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Articles 1561 - 1590 of 1847

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Tracing Chinese Gay Cinema 1993-2002, Lan Dong Jun 2005

Tracing Chinese Gay Cinema 1993-2002, Lan Dong

CLCWeb: Comparative Literature and Culture

Lan Dong explores in her paper, "Tracing Chinese Gay Cinema 1993-2002" the recent landscape of Chinese gay cinema through discussing the following three feature films: Chen Kaige's Farewell My Concubine (1993), Zhang Yuan's East Palace, West Palace (1996), and Stanley Kwan's Lan Yu (2001). The grouping derives from the concern that they all set their stories in Beijing. Using the capital city as a cultural background, the films display how queer is perceived in China from the 1920s to the end of the 1990s. All three storylines portray the characters' struggle to recognize their particular identity as gay men. In …

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Introduction To New Papers In American Cultural Studies, Joanne Morreale, P. David Marshall Jun 2005

Introduction To New Papers In American Cultural Studies, Joanne Morreale, P. David Marshall

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Harry Potter And The Susceptible Child Audience, Kara Lynn Andersen Jun 2005

Harry Potter And The Susceptible Child Audience, Kara Lynn Andersen

CLCWeb: Comparative Literature and Culture

Kara Lynn Andersen, in her paper "Harry Potter and the Susceptible Child Audience," argues for a rethinking of assumptions of child audiences as passive readers and viewers through an analysis of the Harry Potter phenomenon. Andersen argues that instead of categorizing children as passive and homogenous subjects of analysis, they should instead be incorporated as participants in the discourse about children's books and films. Although frequently figured as especially susceptible to the affects of advertising and other media, young Harry Potter fans are particularly visible as not only consumers of the texts, but creators of new texts. Using work done …

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Dust And The Avant-Garde, Jake Kennedy Jun 2005

Dust And The Avant-Garde, Jake Kennedy

CLCWeb: Comparative Literature and Culture

In his paper, "Dust and the Avant-Garde," Jake Kennedy presents an interdisciplinary exploration of experimental modernism in the work of visual artist Marcel Duchamp and writer Gertrude Stein. Kennedy focuses on the strange presence of dust in the work of these two artists and argues that as an abject object -- it is literally the unwanted of domestic space -- the idea of dust engages radically modernism on a material level. Dust is also the unwanted of modernity itself, as it represents a potentially subversive sister-part to urban, masculine modernity's valorisation of machinery, glass, and steel. Transmuted into the metaphysical …

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Reality Tv, Faking It, And The Transformation Of Personal Identity, Joanne Morreale Jun 2005

Reality Tv, Faking It, And The Transformation Of Personal Identity, Joanne Morreale

CLCWeb: Comparative Literature and Culture

In her paper, "Reality TV, Faking It, and the Transformation of Personal Identity," Joanne Morreale examines the hybrid makeover, game, and reality TV show Faking It as a cultural form that portrays the transformation of personal identity through performance. Morreale argues that the contents and performance of the show intensify the link between consumer culture and the fabrication of identity by teaching that fulfillment comes from becoming, rather than having, a commodity. In the show, participants learn to perform new selves that are perceived as "better." Faking It thus puts on display the processes of fabrication whereby the self is …

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But... Can The Subaltern Sing?, Rebecca Romanow Jun 2005

But... Can The Subaltern Sing?, Rebecca Romanow

CLCWeb: Comparative Literature and Culture

In her paper, "But... Can the Subaltern Sing?," Rebecca Romanow discusses the dominance of the English language in rock music and the cultural values and global power that are exerted through the exportation of rock by American and British bands. Further, she explores the question of the ways in which this music represents an area of popular culture where the voices of the non-English speaking and the non-Western are silenced. Salman Rushdie, in The Ground Beneath Her Feet, complains that rock music "is precisely one of those viruses with which the almighty West has infected the East, one of the …

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Political Deliberation And E-Participation In Policy-Making, Rebecca J. Romsdahl Jun 2005

Political Deliberation And E-Participation In Policy-Making, Rebecca J. Romsdahl

CLCWeb: Comparative Literature and Culture

In her paper, "Political Deliberation and E-Participation in Policy-Making," Rebecca J. Romsdahl proposes that the internet has now become a valuable medium for information dissemination and long distance communication; it is also gaining attention as a potential tool for political deliberation. Public participation has been a long-standing tradition in American democracy but most scholars today believe it needs a revival. Some of these scholars believe that e-participation in policy-making could help revitalize political discussion between citizens and government and promote greater participation by disenfranchised groups. Whether this would lead to greater opportunities for true deliberation on political issues and not …

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Nation, Heritage, And Hospitality In Britain After Thatcher, Ryan S. Trimm Jun 2005

