Digital Commons Network^™

Code Free Or Die: Regulations Of Computer Code And The First Amendment, Dawn C. Nunziato

GW Law Faculty Publications & Other Works

After the San Bernardino terrorist attack in 2015, the FBI sought to enlist Apple in its efforts to acquire potential evidence about the attack by accessing the contents of the cell phone used by the shooter Syed Rizwan Farook. The FBI claimed that the messages, contacts, and other information stored on Farook’s cell phone could lead them to potential co-conspirators who assisted in the attack or who were involved in planning other terrorist activities, or other relevant evidence. The FBI claimed that it needed Apple’s help because the cell phone in question embodied a number of security features familiar to …

The Common Sense Of A Wealth Tax: Thomas Paine & Taxation As Freedom From Aristocracy, Jeremy Bearer-Friend, Vanessa Williamson

GW Law Faculty Publications & Other Works

Thomas Paine’s writing helped spur the American colonies to independence and ensure that the new nation would be a republic, not a monarchy. In light of the renewed interest in wealth taxes, this article provides a close examination of Thomas Paine’s wealth tax proposal in the second volume of The Rights of Man. Unlike Paine’s proposal to tax inheritances, his 1792 proposal to tax wealth on an annual basis is often overlooked. The article identifies Paine’s various design specifications, provides original estimates of the impact of Paine’s wealth tax proposal within his own time period and as applied to billionaires …

Mindfulness, Recovery-Stress Balance, And Well-Being Among University Dance Students, Peta Blevins, Gene Moyle, Shona Erskine, Luke Hopper

Research outputs 2014 to 2021

Dance students face many physical and psychological stressors in their training and daily lives, therefore methods for coping with stress are essential for performance enhancement and general wellbeing. This study aimed to investigate the relationships between mindfulness, stress, recovery, and wellbeing among university level vocational dance students. Seventy-two dance students at two Australian universities completed online self-report measures of mindfulness, recovery-stress states, and affect. Correlation coefficients indicated a significant positive relationship between mindfulness and positive affect, and significant negative relationships between mindfulness and stress, and mindfulness and negative affect. MANOVA revealed differences between high mindfulness and low mindfulness groups on …

Research And Graduate Studies Annual Report, 2022, Office Of Research And Graduate Studies, Illinois State University

Research and Graduate Studies Annual Report

No abstract provided.

Light & Shadow [Grades Prek-3], Regents’ Center For Early Developmental Education

STEM Experiences for Classrooms

No abstract provided.

It's Possible: Creating An Ability Inclusive Production Approach For The Musical Cinderella, Danielle Jean Schmaltz

Honors Program Theses

No abstract provided.

Moments In Performance: Developing An Aid For Articulation And Reflection, Shelby R. Mckenzie

Theses : Honours

Embodiment is an innately human experience. Why then, is it so difficult for society to come to a shared understanding of what it is to be embodied? This problem is particularly relevant in a theatrical context. Critical thinking across the disciplines of Philosophy, Science and History have impacted an actor's theoretical understanding of embodiment. However, this has not affected their corporeal understanding. As an actor I realised that this gap led to my inability to articulate the embodied experience in my practice. This inability to explain the experience meant I was unable to experience it consistently. This thesis examines how …

Primary Sources Related To The Greenwood Neighborhood, Tulsa Oklahoma, 1900-1921 (Bibliography), Patricia A. Schechter, Rebecca Hayes, Corry Hinckley

The Tulsa Race Massacre: Teaching and Learning Resources

Items in this bibliography were selected for their illustrative power and are intended to serve as an introduction to some of the source material available digitally to those interested in doing historical research related to the African American community of Tulsa, Oklahoma, roughly 1910-1921. The researchers strove for balance, including materials that describe the development of North Tulsa and “Black Wall Street” before the notorious race massacre of 1921. Transcripts of news reports of that event are also included in the final section of the bibliography.

Annual Report Of The Registrar 2021/2022, University Of Northern Iowa

Institutional Effectiveness & Planning Documents

Contents:

--Definitions
--Some Comparisons
--Annual Report Data
--Summary of Attendance
--Attendance by Session
--Degrees Granted 2021/22
--Degree Summary 2021/22
--Program Certificates 2021/22
--Miscellaneous Enrollment Information
--Degrees Granted by College, Degree and Racial/Ethnic Classification

Extraordinary Writ Or Ordinary Remedy? Mandamus At The Federal Circuit, Jonas Anderson, Paul R. Gugliuzza, Jason Rantanen

Utah Law Faculty Scholarship

Ordinarily, in federal court, only case-ending judgments can be appealed. The writ of mandamus is one exception to that so-called final judgment rule. Mandamus permits a litigant who is dissatisfied with a lower court ruling to obtain immediate reversal if, among other things, the ruling was indisputably wrong and the party seeking mandamus has no other way to get relief. This exacting standard stems from mandamus’s origin as one of the common law’s “extraordinary” writs. Federal courts of appeals typically issue mandamus once or twice per year at most. 

