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Articles 271 - 300 of 316
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Dread, Route And Time: An Autobiographical Walking Of Everything Else, Phil Smith
Dread, Route And Time: An Autobiographical Walking Of Everything Else, Phil Smith
Reconstruction: Studies in Contemporary Culture
[First paragraph]
This response to Reconstruction's Summer 2002 edition, Volume 2, Number 3, autobiogeography: considering space and identity, particularly to the papers of Matthew Wolf-Meyer and Davin Heckman, Subhash Jaireth, Deirdre Heddon and Sally Munt, is an attempt to establish provisionally whether a discourse that sets critical theory, autobiographical practice and a poetics of space in performative motion orbiting each other can add anything to the critical discussion of autobiogeography. Part of my motivation is an antipathy toward criticism that can be applied to everything but itself. Given that hybridity will be an important part of a critical discourse about …
You Still My Girl?: Adolescent Femininity As Resistance In Buffy The Vampire Slayer, Sophie Levy
You Still My Girl?: Adolescent Femininity As Resistance In Buffy The Vampire Slayer, Sophie Levy
Reconstruction: Studies in Contemporary Culture
[First paragraph]
History is where the dead things are. Buffy, as her Watcher Rupert Giles tells her mother Joyce, resists the historical. She lives very much in the now, and history of course, is very much about the then he stammers, aware perhaps of the history echoing in his British accent (Angel I:7). The show's appeal, however, resides in its battle with history, not its denial. History is the repressed but resurrected, whether personal -- Giles' dark age of demon-worship comes back to (almost) kill him (The Dark Age II:8) -- or cultural, such as the Master's bad Old World …
Review Of Crepuscular Dawn, By Paul Virilio, Davin Heckman
Review Of Crepuscular Dawn, By Paul Virilio, Davin Heckman
Reconstruction: Studies in Contemporary Culture
No abstract provided.
Review Of Marx For A Post-Communist Era, C. Jason Smith
Review Of Marx For A Post-Communist Era, C. Jason Smith
Reconstruction: Studies in Contemporary Culture
No abstract provided.
Review Of Ruthless Democracy, By Timothy B. Powell, Matthew Wolf-Myer
Review Of Ruthless Democracy, By Timothy B. Powell, Matthew Wolf-Myer
Reconstruction: Studies in Contemporary Culture
No abstract provided.
Rogerian Rhetoric As Negotiation: Does Its Dependence On Game Theory Pose Ethical Problems?, Stacy Fussell Thorne
Rogerian Rhetoric As Negotiation: Does Its Dependence On Game Theory Pose Ethical Problems?, Stacy Fussell Thorne
Reconstruction: Studies in Contemporary Culture
[First paragraph]
In the war game Diplomacy, players win by gaining control of Europe. In order to win, however, players must successfully negotiate with other players, make alliances with them, and sometimes gain the support of their ally's military resources, their armies or fleets. In the rules of the game, Diplomacy is described as
- a game of negotiations, alliances, promises kept, and promises broken. In order to survive, a player needs help from others. In order to win the game, a player must eventually stand alone. Knowing whom to trust, when to trust them, what to promise, and when …
Review Of The Three Ecologies, By Felix Guattari, Matthew Wolf-Myer
Review Of The Three Ecologies, By Felix Guattari, Matthew Wolf-Myer
Reconstruction: Studies in Contemporary Culture
No abstract provided.
Have Lamb Will Martyr: Samson As A Rustic Christ-Figure In Cecil B. Demille's Samson And Delilah (1949), Anton Karl Kozlovic
Have Lamb Will Martyr: Samson As A Rustic Christ-Figure In Cecil B. Demille's Samson And Delilah (1949), Anton Karl Kozlovic
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Cecil B. DeMille [1] (1881-1959) was a seminal founder of Hollywood who helped turn a Californian orange grove into a world class centre that became the synonym for film making (DeMille & Hayne, 1960; Edwards, 1988; Essoe & Lee, 1970; Higashi, 1994; Higham, 1973; Koury, 1959; Ringgold & Bodeen, 1969). Not only was the affectionately known C. B. an important film pioneer, producer and director, but he also became known as the master of the American Biblical Epic, and was variously tagged King of the epic Biblical spectacular (Finler, 1985, p. 32), the high priest of the religious …
Mechanical Angel: Carolyn Forché And The Material Projection Of Messianic History, Alan Clinton
Mechanical Angel: Carolyn Forché And The Material Projection Of Messianic History, Alan Clinton
Reconstruction: Studies in Contemporary Culture
[First paragraph]
The work of Carolyn Forché has always retained a political edge, with works such as the exploration of her Czech background in Gathering the Tribes (1976) and her account of visits to El Salvador in The Country Between Us (1981). Forché has been one of the leading poets who, in her own words, has combatted the self-censorship operative among American poets and writers that seemed to preclude writing about...historical events when those events were still unsafe (qtd. in Stein 147). Her third book of poems The Angel of History (published 13 years later), however, represents a new turn …
Review Of Time Matters: On Theory And Method, By Andrew Abbott, Davin Heckman
Review Of Time Matters: On Theory And Method, By Andrew Abbott, Davin Heckman
Reconstruction: Studies in Contemporary Culture
No abstract provided.
