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Articles 1591 - 1620 of 1847

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Post-Nationalism And The Cinematic Apparatus In Minghella's Adaptation Of Ondaatje's The English Patient, Hsuan Hsu Sep 2004

Post-Nationalism And The Cinematic Apparatus In Minghella's Adaptation Of Ondaatje's The English Patient, Hsuan Hsu

CLCWeb: Comparative Literature and Culture

Hsuan Hsu, in his paper "Post-Nationalism and the Cinematic Apparatus in Minghella's Adaptation of Ondaatje's The English Patient," discusses Anthony Minghella's cinematic version of Ondaatje's novel. In Hsu's view, Minghella and Ondaatje (Ondaatje collaborated on the film script) emphasize in the film the visual and social implications of mapmaking in order to align imperialism with the cinematic apparatus. While the film explores the workings of visual power, it also explores their adulteration by unmapped forces of desire: Almásy's and Katherine's adulterous relationship transgresses marital and national constraints, but also reinscribes them when Almásy desires to possess her body and Katherine …

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The Motif Of The Collector And History In Ondaatje's Work, Jon Saklofske Sep 2004

The Motif Of The Collector And History In Ondaatje's Work, Jon Saklofske

CLCWeb: Comparative Literature and Culture

Jon Saklofske, in his paper "The Motif of the Collector and History in Ondaatje's Work" recognizes that Ondaatje rescues Buddy Bolden from historical obscurity by elevating and complicating the musician's largely forgotten history with a self-conscious and largely fictional synthesis of memory and imagination. The liberties Ondaatje takes in Coming Through Slaughter with his subject to achieve this re-presentation and the ownership of the portrait that results exposes this type of authorial activity as a problematic appropriation. Saklofske suggests that to understand the implications of Ondaatje's activity it is useful to compare his efforts with Walter Benjamin's "collector" figure, who …

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Touching The Language Of Citizenship In Ondaatje's Anil's Ghost, Sandeep Sanghera Sep 2004

Touching The Language Of Citizenship In Ondaatje's Anil's Ghost, Sandeep Sanghera

CLCWeb: Comparative Literature and Culture

Sandeep Sanghera, in her paper "Touching the Language of Citizenship in Ondaatje's Anil's Ghost" discusses questions which make Ondaatje's novel a text about postmodern identity: who is this woman Anil who lives mostly in the West, travels on a British passport, works for an international organization, and no longer has any real ties to her first home? In the paper, these questions are examined via the languages Anil adopts and abandons in the novel. Sanghera elaborates on the question of foreign-ness represented by the protagonist of the novel; however, this foreign-ness is examined in the particular context concerning the substance …

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Oral History And The Writing Of The Other In Ondaatje's In The Skin Of A Lion, Winfried Siemerling Sep 2004

Oral History And The Writing Of The Other In Ondaatje's In The Skin Of A Lion, Winfried Siemerling

CLCWeb: Comparative Literature and Culture

Winfried Siemerling argues in his paper "Oral History and the Writing of the Other in Ondaatje's In the Skin of a Lion" that the simulation of oral narratives in the novel imagines the conveyance of oral histories of immigrant experiences obscured by historiography. The narrative device of simulated orality -- the written text casts itself as the outcome of serial story-telling -- serves here to introduce erstwhile anonymous societal actors as makers of history, and emphasizes the collective production of story and history. Oral narratives emerge dreamlike like light out of darkness in this text; yet light, like writing, creates …

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Reading Ondaatje's Poetry, Eluned Summers-Bremner Sep 2004

Reading Ondaatje's Poetry, Eluned Summers-Bremner

CLCWeb: Comparative Literature and Culture

Eluned Summers-Bremner pursues in her paper "Reading Ondaatje's Poetry" a psychoanalytic reading of Ondaatje's poetry based on Lacan's thought, highlighting occasions where nature and culture meet. Focusing on the volumes Secular Love and The Man with Seven Toes, Summers-Bremner explores how nature's troubled regions are navigated through the structural estrangement of looking for a name. In Lacanian terms, a proper name signals the contradiction of one's belonging to a biological or other kind of family, whence one's name often arises, and being a user or respondent of language, which produces meaning through its infringement or exceeding of its users' intentions, …

