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Vol. 41 No. 1/2 (2018): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Cosi Fan Tutte, School Of Theatre And Dance, School Of Music

Programs - Theatre, Dance, and Film

Composed by Wolfgang Amadeus Mozart

Libretto by Lorenzo Da Ponte

English Version by: Ruth and Thomas Martin

Productions took place March 2-4, 6-9, 2018

School Of Music Faculty/Staff Newsletter, April 2018, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

Unmasking Hybridity In Popular Performance, Hannah M. Harder

Student Publications

This paper explores cultural hybridization in popular music and the eroticization of the exotic eastern aesthetic. Using musicology and anthropology as tools, the paper examines varying perspectives of the artists, audience and marginalized groups. Although cultural appropriation has been used recently as a blanket buzzword in mainstream dialogue, it does provide a platform to discuss complex issues on gender, race and sexuality that has been muddled by colonial mentalities.

Vol. 41 No. 1/2 (2018): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 41, No 1/2-Apr/Aug 2018 edition of the Pacific Studies Journal.

Spirited Aberrations: Scholarly Program Notes For Graduate Recital, Nathan Balester

Research Papers

The purpose of this research paper is to provide a detailed overview examination of the lives and compositional styles of certain composers as well as how the specific pieces selected for this recital reflect those elements in the form of program notes. The composers and pieces examined in this paper are respectively Robert Mucsynki’s Time Pieces Op. 43 (1984), Derek Bermel’s Thracian Sketches (2003), Roberto Sierra’s Tema y Variaciones (1999), Béla Bartók’s Contrasts (1940), and Eric P. Mandat’s Chips Off the Ol’ Block (1999). Each chapter provides a brief biographical section, a description of that composer’s compositional style, and a …

A Cycle Of Giving: Transforming Individuals, Transforming Community In A Louisiana Children's Choir, Jason Paul Bowers

LSU Doctoral Dissertations

Kids’ Choir, a community children’s choir in Baton Rouge, Louisiana, formed in 2014 as part of the Kids’ Orchestra organization. The organization, founded in 2011, is El Sistema-inspired—a model developed in 1975 by Venezuelan orchestra conductor, José Abreu. The model’s mission is “to effect social change through music for children with the fewest resources and the greatest need” (Mission Statement, 2017).

El Sistema's focus on social change through musical excellence may hold great promise in the United States where neighborhoods are becoming increasingly diverse. Moreover, the El Sistema philosophy responds directly to issues of segregation still present in the Baton …

Independent - Mar, 27, 2018, Robin Bridges

The Independent (1988-present)

No abstract provided.

Ensemble Concerts: Women's Choir; Men's Glee; Belle Voix; March 25, 2018, School Of Music

School of Music Programs

Center for the Performing Arts
March 25, 2018
Sunday Afternoon
3:00 p.m.

"The Cambridge Companion To Percussion," Edited By Russell Hartenberger, John Michael Cooper

Performance Practice Review

Book Review: Hartenberger, Russell, ed. The Cambridge Companion to Percussion. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2016. ISBN 978-1-107-09345-4.

John Michael Cooper discusses this 2016 work published by Cambridge University Press and edited by Russell Hartenberger.

Table Of Contents, Chicago-Kent Law Review

Chicago-Kent Law Review

No abstract provided.

Sound Recordings And Dignity Takings: Reflections On The Racialization Of Migrants In Contemporary Italy, Gianpaolo Chiriacò

Chicago-Kent Law Review

In the field of ethnomusicology, it is possible to consider musical collaborations—such as traditional fieldwork or joint musical projects between artists of different background—as spaces where different individuals and subjectivities share their own artistic practices and products, as well as the musical cultures of which they are representative or bearers. Such collaborations raise an array of methodological questions with implications to social justice and power relations. The aim of this contribution is to use the notion of dignity takings and dignity restoration to tackle some of these questions. While relying strongly on my own fieldwork in Rome and Chicago, I …

Marshall University Music Department Presents The Ninth Annual Festival Of New Music, Mark Zanter

All Performances

No abstract provided.

Neumann Lecture On Music: Dr. George Lipsitz, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Cervelli, Luanne Beth (Fa 376), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 376. Interview with John Buell Edmonds conducted by LuAnne Beth Cervelli on 18 September 1988. Edmonds, a notable gospel singer from Bowling Green, Kentucky discusses his experiences performing gospel music, his involvement in recording and promoting gospel groups, his relationship with the local choir, and the current state of gospel music.

Fisk University Singers Coming To Um For Black History Month Concert, Anna Herd

University of Mississippi News

Thursday performance at Ford Center free to the public

We Are...Marshall, February 14, 2018, Office Of Marshall University Communications

We Are ... Marshall: the Newsletter for Marshall University 1999-2023

No abstract provided.

We Are...Marshall, February 7, 2018, Office Of Marshall University Communications

We Are ... Marshall: the Newsletter for Marshall University 1999-2023

No abstract provided.

Sela/General News, Library News, And Personnel News

The Southeastern Librarian

Recent activities from the Southeastern Library Association, developments from SELA member institutions, and personnel news.

