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The Exponent, July 1905, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, June 1905, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, May 1905, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, April 1905, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, March 1905, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, February 1905, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

Thoughts From Jerome K. Jerome, Jerome K. Jerome

Rare Books

No abstract provided.

The Exponent, January 1905, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

Glòria A Maria, Joan Lambert, Jacint Verdaguer

Marian Sheet Music

A Catalonian hymn to Mary whose title translates to "Glory to Mary." This sheet music is for a chorus with two solo voices and organ or harmonium accompaniment. The music was composed by Joan B. Lambert, and the lyrics are a poem by Jacint Verdaguer.

La Vierge A La Crèche, Justin Clérice, Alphonse Daudet

Marian Sheet Music

"La Vierge a la Crèche," with music composed by Justin Clérice and lyrics from a poem by the French novelist Alphonse Daudet, recounts scenes of the Virgin Mary caring for the Baby Jesus. This song is arranged for a solo mezzo-soprano or baritone voice. This song was dedicated to Irène Pathé, and was first performed by French tenor Albert Vaguet.

Salve Regina, Fritz Volbach

Marian Sheet Music

The second part of Fritz Volbach's Raphael suite, "Salve Regina" is arranged for a four-part female chorus (two soprano parts and two alto parts) with piano or organ accompaniment. The Raphael suite is a set of three pieces inspired by paintings of the Virgin Mary by the Renaissance artist Raphael: the Madonna of Foligno, the Madonna del Granduca, and the Sistine Madonna.

Oracion A Nuestra Sra. Del Refugio, Antonio Vanegas Arroyo, José Guadalupe Posada

Marian Broadsides from Mexico

The recto contains a nearly full-page engraving of Our Lady of Refuge, a madonna and child ringed in a garlard of flowers and accompanied by angels. A plaque at the bottom of the engraving reads "Refugia de Pecadores," or "Refuge of Sinners." The verso has a smaller engraving of the madonna and child in floral wreath near the bottom of the page.

The text contains prayers and praises for Our Lady of Refuge. Its relates the story of Sergeant Santiago Ruiz, living in Spain during the reign of Charles V (1516-1556). He deserted the military to look after his ailing …

Ave Maria!, Pietro Mascagni, Piero Mazzoni, Frederick Weatherly

Marian Sheet Music

"Ave Maria!" is a hymn set to music adapted from the intermezzo of Pietro Mascagni's opera Cavalleria Rusticana. The Italian lyrics were written by Piero Mazzoni, and the English lyrics for this edition were translated by Frederick Edward Weatherly. This edition is arranged for a solo mezzo-soprano or baritone with piano accompaniment.

Les Mystères Sataniques De Lourdes À Travers Les Âges, Léopold Goursat

Rare Books

xi, 116, 124 pages

Published by Arthur Savaète.

Clugnet Collection

Contents: En quoi consista l'acte matériel du péché originel: le naturalisme charnel -- Glorification séculaire du péché originel sous la forme des Pierres obscènes: adoration de la chair -- La Pierre-Vénus de Lourdes: tête du Serpent immonde – Revanche triomphale de l’Immaculée Conception à Lourdes – Opprtunité de ce triomphe à l’heure de la résurrection du culte de la chair.

St. Mary's Institute 1905, University Of Dayton

University Yearbooks

University of Dayton student yearbook. Early yearbooks cover St. Mary's Institute. Annual publication of the Daytonian began in 1923; it was not published in 1929, 1932-1934 and 1944. Short volumes highlighting the graduating class were published in 1930, 1931 and 1945 under different titles.

The Exponent, December 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, November 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, October 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, July 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, June 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, May 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, April 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, March 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, February 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

Tractatus De Conceptione Sanctae Mariae, Eadmer

Rare Books

The title translates to: Treatise on the conception of Saint Mary / Eadmer; formerly attributed to St. Anselm, now published for the first time in its entirety to the credit of the codex, with the addition of certain contemporary documents by Herb. Thurston and Th. Slater. This book is an edited German edition of a manuscript by Eadmer of Canterbury OSB (c.1060-c.1124), a monk of Christ Church. This edition was published in 1904 in Freiburg, Germany by Herder Publishers.

The manuscript by Eadmer is used in scholarship about the development of the doctrine of the Immaculate Conception in the Medieval …

The Exponent, January 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

Virgini Immaculatae, Ignaz Mitterer

Marian Sheet Music

Ignaz Mitterer's opus 122, a hymn in honor of the fiftieth anniversary of the papal bull Ineffabilis Deus, which defined the dogma of the Immaculate Conception of Mary. This song is written for a mixed chorus (soprano, alto, tenor, and bass voice parts), with orchestra (oboe, bassoon, French horn, trumpet, trombone, violin, viola, cello, and bass parts).

Missa Ave Maria, Franz Nekes

Marian Sheet Music

A mass setting in honor of the Virgin Mary by Franz Nekes for an unaccompanied male choir (two tenor parts, two bass parts).

Cantate A La Vierge Immaculée, Paul Vidal, Paul Rey

Marian Sheet Music

Fragments from "Cantate a la Vierge Immaculée" (Cantata to the Immaculate Virgin), composed by Paul Vidal with lyrics by Paul Rey. Arranged for soprano, mezzo-soprano, and contralto voices with harmonium or organ accompaniment. Included as part of a supplement in the December 1904 issue of Mois Littéraire et Pittoresque, a monthly Catholic magazine published by the Maison de la Bonne Presse, which was run by the Augustine Fathers of the Assumption.

Théâtre De L'Opéra-Comique. Le Jongleur De Notre-Dame. Miracle En 3 Actes De Maurice Léna. Musique De J. Massenet., George Rochegrosse

Juggling for Mary

This poster by George Rochegrosee (1859-1938) was for the Paris production of Le Jongleur de Notre-Dame by Jules Massenet (1842-1912), with libretto by Maurice Léna (1859-1928), and starring Adolphe Maréchal as the Juggler, Lucien Fugère as Boniface the cook, and André Allard as the monastic prior. Printed and published by E. Delanchy (Paris). Massenet based the opera upon Anatole France’s story by the same name.