Digital Commons Network^™

The Spectacle Of Rock And Roll Hybridity In Chiang Mai: An Ethnographic Study Of Rock And Roll-Ness In Thailand, Scott M. Walus, Nathan E. Furstenau

Iowa Journal of Communication

Rock and roll has attained canonical status in America by providing a soundtrack for the expression of individualism for the past 60 years. Its current state of stability differs from its first two decades, where novelty and possibility fueled its popularity (Cooper, 2013). In Chiang Mai, Thailand, an influx of American rock and roll has combined with local Thai culture to yield a hybrid music culture. This hybrid rock and roll culture provides the space for the possibilities of collective rebellion through a community that is uniquely Chiang Mai. This study deploys the lens of hybridity to the participant data …

Review Of Jon Stratton And Nabeel Zuberi's Black Popular Music In Britain Since 1945 (2014), Tim Engles

Faculty Research & Creative Activity

A review of Jon Stratton and Nabeel Zuberi's book Black Popular Music in Britain since 1945.

Social Justice Issues And Music Education In The Post 9/11 United States, Cynthia L. Wagoner

Research & Issues in Music Education

The purpose of this paper is two-fold: first, to examine the impact of historical socio-political events on music education, particularly post 9/11 with the intent of establishing a context for social justice issues; and second, how we might examine the broad implications to further music education research focusing on social justice. Issues of social justice are inextricably woven into the fabric of post-9/11 U.S. education, as evidenced through reform efforts aimed at job-related skill sets, standardized testing, national standards, and economic gridlock resulting in the diminished access or elimination of the arts in the public schools, including music. Traditionally music …

19th Century Sea Shanties: From The Capstan To The Classroom, Sharon Marie Risko

ETD Archive

Sea shanties were much more than simple folk songs of the sea. They were an integral tool in wooden ship operations in the 19th century. They include universal themes that connect us with the past telling us tales of love, adventure, far away destinations, and of trials and tribulations. The tunes are rollicking, the refrains memorable, and are to be sung with ultimate abandon. When brought into the classroom, teachers can introduce musical concepts, enrich lessons, and encourage student participation through the rousing singing of sea shanties. In this study the historical evolution and function of sea shanties are explored. …

Review Of Eric Broug, Islamic Geometric Design, Carol Bier

Textile Research Works

From the eleventh century C.E., Islamic geometric patterns have continued to evolve in complexity, contributing a distinct aspect of Islamic art and architecture that covers a broad geographic range and temporal spectrum. The underlying principles of these patterns are brilliantly explained in narrative and visual formats by Eric Broug, a Dutch design professional, self-trained and with an M.A. in the history of Islamic architecture from SOAS in London. Offering both an analytical and practical understanding of the construction of Islamic geometric patterns, this book is an unusual hybrid of scholarship and art, combining the qualities of a coffeetable bibelot and …

Something’S Happening Here: Popular Music Education In The United States, Bryan Powell, Andrew Krikun, Joseph Michael Pignato

John J. Cali School of Music Scholarship and Creative Works

Although the number of opportunities to learn popular music in the United States continues to grow, popular music education (PME) programs remain exceptional at primary, secondary, and tertiary levels of institutionalized music education. This article provides insight into the unique characteristics of a number of PME initiatives currently operating in the United States. A historical background is established to provide context regarding the history of PME in the United States. Additionally, a focus on an expanding landscape for American PME is included, as is an examination of six specific initiatives that are particularly noteworthy. This review of popular music programs, …

Shifting Actors And Power Relations: Contentious Local Responses To The Safeguarding Of Intangible Cultural Heritage In Contemporary China, Ziying You

All Faculty Articles

No abstract provided.

Dressing Up: Religion And Ethnicity In Israeli National Dolls, Maya Balakirsky Katz

Graduate School of Jewish Studies Publications and Research

This article considers Israel’s national image both at home and abroad through the framework of Israeli costume dolls, looking specifically at the way that gender played a role in Israel’s national image as it travelled from domestic production to international reception. Initially, predominantly female doll makers produced three main types of Israeli dolls, but over time the religious Eastern European male doll triumphed in the pantheon of national types. Produced for retail sale to non-Hebrew speaking tourists by immigrant woman, the Eastern European religious male doll came to represent Israel abroad while the market pushed representations of the Middle Eastern …

