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The Erotic As A Marvelous Real Paradigm: Hurston And Conjure Feminism, Patricia Coloma Peñate
The Erotic As A Marvelous Real Paradigm: Hurston And Conjure Feminism, Patricia Coloma Peñate
Kritika Kultura
The presence of conjuring in African American culture and artistic works in its relation to female identity has been recently addressed from an academic point of view as “Conjuring Feminism”: a term that centralizes its role as an intellectual tradition that works as a liberatory epistemology for women of African descent. In the definition of such term, Audre Lorde’s concept of the erotic has a central role. This paper analyzes Zora Neale Hurston’s works to explore how she engages in this tradition and its erotic nature. Lorde’s notion also functions as the paradigm at the base of Conjuring Feminism and …
Nationalism, Feminism, And Modernity And Maria Paz Zamora-Mascuñana's Mi Obolo, Diana Villanueva Romero
Nationalism, Feminism, And Modernity And Maria Paz Zamora-Mascuñana's Mi Obolo, Diana Villanueva Romero
Kritika Kultura
This article aims to discuss Maria Paz Zamora-Mascuñana’s Mi obolo (1924) in light of biographical and culturally meaningful findings obtained through archival work conducted in 2018 and 2022 using the Library of Congress’s holdings of Philippine periodicals from the American colonial period as well as those of the Southeast Asian Newspaper collection at the East View Global Press Archive (GPA).3 The main claim here is that, with the publication of Mi obolo, Zamora-Mascuñana materialized her political will to contribute to the construction of the nation at a time when women’s participation in Filipino politics was met with resistance due to …
Maranao-Muslim Food Culture In Quiapo: Reimagining The Role Of Food And Commensality In Interreligious Understanding In Manila, Marik Iñigo M. Tallara
Maranao-Muslim Food Culture In Quiapo: Reimagining The Role Of Food And Commensality In Interreligious Understanding In Manila, Marik Iñigo M. Tallara
Kritika Kultura
Quiapo is a well-known Catholic pilgrimage site to honor the Black Nazarene. Unknown to many Filipinos, Quiapo, a district of Manila, is also a hub for Muslim culture. While the Muslim population in the Philippines was afflicted by a history of conflict and violence, what is remarkable in Quiapo is how Muslims and Catholics have come together to establish bonds of friendship over food. During the festival of the Black Nazarene, Catholics share food with everyone including Muslims. At the same time, Muslims participate in this festival through sharing space and peddling halal food to the Catholic participants. This ethnohistorical …
The Shape Of Transplantation As Interface: The Craft Of Alienation And Reconciliation In Vietnamerica's Journey Toward Diasporic Identity, Haerin Shin
Kritika Kultura
GB Tran’s critically acclaimed graphic memoir Vietnamerica: A Family’s Journey (2010), a coming-of-age story of a second-generation Vietnamese American, crafts out the shape and feel of alienation in its search for a communal identity in the wake of the Vietnam War. Lacking emotional and empirical access to his parents’ liminal position as political exiles, the author combines the power of the literary imaginary with palpable percepts that synesthetically interface the affective dimensions of lost or perhaps yet to be realized beloved objects of cultural affiliation. Reading GB Tran’s medium-specific techniques as strategic enactments of intergenerational reconciliation, I reposition the present-progressive …
What's Tropical About Nick Joaquin's Tropical Gothic?: Heat And Corporeality In "The Summer Solstice" And "The Dying Wanton", Ann Ang
Kritika Kultura
Since their first publication in magazines like Philippines Graphic and the Philippine Free Press, and their subsequent re-publication under the collection title Tropical Gothic, Nick Joaquin’s classic short stories from the 1940s have been mainly appraised within a gothic framework. While critics have read the doublings and monstrous excesses of these stories as expressing a postcolonial resistance to colonial modernity, or a desirous anxiety for a pre-colonial Philippines, this paper discusses tropicality as a further localization of such gothic elements. By adopting a new materialist approach to ecological imaginaries, this article argues that the discourse of the tropical in Joaquin’s …
Memory, Haunting, And Duality: Malaysian Amnesia Within The Uncanny Home In Chuah Guat Eng's Days Of Change, Hannah M. Y. Ho
Memory, Haunting, And Duality: Malaysian Amnesia Within The Uncanny Home In Chuah Guat Eng's Days Of Change, Hannah M. Y. Ho
Kritika Kultura
This article analyzes Chuah Guat Eng’s Days of Change as a postcolonial Gothic fiction by discussing instances of haunting and repressed memory in the novel. It examines memory loss in the family and the nation, triggered by traumatic events and leading to haunting and the haunted. Using the concept of the uncanny, this study explores the postcolonial fears and disruptions that, paradoxically, open up creative thinking for revisionist history. It contends that Chuah Guat Eng’s novel offers a critique of postcolonial othering while also insisting on acts of remembering to mitigate amnesia. The paper evaluates desires for a reconciled home …