In patent cases, however, mandamus is a remarkably ordinary form of …

Campus-Wide Student Learning Assessment: Campus Student Learning Outcomes, Academic Year 2021-2022, University Of Minnesota-Morris

Institutional Effectiveness and Research Reports

No abstract provided.

The Advocate (Fall 2022), Lewis & Clark Law School

The Advocate

No abstract provided.

Stakeholder Perceptions Regarding The Impact Of Creative Placemaking On Homelessness In Neighborhoods Experiencing Gentrification, Vanessa Renee Frazier

Walden Dissertations and Doctoral Studies

Urban planning and community development scholars continue to be interested in creative placemaking, a process meant to facilitate strategic partnerships between public and private sectors, art and culture communities, and community sectors, and the role it plays within the displacement of residents living in gentrified neighborhoods. However, researchers have found that the implementation of creative placemaking results in gentrification-related outcomes. Researchers have found a connection between the lack of affordable housing and gentrification-related displacement when creative placemaking is implemented. Researchers have suggested that stakeholder decisions direct the outcomes related to the implementation of creative placemaking; however, there is a lack …

Christian U.S. Army Female Combat Veterans Diagnosed With Ptsd Experiencing A Moral Injury Of War, Kathaleen Graham-Young

Walden Dissertations and Doctoral Studies

Warzone exposure potentially impacts the mental and physical health of veterans who receive a diagnosis of PTSD. There is limited research addressing the adjustments of the potentially morally injurious event(s) (PMIEs) experienced by Christian U.S. Army female combat veterans diagnosed with PTSD who returned home from Iraq and Afghanistan warzones post - 9/11. To better understand the impact of PMIEs experienced by the target population, a study of the integration of the transpersonal-existential meaning-based model was used. A general qualitative research design was selected to understand the complex social phenomena. In-depth telephone interviews were conducted to gather viable data. These …

Addressing Procedure Cancellation In Elective Surgeries, Vicky Marie Deuboue

Walden Dissertations and Doctoral Studies

When conducting elective surgeries, one of the challenges that healthcare providers experience is procedure cancellation. Across various healthcare settings, practitioners are employing relevant strategies to reduce the prevalence of procedure cancellations. The gap addressed in this project was the impact of calling patients to remind them to stay away from NSAIDs and blood thinners a few days prior to elective surgeries to avoid procedure cancellation. The administration of NSAIDs and blood thinners within that period may result in excessive bleeding in patients, which requires attention to improve elective surgery procedure outcomes. Erroneous administration of blood thinners too close to surgical …

Review Of Female Desire In Chaucer’S “Legend Of Good Women” And Middle English Romance, Elizaveta Strakhov

English Faculty Research and Publications

No abstract provided.

Lyceum Theatre, Memphis, Program, 1927 April

Documents

Program for "If I Was Rich" performed by the Gene Lewis-Olga Worth Company at the Lyceum Theatre, Memphis, Tennessee, beginning April 4, 1927.

The second Lyceum Theatre was built by H. L. Brinkley in 1894 at Second and Jefferson. This new Lyceum interior was lavishly decorated in a Spanish motif, with imperial green, rich yellow, and gold. It was the first Memphis playhouse to have electric lights. In a very short period, the Lyceum was considered the finest theater in the South. But new theaters opened downtown and the Lyceum began to decline. To survive, it switched to vaudeville in …

South Pacific Program, Ellis Auditorium, Memphis, 1954

Documents

Program of the production of "South Pacific" at the Ellis Auditorium, Memphis, Tennessee, in January 1954, starring Jeanne Bal and Webb Tilton.

Memphis Opera Theatre, Memphis State University, Program, 1976-1977 Season

Documents

Program for Memphis Opera Theatre presents Giacomo Puccini's "Madame Butterfly" Opera in Three Acts in Italian at Memphis State University circa 1976-1977. Italian Libretto by Luigi Illica and Giuseppe Giacosa. Conducted by Kurt Klippstatter, directed by Richard Collins, and designed by Charles David Higgins. Program artwork by Elinor Conrad Hawkins.