Nation, Heritage, And Hospitality In Britain After Thatcher, Ryan S. Trimm

CLCWeb: Comparative Literature and Culture

In his paper, "Nation, Heritage, and Hospitality in Britain after Thatcher," Ryan S. Trimm examines the trope of cultural inheritance in postimperial Britain. "Heritage," an ubiquitous term in 1980s Britain, circulates largely as a conservative concept, an imagined bequest that works to exclude groups such as minorities who are disinherited putatively by not being part of the past and conceived as handing down some legacy. Such seems to be precisely the way heritage functioned under Margaret Thatcher's heritage politics, a collection of policies that associated icons such as the country house with the nation itself. However, although appeals to heritage …

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Selected Bibliography Of Scholarship In (Comparative) Cultural Studies And Popular Culture, Steven Tötösy De Zepetnek, Yilin Liao Jun 2005

Selected Bibliography Of Scholarship In (Comparative) Cultural Studies And Popular Culture, Steven Tötösy De Zepetnek, Yilin Liao

CLCWeb: Comparative Literature and Culture

No abstract provided.

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An Introduction To The Work Of Elfriede Jelinek, Nobel Laureate In Literature 2004, Andrea Bandhauer Mar 2005

An Introduction To The Work Of Elfriede Jelinek, Nobel Laureate In Literature 2004, Andrea Bandhauer

CLCWeb: Comparative Literature and Culture

In her paper, "An Introduction to the Work of Elfriede Jelinek, Nobel Laureate in Literature 2004," Andrea Bandhauer explores reactions of the press to the Austrian writer Elfriede Jelinek after she received the 2004 Nobel Prize in Literature. Bandhauer discusses how the extreme irritation following this announcement was frequently directed at the author's public persona rather than at her work. Against this background, Bandhauer explores the ambivalent relationship of the public towards a politically and socially engaged and outspoken public figure who in her literary work produces highly hermetical texts. As a writer, Jelinek is preoccupied with language and form …

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The Arachne Myth In Oral And Written Literature, José Manuel Pedrosa Mar 2005

The Arachne Myth In Oral And Written Literature, José Manuel Pedrosa

CLCWeb: Comparative Literature and Culture

In his paper, "The Arachne Myth in Oral and Written Literature," José Manuel Pedrosa explores the folktale about a person who prides himself being the most intelligent individual and whom the gods punish with a metamorphosis into spider. Pedrosa discusses similar myths in existence in modern oral traditions and in literary works such as the Bible, Ovid's Metamorphoses, the Quran, and García Márquez's masterpiece Cien años de soledad. The universality of the myth is underlined by the existence of a folktale registered among the Bubi people of Equatorial Guinea. Not known about it until the twentieth century, the oral transmission …

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Modernism And The Issue Of Periodization, Leonard Orr Mar 2005

Modernism And The Issue Of Periodization, Leonard Orr

CLCWeb: Comparative Literature and Culture

In his paper, "Modernism and the Issue of Periodization," Leonard Orr describes how literary theorists, historians, and anthology editors have put forward many conflicting models for literary periodization, while simultaneously expressing their doubts about the categories they have created. They are caught between intellectual despair and pragmatic necessity, scholarly journals and presses and academic departments imagine they are working at the cutting edge of thinking about their subjects but period concepts remain in place, even while every article focused on the subject expresses strong objections to the terms. Orr traces in his paper these problems and issues through the twentieth …

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Generic Identity And Intertextuality, Marko Juvan Mar 2005

Generic Identity And Intertextuality, Marko Juvan

CLCWeb: Comparative Literature and Culture

In his paper, "Generic Identity and Intertextuality," Marko Juvan proposes that an anti-essentialist drive -- a characteristic of recent genology -- has led postmodern scholars to the conviction that genre is but a system of differences and that its matrix cannot be deduced from a particular set of apparently similar texts. Juvan argues that the concept of intertextuality may prove advantageous to explain genre identity in a different way: genres exist and function as far as they are embedded in social practices that frame intertextual and meta-textual links/references to prototypical texts or textual series. In Juvan's view, genres are cognitive …

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Sor Juana Inés De La Cruz In Seventeenth-Century New Spain And Finding A Room Of One's Own, Deborah Weagel Mar 2005

Sor Juana Inés De La Cruz In Seventeenth-Century New Spain And Finding A Room Of One's Own, Deborah Weagel

CLCWeb: Comparative Literature and Culture

In her paper, "Sor Juana Inés de la Cruz in Seventeenth-Century New Spain and Finding a Room of One's Own," Deborah Weagel examines the life of the seventeenth-century nun and compares her life with the ideals Virginia Woolf portrays in A Room of One's Own. Woolf asserts that in order for a woman to develop innate gifts, she needs a certain degree of financial freedom and private space in which to create. The concept of having one's own room, or space, that can be segregated from the activities of home and public life can be considered both literally and metaphorically. …

