Digital Commons Network^™

Breaking The Mimetic Contract: Notes On Ideology, Intersubjectivity, And Film Theory, Giorgio Bertellini, C. Paul Sellors

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In this essay we would like to sketch out a few notes outlining historical and theoretical trajectories of the confusing, and often confused, relationships between ideology, history and subjectivity in Marx, Marxism and post-Marxism. Marx and Engels' approach to ideology in The German Ideology (1845-46), spawned and influenced a variety of interpretations and philosophical positions from not only the numerous schools of Marxism proper, but also structuralism, semiotics and psychoanalysis up to the very raison d'être of discourse theory and new historicism. This reaching influence occurs only at the cost of contradiction, however, between Marxist factions -- disagreements …

Terra Incognita, Leslie Hill

Reconstruction: Studies in Contemporary Culture

No abstract provided.

To Blend In The Place You're In, But With A Mind To Do Something: The Practice Of Merging In James Dickey's To The White Sea, Casey Clabough

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In a final sortie the day before the great fire-bombing raid on Tokyo in the last months of World War II, Muldrow (his first name is purposefully never given), an American tail gunner, parachutes from his burning B-29 into the city. Protected at first by the smoke-blackened anarchy on the ground, he journeys north, away from the chaos and ruin of Tokyo, instinctively drawn toward Japan's sparsely-populated northern island of Hokkaido, a frozen, desolate sanctuary he is certain will assure his survival. With little more than a knife and a small map of Japan he makes his way …

Becoming Native, Patricia Monaghan

Reconstruction: Studies in Contemporary Culture

[First paragraph]

With relentless beaks, a squad of crows attacked a winter field. It was a fine fair Irish field, sweeping upwards in the pale sunlight towards a dark bulwark of rhododendrons surrounding a single gnarled oak, beneath which three ruddy cattle grazed. Welcoming this peaceable scene as an excuse to slow my journey, I parked on the verge and walked to the field's iron gate.

Writing Identity Into Space: The Relationship Between Ethnography, Autobiography, And Space In Bronislaw Malinowski's A Diary In The Strict Sense Of The Term And Claude Lévi-Strauss's Tristes Tropiques, Lawrence Phillips

Reconstruction: Studies in Contemporary Culture

[First paragraph]

From a number of disciplinary perspectives autobiography has always presented a challenge to more or less discrete modes of reading and evaluating the text. To read autobiography as a literary text is to suppress its close relationship to the writer, however fictionalised and evasive the writing subject might be about a textual identity so closely related to his or her public persona. On the other hand, to read it as history or a documentary presentation of a life is to fail to acknowledge the heavy use of literary techniques and imbedded subjectivity that makes autobiography what it is. …

See Me, Touch Me, Feel Me':(Im)Proving The Bodily Sense Of Masculinity, Marc Ouellette

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Ultimately, this paper stems from two cultural strands which intersect in one cultural form, self-improvement advertising aimed at men. The first of these is the figure of the new man, which appeared in the mid-1980s. The novelty lies in the positioning of masculine bodies precisely for the purpose of being seen. The available criticism was not equipped to account for these positionings. The second cultural strand, the proliferation of technologies which alter the body itself, as opposed to its coverings, makes the gap in the criticism more apparent. The two cultural trends intersect most noticeably in the advertisements …

C.L.R. James, Mid-Century Marxism, And The Popular Arts, Kenton W. Worcester

Reconstruction: Studies in Contemporary Culture

[First paragraph]

“Popular culture” has played a decidedly important role for many prominent Marxist thinkers: For Fredric Jameson, it is increasingly important in his work, for Terry Eagleton, a counterpoint to more high brow culture, and for Marx himself a potentially distracting area of inquiry. In the following examination of C.L.R. James’ interest in popular culture, Kenton Worcester argues that he was, contrary to the thought of some, very interested -- both in popular culture per se, and the relation of race to modes of expression which can only be considered “popular” in the finest sense.

Ideology And Public Sphere: A Preliminary Bibliography, Giorgio Bertellini, C. Paul Sellors

Reconstruction: Studies in Contemporary Culture

Bibliography accompanies Bertellini & Sellors article Breaking the Mimetic Contract: Notes on Ideology, Intersubjectivity, and Film Theory

The Visible Human Project: Informatic Bodies And Posthuman Medicine, Stuart Murray

Reconstruction: Studies in Contemporary Culture

Stuart Murray reviews Catherine Waldby's The Visible Human Project: Informatic Bodies and Posthuman Medicine (2000).