From Maroons To Mardi Gras: The Role Of African Cultural Retention In The Development Of The Black Indian Culture Of New Orleans, Robin Ligon Williams

Masters Theses

After a three hundred year journey from the continent, African cultural retention remains at the core of the Black Indian masking tradition of New Orleans. Prior research from progenitors in anthropology and ethnomusicology, focusing on African cultural retention, include the ground-breaking ethnographies of Robert Farris Thompson, Gwendolyn Midlo Hall, Kalamu Ya Salaam, Michael P. Smith, Margaret Thompson Drewel, Stephen Wehmeyer, Jason Berry and others, have established a solid foundation for research on African influences and retentions in expressive folk cultures, laying a firm foundation for this project. The author’s insider experiences within the Black Indian tradition are underscored by several …

The Musicality Of Salsa Dancers: An Ethnographic Study, Janice Mahinka

Dissertations, Theses, and Capstone Projects

This work analyzes the musical knowledge and aesthetics acquired by improvisatory social salsa dancers who hone close listening skills through corporeal means. The connections that these dancers construct between music, self, and partner make evident an engagement with musicality that can be seen through their demonstration of kinesthetic entrainment, structural feeling of hypermetric conventions, and enactment of expressive microtiming within beat and metric structures. I introduce the concept of timespace to explain how dancers manipulate this physiological experience to create different feelings in a dance, addressing issues that dancers raised in our feedback interviews such as feel, flow, and play. …

Musicking, Discourse, And Identity In Participatory Media Fandom, Aya Esther Hayashi

Dissertations, Theses, and Capstone Projects

In this dissertation, I study three forms of music-making within media fandom and their respective communities: filk, roughly, the folk music of the science fiction and fantasy fandom; wizard rock, a punk/DIY movement inspired by J.K. Rowling’s Harry Potter novels; and the YouTube musicals of Team StarKid and AVbyte. I consider their individual histories and the popular music movements and genres that influenced their respective developments. Even though the practices of these three communities are very different, their participants use similar, if identical, discourses when discussing what they do and why they do it, including but not limited to: openness, …

Richard Becker, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Global Postmodernity, World Music And The Discourse Of Authenticity: Insights From The Buena Vista Social Club, Anandam Kavoori

Global Media Journal México

In this essay,[i] I engage with the complex set of sonic connections that goes by the label, “World Music.” The next section on “Framing World Music/The Global Postmodern/Authenticity” outlines some key elements in how World Music can be theoretically framed—as a specific kind of text, anchored in conditions of global postmodernity and characterized by a defining discourse—that of “authenticity.” This is followed by a biographical/textual accounting of an iconic World Music text, the Buena Vista Social Club (the music and documentary) and its leading star, Ibrahim Ferrer,with a focus on examining how his biographical/textual imprint illustrates the different ways in …

The Somali Cultural Integration Through Music In Minneapolis, Cleo Knickerbocker

All Zyzzogeton Presentations

As a jazz pianist and music major, I had the unique opportunity to perform with and study Somali music. Through this experience, I not only learned about Somali music but also its significance to Somali culture and how music can act as a bridge, bringing together Somali and non-Somali communities in Minneapolis. As a result of my research, I’ve developed "The Somali Music Minnesota" website which displays information about the history of Somali music, events, and resources available for Somali music. Most importantly, the website includes a variety of Somali music excerpts. The site is accessible to English-speaking as well …

Music, Myth And Motherland: Culturally Centered Music & Imagery, Sangeeta Swamy

Music Faculty Publications

This study assessed ethnic identity in adults of Indian origin through Culturally Centered Music & Imagery (CCMI), a music-centered, psychotherapeutic technique that emphasizes socio-cultural context, identity and meaning. The purpose was to examine how participants’ native music, in the context of CCMI, could evoke identity-based imagery and assess ethnic identity in a globalized context. Five cisgender Indian men and women from Hindu backgrounds participated in one CCMI session each, including an interview and follow up discussions. The qualitative methodology of portraiture (Lawrence-Lightfoot, 1997) was used in this study. The results reveal how CCMI can access the cultural and ethnic unconscious, …

History Newsletter, 2017-2018, University Of Arkansas, Fayetteville. Department Of History

History Newsletter

No abstract provided.

Graduate Catalog Of Studies, 2017-2018, University Of Arkansas, Fayetteville

Graduate School Catalog of Studies

No abstract provided.

Yurumein - Homeland Study Guide, Andrea E. Leland, Lauren Poluha

Documentary Study Guides

The Garifuna and Carib communities of St Vincent in the Caribbean collaborated with the documentary filmmaker Andrea E. Leland to produce Yurumein – Homeland: The Caribs of St Vincent, an exploration of the historical and spiritual significance of St Vincent and Baliceaux to Garifuna and Carib communities.

This film guide speaks about the history, culture, music, and food of the peoples that were displaced from their home and, through activities addressing the film's content, informs readers about the movement to bring Garifuna/Kalinago culture back to St Vincent and reconnect Garinagu to their homeland.

Southern Register. 2018.1 (Winter 2018), University Of Mississippi. Center For The Study Of Southern Culture

Southern Register

No abstract provided.