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Selected Bibliography Of Michael Ondaatje's Texts And Studies About Michael Ondaatje's Texts, Steven Tötösy De Zepetnek Sep 2004

Selected Bibliography Of Michael Ondaatje's Texts And Studies About Michael Ondaatje's Texts, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Ondaatje's The English Patient And Rewriting History, Stephanie M. Hilger Sep 2004

Ondaatje's The English Patient And Rewriting History, Stephanie M. Hilger

CLCWeb: Comparative Literature and Culture

Stephanie M. Hilger, in her paper "Ondaatje's The English Patient and Rewriting History," situates the novel within the long-standing Western tradition of writing about the cultural "Other," from Herodotus to Michel de Montaigne to Rudyard Kipling. Michel de Certeau's notion of history serves as a reference point for the analysis of Ondaatje's presentation of the "English" patient's story as well as of twentieth-century history. Hilger argues that the protagonist's physical mutilation is a metonymic representation of post-World War II and postcolonial consciousness. In the same way that the characters in the novel attempt to understand the mystery that is the …

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New Woman In Early Twentieth-Century Chinese Fiction, Jin Feng Jul 2004

New Woman In Early Twentieth-Century Chinese Fiction, Jin Feng

Comparative Cultural Studies

In The New Woman in Early Twentieth-Century Chinese Fiction, Jin Feng proposes that representation of the "new woman" in Communist Chinese fiction of the earlier twentieth century was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals. Specifically, Feng argues that male writers such as Lu Xun, Yu Dafu, Ba Jin, and Mao Dun created fictional women as mirror images of their own political inadequacy, but that at the same time this was also an egocentric ploy to affirm and highlight the modernity …

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Monénembo's L'Aîné Des Orphelins And The Rwandan Genocide, Lisa Mcnee Jun 2004

Monénembo's L'Aîné Des Orphelins And The Rwandan Genocide, Lisa Mcnee

CLCWeb: Comparative Literature and Culture

In her paper, "Monénembo's L'Aîné des orphelins and the Rwandan Genocide," Lisa McNee discusses Tierno Monénembo's L'Aîné des orphelins, a novel that offers a double discourse and a dual memory of the genocide that took place in Rwanda in 1994. McNee argues that L'Aîné des orphelins presents us with an extraordinary kind of fictional testimonial to genocide. Although Monénembo is not from Rwanda and did not participate in the tragedy, only someone who has paid the price of the clarity needed to distinguish between good and bad faith could have written a novel like L'Aîné des orphelins. Monénembo's characterization of …

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Medieval Cosmopolitanism And The Saracen-Christian Ethos, Marla Segol Jun 2004

Medieval Cosmopolitanism And The Saracen-Christian Ethos, Marla Segol

CLCWeb: Comparative Literature and Culture

In her paper, "Medieval Cosmopolitanism and the Saracen-Christian Ethos," Marla Segol argues that in Floire et Blancheflor and Aucassin et Nicolette, two medieval Occitanian romances, the writers work actively to incorporate Islamic culture and its accomplishments into a hybrid communal identity. The hybrid elements of this identity are demonstrated in two ways: first, through the portrayal of mixed couples and second, through depiction of a biculturally constituted landscape and culture. Intercultural relations between the characters are dramatized through the structures of religious conversion. Each romance features a mixed couple, with one member Christian and the other, formerly Muslim but converted …

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From Commonwealth To Postcolonial Literature, Edward O. Ako Jun 2004