Navigating The Starless Night: Strategies For Understanding Autobiogeography, Matthew Wolf-Meyer, Davin Heckman

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Ancient mapmakers relied upon the presence of celestial bodies for their conceptualization of the world, for their external knowledge-making tools, as if a far-off body could help to make sense of our terrestrial life/as if it couldn't. Cosmology, as a practice, relied on the construction of an external body of knowledge that the local meaning-maker could situate him- or herself into, and more broadly, their entire society and culture -- the interior is determined by its relationship to the exterior (or the exteriorized). For the ancient Greeks then, the font of Western culture, this cosmology works at once …

Autobiography And Geography: A Self-Arranging Question, Frédéric Regard

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The border between fiction and truth in autobiography has been the subject of numerous investigations, yet the question of what we might call the assignations to residence of the author remains largely ignored. Critics have written abundantly about autobiography in its relation to the origin of the author as living personality with his own story, but never truly treated the idea of the spatial modalities, the layout, of the author's writing self. In his relatively unknown 1967 article On Other Places, Michel Foucault, then on assignment in Tunis, saw in this thematic situation the stage of a …

Processes Of Embodiment And Spatialization In The Writings Of Paul Auster, Markus Rheindorf

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Processes of embodiment and the spatialization of interior categories such as thought and memory are defining characteristics of Paul Auster's novels, essays, and poetry, and a brief survey of these aspects can offer a new perspective on Auster's oeuvre as an organic whole. It is the underlying assumption of this paper that the transformation of interior into exterior constitutes a specific instance of the transpositional processes discussed therein. Within the theoretical framework of cultural studies -- as opposed to the more narrowly defined literary studies -- such transformations can be regarded as processes of embodiment, that is to …

On Public Culture 12.3: Special Issue On Cosmopolitanism (2000), Dorothy Barenscott

Reconstruction: Studies in Contemporary Culture

[First paragraph]

For those engaged in any dimension of the vastly complex and highly contentious network of ideas, theories, and interdisciplinary projects under the rubric Cultural Studies, <> is a valuable, if not essential, journal. Since its inception some fourteen years ago, <> has maintained its mandate of intervention, creating a valuable and much needed space to publish politically charged and critically engaged work, often by unknown and marginalized scholars. Today these names read like a virtual who's who of the cultural studies world -- Homi Bhabha, Gayatri Spivak, Jurgen Habermas, Michael Taussig, Dipesh Chakrabarty to name but a few. This of …

Activist Desire, Cultural Criticism, And The Situationist International, David Banash

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In the world of Anglo-American criticism, Situationism was once the province of hip theorists, progressive art historians, and a few scattered Marxists. No more, for the nineties saw Situationism come from obscure movement to the defiant avant of our cultural-critical-garde. Not only has the past decade seen the publication of a dozen books, countless articles, dissertations, and both academic and activist web-sites, the Situationists have moved right into the main line of pop-culture. Situationist graffiti turns up as the epigraph for gen-xer Elizabeth Wurtzel's Bitch: In Praise of Difficult Women (1988), and, with Rolling Stone darling Greil Marcus's …

Geek Culture: An Annotated Interdisciplinary Bibliography, William L. Svitavsky

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In recent years, there have been numerous studies on science fiction fans, role-playing games, comic book fans, and the culture of those strongly interested in computers. When a study profiles a group engaged in one of these activities, it is not unusual for the group's participation in the other activities to be mentioned as well. In popular culture (as opposed to studies of popular culture), this overlap has been recognized all along. Each of these groups has been ridiculed as geeks or nerds, and each has subverted those terms into proud self-identification. In his work on media fandom, …

From Johnson To Nixon: Narrative Shifts In Gay Male Pornography, Jeremiah Smith

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In Culture Clash: The Making of Gay Sensibility, Michael Bronski argues that dramatic differences occurred in gay male pornographic magazines around the 1969 Stonewall Riots in New York City. With a sample of gay male print pornography my partner and I have collected, ranging from 1966 to 1970, this article will explore the differences proposed by Bronski and ultimately prove their truth. On the surface, it does appear that the magazines prior to 1969 attempt to masquerade their gay prurience while the artifacts published after 1969 had shed the shame and secrecy of the closet rejoiced in …