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Jazz Fest 2015, University Of Minnesota - Morris

Jazz Fest Programs

Guest artists: Rob Haight (saxophone), Scott Hesse (guitar), Chris Bates (bass), Phil Hey (drums)

“Strength Shed By A New And Terrible Vision:” The Organic Evolution Of The Blues And The Blues Aesthetic In Richard Wright’S 'Uncle Tom’S Children', Jeffrey J. Horvath

Student Publications

An exploration into the development of the "blues aesthetic" in the African-American literary tradition.

Book Review Of 'Exploring American Folk Music, Ethnic, Grassroots, And Regional Traditions In The U.S.’ By Kip Lornell, Lee Bidgood

ETSU Faculty Works

Review of ‘Exploring American Folk Music, Ethnic, Grassroots, and Regional Traditions in the U.S.’ by Kip Lornell

“Ab-Soul’S Outro,” “Hiiipower,” And The Vernacular: Kendrick Lamar’S Rap As Literature, Tyler S. Bunzey

Senior Honors Theses

Kendrick Lamar’s “Ab-Soul’s Outro” and “HiiiPower” employ complex patterns of Signifyin(g), testifyin’, and other classical African-American literary tropes in order to construct a nuanced style. Lamar creates a double-voiced text not only within his narrative, but also within the form itself. Lamar plays on rap's unique status in African-American literature as an oral text; it is an extension of the vernacular. Through this oral text, Lamar decentralizes the Eurocentric focus of classical interpretation and qualification of literature to a new Afrocentric perspective that privileges the oral text. These raps are complex, wrapped up in their current context along with a …

Waste Management And Environmental Initiatives In Accra, Ghana, Aoife Genevieve Duna

Independent Study Project (ISP) Collection

Title: Waste Management and Environmental Initiatives in Accra, Ghana

Author: Aoife Genevieve Duna ([email protected]; Middlebury College, Anthropology and Dance major)

Objective: The objective of this project was fourfold: • To study the current waste management practices by government and private waste companies • To observe the perspectives of residents on waste disposal • To explore environmental initiatives by citizens, NGOs, and student groups • To investigate the potential projects that could reduce waste

Methodology: For my project, I conducted interviews, made observations, participated in daily personal waste management, visited a landfill, and visited a composting project.

Findings: Waste collection is …

Blues Symposium To Focus On Hill Country Music, Rebecca Lauck Cleary

Blog Posts

April 9 event free, open to the public. Click Here for a Full Schedule. North Mississippi's distinctive hill country music is the subject of this year's Blues Today Symposium at the University of Mississippi.

Appalachian Music: Discussing The Top Ten, Meredith Doster, Kevin Fore, Trish Kilby Fore, William Lightfoot, Rich Kirby, Ted Olson, Ronald A. Pen, Deborah Thompson, Dave Wood, Mark Freed, Trevor Mckenzie, Sandy Ballard

ASA Annual Conference

Convenor Sandy Ballard, Editor of Appalachian Journal, Appalachian State University Moderators Mark Freed, Cultural Resources Coordinator for the town of Boone, NC, and teacher of Appalachian Music, Appalachian State University. Guest editor of Appalachian Music edition of Appalachian Journal. Trevor McKenzie, archivist, W. L. Eury Appalachian Collection, Appalachian State University. Guest editor of Appalachian Music edition of Appalachian Journal.

Lincoln Days Festival - Hodgenville, Kentucky (Fa 744), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Colleciton 744. This collection contains the audio recording of an interview conducted by Bob Gates with historian Mac Trumbo about the Lincoln Days Festival held annually in LaRue County, Kentucky.