From Commonwealth To Postcolonial Literature, Edward O. Ako

CLCWeb: Comparative Literature and Culture

In his paper,"From Commonwealth to Postcolonial Literature," Edward O.Ako begins by establishing the link between Empire and English-language literature. Drawing on Elleke Boehmer, Gauri Viswanath, and Terry Eagleton, Ako discusses the ideological uses of literature and argues that the textual forms that emerged as "resistance" to imperial domination were referred to by a multiplicity of terms: Commonwealth Literature, New English Literature, Literature in English, Third World Literature, World Fiction, Minority Literature, Multicultural Literature, or Postcolonial Literature. Ako examines the merits and handicaps of each designation and explains why, in his view, the term "postcolonial" is the more appropriate notion and …

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Asian-American Literature And A Lacanian Reading Of Maxine Hong Kingston's Tripmaster Monkey, Fu-Jen Chen Jun 2004

Asian-American Literature And A Lacanian Reading Of Maxine Hong Kingston's Tripmaster Monkey, Fu-Jen Chen

CLCWeb: Comparative Literature and Culture

In his paper, "Asian-American Literature and a Lacanian Reading of Maxine Hong Kingston's Tripmaster Monkey," Fu-jen Chen explores the protagonist's subjective progression into the post-Symbolic Real in Kingston's Tripmaster Monkey -- from subject as Demand, through subject as Desire, to subject as jouissance. Tripmaster Monkey records Ah Sing's transformation from a racial paranoiac at the beginning of the novel through a subject as demand to a subject as desire who is learning to target new desires via his engaging in real myth and staging real theater, and finally to a subject as jouissance -- one who is oriented to his …

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Benjamin, Agamben, And The Paradox Of Translation, Paolo Bartoloni Jun 2004

Benjamin, Agamben, And The Paradox Of Translation, Paolo Bartoloni

CLCWeb: Comparative Literature and Culture

In his paper, "Benjamin, Agamben, and the Paradox of Translation," Paolo Bartoloni offers a theoretical discourse on translation that goes beyond the traditional precincts of linguistics and literary theory as well as the disciplines of cultural studies and postcolonial theory. Bartoloni argues that more recently, the discourse on translation has begun to incorporate epistemological concerns, dealing not only with language but also with subjectivity and ethics. At the root of this theoretical articulation of translation are the essays "The Task of the Translator" ("Die Aufgabe des Übersetzers") by Walter Benjamin and other reflections on translation by Martin Heidegger, especially in …

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Haruki Murakami And The Ethics Of Translation, Will Slocombe Jun 2004

Haruki Murakami And The Ethics Of Translation, Will Slocombe

CLCWeb: Comparative Literature and Culture

In his paper, "Haruki Murakami and the Ethics of Translation," Will Slocombe argues that despite the fact that Murakami has gained world-wide popularity recently, there has been little critical attention to his works outside of the comparatively narrow area of Japanese studies. Slocombe proposes that Murakami is too important an author to be limited in this way because of his definition of "translation." For Murakami, translation delineates an operative ethics between Self and Other, a dialogue that is not only between different languages and cultures, but also between the private and political spheres, and between different individuals. Slocombe discusses Murakami's …

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The Representation Of 'Race' In Ondaatje's In The Skin Of A Lion, Glen Lowry Jun 2004

The Representation Of 'Race' In Ondaatje's In The Skin Of A Lion, Glen Lowry

CLCWeb: Comparative Literature and Culture

Glen Lowry, in his paper "The Representation of 'Race' in Ondaatje's In the Skin of a Lion" bases his discussion on the observation that critics tend to view Ondaatje's writing in terms of a progression towards complex issues of "race" and post-coloniality. In contrast, Lowry argues that the matter of "race" forms an integral aspect of Ondaatje's oeuvre and Lowry proposes that In the Skin of a Lion is a key site in the development of Ondaatje's engagement with issues of "race" and the cultural politics of post-coloniality. Focusing on Ondaatje's depiction of Toronto in terms of its complex history …

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Underwater Women In Shakespeare Films, Charles Ross Mar 2004