Home/Hospital, Jose Luis Pablo
The More People Come, The Harder Lives Become: Migration To The Villages Around The Lng Tangguh Project, Papua, Setiadi Setiadi, Sumini Sumini
The More People Come, The Harder Lives Become: Migration To The Villages Around The Lng Tangguh Project, Papua, Setiadi Setiadi, Sumini Sumini
Kritika Kultura
This study presents an overview of the dynamics of the life of indigenous people in Papua, with the rapid changes and new social, economic, and cultural arrangements brought about by in- migration and industrialization. From the perspective of critical island studies, we analyze, in detail, the process of marginalization of the indigenous population due to industrialization and massive migrant incursions into island life. The struggle of indigenous people is seen as an impact of multifaceted processes of development and power, involving diverse social actors, from locals to development agents. Emphasis is placed on the struggles resulting from the encounters of …
Jiang Qing And The Visuality Of The Revolutionary Model Opera Films In The Cultural Revolution, Jiang Wei
Jiang Qing And The Visuality Of The Revolutionary Model Opera Films In The Cultural Revolution, Jiang Wei
Kritika Kultura
The Cultural Revolution (1966–76), which occurred 17 years after the founding of the People’s Republic of China, saw the production of the filmic Revolutionary Model Operas or RMOs, comprised of eight films within this period. The RMOs, which were actually operas filmed in 35mm, precluded all other film genres during the period. Political factors, issues, and developments in the Cultural Revolution, especially in the early 1960s, contributed to and inflected these films: they became the predominant popular cultural form through which the Cultural Revolution, as a set of discursive regimes, was articulated. Mao Zedong believed that the Chinese Communist Party …
Activism Renewed And Beyond: Korean Feminist Documentary Practices In The Twenty-First Century, Kim Jihoon
Activism Renewed And Beyond: Korean Feminist Documentary Practices In The Twenty-First Century, Kim Jihoon
Kritika Kultura
This article offers a critical mapping of Korean feminist documentary practices in the twenty- first century, with emphasis on films made since the mid-2010s. The study is grounded in a distinction between the documentaries before and after this period in terms of the feminist politics and the social actors that these films address and engage. In so doing, it argues for three implications of twenty-first century Korean feminist documentary cinema as follows: first, rather than remaining with little remarkable change, the activist tradition of Korean independent documentary has been renewed and revamped in its continual intersections with the shifting social …
From Hostesses To Working Girls: Sex Workers In Late 1970s Philippine Cinema, Joel David
From Hostesses To Working Girls: Sex Workers In Late 1970s Philippine Cinema, Joel David
Kritika Kultura
The depiction of morally wayward women characters as protagonists in Philippine cinema emerged in parallel with the trend in presenting gangsters and so-called bad boys in the late 1950s. Drawing influence from the spread of the French New Wave and its transformation of American cinema into the New Hollywood, the Filipino counterparts (of both genders) required comeuppances that were either tragic or reformist. One other tendency was to provide confederates for these characters, to the point where duos or, more often, groups would dominate the narrative. This paper will look at the possible reasons for the narrative strategies used by …
Beyond Dance Movement Notation: Field Reflections As Key In Mapping The Ebola Virus Disease Transmission In The Funeral Ceremonies Of Sierra Leone, Daniel Ceeline Ramonal
Beyond Dance Movement Notation: Field Reflections As Key In Mapping The Ebola Virus Disease Transmission In The Funeral Ceremonies Of Sierra Leone, Daniel Ceeline Ramonal
Kritika Kultura
This paper focuses on the critical role that field reflections played in establishing the overlapping engagement of dance movement notation and the sociocultural relevance of embodied techniques in funeral ceremonies to the chain of transmission of the Ebola virus disease in Sierra Leone. Expanding from the research paper entitled “Ebola and Moving People: Understanding the Role of Embodied Techniques in Funeral Ceremonies to the Chain of Transmission of the Ebola Virus in Sierra Leone Through Movement Analysis,” this paper narrates personal field experiences and realizations on the dynamics happening in the social field that clarified how funeral ceremonies were equally …
"Magsama-Sama Tayong Panoorin": A Creative, Collaborative, And Ongoing Ethnography With Sama Banguingui Women Dancing In The City Of Manila, Regina Salvaña Bautista