P-28 Musical Borrowing In Las Cuatro Estaciones Porteñas: Piazzolla, Desyatnikov, Vivaldi, Wayanne Watson

Honors Scholars & Undergraduate Research Poster Symposium Programs

Leonid Desyatnikov arranged Astor Piazzolla’s Las Cuatro Estaciones Porteñas for violin and string orchestra, interspersing quotations from Vivaldi’s Four Seasons throughout the new work. My score-based analysis of the arrangement investigates Desyatnikov’s borrowing techniques by locating the Vivaldi quotations, examining Desyatnikov’s alterations to their original content and context, and determining whether the quotations’ identities are maintained or transformed. My research shows that, generally, Desyatnikov minimizes drastic alterations to content, but usually makes changes to context. Overall, this leads to transformation of the quotations’ identities. By examining these compositional procedures, my analysis provides a more nuanced exploration of musical dominance and …

The Irish Experience: Identity And Authenticity In Irish Traditional Music, Elizabeth Graber

Lawrence University Honors Projects

Over the last century, Irish traditional music, or “trad,” has become a global phenomenon that has flourished in communities from the United States of America to Japan. A musician need not be Irish in heritage to play and do justice to Irish traditional music or to feel a strong emotional connection to it; yet ethnic ties, real and imagined, constitute a powerful reason to play. The music is inextricably linked with the poetically-titled Emerald Isle even if its musicians are not. In this project, I explore and analyze the many facets of perception of and participation in Irish traditional music, …

Sixth Annual Festival Of New Music February 27 - March 1, 2015, Mark Zanter

All Performances

No abstract provided.

Volume Cxxxii, Number 14, February 13, 2015, Lawrence University

The Lawrentian

No abstract provided.

Buddhism As Performing Art: Visualizing Music In The Tibetan Sacred Ritual Music Liturgies, Jeffrey W. Cupchik

Yale Journal of Music & Religion

The eleventh-century Tibetan female ascetic, Machik Labdrön (1055-1153), developed a Vajrayāna (Tantric) Buddhist meditation method called Chöd (Tib. gCod, Eng. “to cut”) and associated ritual practices as a means of eliminating “self-grasping,” which is defined as the mistaken instinct of regarding one’s “self” and all phenomena as intrinsically, or independently, existent. Her musical-meditation method became renowned across Central Asia during her lifetime, and Chödritual practices and liturgies have been transmitted from teacher to disciple in unbroken lineages until today. The ritual is now well known globally, with Tibetan Lamas, nuns, and empowered exponents teaching widely, across a transnational …

Editorial, Robin A. Leaver

Yale Journal of Music & Religion

No abstract provided.

The Caucasian Chalk Circle (2015), Bertolt Brecht

Season 2014-2015

No abstract provided.

“Caught Between Southern Pride And Southern Blame”: Brad Paisley’S “Accidental Racist”, Brianna E. Kirk

The Gettysburg Compiler: On the Front Lines of History

An ongoing and rather controversial debate in the Civil War world is that over the rightful placement of the Confederate battle flag in American memory. Being such a provocative symbol both in terms of history and race relations, its ‘true’ meaning and ‘true’ symbolism are constantly in flux. With recent disputes on the removal of the Confederate flag from Robert E. Lee’s tomb at Washington and Lee University making their way into the mainstream news, the complicated meaning of the rebel symbol and where it belongs in American memory have earned their places at the forefront of the national consciousness. …

The Contributions Of Earl "Bud" Powell To The Modern Jazz Style, David Joseph Demotta

Dissertations, Theses, and Capstone Projects

This is an analytical study of pianist and composer Bud Powell's contributions to modern jazz (a.k.a. bebop or "bop"), focusing especially on the rhythmic and harmonic implications of Powell's improvisations. The analysis is informed by a series of interviews with professional jazz musicians and is supported by original notated transcriptions of Powell recordings. The aim of this project is to present a cogent technical and theoretical account of Powell's musical style that is grounded in the values of the contemporary jazz community and reflects that community's continued passion for and engagement with Powell.

Chapter One, "Contemporary Pianists and Bud Powell's …

Performing Blackness In A Mulatto Society: Negotiating Racial Identity Through Music In The Dominican Republic, Angelina Maria Tallaj-García

Dissertations, Theses, and Capstone Projects

My dissertation analyzes Dominican racial and ethnic identity through an examination of music and music cultures. Previous studies of Dominican identity have focused primarily on the racialized invention of the Dominican nation as white, or non-black, often centering on the building of Dominican identity in (sometimes violent) opposition to the Haitian nation and to Haitian racial identity. I argue that although Dominicans have not developed an explicit verbal discourse of black affirmation, blackness (albeit a contextually contingent articulation) is embedded in popular conceptions of dominicanidad ("Dominicanness") and is enacted through music. My dissertation explores ways in which popular notions of …