Workplace Surveillance, Inc., Bilge Yesil
Workplace Surveillance, Inc., Bilge Yesil
Reconstruction: Studies in Contemporary Culture
[First paragraph]
In recent years the use of surveillance technologies in the workplace has become widespread. According to an annual survey by the American Management Association (AMA) on workplace monitoring and surveillance (2001), more and more U.S. companies are keeping tabs on employees by checking their e-mail, Internet, or telephone connections or by videotaping them at work.
On Jean Baudrillard's Impossible Exchange, Liam Mcnamara
On Jean Baudrillard's Impossible Exchange, Liam Mcnamara
Reconstruction: Studies in Contemporary Culture
[First paragraph]
In many ways, Jean Baudrillard has never really attracted the critical attention that he deserves; his early brilliant books, such as For a Critique of the Political Economy of the Sign (1981) and The Mirror of Production (1975) remain resolutely out of print, perhaps because they do not accord with his recent high profile in the media. The hermetic obscurantism of these older texts repels a more casual reader, steeped as they are in poststructuralist theory and remote Marxist anthropology. They are also more rigorously scholarly than books such as Impossible Exchange, and therefore a less pleasurable …
Hegemony: Methods And Hypotheses, Rares Piloiu
Hegemony: Methods And Hypotheses, Rares Piloiu
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Recent political thought from the left has re-awoken the interest in Gramscian theory. Even if, pace Louis Althusser or, in America, Michel Foucault, Antonio Gramsci's syntax of ideology as an integral form of relation between individual and society has been quite popular in cultural studies, the notion of hegemony has not enjoyed the same repute. It is therefore Ernesto Laclau's merit to have reintroduced the term in contemporary debates concerning problems of political power, authority, cultural policy and ideology. Hailing from a reinvented Marxist perspective (one that had to account, among others, for the failures of actual existing …
Autotopography: Graffiti, Landscapes, & Selves, Deirdre Heddon
Autotopography: Graffiti, Landscapes, & Selves, Deirdre Heddon
Reconstruction: Studies in Contemporary Culture
[First paragraph]
For some time now I have been interested in autobiographical performance -- some form of the theatrical, in which performers explicitly use personal material in their work. Within this general field of autobiography and performance, one area of research concerns performances that are dependent on being located in personalised space -- what could be called, then, site-specific autobiographical performance. A recent example of this would be the performance Bubbling Tom (2000), by the UK based performer Mike Pearson, which saw Pearson return to the village of his childhood, to reflect upon and re-enact certain memories, events and persons …
The Mind Museum: Rudolf Schwarzkogler And The Vienna Actionists, Philip Barnes
The Mind Museum: Rudolf Schwarzkogler And The Vienna Actionists, Philip Barnes
Reconstruction: Studies in Contemporary Culture
[Sixth paragraph]
In the following essay I discuss the Austrian artist Rudolf Schwarzkogler. I have enjoyed the process of ferreting out articles and references to him, although these are seemingly as scarce as his own artistic output. Schwarzkogler spent just 2 years staging performance-actions in his apartment in the 1960s. These methodically photographed scenes involved sliced fish, bandages, light bulbs, razor blades, foodstuffs and surgical apparatus, all manipulated by anonymous figures. The photographs, works of art in their own right, have since toured internationally. Schwarzkogler was the least outgoing of a group called the Viennese Actionists, whose orgiastic, bloody Happenings …
Being-There And Being-From-Elsewhere: An Existential-Analytic Of Exile, Farhang Erfani
Being-There And Being-From-Elsewhere: An Existential-Analytic Of Exile, Farhang Erfani
Reconstruction: Studies in Contemporary Culture
[First paragrap]
I find myself in an unsettling position, as I do not know where to begin to talk about a philosophically neglected topic: exile. I cannot hide behind the famous names of the tradition; I cannot speak through them about exile in order to make my inquiry sound more legitimate since most of them did not address the topic. Isn't it interesting though that my inability to know where to start and the lack of legitimacy that I feel are in themselves two typical symptoms of the exiled? In all fairness, exile has become a buzzword and is fashionable …
Remembering Dehlie: A Chrono-Topo-Graphy Of Imagination, Subhash Jaireth
Remembering Dehlie: A Chrono-Topo-Graphy Of Imagination, Subhash Jaireth
Reconstruction: Studies in Contemporary Culture
[First paragraph]