"Magsama-Sama Tayong Panoorin": A Creative, Collaborative, And Ongoing Ethnography With Sama Banguingui Women Dancing In The City Of Manila, Regina Salvaña Bautista
Kritika Kultura
For the Sama-Bajau and Sama Banguingui women living in Manila, the traditional dance pansak (or igal) is a vital dimension of life. This paper focuses on Radzmina Tanjili, a Sama- Banguingui from Zamboanga, well-known in her barangay1 for her dancing. Her life as a dancer is filled with performance opportunities and cultural exchanges for her and the group of Sama- Bajau women and children who belong to the same NGO she volunteers for. She and the group perform for government, non-government organizations, and academic institutions. Apart from this, she also continues to dance pansak in its traditional improvised form at …
Dance After Lockdown: Living With Paradox, Simon Ellis, Rowan Mclelland, Rosemary Kostic Cisneros
Dance After Lockdown: Living With Paradox, Simon Ellis, Rowan Mclelland, Rosemary Kostic Cisneros
Kritika Kultura
This writing explores the experiences of people in the UK’s contemporary dance sector during the COVID-19 pandemic.1 It draws on qualitative data from a small research project—Dance after Lockdown—to examine how that sector understands their work, and how the language and ideology of the creative industries have shaped the lives and experiences of contemporary dance artists and institutions in the UK. The paper offers a range of diverse voices as one of the goals of the research was to examine the breadth of experiences, which we hope makes a case for the need to have a dance sector that is …
Feeling Dis/Connected: Interweaving Protest In The Online And Onsite Public Sphere, Susanne Foellmer
Feeling Dis/Connected: Interweaving Protest In The Online And Onsite Public Sphere, Susanne Foellmer
Kritika Kultura
Usually, people gathering locally are (still) constituting the critical embodied element in advocating for social issues. However, the recent pandemic necessitated different pathways to making one’s voice heard. In this article, I investigate protesting impacted by the restrictions of public movement in which choreographic means are used as a tool to find new ways of political mobilization: through combining the online and the onsite public sphere. Referring to Bennett’s and Segerberg’s idea of “connective action,” I explore the example of the annual “Sternfahrt” protest of the German ADFC, an NGO lobbying for cycling in Berlin. Due to health and safety …
Performing (On) Permeable Layers Of Dwelling: B.O.D.Y. The Bureau Of Domestic Yearning, Angela Viora
Performing (On) Permeable Layers Of Dwelling: B.O.D.Y. The Bureau Of Domestic Yearning, Angela Viora
Kritika Kultura
The migration crisis and the anxieties brought about by the global COVID-19 pandemic have exacerbated the instability and unpredictability of how we dwell in places. These phenomena force us to rethink “space,” our relationship with it, and thus, ourselves as in-placed subjects. This article reflects on my performance of B.O.D.Y. The Bureau of Domestic Yearning. It is a personal response to living in lockdown in a country that is both domestic and foreign to me because I am an expat. Performing at home has led me to question where home is in relation to my resident status (visa) and my …
Bodies, Landscapes, And The Air That We Breathe, Caroline Frizell
Bodies, Landscapes, And The Air That We Breathe, Caroline Frizell
Kritika Kultura
This article maps out material-discursive entanglements of bodies and landscapes, speaking from bodies-in-movement as ecokinetic poetic phenomena. The first-hand experience of waiting on the end of a phone line for information on disability support becomes a springboard to unpack the term material-discursive, locating it in posthuman thinking, with a focus on the way normative discourses become inscribed at an embodied level. When COVID-19 arrived, or perhaps erupted from within, bodies turned into sites of suspicion and precarity, mirroring the oppressive clout of normative discourses, that move invisibly and insidiously, creating and being created by relations of power. Hands, face, and …
Reclaiming The Indigenous Body: Discourse, Social Media, And The Aesthetic Of Igorot Activism, Jose Kervin Cesar B. Calabias
Reclaiming The Indigenous Body: Discourse, Social Media, And The Aesthetic Of Igorot Activism, Jose Kervin Cesar B. Calabias
Kritika Kultura
This essay analyzes online activist media addressing the red-tagging and trumped-up criminal charges against members of the Cordillera Peoples Alliance in the wake of the Anti-Terror Law in 2020. Engaging with critical scholarship on the archiving, colonial discourse, and representation of the Igorot body, I argue that these online activist media published on the organization’s official Facebook account deploy strategic essentialism by subverting the colonially othered and criminalized marker of the savage-terrorist. The Igorot body is rendered as a quasi-heroic figure of the Igorot warrior who invokes and appropriates traditional bodily customs on warfare and gender relations to embody a …