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Exilic Perspectives On "Alien Nations", Sophia A. Mcclennen Mar 2005

Exilic Perspectives On "Alien Nations", Sophia A. Mcclennen

CLCWeb: Comparative Literature and Culture

Sophia A. McClennen's paper, "Exilic Perspectives on 'Alien Nations'," is an excerpt from her book, The Dialectics of Exile: Nation, Time, Language and Space in Hispanic Literatures (Purdue UP , 2004). In the paper, McClennen summarizes her theory that exile writing is inherently dialectical. Focusing on writers working in the latter part of the twentieth century who were exiled during a historical moment of increasing globalization, transnational economics, and the theoretical shifts of postmodernism, McClennen proposes that exile literature is best understood as a series of dialectic tensions about cultural identity. Through a comparative analysis of Juan Goytisolo (Spain), Ariel …

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Modernism’S Jews / Jewish Modernisms: Introduction, Maren Linett Jan 2005

Modernism’S Jews / Jewish Modernisms: Introduction, Maren Linett

Department of English Faculty Publications

This special issue, as its title suggests, considers some of the processes by which Jewish writers shaped literary modernism, and the intricate ways modernism was in turn shaped by its figurings of Jews and Jewishness. Although analysis of the political and aesthetic work Jewishness performs for modernist literature is beginning to make its way into studies of modernist negotiations with race, culture, and religion, it is still primarily seen as a side-topic within such inquiries, something to be explored only by those with a “special interest” in Jewish studies. This compartmentalization causes critics to miss the importance of Jewishness as …

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Announcements Jan 2005

Announcements

The Writing Center Journal

No abstract provided.

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Leaving Home Sweet Home: Towards Critical Readings Of Writing Center Spaces, Jackie Grutsch Mckinney Jan 2005

Leaving Home Sweet Home: Towards Critical Readings Of Writing Center Spaces, Jackie Grutsch Mckinney

The Writing Center Journal

No abstract provided.

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History Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek Jan 2005

History Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

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The Polyvalent Mission Of Writing Centers, Phillip J. Gardner, William M. Ramsey Jan 2005

The Polyvalent Mission Of Writing Centers, Phillip J. Gardner, William M. Ramsey

The Writing Center Journal

No abstract provided.

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Review: Dealing With Diversity: A Review Essay Of Recent Tutor-Training Books, James C. Mcdonald Jan 2005

Review: Dealing With Diversity: A Review Essay Of Recent Tutor-Training Books, James C. Mcdonald

The Writing Center Journal

No abstract provided.

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Separatist Nationalism In Gilbert Imlay's The Emigrants, Karsten H. Piep Dec 2004

Separatist Nationalism In Gilbert Imlay's The Emigrants, Karsten H. Piep

CLCWeb: Comparative Literature and Culture

Karsten H. Piep, in his paper "Separatist Nationalism in Gilbert Imlay's The Emigrants," argues that only recently rediscovered among American scholars and still awaiting much critical work, Gilbert Imlay's The Emigrants offers an intriguing case study in the complex relationship between fictional representation and late eighteenth-century nation formation. Tracing briefly the novel's reception history, Piep locates The Emigrants within the socio-political context of eighteenth-century discourses on revolution, emancipation, and independence. Taking Benedict Anderson's study on the rise of nationalism as a point of reference, Piep argues that Imlay's novel offers an example of a perhaps uniquely American separatist nationalism that …

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Literary Cosmotopia And Nationalism In Ariel, Camilla Fojas Dec 2004

Literary Cosmotopia And Nationalism In Ariel, Camilla Fojas

CLCWeb: Comparative Literature and Culture

Camilla Fojas, in her paper "Literary Cosmotopia and Nationalism in Ariel," argues that turn-of-the-century cosmopolitan literary texts encoded political interests and that they were concerned with the proper way of being cosmopolitan and national at the same time, of forging literary and diplomatic parity between national and international interests. Unfortunately, this search for balance was beset by rhetorical and ideological prejudices manifest in phobic language about the corrupting forces of cosmopolitan effeminacy on national character. The conflict of cosmopolitanism with nationalism was played out as a kind of war between the sexes, as a gendered battle for dominance. This tension …

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Hellenism, Hebraism, And The Eugenics Of Culture In E.M. Forster's Howards End, Seth Jacobowitz Dec 2004

Hellenism, Hebraism, And The Eugenics Of Culture In E.M. Forster's Howards End, Seth Jacobowitz