In a few weeks I shall be going to India to see my daughter. This will be our first meeting after she went back to India with her mother five years ago. She is fifteen now, and, in a way, a complete stranger to me. You don't know me, she tells me often on the phone, Neither do I know you. The little girl whom you carried on your shoulders and played hopscotch with, is nothing but a shadow. Come and see what has become of me. I have made up my mind to go but I know …
The Cyborgian Self: Toward A Critical Social Theory Of Cyberspace, Michael Ian Borer
The Cyborgian Self: Toward A Critical Social Theory Of Cyberspace, Michael Ian Borer
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Contemporary social theory currently remains at a virtual standstill, quivering over the decision to radically leave the past behind or to continue within the historical narrative of the Enlightenment. Postmodern social theorists, advocating the position that we have, in fact, entered a new historical epoch, pose serious challenges to our perception of modernity and cultural identity. As an influential strategy that has infiltrated both the humanities and the social sciences for more than thirty years, postmodernism can no longer be dismissed as merely a fad or trend. In a world where the use of complex, and often mobile, …
Solaris, America, Disneyworld And Cyberspace: Salman Rushdie's Fairy-Tale Utopianism In Fury, Justyna Deszcz
Solaris, America, Disneyworld And Cyberspace: Salman Rushdie's Fairy-Tale Utopianism In Fury, Justyna Deszcz
Reconstruction: Studies in Contemporary Culture
[First paragraph]
In this paper, I discuss the figure of professor Malik Solanka, the protagonist of Salman Rushdie's latest novel, Fury (2001), and his attempts at constructing a fairy tale utopia as a means of establishing his identity. I try to elucidate this problem referring to the concepts of the fairy tale utopian as formulated by J. R. R. Tolkien, Ernst Bloch, and Jack Zipes, as their propositions can be regarded as the most effective exponents of the utopian imagination and seem very applicable to Rushdie's utopian attempts. On the basis of such a reading, I also reflect on the …
Rich Earth Below The Sand' And The Origins Of The Thames Embankments, Stuart Oliver
Rich Earth Below The Sand' And The Origins Of The Thames Embankments, Stuart Oliver
Reconstruction: Studies in Contemporary Culture
[First paragraph]
This essay explores the designing of the Thames embankments that were built between 1866 and 1874 for the Metropolitan Board of Works. In particular it concentrates on the origins of what might be called the production of the conditions of production of the embankments. By looking at the motivation of those advocating embanking as a means of exerting literal and figurative control over the river, and the ways in which society influenced such advocacy and determined its effectiveness, the essay explores modernity's construction of a regulated natural in the context of an analysis that is sensitive to the …
Supposing A Space: The Detecting Subject In Paul Auster’S City Of Glass, Richard Swope
Supposing A Space: The Detecting Subject In Paul Auster’S City Of Glass, Richard Swope
Reconstruction: Studies in Contemporary Culture
No abstract provided.
Rorty's Complicit American Neo-Pragmatism, Haidar Eid
Rorty's Complicit American Neo-Pragmatism, Haidar Eid
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Despite the obvious French origin of poststructuralism, its paradigmatic resonance can be found in the American philosophical scene, an essential part of which is Richard Rorty's neo-pragmatism -- the theoretical basis of American (post)modernism. However, different from poststructuralism's apparent antagonism to the authoritarian establishments, Rorty adopts the Derridean poststructuralist motifs of the decentering of the subject, and the disappearance of meaning and truth in order to defend the establishment -- or rather, the status quo.
On Guillermo Gomez-Peña's El Mexterminator And Cyber Vato, Michael Benton
On Guillermo Gomez-Peña's El Mexterminator And Cyber Vato, Michael Benton
Reconstruction: Studies in Contemporary Culture
[First paragraph]
While attending Bowling Green State University in 1997 I had an experience that changed my worldview. I was a teaching assistant in the Popular Culture department and part of my responsibilities included teaching Introduction to Popular Culture (POPC 100) and Introduction to Mass Media (POPC 165). I had been struggling to engage my students in examining the way in which social reality is represented to them through popular entertainments [2]. The majority of my students were white, middle class students from the surrounding Northern regions of Ohio. My students were well-versed in the ongoing controversy over whether or …
Review Of Up, By Peter Gabriel, Matthew Wolf-Meyer
Review Of Up, By Peter Gabriel, Matthew Wolf-Meyer
Reconstruction: Studies in Contemporary Culture
No abstract provided.