Models Of Revolutionary Action: The Kasama In Ang Bayan During The Anti-Dictatorship Struggle (1982-1985), Karlo Mikhail I. Mongaya
Models Of Revolutionary Action: The Kasama In Ang Bayan During The Anti-Dictatorship Struggle (1982-1985), Karlo Mikhail I. Mongaya
Kritika Kultura
This article discusses the concept of the kasama, or comrade, as articulated in Ang Bayan, the central organ of the Communist Party of the Philippines (CPP), in the years 1982 to 1985. Critically reading Ang Bayan articles and related archival material, I look into the concrete articulation of comradeship in the Philippine experience during the height of the anti-dictatorship struggle against the Marcos dictatorship. I underscore the way kasama becomes fully intelligible as a collective subjectivity among those engaged in revolutionary struggle in juxtaposition to the figures of the masses, allies, and enemies of the people. I contemplate how this …
A Critique On The Practice Of Filial Piety In Confucian Culture, Donghyun Kim
A Critique On The Practice Of Filial Piety In Confucian Culture, Donghyun Kim
Kritika Kultura
The concept of filial piety has initially served as a social ethic in order to sustain the hierarchical family relationships in Confucian culture. Filial piety has also been implemented as an ideological weapon in an attempt to inculcate broader political virtue into the minds of people in Confucian culture. In essence, the everyday practice of filial piety denotes a mode of concrete ethical life, which fundamentally binds participants’ way of thinking to a particular tradition. However, such binding is not the result of a discursive procedure that provides a rational grounding to social and political authority. Given the difficulties with …
Toward A Critique-Al Filipino Studies: Class, Nation, Writer, Jeffrey Arellano Cabusao
Toward A Critique-Al Filipino Studies: Class, Nation, Writer, Jeffrey Arellano Cabusao
Kritika Kultura
The continued appeal of postcolonial theory for Philippine studies/Filipino studies scholars in the twenty-first century begs the following questions: Is the Philippines postcolonial? Does the “post” in postcolonial signify the end of colonialism? What’s at stake in the application of postcolonial theory to the Filipino experience? This paper highlights three Filipino Marxist scholars—Delia D. Aguilar, Edel E. Garcellano, and E. San Juan, Jr.—for their theoretical interventions toward developing an alternative to postcoloniality, which is a strand of a larger body of post-theories in the academy (post-ality). Their alternative constitutes the emergence of a critique-al approach in Filipino studies—an approach that …
Brain Text And Traumatic Postmemory In Jonathan Safran Foer's Extremely Loud And Incredibly Close, Ercong Gao, Junwu Tian
Brain Text And Traumatic Postmemory In Jonathan Safran Foer's Extremely Loud And Incredibly Close, Ercong Gao, Junwu Tian
Kritika Kultura
By adopting Nie Zhenzhao’s conception of brain text, this paper explicates the generation of traumatic postmemories as represented in Extremely Loud and Incredibly Close by Jonathan Safran Foer, a third-generation descendant of Holocaust witnesses. The authors argue that the traumatic effects of great catastrophic events, such as the Holocaust during the Second World War and the 9/11 terrorist attacks in 2001, can be transformed into brain texts of horror and trauma of the survivors, which, with time passing by, become the traumatic postmemories of the survivors’ descendants who have not experienced these events. As far as this novel is concerned, …
Brain Text In Graphic Form: Ethical Identity And Ethical Choices In David Small's Stitches, Yun Lan
Brain Text In Graphic Form: Ethical Identity And Ethical Choices In David Small's Stitches, Yun Lan
Kritika Kultura
In the conceptual system of ethical literary criticism, “brain text” mainly accounts for literary production, reception, and circulation in connection with the moral dimension of literature. This paper1 attempts to broaden the application of brain text as well as ethical literary criticism through a detailed analysis of David Small’s graphic memoir Stitches. Comparing the life stories of David and his mother, we may find striking similarities: both fall victim to mental and physical violence inflicted by their family at a young age; however, their lives meet different ends. David eventually sets out on a promising journey towards becoming a writer …
Relational Nation: The Appreciation Of Characters In Rizal's Noli Me Tángere In Two Philippine Public High Schools, Filomeno V. Aguilar Jr., Christian Jil R. Benitez, Ma. Elizabeth J. Macapagal
Relational Nation: The Appreciation Of Characters In Rizal's Noli Me Tángere In Two Philippine Public High Schools, Filomeno V. Aguilar Jr., Christian Jil R. Benitez, Ma. Elizabeth J. Macapagal
Kritika Kultura
