center for the Performing Arts

Thursday Evening

8:00 p.m.

Southern Register. 2024.3 (Fall 2024), University Of Mississippi. Center For The Study Of Southern Culture

Southern Register

No abstract provided.

Sound, Gentrification, And Ephethereal Justice, Allie Martin

Dartmouth Scholarship

Gentrification transforms neighborhoods and erodes intimacies, creating spaces of displacement and exclusivity. Where, then, is justice in a gentrifying city? In this article, I argue that sound offers an opening into a fleeting—“ephethereal”—justice; that is, a portmanteau of ephemeral and ethereal. This is a justice that is short lived and ephemeral, and yet offers an impression of something not of this world, something ethereal. Drawing on my work on listening to gentrification in Washington, DC, I consider how sound invokes this ephethereal justice and offers us the tools to explore the temporal and spatial contours of liberation.

Written History And Lived Legacy Of Cape Town Jazz, Grace E. Runner

South Africa: Multiculturalism and Human Rights

This paper examines the historical and current implications of Cape Town Jazz in juxtaposition with the genre's written history and lived experiences of four key members of the jazz community. Drawing from the interviews with a musician, promoter, educator, and enthusiast, this study explores the influence of Cape Jazz as a subgenre rooted in the Coloured community's cultural heritage and the apartheid struggle. While Cape Jazz remains practiced through its legacy, the current jazz scene in Cape Town reflects a broader global influence that is evolving through younger musicians' interpretations of local and global musics. Key areas of issue as …

Hyo-Shin Na's Chamber Works, 'From Korea To America- 120 Years And Beyond' And 'Song Of The Fog': A Stylistic Analysis And Performance Guide, Jiyeon Lee

Theses and Dissertations

This study analyzes two chamber music works by Korean composer Hyo-shin Na, Song of the Fog and From Korea to America, focusing on how the fusion of Eastern and Western instruments contributes to musical expression and timbral characteristics. It includes an examination of the role of instrumental arrangement and reveals the composer's narrative and emotional intentions. The aim is to present an insight into Hyo-shin Na’s ensemble style.

Song of the Fog uses the Japanese koto with Western chamber instruments to depict the imagery of the accompanying poetry through changes in timbre, dynamic contrasts, and various performance techniques. Despite …

Wind Symphony: September 29, 2024, Anthony C. Marinello Iii, Christopher Bulding

School of Music Programs

Center for Performing Arts

September 29, 2024

Sunday Afternoon

3:00 p.m.

Experiences Of South Carolina Middle School Music Directors Teaching Multicultural Music In Performance Classes: A Multiple Case Study, Helen Bryan Terlizzi

Doctoral Dissertations and Projects

The purpose of this multiple case study was to discover the experiences of middle school music directors in providing multicultural music performance experiences for students in South Carolina. The theory guiding this study was Cultural-Historical Activity Theory as it allowed for the examination of tools used for teaching and learning. A qualitative multiple case study design allowed for the collection of data from four purposefully selected middle schools in South Carolina. The study sought to answer the central research question: How do music educators describe their experiences in teaching multicultural music in music performance classes? The focus of the research …

Benefit Concerts: Truly For The Benefit Of The Cause?, Emma C. Gardner

Mako: NSU Undergraduate Student Journal

Benefit concerts have been used as a fundraising method for urgent issues for centuries, beginning in 1749 with concerts put on by George Handel. The first modern benefit concert was the Concert for Bangladesh in 1971, which proved that these concerts could raise large amounts of money for their cause. Live Aid was put on by Bob Geldof in 1985 Live Aid in response to the famine in Ethiopia. The Freddie Mercury Tribute Concert for AIDS Awareness in 1992 was staged following Freddie Mercury’s death and worked to raise money for awareness and a cure for HIV/AIDS. The Concert for …

School Of Music Collage Concert: September 15, 2024, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts

September 15, 2024

Sunday Afternoon

5:00 p.m.

Musicology Colloquium: Musical Notation And The Mariachi Tradition: Approaches And Challenges, Dr. Adolfo Arias Estrada, Latin American And Iberian Institute

LAII Events

Thursday, September 05, 2024 | 02:00 pm - 03:30 pm

Latin American and Iberian Institute (Main Conference Room)

801 Yale Blvd NE (campus building #165)

About:

Traditionally, mariachi was predominantly an oral and aural tradition, but the genre has developed into a much larger ensemble with expanded instrumentation and more complex arrangements, making notation necessary. The transcription and notation of mariachi music present their own set of challenges, particularly in representing its defining complex musical characteristics.

Adolfo Estrada is an Inclusive Excellence Postdoctoral Research Fellow in the Department of Music at UNM. His research focuses on historical and contemporary mariachi …

Interdisciplinary Arts Review 9-3-24, Angela Brock

Program Review Committee

No abstract provided.

Sts 325-001: St: Music And Revolution, Adam See

Humanities Syllabi

No abstract provided.

Irsh 391.50: Traditional Irish Song, Jane Lucey

University of Montana Course Syllabi, 2021-2025

No abstract provided.