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Tierno Despedimento Do Los Fieles A La Santisima Virgen De Guadalupe Patrona De La Republica Mexicana, Antonio Vanegas Arroyo, José Guadalupe Posada

Marian Broadsides from Mexico

This broadside has two pages printed on the front and back, so that when folded there are four pages of text. It is printed on dark orange paper. On what would be the cover there is an engraving of Our Lady of Guadalupe flanked by cherubs on either side. Along what would be the inner fold are illustrations of the front and back of the Guadalupe medallion, and the text on the top half of the back cover is framed by figures in religious garb carrying oil lamps.

The text is comprised of prayers for Our Lady of Guadalupe from …

Alabanzas, Accion De Gracias Y Tierno Despedimento A Nuestra Augusta Reina Y Patrona Maria Santisima De San Juan De Las Lagos., Antonio Vanegas Arroyo, José Guadalupe Posada

Marian Broadsides from Mexico

This broadside has two pages printed on the recto and verso, so that when folded there are four pages of text. On what would be the cover, there is an engraving at the top of the page depicting Our Lady of San Juan de los Lagos in a rectagular frame. She is flanked on either side by figures in religious garb, each carrying oil lamps with smoke streaming behind. The decorative border for the scene has angels at the two top corners. The page just inside the cover features an engraving of a large processional gathered in front of the …

Loa Dicha Par Sancho Panza Y Dona Cenobia. En Honor De La Pureza De Maria Santisima., Antonio Vanegas Arroyo, José Guadalupe Posada

Marian Broadsides from Mexico

The recto contains an engraving of two cartoonish figures, a woman on the left and a man on the right. The woman holds a spoon to her mouth, eating from a large pot, with a sack of food spilling out beneath her. The man gestures at her with arms raised and his hands balled into fists.

The text is a loa, a short dramatic work that originated in Spain but that proliferated in Latin America. Loas entertained audiences waiting for the beginning of a festival or full length theatrical work. The dialogue of this work between Sancho Panza and Dona …

Loa Dicha Por El Dr. Mercolico En Honor De Nuestra Senora De Guadalupe, Antonio Vanegas Arroyo, José Guadalupe Posada

Marian Broadsides from Mexico

The recto has a small engraving of two men in top hats, one holding a box. The other reaches out to a figure with a bandaged head, holding their jaw. The verso has an engraving of the Virgin of Guadalupe flanked by figures in religious garb, holding oil lamps.

The text is a loa, a short dramatic work that originated in Spain but that proliferated in Latin America. Loas entertained audiences waiting for the beginning of a festival or full length theatrical work. In this monologue, a dentist describes his craft. He is interrupted by a procession for Our Lady …

The Exponent, December 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, November 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, October 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, September 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, August 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, July 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, June 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, May 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, April 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, March 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

Plegaria A La Sma. Virgen, Antonio González

Marian Sheet Music

Spanish hymn to the Blessed Virgin Mary written for four voice parts (two tenors, one baritone, one bass).

The Rosary (Le Chapelet, Der Rosenkranz), Ethelbert Nevin, Robert Rogers, Theodore Baker, Isadore Martinez

Marian Sheet Music

Arrangement for solo mezzo-soprano or baritone voice with piano accompaniment of Ethelbert Nevin's popular hymn "The Rosary," with French and German translations of the lyrics. The lyrics were written by Robert Cameron Rogers, with the French translation by Isadore Martinez and German translation by Theodore Baker. The song premiered in 1898. By 1928 it had sold over 2.6 million copies, making it one of the best selling pieces of sheet music of the period.

Vier Marienlieder, Max Reger

Marian Sheet Music

A collection of four Marian hymns by Max Reger, arranged for two voice parts (soprano and alto or tenor and bass) with organ accompaniment. This work contains a conductor's copy with all voice and instrumental parts, and separate copies for the soprano/tenor and alto/bass voice parts without accompaniment.

Stabat Mater, Josef Rheinberger, E.J. Bidermann

Marian Sheet Music

Joseph Rheinberger's opus 138, a version of the "Stabat Mater" hymn for a four part chorus (soprano, alto, tenor, and bass) with organ accompaniment. This edition was arranged by Edward Julius Biedermann, with an English translation of the Latin lyrics.

Lncreible Suceso Una Mujer Que Se Convierte En Piedra Relato Traido De San Juan De Los Lagos, Antonio Vanegas Arroyo, José Guadalupe Posada

Marian Broadsides from Mexico

Engraving at the top of the recto shows a group of four figures in the foreground. In the center a man and women are standing and have arms raised and facial expressions that show surprise. The man is wearing a hat and carries a walking stick; both figures are wearing cloaks. A child sits at the foot of the man and with his hands covering his face. To the left of these figures, a shoeless woman with her hair in disarray lays against a small boulder. The background of the scene shows a forested setting, and to the right a …

Immaculata Messe Zu Ehren Der Unbefleckten Gottesmutter, Basílio Röwer

Marian Sheet Music

Mass setting by Brother Basílio Röwer, O.F.M., in honor of Mary Immaculate. This mass setting is for four voice parts (two tenors and two basses), unaccompanied. The sheet music also contains Brother Röwer's "Ave Maria," arranged for three unaccompanied voice parts.

Nuestra Senora De San Juan De Los Lagos, Antonio Vanegas Arroyo, José Guadalupe Posada

Marian Broadsides from Mexico

The recto is a full-page engraving of Our Lady of San Juan de los Lagos with a highly decorative border, and the bottom half of the verso is an engraving of the Basilica of Our Lady of San Juan de los Lagos and its plaza.

The text on the verso is comprised mostly of prayers from the point of view of a pilgrim to the Basilica of Our Lady of San Juan de los Lagos. It includes an act of contrition and praises for various miracles performed by the Virgin. It concludes with a short history of the basilica and …

The Birth Of Morn, Franco Leoni

Dunbar Music Archive

No abstract provided.

Lil' Gal (Voice And Piano), John Rosamond Johnson

Dunbar Music Archive

No abstract provided.

Stabat Mater, Giovanni Pergolesi, Richard Heuberger

Marian Sheet Music

Giovanni Battista's Pergolesi's "Stabat Mater," or the Sorrows of Mary, for a two-part women's chorus (soprano and alto parts) with piano accompaniment.

Litaniae Lauretanae, Peter Griesbacher

Marian Sheet Music

Peter Griesbacher's opus 225, a Litany of Loreto for four voice parts (soprano, alto, tenor, and bass) with organ accompaniment.

Stabat Mater, Giovanni Pergolesi

Marian Sheet Music

Giovanni Battista's Pergolesi's "Stabat Mater," or the Sorrows of Mary, for a two-part women's chorus (soprano and alto parts) with piano accompaniment.

Sieroty Zebrane: Pieśń Do Najświętszej Maryi Panny

Marian Sheet Music

"Sieroty Zebrane: Pieśń do Najświętszej Maryi Panny," which loosely translates to "Gather Orphans: Song of the Blessed Virgin Mary," is an uncredited Polish hymn praying for Mary's intercession. This sheet music is for an unaccompanied voice.

An African Love Song (Voice And Piano), Ethelbert Woodbridge Nevin

Dunbar Music Archive

No abstract provided.

An Ante-Bellum Sermon (Voice And Piano), H. T. (Harry Thacker) Burleigh

Dunbar Music Archive

No abstract provided.

Po' Li'l' Lamb (Medium Voice And Piano), Carrie Jacobs-Bond

Dunbar Music Archive

No abstract provided.