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Musicking And Literacy Connections In The Third Space: Leveraging The Strengths Of A Latinx Immigrant Community, Angelica Ortega

Dissertations, Theses, and Capstone Projects

The music-making classroom is a space were students enact their multi-literacies. This space is especially important for Latinx bilingual students who are often labeled as struggling in school. In the music-making classroom, students reinvent their identities as integral members of a learning community, are accepted as leaders by their peers and are seen as literate in their music making practices. This habitus of success can have a durable, generative and transposable impact on the identity formation for the bilingual student that goes beyond the music classroom. This occurs because the music–making classroom acts as a third space both cognitively and …

Teaching Mao Through Music: Pedagogy And Practice In The Liberal Arts Classroom, Lei X. Ouyang

Music Faculty Works

In designing the undergraduate music topics course, "Music & Mao: Music & Politics in Communist China," I was challenged to convey the context of 1960s Communist China to my classroom of 9 white American students in 2009 at a predominately white institution. Five years later my classroom changed to a diverse mix of racial identities and nationalities including white Americans, American students of color, and international students from China. As a multiracial Asian American woman I always consider my own identity when I stand in front of the classroom. As an ethnomusicologist, I intentionally shift the classroom away from white …

Building Brand Kurdistan: Helly Luv, The Gender Of Nationhood, And The War On Terror, Nicholas S. Glastonbury

Publications and Research

In the early 2000s, the Kurdistan Regional Government hired a US-based firm to begin a public relations campaign called “The Other Iraq.” Since that time, it has worked with a number of PR and lobbying firms to build a cultural, political, and financial apparatus that I refer to as Brand Kurdistan. This apparatus aims to prove to Western audiencesthat the Kurds are a liberal exception in an illiberal Middle East, and to build prospects of KRG’s eventual national independence. This article explores the connections between Brand Kurdistan and the gendering of Kurdish nationalism, focusing particularly on Kurdish pop diva Helly …

May 2018 Commencement Program, Bowling Green State University

Commencement Programs

No abstract provided.

Hear We Are: Investigating Sonic Inequality Within Bowling Green, Ohio, Declan Wicks

Honors Projects

Using the framework of Steven Feld’s “acoustemology,” Hear We Are examines the sonic structures of Bowling Green and their effects on, and representation of, diverse communities within Bowling Green. Through modeling the sonic landscape of Bowling Green, Ohio in relation to aggregated census data, Hear We Are explores how the city of Bowling Green has been spatially and sonically organized – whether along lines of class, race, or education. Ultimately, Hear We Are offers a narrative of sound within Bowling Green while reflecting on the consequences of living within different soundscapes, i.e., sonic inequality

Using the theoretical framework of placemaking …

Hip-Hop In Africa : Prophets Of The City And Dustyfoot Philosophers, Msia Kibona Clark

Ohio University Press Open Access Books

Throughout Africa, artists use hip-hop both to describe their lives and to create shared spaces for uncensored social commentary, feminist challenges to patriarchy, and resistance against state institutions, while at the same time engaging with the global hip-hop community. In Hip-Hop in Africa, Msia Kibona Clark examines some of Africa’s biggest hip-hop scenes and shows how hip-hop helps us understand specifically African narratives of social, political, and economic realities.

Clark looks at the use of hip-hop in protest, both as a means of articulating social problems and as a tool for mobilizing listeners around those problems. She also details the …

Stem (Voice): The Panvocalism Of White Male Bodies And Masculinities In The South African Defense Force, 1957-1990, Keegan Medrano

Madison Historical Review

The South African Defense Force (SADF) created in 1957 represented another attempt by the National Party government in South Africa to assert the supremacy of Afrikaner culture. The SADF, however, offered not only a concentrated location to condition and reinforce narratives of white supremacist and apartheid ideology, but importantly, existed as a space for white men to participate in, which could unite their developing masculinities infused with militaristically mobilized white supremacist ideologies. The SADF became a cauldron of venerated white masculinities that offered conscripts the opportunity to exercise their body, representing white and the white nation’s vitality and virility, and …

Ethnomusicology Collection At The University Of Montana’S Anthropological Collections Facility (Umacf), Rachel A. Steffen

University of Montana Conference on Undergraduate Research (UMCUR)