In implementing the Rizal Law, the Department of Education’s K-12 Curriculum Guide emphasizes the study of characters in Rizal’s novels as a means to cultivate patriotism among the youth. In this light, this paper presents ethnographically how students from two public high schools in Rizal Province relate with characters in Noli me tángere. In the classroom, these characters have developed a status akin to “real” historical beings. Concomitantly, students use tropes that connect these characters to their own lives, relationships, and understandings of the social world. The students’ relationships elicit moral standards for imagining the nation and embodying their own …
Editor's Introduction, Vincenz Serrano
Covid-19: Kritikal Na Pagsusuri Ng Diskurso Ng Kagawaran Ng Kalusugan Sa Unang Yugto Ng Pandemya Sa Pilipinas, Alona Jumaquio-Ardales, Nathaniel Oco
Covid-19: Kritikal Na Pagsusuri Ng Diskurso Ng Kagawaran Ng Kalusugan Sa Unang Yugto Ng Pandemya Sa Pilipinas, Alona Jumaquio-Ardales, Nathaniel Oco
Kritika Kultura
The paper contributed to the literature of COVID-19 in the Philippines by conducting an interdisciplinary study on the discourse of the Department of Health during the early phase of the pandemic in the country. The frame of Critical Discourse Analysis (CDA), the process of Human Language Technology (HLT), and the concept of Crisis Management (CM) were used in analyzing the press conferences and virtual pressers. There were 56 videos selected from 30 January to 30 May 2020 using the technique of Browsing, Linking, Shortlisting, and Focusing (BLSF). The results of the study showed that: (1) Filipino language was the medium …
Vimala Devi's Bhatcars And The Mundcars: Laborers, Landlords, And Culture In Goa, Dale Luis Menezes
Vimala Devi's Bhatcars And The Mundcars: Laborers, Landlords, And Culture In Goa, Dale Luis Menezes
Kritika Kultura
The master-servant, or broadly bhatcar-mundcar, relations are fundamental to Goan culture, history, and society. While the interaction of these two broad socio-economic groups, those who labor and those who do not, was and is fundamental to Goan politics, scholars have not yet evolved a methodological framework for understanding these relations. This absence, the paper claims, is a particularly serious problem for Goa studies, and one that can be tackled by thinking closely about categories such as bhatcar and mundcar. The terms bhatcar and mundcar are defined capaciously, making room for a range of servitudes and labor regimes as well as …
The Nomad Of The Naked Body: The Trans-Corporeal Ecopoetics Of Sunwoo Kim, Won-Chung Kim
The Nomad Of The Naked Body: The Trans-Corporeal Ecopoetics Of Sunwoo Kim, Won-Chung Kim
Kritika Kultura
The material turn in the environmental humanities drastically changes our perception of who we are and challenges our attitude toward nature. In this article, the author argues that there is a critical connection between the works of Sunwoo Kim, one of the most prominent ecofeminist poets of Korea, and the trans-corporeal poetics of new materialist feminism. By resuscitating “dead” nature and recognizing the agency of things in the world, Sunwoo Kim deconstructs humanity’s prestigious position of all-powerful subjects and repositions them as equal actors with other nonhuman beings. Trans-corporeal poetics allows her to combine the two most conspicuous trends of …
A Comparative Cultural Study Of The "Body" In Chinese And Western Scholarship, Wei Guo, Peina Zhuang
A Comparative Cultural Study Of The "Body" In Chinese And Western Scholarship, Wei Guo, Peina Zhuang
Kritika Kultura
The body has become a research hotspot, attracting the attention of scholars in the fields of anthropology, literature, philosophy, sociology, and aesthetics. During this process, traditional Chinese and Western views on the body changed in varying degrees, and new corporeal theories came to the forefront. This article, based on the analytical overview of the comparative cultural studies of the body in Chinese scholarship, points out that problems are still abound and there is much room left for body studies in the future, as testified by the deficiencies in the status quo, such as the repeated usage of keywords in research, …
Toxic Environments In The Handmaid's Tale, Its Sequels, And Other Feminist Dystopias, Péter Hajdu
Toxic Environments In The Handmaid's Tale, Its Sequels, And Other Feminist Dystopias, Péter Hajdu
Kritika Kultura
Margaret Atwood’s 1985 novel, The Handmaid’s Tale, was much more concerned with sexist oppression than environmental issues. The late 2010s experienced a boom in feminist dystopian novels, including a sequel by Atwood herself, and the television series adaptation of the novel is also part of this trend. This development evolves in a much more environmentally conscious context, which necessarily influences the interpretation both of the 1985 novel and the sequels. This article offers readings of recent feminist dystopias from the viewpoint of current environmental crises, especially the pollution crisis and climate change. The basic problem the religious fundamentalist regime of …