Memphis State University, Program, Circa 1963?

Documents

Program for "Henry V" by William Shakespeare, Memphis State University, 12^th Annual Memphis Shakespeare Festival, circa 1963? Directed Gladys Vaughan and Produced by Jo Lofton Potter. Program cover and poster design by Susan E. Inman.

Memphis Little Theatre Program, 1957

Documents

Vol. 25.5 of The Memphis Little Theatre News published in April 1957 with a program for the Memphis Little Theatre, Memphis, Tennessee, production of "Witness for the Prosecution".

Memphis State University, Program, 1976-1977 Season

Documents

Program for Memphis Opera Theatre at Memphis State University, 20th Anniversary Season. The 1976-1977 Season in the Music Hall Auditorium included, "Madame Butterfly" on September 30 and October 2, 1976, "Turandot" on November 4 and 6, 1976, "Daughter of the Regiment" on February 12, 1977, and "The Flying Dutchman" on March 31 and April 2, 1977, and performances by Nancy Tatum, Nancy Shade, Beverly Sills, and Giorgio Tozzi. The Artistic Director was Kurt Klipstatter and the Executive Director was Edward W. Blair. Subscriber benefits for the 20th Anniversary Season included admittance to dress rehearsals, a private bar, and preferred seating.

Memphis Little Theatre Program, 1957

Documents

Vol. 25.3 of The Memphis Little Theatre News published in January 1957 with a program for the Memphis Little Theatre, Memphis, Tennessee, production of "Father of the Bride".

Memphis State College Auditorium, Program, 1957 April

Documents

Program for William Shakespeare's tragedy of "Hamlet", Memphis State College Auditorium, 6th Annual Memphis Shakespeare Festival, on April 23-27, 1957. Directed by Eugene Bence and Technical Directed by Bradford White. Posters for the show by the Art Department, Memphis State College.

Memphis State University Theatre, Program, 1959 April

Documents

Program for William Shakespeare's "King Lear", Memphis State University Theatre, 8^th Annual Memphis Shakespeare Festival, on April 21-25, 1959. Directed by Eugene Bence and Technical Directed by Bradford White. Program cover design by Steve Yee, Program cover by S.C. Toof & Co., and Posters by Advertising South.

Memphis State University Theatre, Program, 1960 April

Documents

Program and summary for "The Tempest" by William Shakespeare, Memphis State University Theatre, 9^th Annual Memphis Shakespeare Festival, on April 25-30, 1960. Directed by Eugene Bence and Assistant Directed by Bennett Wood. Program cover design by James S. Steen.

Lyceum Theatre, Memphis, Program, 1927 January

Documents

Program for "The Girl of the Golden West" performed by the Laskin Players at the Lyceum Theatre, Memphis, Tennessee, beginning January 3, 1927. It starred Mary Newton and Thurston Hall.

The second Lyceum Theatre was built by H. L. Brinkley in 1894 at Second and Jefferson. This new Lyceum interior was lavishly decorated in a Spanish motif, with imperial green, rich yellow, and gold. It was the first Memphis playhouse to have electric lights. In a very short period, the Lyceum was considered the finest theater in the South. But new theaters opened downtown and the Lyceum began to decline. …

Creatore Grand Opera Company Program, Memphis, 1919

Documents

Program for performances by the Creatore Grand Opera Company at the New Lyric Theatre in Memphis, Tennessee, on February 20-22, 1919. The company performed Rigoletto, Aidi, Lucia di Lammermoor, and Cavalleria Rusticana and I Pagliacci. The company's local representative was Angelo Cortese.

United States Navy Band Program, Memphis, 1937

Documents

Program of a concert by the United States Navy Band at the Ellis Auditorium, Memphis, Tennessee, on November 17, 1937. The concert was presented by the Fire and Police Relief Associations.

Hamlet Program, Ellis Auditorium, Memphis, 1970

Documents

Program for a performance of Dame Judith Anderson as "Hamlet" presented by the Arts Appreciation Foundation and Paul Gregory, and in association with The American Conservatory Theatre, at the Auditorium Music Hall, Memphis, Tennessee, on November 18, 1970. It was directed by William Ball. The performance also starred Laurence Hugo, Don McHenry, Ludi Claire, Philip Kerr, Jeanne Bartlett, Leon Charles, Rick Poe, Robert Ground, and Stephen Neuman.