Digital Commons Network^™

Insights- April 2008, University Relations Staff

Insights

No abstract provided.

Insights- Nov/Dec. 2008, University Relations Staff

Insights

No abstract provided.

Stage Center Theatre Newsletter- Apr. 2008, Anna Antaramian

Stage Center

No abstract provided.

Stage Center Theatre Newsletter- Nov. 2008, Colleen Mccready

Stage Center

No abstract provided.

Stage Center Theatre Newsletter- Sep. 2008, Colleen Mccready

Stage Center

No abstract provided.

Insights- May 2008, University Relations Staff

Insights

No abstract provided.

Incommon- Inaugural Issue 2008, Michael J. Partipilo

InCommon

No abstract provided.

Constitutional Law - Freedom Of Speech, Expression: Protecting Main Street? The North Dakota Supreme Court Analyzes Whether An Ordinance Regulating Exotic Dancing And Adult Entertainment Violates Free Speech And Constitutes A Regulatory Taking, Leah Johnson Ellis

North Dakota Law Review

McCrothers Corp. v. City of Mandan, 2007 ND 28

Chester Fritz Auditorium, Betty Allan

UND Departmental Histories

This departmental history was written on the occasion of the UND Quasquicentennial in 2008.

The Best Way To Assure The Future Is To Invent It: The Und Wellness Center, Nikki Seabloom

UND Departmental Histories

This departmental history was written on the occasion of the UND Quasquicentennial in 2008.

Ltc Newsletter, University Of Dayton. Ryan C. Harris Learning Teaching Center

LTC Newsletter

Winter 2008

Leadership Through Laughter: How Henry Carey Reinvented English Music And Song, Jennifer Cable

Music Faculty Publications

Polly refers to Miss Polly Peachum, a character in John Gay's The Beggar's Opera of 1728 (January). Henry Carey (1687-1743) set this verse (1728) to his famous tune Sally in our Alley, which Gay had used in the opera. Carey's verse about Polly Peachum became so popular that it was eventually incorporated into The Beggar's Opera libretto, beginning with the third edition.¹ Even in this short example, we can detect Carey's delight that Polly had overtaken "the Opera of Rolli," alluding to Italian opera in general by referring specifically to the Italian poet and librettist who adapted libretti for …

The Composing Of "Musick" In The English Language: The Development Of The English Cantata, 1700-1750, Jennifer Cable

Music Faculty Publications

The cantata as cultivated by Alessandro Scarlatti and his contemporaries Alessandro Stradella and Giovanni Bononcini was the model for the early development of the English cantata, "which remained a solo vocal genre in England throughout the eighteenth century, namely 1710-1800. By focusing on specific musical elements, such as cantata format (recitative-aria-recitative-aria or aria-recitative-aria), song forms, motivic use, textual content, instrumental requirements and performance venues, the evolution of the English cantata can be observed during the first half of the eighteenth century, developing from a simple imitation of the Italian form to a genre in its own right.¹

Effects Of Fluency Instruction On Literacy Skills In The First Grade Classroom, Susan A. Buchanan

The Corinthian

The effects of fluency intervention strategies on students’ fluency rate, comprehension, and word identification were the focus of this study. Both the experimental and control groups were first grade classes, taught by the same teacher, at a primary school in central Georgia. The study was conducted over a 15-week period. The results of the study were inconclusive. The Lexia Comprehensive Reading Test was used at the beginning and end of fall semester. While the experimental group showed expected progress in comprehension, fluency rate, and word identification, there was no statistical difference in the achievement of both groups. Both groups improved …

Publication List From D’Amour Library’S 6th Annual Faculty Authors’ Tea — Faculty Scholarship, 2007-2008, D'Amour Library

Faculty Publications - College of Arts and Sciences

6th Annual Faculty Authors' Tea

From The Rat To The Mouse: How Secondary Picketing Laws May Apply In The Computer Age, Thomas Moyher, Robert T. Szyba

Hofstra Labor & Employment Law Journal

No abstract provided.

In Brief

In Brief

Table of Contents:

• From the Dean's Desk
• Masthead
• Electronic Health Records...
• The Generosity of Alumni and Friends
• A Trio for Change... (Adler, Steinberg, Wagner)
• 'To Teach or Not to Teach'
• Faculty Profile
• Faculty News
• Doping? Acceptable or Not for Olympic Athletes?
• The Past, Present, and Future of Euclid Avenue
• Faculty Briefs
• Alumni Spotlight
• Stephen Ellis '72, Words to Live by for the Graduating Class of 2008
• Alumni in the News
• Turning 80 in '08 (Al Gray)
• Class Notes
• Thank You and Farewell to the 2008 LL.M. graduates
• Student Snapshots
• Student Perspective
• In Memoriam (Hugh Ross and Stephanie Tubbs Jones)
• Calendar …

Edna Louise Saffy: Remembrances Of Fjc/Fccj/Florida State College @ Jax 1968-2008, Edna Louise Saffy

Saffy Collection - All Textual Materials

Dr. Edna Saffy's notes of her time teaching at Florida State College.