A Faith-Based Primary Diabetes Prevention Intervention For At-Risk Puerto Rican Adults: A Feasibility Study, Sylvia Torres-Thomas

Electronic Theses and Dissertations

Diabetes is a serious health threat that disproportionately affects Hispanics of Puerto Rican heritage. Current evidence supports diabetes prevention programs to change health behaviors in people who are at risk and thus prevent the development of type 2 diabetes. However, few interventions exist for Hispanics, and even fewer have been designed for Puerto Rican adults. A literature review of community-based diabetes prevention programs involving at-risk Hispanics was conducted using a cultural sensitivity framework to determine the state of the science and identify gaps in knowledge regarding diabetes prevention for Puerto Ricans. An integrated theoretical framework was developed using constructs from …

“Becoming One”: Embodying Korean P’Ungmul Percussion Band Music And Dance Through Site-Specific Intermodal Transmission, Donna Lee Kwon

Music Faculty Publications

This article focuses on the P’ilbong p’ungmul transmission center as a case study of a relatively new type of cultural institution in South Korea. I examine how these transmission centers structure the experience of an expressive folk culture form by emphasizing site-specific instruction and employing intermodal pedagogical techniques that specifically heighten an awareness of the body in both place and space. I argue that the P’ilbong p’ungmul transmission center encourages the embodiment of an alternative Korean sensibility that is expressed through music, dance and other social activities, but is further enhanced by situating the body within iconically “Korean” spaces.

Music As Cultural Heritage: Analysis Of The Means Of Preventing The Exploitation Of Intangible Cultural Heritage, 14 J. Marshall Rev. Intell. Prop. L. 228 (2015), Ronald Inawat

UIC Review of Intellectual Property Law

What started out as a law school requirement quickly snowballed into an analysis of the relationship between intellectual property and cultural heritage. I am a music guy at heart, having played piano since I was five years old, having composed one song (after multiple tries), and now working directly with musicians and artists. So when I began researching a topic for an article that would connect the dots between the cultural heritage and its respective music, I could only come across legal doctrine and articles that focused heavily on tangible art and artifacts. So what happened to the music? After …

The Last Mile Of The Way: Soul Music And The Civil Rights Movement, Christopher Smith

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

In the summer of 1960, a group of Soul performers was scheduled to perform at a segregated dance in Little Rock, Arkansas. Jesse Belvin, Jackie Wil-son and Arthur Prysock were to play two shows that evening—one for a black audience and a second show for a white audience. These segregated shows were essentially the norm in the majority of the country. However, that night, Jackie Wilson decided he was not going to perform the second show for a white audi-ence and encouraged the others to follow suit. They were all subsequently run out of town at gun point and somewhere …

Music And Memory: A History Of Depauw University School Of Music Using Bifurcated History And Personal Interviews, Rachel Robin 15

Honor Scholar Theses

No abstract provided.

The Scottish Pipe Band In North America: Tradition, Transformation, And Transnational Identity, Erin F. Walker

Theses and Dissertations--Music

For Scots and non-Scots alike, the sounds of the bagpipes and the pipe band serve as a cultural metaphor for Scottish identity: the skirl of the pipes, the crisp sound of the snare drums, and the unique lilt of the music conjure an imagined Scotland of fierce, kilted clansmen and rugged, picturesque Highland scenery. This nearly global association appears to have been constructed on a series of transformations of cultural practices within Scotland itself, as well as throughout greater Britain and the lands of the Scottish diaspora, that began with the early “kiltophiles” in the late eighteenth century. …

Five-String Fiddle And The American Vernacular, Patrick Daly

Doctoral

This research examines the emergence of the five-string fiddle in contemporary North American fiddle culture within the past ten years. By interacting with leading artistlevel practitioners, the research documents the evolution and impact of the instrument to date in exploring the possibilities the five-string fiddle presents for musical performance and innovation. North American vernacular music and, in particular, the contemporary fiddle playing landscape, exemplifies virtousic and innovative idiomatic technique and improvisation as central to an overarching musical explosion, evidenced in the music of many high level, multi-stylistic contemporary practitioners. Within contemporary American fiddle performance, it is compelling to observe how …