Underwater Women In Shakespeare Films, Charles Ross

CLCWeb: Comparative Literature and Culture

In his paper, "Underwater Women in Shakespeare Films," Charles Ross looks at the film tradition of representing the social oppression of women by scenes submersion, a trope that has its literary roots in the classics, the French Middle Ages, the Renaissance, and the novel. Ross argues that unlike classic directors such as Kurosawa, Kozintsev, and Polanski, modern filmmakers not only like to enhance the female body, but also to draw on this trope as a cinematic shorthand to symbolize the oppression of women by various forces. Hollywood films made in the 1990s often go overboard in their attempts to make …

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Race And Othello On Film, Laura Reitz-Wilson Mar 2004

Race And Othello On Film, Laura Reitz-Wilson

CLCWeb: Comparative Literature and Culture

In her article "Race and Othello on Film," Laura Reitz-Wilson discusses Shakespeare's treatment of race in Othello and compares it to what Hollywood as a producer of culture has done. Reitz-Wilson looks at nine different film versions and analyzes their approaches to Othello's race and character. She parses the historical and textual evidence for racism in Shakespeare's and concludes that it exists and should not be overlooked. Othello's otherness is, in fact, directly connected to his blackness, but Hollywood has rarely captured the tenuous line Shakespeare creates between barbarian and civilized Venetian. Her analysis of the film versions of Othello …

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Introduction To Shakespeare On Film In Asia And Hollywood, Charles Ross Mar 2004

Introduction To Shakespeare On Film In Asia And Hollywood, Charles Ross

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Shakespeare And The Visualization Of Metaphor In Two Chinese Versions Of Macbeth, Alexander C.Y. Huang Mar 2004

Shakespeare And The Visualization Of Metaphor In Two Chinese Versions Of Macbeth, Alexander C.Y. Huang

CLCWeb: Comparative Literature and Culture

In his paper, "Shakespeare and the Visualization of Metaphor in Two Chinese Versions of Macbeth," Alexander Huang proposes that, in addition to political uses, visualization is an important dimension of cultural translations of Shakespeare. In recent studies, Shakespeare's global presence has been investigated from various perspectives of critical inquiry, especially with postcolonial theories and in East-West literary relations. Instead of faulting cultural imperialism or foregrounding political statements in theatre, Huang explores the visual dimension of cultural translation found in Kingdom of Desire (a Beijing opera adaptation of Macbeth) and Story of the Bloody Hand (a Kunqu opera appropriation of the …

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Silence And Sound In Kurosawa's Throne Of Blood, Lei Jin Mar 2004

Silence And Sound In Kurosawa's Throne Of Blood, Lei Jin

CLCWeb: Comparative Literature and Culture

Lei Jin argues in her paper, "Silence and Sound in Kurosawa's Throne of Blood," that silence and sound are employed as vehicles to explore the major themes of Kurosawa's Throne of Blood, fate, ambition, and destruction. By examining closely a few dramatic moments of the film, Lei demonstrates that silence and the interaction between silence, natural sound, and Noh music enhance the effect of Kurosawa's visual images, enforce their symbolic messages, and intensify the characters' psychological conflicts. Although Asaji's introspective speech and most of the dialogue between Washizu and Asaji are eliminated, silence bespeaks Asaji's unfathomable evil. In turn, Washizu's …

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Hamlet's "Globe" And The Self As Performer In England And Japan, Yu Shibuya Mar 2004

Hamlet's "Globe" And The Self As Performer In England And Japan, Yu Shibuya

CLCWeb: Comparative Literature and Culture

In his paper, "Hamlet's 'Globe' and the Self as Performer in England and Japan," Yu Shibuya argues that Hamlet sees his life as a performance. Shibuya presents examples from Tsuneari Fukuda's Japanese translation to suggest that Fukuda makes choices that emphasize the theatrical side of Hamlet's character. If Hamlet perceives himself as an actor, then his definition of theater or an actor is ultimately a definition of himself. Shibuya uses the theme of self-definition to examine Kenneth Branagh's film version, especially the Mousetrap and the "O what a rogue and peasant slave" scenes. By analyzing Branagh's staging and directorial decisions …

