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Directing Rebecca Gilman's Boy Gets Girl: A Southern Feminist's View On What I’M Supposed To Do As A Woman, Kelley Mcgahey Jordan
Directing Rebecca Gilman's Boy Gets Girl: A Southern Feminist's View On What I’M Supposed To Do As A Woman, Kelley Mcgahey Jordan
Theses
“Directing Rebecca Gilman’s Boy Gets Girl…” reviews the process of directing Boy Gets Girl by Rebecca Gilman, presented on October 26-29, 2017, in the Cristian H. Moe Laboratory Theater at Southern Illinois University in Carbondale, Illinois. This document chronologically details the year-long production process for the director, beginning with the preliminary research and discussing the development of a concept, through formulating designs, conducting rehearsals and observing performances, and concluding with a post production evaluation. This document begins with Chapter 1, exploring the preliminary research which developed into the director’s concept and vision for production. Chapter 2 explains the pre-production process, …
Siu Alumni, Siu Alumni Association
Siu Alumni, Siu Alumni Association
“This Is Totally Inappropriate”: Louis C.K.’S Use Of Narrative To Build Dialogic Connections, Steve Granelli
“This Is Totally Inappropriate”: Louis C.K.’S Use Of Narrative To Build Dialogic Connections, Steve Granelli
Kaleidoscope: A Graduate Journal of Qualitative Communication Research
The performance of stand-up comedy is variously isolating, inviting, linear, and transactional. The stand-up comedian occupies the stage alone, appearing distinctly independent from the audience. Simultaneously, the audience offers their feedback consistently through the presence or absence of laughter. Audience responses to, and judgment of, the stand-up comedian’s performance forms the inexorable bond between these two parties. As such, this (inter)relationship between the comedian and audience is co-created, interdependent, and dynamic. Through the lens of Mikhail Bakhtin, and a review of relevant narrative scholarship, this paper explores the use of narrative by comedian Louis C.K. as being a mode of …
The Little 'So-Called Men' Go To The Movies, Walter C. Metz
The Little 'So-Called Men' Go To The Movies, Walter C. Metz
Publications
This article offers an analysis of the representation of technology using the methods of German cultural studies scholar, Friedrich Kittler. I apply his book, Gramophone Film Typewriter to three films: Florian von Donnersmarck's The Lives of Others, Morten Tyldum's The Imitation Game, and Frederick Wiseman's High School.
Unfriending Hawthorne, Walter C. Metz
Unfriending Hawthorne, Walter C. Metz
Publications
This essay examines the use of 1980s romantic comedies, particularly the films of John Hughes, by the film, Easy A (Will Gluck, 2010). I use an intertextual approach to adaptation studies to link one of the film's source texts, Can't Buy Me Love (Steve Rush, 1987) to Nathaniel Hawthorne's The Scarlet Letter (1850).
Queering The Future: Examining Queer Identity In Afrofuturism, Caleb Royal Mckinley-Portee
Queering The Future: Examining Queer Identity In Afrofuturism, Caleb Royal Mckinley-Portee
Theses
AN ABSTRACT OF THE THESIS OF CALEB MCKINLEY-PORTEE for the MASTER OF ARTS degree in COMMUNICATION STUDIES, presented on JULY 5TH, 2017 at Southern Illinois University Carbondale. TITLE: QUEERING THE FUTURE: EXAMINING QUEER IDENTITY IN AFROFUTURISM. MAJOR PROFESSOR: Dr. Craig Gingrich-Philbrook This thesis examines the art aesthetic known as Afrofuturism. The research provided examines Afrofuturism in music, art, and literature. This thesis provides an example of applying Afrofuturism to performance studies within Communication Studies. This thesis contains the script to a solo performance art piece which attempts to build a bridge between performance studies and Afrofuturism, while also examining Black, …
Scholarly Program Notes For Graduate Percussion Recital: Javier Alvarez's Temazcal, Andrew Thomas's Merlin, David Lang's Anvil Chorus, Toshio Ichiyanagi's Rhythm Gradation, Kevin Put's And Legions Will Rise, And Ben Wahlund's Hard Boiled Capitalism And The Day Mr. Friedman Noticed Google Is A Verb, James W. Vilseck
Research Papers
JAMES VILSECK, for the Masters of Music degree in MUSIC PERFORMANCE, presented on APRIL 4, 2017, at Southern Illinois University Carbondale.