Since 1959, the University of Montana Anthropological Collection Facility (UMACF) has housed an extensive ethnomusicology collection, donated by cultural anthropologist Alan P. Merriam (1923-1980). My Senior Honors Research Project was to inventory the collection of 2,300 78 RPM records, as well as conduct historical background research. My project was also for the purpose of writing grants which would be used to purchase materials that would aid in the preservation, digitization, and cataloging of the collection. The inventory was conducted through examining each item and recording the pertinent information from each disk into an Excel spreadsheet. This information allows the correlation …

Developing Popular Music Programs In Higher Education: Exploring Possibilities, Kat Reinhert

Open Access Dissertations

Popular music programs continue to expand into higher education in the United States. By examining the who, what, when, where, how, and why of existing higher education popular music programs, information for future development and assessment can be provided. This qualitative multiple case study explored the creation, implementation and operation of two popular music performance programs in higher education in the United States: The Musicianship, Artistry Development and Entrepreneurship (MADE) Music Program at The University of Miami, Frost School of Music, and the Bachelor of Popular Music Program at The University of Southern California, Thornton School of Music. This study …

Umcur 2018 Program Pdf

University of Montana Conference on Undergraduate Research (UMCUR)

The original program includes the general schedule as well as individual poster and presentation schedules and abstracts.

Revelation Of Obscurity In An Empire: Reinterpreting “Outsider Art” As A Preservation Tool In A Rural Alabama Cultural Heritage Site, Museum Of Wonder, Bryan James Pierce

Student Theses and Dissertations

While urban centers may have more conveniences and resources to sustain a decorative vernacular art environment of rural origin, much is to be gained from keeping such sites in their places of origin. The Museum of Wonder in Seale, Alabama is a case in point. It should be recognized as a legitimate heritage site and primary source for understanding the heritage of Russell County, Alabama. The Museum of Wonder and the regional artists affiliated with the museum are intentionally preserving their heritage in rural Russell County through the performance and presentation of abstract vernacular art. A close and multifaceted examination …

Vista: April 26, 2018, University Of San Diego

USD Vista (1965-)

No abstract provided.

The Influence Of Musical Style On The Development Of Schenkerian Methodology, Joseph Lubben

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

No abstract provided.

Cseas Weekly Bulletin (April 23, 2018), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.

Sacred Sounds: A Compassionate Listening Guide To Musical Worship, Madison Blonquist

Undergraduate Honors Theses

Sacred Sounds was a collaborative, multimedia exhibition that showed in the Brigham Young University Harold B. Lee Library Level 1 Gallery from November 10, 2017-February 2, 2018. Its primary objective was to cultivate empathy among the three Abrahamic religions through the lens of music. While this project may communicate the overall vision of the curator, it was deeply collaborative and involved the creative contributions from several campus departments and drew upon the insights of leaders from local congregations. The following documentation is a portfolio of the exhibition space and its public reception. This project was made possible with generous funding …

Bright Bass Timbres In The "Dark Age" Of Jazz: Eddie Gomez, Three Quartets, Transgression, And Transcendence, Tianyuan (Ken) Ge

Open Access Dissertations

This paper offers a case study of the iconic jazz bassist Eddie Gomez. By locating his negotiations of timbre within historical and social contexts, and examining how others have interpreted his sound, I show that jazz bass timbre can communicate meanings and facilitate discourses of identity, authenticity, gender, and race. Specifically, I rely on a close hearing of Gomez’s tone on the 1981 recording Three Quartets, framing my analysis in research from the fields of historical musicology, ethnomusicology, African American studies, gender studies, timbral and sound studies, and music phenomenology. In doing so, I portray timbre as a common thread …

Cseas Weekly Bulletin (April 16, 2018), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.

2018-April-15-Dr. Lee Bidgood, University Marketing And Communications, East Tennessee State University

ETSU News

No abstract provided.

2018-April-13-Bidgood: Fulbright Scholarship, University Marketing And Communications, East Tennessee State University

ETSU News

No abstract provided.

Cseas Weekly Bulletin (April 9, 2018), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.