Faculty Emeritus Nomination Of Professor Edna Saffy, Ph.D., Edna Louise Saffy

Saffy Collection - All Textual Materials

Contents of nomination include nomination letters, letters from students, letters from Florida Community College Jacksonville President Steven Wallace, and a description of Dr. Saffy’s achievements and service to the College.

Wood V. Duff-Gordon And The Modernist Cult Of Personality, Megan Richardson, David Tan

Pace Law Review

No abstract provided.

Book Review Of New Deal Theater: The Vernacular Tradition In American Political Theater By Ilka Saal, Katherine Weiss

ETSU Faculty Works

Review of New Deal Theater: The Vernacular Tradition in American Political Theater by Ilka Saal. New York: Palgrave/Macmillan, 2007. 244 pp. $69.95.

Wilma L. Schwenke, Tania P. Schwenke, Cindy Lawrence, And Wayne Wong V. Intermountain Inc. Dba Intermountain Isuzu V. Wilma L. Schwenke, Tania P. Schwenke, Cindy Lawrence, Wayne Wong, And Victor Lawrence : Reply Brief, Utah Court Of Appeals

Utah Court of Appeals Briefs (2007– 2019)

Appeal from the Third Judicial District Court In and for Salt Lake County, State of Utah Judge Denise Lindberg Civil No. 000904217

The Reconstruction Congress, David P. Currie

University of Chicago Law Review

No abstract provided.

Fall 2008

University of Richmond Magazine

No abstract provided.

Freetime!?!? Theatre: The Creation Of A Successful Production Company, Brian Martin Tichnell

Honors Theses

The following is a description of a theatre production company created by Biran Tichnell and Derek Van Barham. The production company produced five successful plays over the course of two yars. Included is the story of how the company was crated, problems faced and lessons learned. Photographs are also included. No argument is made nor any research completed. This document's purpose is to make known the work, dedication, and love that went into the creation of FreeTime!?!? Theatre.

Representation & Its Limit, Neal Anderson Hebert

LSU Master's Theses

This thesis is an investigation into traditional accounts of aesthetic representation. Using the work of Noel Carroll as an exemplar of the definition put forward in canonical philosophical accounts of aesthetic representation, I look at how Carroll’s account must work. By examining both the definition in abstract and how this definition is instantiated into existent and hypothetical works of art, it becomes apparent that Carroll’s definition is overly stringent and relies upon a counterintuitive distinction between aesthetic representation and aesthetic expression. This distinction is problematic insofar as the distinction seems to be a largely semantic distinction: the mechanism by which …

Postcard From The Edge (Of Empire), Elizabeth Adjin-Tettey, Gillian Calder, Angela Cameron, Maneesha Deckha, Rebecca Johnson, Hester Lessard, Maureen Maloney, Margot Young

All Faculty Publications

This article in scrapbook form represents the endeavour of the eight authors to document a recent, collective, academic journey. The project was one embarked upon as a means to explore tensions between the ideas of embodiment that connected our work, and the rigidities of academic convention. Using various media, this article strives, in substance and form, to provoke, challenge and confront its audience into dialogue, while simultaneously asking questions about the limits of our own legal imaginations.

Creating A Blues Playground: A Comparison Of Beale Street In Memphis, Tennessee, And Farish Street In Jackson, Mississippi, Sandor Gulyas

LSU Master's Theses

Are tourists looking for something resembling the landscape described in the music they listen to or are the cities creating a false front to entice tourists to visualize what was (is?) described in folklore and myths of blues music? This paper will focus on the urban landscape of Beale Street in Memphis, Tennessee and Fariah Street in Jackson, Mississippi. These cities are part of a trend called "new blues tourism" in which these cities, in the Mississippi Delta are promoting an authentic black heritage landscape. My paper critiques the authenticity of this urban heritage landscape. There have been many studies …

Walden Pond And The Performative Touristic Gaze, Daniel Christopher Bono

LSU Master's Theses

This is an ethnographic study of tourism at Walden Pond in Concord, Massachusetts. I argue that Walden Pond operates as a site that creates tensions among visitors due to the ways that time has transformed the once serene landscape into an overcrowded swimming pool. These tensions, however, fall under the expectation that the State Reservation of Massachusetts (re)creates Thoreau’s Walden as suggested in his discourse, but the performance of history is enacted through the creation of meaning among visitors engaging in a dialogue that references the past, talking about a space that has cultural significance. Exploring the touristic experience and …

The Mise En Scène Of Rossini's Le Siège De Corinthe And The Conventions Of Staging At The Paris Opéra In The 1820s, Tina Huettenrauch

LSU Master's Theses

Shortly before 1800, the publication of livrets de mise en scène, short manuals including information regarding costumes, set designs, and blocking (i.e., the movement of characters on stage), became increasingly popular in France. While theater scholars (Gösta M. Bergman, Marvin Carlson, Hellmuth Christian Wolff) have recognized the value of these documents for the history of staging (and blocking in particular), musicologists have tended to focus on their impact on visual aspects and realization of drama. Those who have looked at staging (H. Robert Cohen, Rebecca S. Wilberg, M. Elizabeth C. Bartlet) have largely ignored the period prior to 1827, …