CLCWeb: Comparative Literature and Culture

Seth Jacobowitz, in his paper "Hellenism, Hebraism, and the Eugenics of Culture in E.M. Forster's Howards End," explores how the culturalist principles of Hellenism and Hebraism theorized by Matthew Arnold as the basis of Englishness in Culture and Anarchy (1869) were incorporated into the text of E.M. Forster's Howards End (1910) to show the close institutional and conceptual linkages Forster shared with Arnold. Further, Jacobowitz seeks to bring Howards End into dialog with Forster's only major work of science fiction, The Machine Stops (1928), to address their mutual themes of eugenics, the racialization of class difference, and concerns over the …

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Czech Literature, The King With The Horse's Ears, And Its Translations By Karel Havlícek Borovský And Milan Uhde, Michelle Woods Dec 2004

Czech Literature, The King With The Horse's Ears, And Its Translations By Karel Havlícek Borovský And Milan Uhde, Michelle Woods

CLCWeb: Comparative Literature and Culture

Michelle Woods, in her paper "Czech Literature, The King with the Horse's Ears, and Its Translations by Karel Havlícek Borovský and Milan Uhde," analyses the adaptation and "translation" of the Irish legend into the Czech language in Karel Havlícek Borovský's 1854 epic poem Král Lávra and in Milan Uhde's 1964 play Král Vávra. The translation of Irish language myths and legends into English functioned as way of constructing and disseminating the notion of a great literary and heroic past within the language of the colonizer but also in dissent to the constructions imposed by that language. Woods focuses on how …

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The New Woman In Early Twentieth-Century Chinese Fiction, Jin Feng Dec 2004

The New Woman In Early Twentieth-Century Chinese Fiction, Jin Feng

CLCWeb: Comparative Literature and Culture

Jin Feng, in her paper "The New Woman in Early Twentieth-Century Chinese Fiction," proposes that the representation of the "new woman" in Chinese fiction was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals. Previous scholarship on fiction of the period probed occasionally the thematic implications of female characters in specific works but has not engaged in systematic study of the "new woman" as a figure through a discussion of the politics of the narrative form. Feng addresses aspects of audience in early-twentieth-century Chinese …

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Introduction To Comparative Cultural Studies And Michael Ondaatje's Writing, Steven Tötösy De Zepetnek Sep 2004

Introduction To Comparative Cultural Studies And Michael Ondaatje's Writing, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Representations Of Buddhism In Ondaatje's Anil's Ghost, Marlene Goldman Sep 2004

Representations Of Buddhism In Ondaatje's Anil's Ghost, Marlene Goldman

CLCWeb: Comparative Literature and Culture

Marlene Goldman suggests in her paper "Representations of Buddhism in Ondaatje's Anil's Ghost" that at first glance Ondaatje appears to promote the idea of a Sri Lankan Buddhist faith as transcending history. Ondaatje introduces the subject of Buddhism early on in the novel, emphasizing initially the devastation wrought by imperial and colonial forces. Goldman, however, argues that subsequent references to Buddhism undermine the initial portrayal of a religion besieged by external imperialist forces. For example, at one point, the character Palipana refers to the assassination of his brother, Narada, a Buddhist monk. Narada was possibly the victim of a "political …

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Exploring Transnational Identities In Ondaatje's Anil's Ghost, Victoria Cook Sep 2004

Exploring Transnational Identities In Ondaatje's Anil's Ghost, Victoria Cook

CLCWeb: Comparative Literature and Culture

Victoria Cook, in "Exploring Transnational Identities in Ondaatje's Anil's Ghost," addresses issues of identity raised in the narrative of Michael Ondaatje's novel Anil's Ghost. Cook's paper is a close analysis of Ondaatje's novel, paying particular attention to the way in which Ondaatje examines identity as both a "construct" and a "process." The approach used is one that draws on postcolonial theory and takes a "transnational" perspective. Cook argues that Ondaatje's text moves beyond the concept of a postcolonial literature of "resistance" into an area that requires a theory of process rather than product. Transnationalism is shown here to be just …

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Ondaatje's The English Patient And Altered States Of Narrative, Beverley Curran Sep 2004

Ondaatje's The English Patient And Altered States Of Narrative, Beverley Curran

CLCWeb: Comparative Literature and Culture

Beverley Curran argues in her paper "Ondaatje's The English Patient and Altered States of Narrative" that Ondaatje reconfigures in his novel the "romantic" figure of the father/artist as a clandestine lover, a drug addict, or an eccentric translator, all figures with dependencies. In The English Patient, the father or artist's sense of source, continuity, or authority are translated into a narrative which rejects the perverse captivity demanded of the lover and the translator by fidelity or by the tenets of realistic representation. Using sex, drugs, and translation, Ondaatje deranges both time and space to reconfigure the role of the artist …

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