Hathrasi Rasiya: An Intermediate Song Genre Of North India, Peter L. Manuel

Publications and Research

Hathrasi rasiya is a traditional song genre of North India’s Braj region, performed by semi-professional members of music clubs (akhār.ās) and informed by a complex set of prosodic schemes, with secondary melodic aspects. As these schemes involve, however tangentially, a kind of music theory, and the genre is patronized by local elites and enjoyed by connoisseurs, it constitutes a member of the “intermediate sphere” of regional genres that share features of both classical and folk musics. Although currently in a state of decline, Hathrasi rasiya flourished vigorously in the twentieth century. This article surveys its formal features and its place …

Suggestions For Transgender Inclusion In Classical Music: A Mini-Cycle, Xavia A. Publius

Dissertations and Theses @ UNI

This interdisciplinary text examines the lack of transgender inclusion in Western classical music, especially through the lens of opera. By looking at the dearth of transgender characters, singers, and composers, as well as the author’s personal experiences as a transgender singer in classical spaces, this project develops a strong position on ways that Western classical music should work to incorporate transgender voices, both literally and figuratively.

Some of these methods are modeled in this thesis, such as consultations with other transgender artists, transgeneric devising, and trans-centric composing. The author worked with local transgender singers to understand their views on opera, …

Concert Recording 2015-02-19, Stephen Caldwell, University Of Arkansas, Fayetteville. Schola Cantorum

Concert Recordings & Programs

[00:00]. Praise the Lord / Florence Price ; Hallelujah / Ludwig van Beethoven -- [06:40]. Gloria à 12 / Giovanni Gabrieli ; O vos omnes / Tomás Luis de Victoria -- [15:12]. Miserere mei, Deus / Gregorio Allegri -- [26:21]. Trois chansons / Claude Debussy -- [32:29]. There is no rose / Kevin Memley -- [36:27]. You have ravished my heart / Stephen Chatman -- [Track 07]. Since we loved / Stephen Caldwell -- [43:14]. A boy and a girl / Eric Whitacre -- [47:36]. Steal away / arranged by Roland Carter -- [51:53]. The battle of Jericho / arranged …

The American Symphony Orchestra: Factors Affecting Concert Attendance And Predictions For The Millennial Ticketholder, Hayley Graham

Honors Program Theses

This research investigates the perception of live orchestral music performances among members of the American millennial generation, born between 1985 and 1997. Specifically, it describes the most common factors and trends affecting attendance decisions, looking at aspects such as past musical experience, marketing strategies used, and accessibility of performances. Current programming, marketing, and educational trends in several orchestras are also considered. Information for this study was gathered from a survey of University of Northern Iowa students, as well as from case studies of orchestras. This thesis provides predictions and recommendations for how to best reach this demographic as orchestras move …

Alexander Moyzes And His Piano Sonata In The Context Of Slovak Music Between The Wars, Ivan Koska

LSU Doctoral Dissertations

The purpose of this monograph is to introduce to the English-speaking public the Slovak twentieth-century composer Alexander Moyzes and his Piano Sonata in E Minor, Op. 2 (1942), virtually unknown outside Slovakia. The style of the Sonata represents a retreat from earlier, more experimental positions of its author; this shift can be explained by a closer look at historical and aesthetic circumstances surrounding its composition. The first chapter provides an essential biography of the composer with an emphasis on his life and works between 1925 and 1940. The second chapter compares single movements of the Sonata with earlier manuscripts and …

Musicking New Orleans Street Musicians: A Methodology For Writing About Music, Savannah Cadi Rose Ganster

LSU Doctoral Dissertations

This project argues for the use of performative writing as a methodology for writing about musical performances. An analysis of recent scholarship on music and musical performances written by performance studies scholars supports the use of performative writing in texts that address musical performances. In order to further this methodological claim, this study uses performative writing to document both historical and present day accounts of musical performances of street musicians in New Orleans. Utilizing Foucault’s theories on and Roach’s model of genealogy, Bruner’s notion of reflexive ethnography, and Small’s concept of musicking, I theorize, on a meta-methodological level, that performative …

Hands Percussion : Moving Towards A Malaysian Identity / Jotsna Nithyanandan, Jotsna Nithyanandan

Student Works (2010-2019)