TITLE: SCHOLARLY PROGRAM NOTES FOR GRADUATE PERCUSSION RECITAL: JAVIER ALVAREZ’S TEMAZCAL, ANDREW THOMAS’S MERLIN, DAVID LANG’S ANVIL CHORUS, TOSHIO ICHIYANAGI’S RHYTHM GRADATION, KEVIN PUT’S AND LEGIONS WILL RISE, AND BEN WAHLUND’S HARD BOILED CAPITALISM AND THE DAY MR. FRIEDMAN NOTICED GOOGLE IS A VERB
MAJOR PROFESSOR: Dr. Christopher L. Butler
This research paper examines the works performed by the author in his graduate percussion recital. Works include Javier Alvarez’s Temazcal, Andrew Thomas’s Merlin …
Rap Lyrics, Schools, And Free Speech: Examining The Limits Of Free Speech Of Students Outside Of Schools And On Social Media, Bret M. Thixton
Rap Lyrics, Schools, And Free Speech: Examining The Limits Of Free Speech Of Students Outside Of Schools And On Social Media, Bret M. Thixton
Southern Illinois University Law Journal
With the rise of the political correctness movement, the education system is split on how best to handle issues revolving around student speech. Some institutions clamp down on students by creating safe spaces or instructing teachers and professors to avoid certain words; others continue to allow students to exercise their various forms of speech nearly unabridged. Each institution has its own speech policy, and policies can vary from extremely limiting to a nearly free-range for ideas, speech, and expression. While the Constitution allows for freedom of speech, the Supreme Court has found that in certain situations, that right may be …
Scholarly Program Notes On The Graduate Recital Of Brynn Scozzari, Brynn H. Scozzari
Scholarly Program Notes On The Graduate Recital Of Brynn Scozzari, Brynn H. Scozzari
Research Papers
This document presents scholarly program notes on the Graduate Recital of Master of Music in Opera/Music Theater candidate Brynn Scozzari. This document is divided into nine chapters which discuss the historical, social, and dramatic and musical contributions with a variety of musical eras and styles. The selections include the following arias and duets: “Les oiseaux dans la charmille (The Doll Song)” from Offenbach’s Les Contes d’Hoffman, “Caro Nome” from Rigoletto, “Quel guardo il cavaliere…soanch’io la virtu magica…” and “Pronta io son…” from Donizetti’s Don Pasquale, “Glitter and be Gay” from Bernstein’s Candide, This document also presents selections from the Musical …
Vol. 13, No. 1, Fall/Winter 2016, Southern Illinois University Carbondale
Vol. 13, No. 1, Fall/Winter 2016, Southern Illinois University Carbondale
Cornerstone
No abstract provided.
Siu Alumni, Siu Alumni Association
Doing Spontaneity, Nicolas J. Zaunbrecher
Doing Spontaneity, Nicolas J. Zaunbrecher
Dissertations
This dissertation considers the rhetorical use of the term “spontaneity” and action affiliated with it from the perspective of ethnomethodology, as a dynamic social practice emergent from concrete interactions among people. I first consider a variety of existing operationalizations of “spontaneity” in academic research from the perspective of what is ethnomethodologically accomplished by these operationalizations, i.e., what questions do they answer or attempt to answer? I then turn to a detailed rhetorical analysis of the term “spontaneity” as an ideograph in improvisational theatre, a social practice in which enactment of spontaneity is treated as criterial to identity and recognition of …
Program Notes For A Viola Recital, Victoria D. Moore
Program Notes For A Viola Recital, Victoria D. Moore
Research Papers
This research paper provides extended program notes relating to the pieces performed on Victoria Moore’s Graduate Viola Recital, which was presented on April 12, 2015. Pieces performed on the recital were Darius Milhaud’s Quatre Visages for Viola and Piano Op. 238, George Enescu’s Concert Piece for Viola and Piano, Henri Vieuxtemps Sonata for Viola and Piano in B-flat Major Op. 36, and Jean-Marie Leclair’s Sonata for 2 Violins in B-flat Op.12 Op. 6 (arr. for 2 Violas).
Scholarly Program Notes On The Graduate Vocal Recital Of Paul Hawkins Jr., Paul Hawkins Jr
Scholarly Program Notes On The Graduate Vocal Recital Of Paul Hawkins Jr., Paul Hawkins Jr
Research Papers
No abstract provided.