Comhaltas Ceoltóirí Éireann (The Irish Musicians' Association) And The Politics Of Musical Community In Irish Traditional Music, Lauren Weintraub Stoebel

Dissertations, Theses, and Capstone Projects

This dissertation examines Comhaltas Ceoltóirí Éireann (The Irish Musicians' Association) and its role in the politics of Irish traditional music communities. A revivalist organization founded in 1951, Comhaltas today is an educational and activist organization whose mission includes the preservation and promotion of Irish traditional music. Its numerous programs--from local music classes to a national festival drawing thousands of participants--intersect at some point with the musical lives of nearly every Irish traditional musician. Because of this widespread activity, Comhaltas interacts, often contentiously, with many of the different musical communities through which Irish traditional musicians define themselves both publically and privately. …

Cseas Weekly Bulletin (January 19, 2015), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.

Marshall University Music Department Presents A Senior Recital, Jacob Hoskins, Percussion, Jacob Hoskins

All Performances

No abstract provided.

Book Review: Cambodian American Experiences: Histories, Communities, Cultures And Identities, By Jonathan H. X. Lee, Khatharya Um

Journal of Southeast Asian American Education and Advancement

No abstract provided.

Csusb Statistical Factbook (2015), California State University, San Bernardino

CSUSB Statistical Factbook

No abstract provided.

Bridgewater College Catalog, Session 2015-16, Bridgewater College

Bridgewater College Catalogs

No abstract provided.

E-Book Use And Value In The Humanities: Scholars’ Practices And Expectations, Tina E. Chrzastowski, Lynn N. Wiley

Staff publications, research, and presentations

This research is a part of Values, Outcomes, and Return on Investment of Academic Libraries (“Lib-Value”), a three-year study funded by the Institute of Museum and Library Services IMLS grant # LG-06-09-0152-09. We gratefully acknowledge this support. In addition, the authors wish to thank Jean-Louise Zancanella, our graduate research assistant on this project, for her careful work. Portions of the survey results were presented at the Library Assessment Conference in Seattle, Washington, in August 2014 and will be published in those proceedings; other prepublication presentations took place at the Charleston Conference in November 2013 and 2014 (no proceedings publications are …

"Grace To Be Born And To Live As Variously As Possible": Tracing The Influence Of The Visual And Performing Arts On The Poetry Of Frank O'Hara, Elizabeth Grice

Honors Thesis Collection

My thesis traces the influence of the three peripheral art forms on Frank O'Hara's poetry—visual art, cinema, and music. Jumping in and out of abstraction through catalogues that capture New York City as gritty and gilded, O'Hara diverts attention away from the heightened emotional state of the narrator. He additionally channels the fragmentary nature of Abstract Expressionism, jump cuts, and improvisational jazz. By the time of his death at the ripe age of forty, O'Hara produced a body of work as multifaceted as his artistic interests.

Book Review: Dislocated Memories: Jews, Music, And Postwar German Culture, David B. Levy

Touro University Libraries Publications and Research

The author reviews the book Dislocated Memories: Jews, Music, and Postwar German Culture.

Lifting The Veil On Hindi Film Song Sequences: An Approach To Analysis, Maria A. Souliotis

Electronic Theses and Dissertations

This thesis seeks to augment previous scholarly research on Hindi film song through the presentation of a multivalent approach to thoroughly understanding and interpreting Hindi film song sequences. In a case study of the song sequence “Pardā Haı̃ Pardā” ("There Is a Veil,"? from Manmohan Desai's 1977 film Amar Akbar Anthony), the three essential elements of these sequences (on-screen visuals, text, and music) are connected to the context of South Asian history and culture to demonstrate how scholarly approaches to music, film, and cultural studies can be united to create a more interdisciplinary approach to analysis. The approach also …

Southern Register. 2015.1 (Winter 2015), University Of Mississippi. Center For The Study Of Southern Culture

Southern Register

No abstract provided.

Music: General, Sheridan Stormes

Scholarship and Professional Work

Sheridan Stormes' contribution to Magazines for Libraries, 23rd Edition.