Is It All In The Family?: What Does It Mean To Be “Fam” In The Jam Band Scene? A Case Study Of Northwest Ohio, Katelen Brown

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

The concept of family or “fam” has been associated with the jam band scene and hippie movements since the 1960s, specifically in relation to the Grateful Dead, the Rainbow Family, and the Brotherhood of Eternal Love. This concept’s significance has been widely debated by music journalists, biographers, and scholars. But what does family actually means to the musical experience of the individual? This paper is especially focused on the significance of musical and subcultural participation, as well as some of the complex intersectional issues of belonging to a family in the jam band scene. In this project, I will be …

“The Real Spice Girl, Hot Girl Power”: M.I.A. Singing The Subaltern Voice In The Euro-American Soundscape, Emma Niehaus

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

Gayatry Chakravorty Spivak’s seminal work of Subaltern Studies, “Can the Subaltern Speak?” analyzed the predisposition of the “Western” academy to ultimately silence the voices, experiences, and cultures of colonized, “third world” and non- European “others”. Following Spivak’s work, other scholars examined subaltern speech as it manifested in various other cultural products for instance, music. Notably, subaltern scholars such as Rebecca Romanow and Amanda Weidman in “Can the Subaltern Sing” argued that aural space for the subaltern musician was shrinking in the face of a rapidly globalizing Euro-American music industry. My presentation argues that it is not a question of if …

From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp

Student Scholar Showcase

Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and …

Mediating Gospel Singing: Audiovisual Recording And The Transformation Of Voice Among The Christian Lisu In Post-2000 Nujiang, China, Ying Diao

Yale Journal of Music & Religion

The contemporary gospel singing of the Nujiang Lisu in China’s southwestern Yunnan province seems to have been predominated by new media technologies and recorded popular mutgguat ssat music. The prevalence of Christian audiovisual recordings reflects more than a shift in the materiality of Lisu religious practices. Moreover, it speaks to the transformative ways that the Christian Lisu have engaged with technologies for their gospel singing as a practice of religious mediation. New musical styles and expressive forms have been disseminated through recordings and further institutionalized in the worship service and other religious settings. Drawing on a material approach from the …

Sonic Liminalities Of Faith In Sundanese Vocal Music, Sean Williams

Yale Journal of Music & Religion

As the Sundanese have come to lean on increasingly outward expressions of their Islamic faith – through the use of the Islamic headscarf and other fashion choices, as well as through musical means – it has been the women who have consistently provided the most obvious, outward expressions of West Java’s increasingly public Islamic cultural practices. The aristocratic sung poetry of tembang Sunda has its roots in the imagery and grandeur of the 14^th-century Sundanese Hindu kingdom, Pajajaran. Songs that celebrate Pajajaran – the Golden Age of local culture – feature characters not only from the Ramayana, but …

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Sounding The Congregational Voice, Marissa Glynias Moore

Yale Journal of Music & Religion

Congregational singing is a participatory vocal practice undertaken by Christians across a wide range of denominations, yet the specific qualities and active capacities of the congregational voice have yet to be investigated. Drawing on recent musicological and philosophical perspectives on voice, I theorize the congregational voice as an active practice, illuminating its abilities to do something in worship through sound.

Taking Brian Kane’s model of the voice as a circulation of content (logos), sound (echos), and source (topos), I explore how these categories are redefined through an active-based theorization of congregational singing. I argue that …

Paralinguistic Ramification Of Language Performance In Islamic Ritual, Michael Frishkopf

Yale Journal of Music & Religion

Across time and space, Islamic ritual practices maintain certain fixed features while adapting to local environments, thereby developing a branching or ramified structure—though political, economic, ideological, or technological factors may cause certain local forms to globalize as well. Such ramification offers a means of interpreting the past as well as a window into religious meaning and the ritual process itself. How does such adaptation take place, what drives it, what is its social-spiritual meaning and impact, what can such a ramified variety across history and place tell us, and where does the essence of such ritual lie? In this paper …

Editorial Introduction: Voicing Religion, Jeffers Engelhardt

Yale Journal of Music & Religion

Editorial Introduction

Southern Register. 2018.2 (Spring/Summer 2018), University Of Mississippi. Center For The Study Of Southern Culture

Southern Register

No abstract provided.

Classified Information: The Newsletter Of The Lloyd Sealy Library, Lloyd Sealy Library, Cuny John Jay College Of Criminal Justice

Reports and Publications from John Jay College

Classified Information was a publication that informed the College about Library services, personnel, upcoming events, new technologies, and available resources.