A Spatial Analysis Of The Relationship Between Obesity And The Built Environment In Southern Illinois, Shiloh Leah Deitz
A Spatial Analysis Of The Relationship Between Obesity And The Built Environment In Southern Illinois, Shiloh Leah Deitz
Theses
Scholars have established that our geographic environments – including infrastructure for walking and food availability - contribute to the current obesity epidemic in the United States. However, the relationship between food, walkability, and obesity has largely only been investigated in large urban areas. Further, many studies have not taken an in-depth look at the spatial fabric of walkability, food, and obesity. The purpose of this study was two-fold: 1) to explore reliable methods, using sociodemographic census data, for estimating obesity at the neighborhood level in one region of the U.S. made up of rural areas and small towns – southern …
The Hopeless Hope Or The Poet's Passion In The Farmer's Pragmatic World: Directing Eugene O'Neill's Beyond The Horizon, Nicholas Radcliffe
The Hopeless Hope Or The Poet's Passion In The Farmer's Pragmatic World: Directing Eugene O'Neill's Beyond The Horizon, Nicholas Radcliffe
Theses
AN ABSTRACT OF THE THESIS OF NICHOLAS B. RADCLIFFE, for the Master of Fine Arts degree in THEATER, presented on December 14, 2015, at Southern Illinois University Carbondale. TITLE: THE HOPELESS HOPE OR THE POET’S PASSION IN THE FARMER’S PRAGMATIC WORLD: DIRECTING EUGENE O’NEILL’S BEYOND THE HORIZON MAJOR PROFESSOR: Olusegun Ojewuyi The Hopeless Hope… documents the process of directing Beyond the Horizon, presented December 11-13, 2015 in the McLeod Theater at Southern Illinois University Carbondale. The document specifically details the development of the director’s vision for the production, from the initial readings and research through rehearsal, performance and post-production evaluations. …
The Author Is Absent: Toward Emergent Narrative Event Environments, Dimitar O. Velkov 3030359
The Author Is Absent: Toward Emergent Narrative Event Environments, Dimitar O. Velkov 3030359
Research Papers
Creating an emergent narrative or one which is not predetermined by the controlling figure of the game designer, but instead frees the audience to guide and control the story has been a major interest in the field game design studies of virtual world storytelling. “The Author Is Absent” is an art project that interprets an emergent narrative problem through the prism of performance arts, and mainly the happenings of Alan Kaprow. The following paper provides a theoretical groundwork and some historical examples of previous attempts in the same tradition. It then goes on to elucidate the formal aspects of the …
Far From Toy Trains, Walter C. Metz
Far From Toy Trains, Walter C. Metz
Publications
I trace the film historical roots of Todd Haynes' film, Carol (2015), including Orson Welles' Citizen Kane (1941), Billy Wilder's Sunset Boulevard (1950), Douglas Sirk's All That Heaven Allows (1956), and Charles and Ray Eames' Toccata For Toy Trains (1957).
Broken Windows On College Campuses, Bradley R. Gielow
Broken Windows On College Campuses, Bradley R. Gielow
Research Papers
Fear of crime is a major problem in today’s society. Much research has been devoted to neighborhood settings on the issue; however, little research has been conducted on college and university campuses. Fear of crime can result in devastating consequences on college students, as well as, campus faculty, administration, and the campus community. Before a solution can be put into effect a cause needs to be identified. Incivilities have led to fear in many settings and are believed to also cause fear on campuses.
Scholarly Program Notes On The Graduate Voice Recital Of Michelle Ford, Michelle R. Ford
Scholarly Program Notes On The Graduate Voice Recital Of Michelle Ford, Michelle R. Ford
Research Papers
No abstract provided.