Passaic Boys Are Hell: Robert Smithson's Tag As Temporal And Spatial Marker Of The Geographical Self, Felicity Colman
Passaic Boys Are Hell: Robert Smithson's Tag As Temporal And Spatial Marker Of The Geographical Self, Felicity Colman
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Robert Smithson seductively created stories about his activities as an artist with attention to his duration; his time of existence. Born in 1938 in the New Jersey suburb of Passaic, Smithson lived in the New Jersey suburbs of Rutherford and Clifton with his family until 1957 when he moved to live in downtown Manhattan, New York (Hobbs 1981, 231-232; Tsai 1991, 6). Smithson's adult life was undeniably shaped by his Pascalian/Sopranos awareness of engaging the circumference by which to navigate the centre of everyday life. In 1972 Smithson described New Jersey as: a kind of destroyed California, …
The Ruse Of The Social: Human Waste And The Gated Community, Liam Mcnamara
The Ruse Of The Social: Human Waste And The Gated Community, Liam Mcnamara
Reconstruction: Studies in Contemporary Culture
[First paragraph]
One of the central problems of contemporary society is that of “the social”: how it is defined, constituted, conjured into existence, and supported. Jean Baudrillard has employed the term “the social” in his work, but it is never explicitly defined; it is best understood as a form of simulation that has sprung into existence in the absence of symbolic social relations. The social is constituted of all the phenomena that are generally studied by sociology, so is therefore ideologically conceived of as an organic structure that is waiting for analysis. The “social” is society, both as it stands …
On Steven Duncombe's Cultural Resistance Reader (2002), Adam Reed
On Steven Duncombe's Cultural Resistance Reader (2002), Adam Reed
Reconstruction: Studies in Contemporary Culture
[First paragraph]
While the debates over the dis/connections between theory and practice have become essentially metaphysical, it is still useful to distinguish between micro, grassroots struggles and macro, ideological political agendas. In a world in which one of the Left's (old, new and contemporary) main achievements has been to merge the micro and macro in the popular imaginary, this distinction helps one appreciate the myriad of forces affecting social change that are condensed in primarily ideological narratives. A similar perspective is called for when one turns to cultural forms of resistance, which are usually erased by political narratives or mystified …
On Bell Hooks' Feminism Is For Everybody, David Alan Sapp
On Bell Hooks' Feminism Is For Everybody, David Alan Sapp
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Taking a decidedly radical feminist position, bell hooks, the writing voice of Gloria Watkins, promotes the learning of feminist theory and history as essential parts of the process of self-actualization and the practice of freedom. In Feminism is for Everybody: Passionate Politics, hooks provides an overview targeted to readers new to interdisciplinary feminism. Importantly, hooks argues in strong opposition to the anti-feminist public voice in contemporary culture. In particular, she speaks to young female readers who know little about feminism, many of whom falsely assume that sexism is no longer a problem or is no longer relevant since …
A Review Of Dr. Holmberg's Work, Gary Hoppenstand
A Review Of Dr. Holmberg's Work, Gary Hoppenstand
Reconstruction: Studies in Contemporary Culture
[Editor's Introduction]
Dr. Carl Holmberg, a beloved member of Bowling Green State University's department of Popular Culture and father of two daughters, Lily and Erin, passed away September 29, 2002 at his home in Bowling Green, Ohio. In addition to what you will find highlighted below, Dr. Holmberg was in the process of extensive research into Japanese popular culture and was loved by the students he taught at the graduate and undergraduate level. Below, we have decided to publish a review of Carl's work by friend and colleague Dr. Gary Hoppenstand, so that the members of our community might realize …
Framing Intelligibility, Identity And Selfhood: A Reconsideration Of Spatio-Temporal Models, Sally Munt
Framing Intelligibility, Identity And Selfhood: A Reconsideration Of Spatio-Temporal Models, Sally Munt
Reconstruction: Studies in Contemporary Culture
[First paragraph]
The relationship between intelligibility and identity over the past thirty years has largely been approached through the linguistic construct of the subject. Proposing that our subjectivities be theoretically comprehended (made intelligible) as discursive effects is now common sense. Poststructuralism, following particularly Michel Foucault, Jacques Derrida and Jacques Lacan, has ensured that the subject is a cardinal category of contemporary thought; in any number of disciplines, it is one of the first concepts we teach to our undergraduates. But are we best served by continuing to insist on the intellectual primacy of the subject, formulated as it has been …