This study examined the idea behind the compositions of Malaysian Chinese Shigu drumming performing group Hands Percussion (HANDS) that have incorporated Gamelan, and the Indian Tabla drumming patterns as part of their repertoire. HANDS began with the 24 Seasons Drums, when it was founded in 1997, as a Malaysian Chinese percussion ensemble. This dissertation elucidates how HANDS later forms a multi-ethnic identity in its production that moved away from a single ethnic Chinese performing art group. This study touches on issues of culture and intercultural exchanges on the premise that HANDS is based in Malaysia, a country that is pluralistic …

Diaohua Chang In Food Court Setting In Klang Valley, Malaysia / Chin Ee Ven, Ee Ven Chin

Student Works (2010-2019)

Diaohua Chang is a place that provides nightly singing performance for the Chinese community in Malaysia. The overwhelming majority of male crowd can purchase flower garlands for the female singers as gratuity. This research focused on Diaohua Chang at the open-air food court where the singers perform mainly Chinese songs for the customers who are having their drinks or food. The gap of research was discovered after reviewing the literature of ethnomusicology, Chinese popular music, Chinese performing arts in Malaysia and other related researches. Diaohua Chang music performance which is part of the culture of Malaysian Chinese community was absent …

Adapting Traditional Kentucky Thumbpicking Repertoire For The Classical Guitar, Andrew Rhinehart

Theses and Dissertations--Music

During the first half of the twentieth century, a unique style of guitar playing known as Kentucky thumbpicking was developed by a handful of musicians in the western coal field region of Kentucky. This guitar tradition was elevated to national prominence by country guitar virtuoso Merle Travis. Subsequently, this style became characterized as "Travis Picking."

Kentucky thumbpicking incorporates a steady and muted bass line that alternates between the root, fifth or third of a chord. The bass is also accentuated with the use of a thumbpick worn on the right hand. Simultaneously, the index, occasionally middle and ring fingers, play …

Recovering Historical And Cultural Gems: A Review Essay On Hispanic And Folk Music Of New Mexico And The Southwest: A Self-Portrait Of A People

New Mexico Historical Review

No abstract provided.

Exploring Latin Rhythms, Loree V. Campbell

Graduate Student Theses, Dissertations, & Professional Papers

ABSTRACT

Campbell, Loree V., M.A., December, 2014

Exploring Latin Rhythms (50 pp.)

Director: Karen Kaufmann (Theatre and Dance) K. Kaufmann

Exploring Latin Rhythms was a project that I undertook with the intention of broadening my base of cultural knowledge, enhancing my musical skills in piano performance and composition, and rhythm instrument familiarization and proficiency. I was able to bring Latin percussion into my classroom for both cultural exploration and as a means of learning language. In this year long journey, I experienced two very different teaching styles from two different mentors, attended the World Rhythm Festival in Seattle, and greatly …

The Intermediate Sphere In North Indian Music Culture: Between And Beyond ‘Folk’ And ‘Classical’, Peter L. Manuel

Publications and Research

If in discourse about traditional music in North India, the notions of “folk” and “classical” continue to be widely used, in this essay I posit the existence of an “intermediate sphere,” comprising a heterogeneous set of traditional music genres that, in different ways, shares features with both folk and classical realms. I suggest five categories in this socio-musical stratum and provide brief glimpses of some of their constituents and distinguishing features, including the distinctive sorts of theory they embody and elite patronage that sustains them. I conclude with observations about historical changes in the status of this sphere in general.

The Power Of Music In The Maori Welcoming Ceremony, Rachel Gerwig

Graduate Thesis Collection

Scholars do not deny that the piiwhiri involves musical movements, but few sources adequately emphasize how intimately the piiwhiri and music are intertwined. Instead of defending a position that has not been directly challenged, but rather skimmed over, this thesis aims to define the what, how, and why questions surrounding the inseparable relationship between music and the powhiri. The goals are to pinpoint the role music plays in the Maori powhiri ceremony and to recognize that the ceremony itself would lose its effectiveness without the use of Maori music

Translinguality, Transmodality, And Difference : Exploring Dispositions And Change In Language And Learning., Bruce Horner, Cynthia Selfe, Tim Lockridge

Faculty and Staff Scholarship

This collaborative piece explores the potential synergy arising from the confluence of two growing areas of research, teaching, and practice in composition (broadly defined): multi- (or trans-)modality, and trans- (or multi-) linguality.

Jeremy Grimshaw, Draw A Straight Line And Follow It: The Music And Mysticism Of La Monte Young, Reviewed By Peter Mcmurray

Mormon Studies Review

No abstract provided.