Siu Alumni, Siu Alumni Association
Excuse Me Judge, Can You Spare A Little Speech? Freeing The Beggar’S Right To Solicit Donations From Content-Based Restrictions In The Traditional Public Forum, Aaron O’Brien
Southern Illinois University Law Journal
Panhandlers often receive citations for violating municipal ordinances prohibiting solicitation for immediate donations for items of value. Anti-panhandling laws have a long history and are sometimes used to force the homeless to relocate to other towns. Federal appellate courts are split on the question of whether ordinances prohibiting panhandling represent content-based or content-neutral restrictions of free speech in the public forum. This Comment reviews the historical and legal background of such ordinances, and argues that panhandling is pure speech conveying a message of neediness, and that laws prohibiting solicitation for immediate donations for items of value represent content-based restrictions that …
One World One Water Center For Urban Water Education And Stewardship, Sandra Haynes, Thomas V. Cech
One World One Water Center For Urban Water Education And Stewardship, Sandra Haynes, Thomas V. Cech
Journal of Contemporary Water Research and Education
The One World One Water Center for Urban Water Education and Stewardship (O'WOW Center) at Metropolitan State University of Denver is an innovative program designed to educate students and others about the important role of water in Colorado's economy and environment. The Center was created in 2011 with a $1 million donation to develop "urban water stewards" from diverse backgrounds and a wide range of disciplines. Students who study hydrology, history, politics, biology, water law, psychology, theater, art, geography, environmental science, chemistry, conflict resolution and negotiation, and other disciplines will be guided toward internships, careers, and volunteer opportunities to help …
There's Something Rotten In Film Criticism, And His Name Is, Regrettably, Not Johnny, Walter C. Metz
There's Something Rotten In Film Criticism, And His Name Is, Regrettably, Not Johnny, Walter C. Metz
Publications
I argue for the development of a middle-ground film criticism, less jargon-filled than academic writing, yet one that uses historical and theoretical methods beyond those found in journalistic, mass media popular criticism. I develop a case study of Steven Spielberg's Lincoln (2012), using Jean-Louis Comolli's essay, "A Body Too Much" to reveal the limitations of popular reviewers' reliance on a simplistic formulation of "good" acting.
Archivists And Thespians: A Case Study And Reflections On Context And Authenticity In A Digitization Project, Matthew J. Gorzalski
Archivists And Thespians: A Case Study And Reflections On Context And Authenticity In A Digitization Project, Matthew J. Gorzalski
Articles
During a recent digitization project between archivists and theater faculty at Southern Illinois University Carbondale (SIUC), different assumptions and perspectives revealed competing ideas about context and authenticity of primary sources. This article discusses these points of contention by framing them within similar concerns expressed in the archival and humanities literature. It then examines theater literature to understand performance studies research needs and to conceptualize notions of context and authenticity in theater scholarship. The article supports prior assertions that notions of context and authenticity are not absolute but are rooted in the perspectives of different disciplines. It also argues that when …
2016-2017 Southern Illinois University Bulletin Carbondale Campus (Undergraduate Catalog), Southern Illinois University Carbondale
2016-2017 Southern Illinois University Bulletin Carbondale Campus (Undergraduate Catalog), Southern Illinois University Carbondale
SIU Bulletins and Course Catalogs Archives
No abstract provided.
Crip Pessimism: The Language Of Dis/Ability And The Culture That Isn't, Michael L. Selck
Crip Pessimism: The Language Of Dis/Ability And The Culture That Isn't, Michael L. Selck
Research Papers
No abstract provided.
Disruptive Ambiguities: The Potentiality Of Jotería Critique In Communication Studies, Robert M. Gutierrez-Perez
Disruptive Ambiguities: The Potentiality Of Jotería Critique In Communication Studies, Robert M. Gutierrez-Perez
Kaleidoscope: A Graduate Journal of Qualitative Communication Research
Utilizing performative writing to interrogate the experiences of a queer Xicano male in the discipline of Communication Studies, this essay argues for specificity in dialogue with specificity to disrupt dominant and/or normalized power relations in Queer of Color Critique (QOCC) and beyond. After defining QOCC, the potentiality of jotería critique is offered as a decolonial queer praxis that focuses on hybridity, radical interconnectedness, and nonheteronormative mestiza/o sexual and gender subjectivities. Further, by embracing the ambiguities of hybridity and the politics of radical interconnectedness, Jotería communication studies is a nascent sub-discipline that works in the borderlands between …
Oral History And Performance As Research (Par): “Undocumented” Narratives Documenting Lived Experience, Daniel B. Chavez
Oral History And Performance As Research (Par): “Undocumented” Narratives Documenting Lived Experience, Daniel B. Chavez
Kaleidoscope: A Graduate Journal of Qualitative Communication Research
The following article contends with what began as a Master’s Thesis project and performance that used an experimental and bi-methodological approach of “critical oral history performance” and “performance as research” in order to produce and analyze the oral histories of two Latina women who migrated via México during pregnancy as “undocumented” subjects. This method was then again used for another oral history performance project that centered on the narrative of an undocumented queer (lesbian) woman from Guatemala. Here, however, I explicate, in-depth, the experience of performing oral history work, focusing on my initial performance in 2011. By taking the time …