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Kurosawa's Throne Of Blood And East Asia's Macbeth, Yuwen Hsiung Mar 2004

Kurosawa's Throne Of Blood And East Asia's Macbeth, Yuwen Hsiung

CLCWeb: Comparative Literature and Culture

Yuwen Hsiung presents in her paper, "Kurosawa's Throne of Blood and East Asia's Macbeth," a comparative study between Kurosawa's film Throne of Blood and a contemporary Taiwanese play, Kingdom of Desire, both of which are adaptations of Shakespeare's Macbeth. Stepping from Eastern cultural background, both show similar orientation towards the original play, for instance the sizing down of the number of witches and the decreasing of Macbeth's heroic status. Gilles Deleuze's theory of movement image provides an insightful look into Kurosawa's filmology, which emphasizes the interrelatedness of every individual under the same condition. The idea of collectivity could be examined …

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Shakespeare's Taming Of The Shrew And The Tradition Of Screwball Comedy, Mei Zhu Mar 2004

Shakespeare's Taming Of The Shrew And The Tradition Of Screwball Comedy, Mei Zhu

CLCWeb: Comparative Literature and Culture

In her paper, "Shakespeare's Taming of the Shrew and the Tradition of Screwball Comedy," Mei Zhu argues that Shakespeare's Taming of the Shrew is controversial owing to the subtlety and complexity of the text as well as its subject matter. Franco Zeffirelli's 1967 film version seems to follow the narrative structure of the original play closely while its effect is different. Through a detailed analysis and comparison of Shakespeare's play and Zeffirelli's adaptation, Mei argues that Zeffirelli's Taming is based on the Hollywood genre of screwball comedy. Rooted in mid-1930s USA during the Great Depression, such films feature a comic …

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Cultural Anxiety And The Female Body In Zeffirelli's Hamlet, Xianfeng Mou Mar 2004

Cultural Anxiety And The Female Body In Zeffirelli's Hamlet, Xianfeng Mou

CLCWeb: Comparative Literature and Culture

Xianfeng Mou analyzes in her paper, "Cultural Anxiety and the Female Body in Zeffirelli's Hamlet," the workings of power, both discursive and visual, behind Zeffirelli's handling of the Nunnery and Mousetrap scenes, focusing on feminist interpretations of the female body and female sexuality. Drawing on theories by Judith Butler, Michel Foucault, and Julia Kristeva, Mou analyzes how Zeffirelli, using Hamlet as his spokesman, constructs his negative meanings about Gertrude's sexuality as rampant and aberrant and Ophelia's body as disloyal, insincere, and insignificant. Mou argues that Zeffirelli's discursive and visual constructions confer absolute power upon Hamlet and that this reflects Zeffirelli's …

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Method Acting And Pacino's Looking For Richard, Peirui Su Mar 2004

Method Acting And Pacino's Looking For Richard, Peirui Su

CLCWeb: Comparative Literature and Culture

In her paper, "Method Acting and Pacino's Looking for Richard," Peirui Su explores the influence of method acting on Al Pacino's decision to film Shakespeare's Richard III as an unconventional docudrama. She compares Pacino's film to Laurence Olivier's 1955 film of Richard III and Ian McKellen's 1995 modernized version to show how Pacino's documentary structure solves the problems raised by films that try either to recreate the Elizabethan world or to update Shakespeare, thereby introducing anachronisms. Su argues that Pacino engages US-American audiences by filming interviews and open rehearsals. Su concludes her paper by analyzing the well-known scene of Richard's …

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Science Fiction, Forbidden Planet, And Shakespeare's The Tempest, Simone Caroti Mar 2004

Science Fiction, Forbidden Planet, And Shakespeare's The Tempest, Simone Caroti

CLCWeb: Comparative Literature and Culture

In his paper, "Science Fiction, Forbidden Planet, and Shakespeare's The Tempest," Simone Caroti illustrates the way in which Cyril Hume and Fred Wilcox's 1956 science fiction movie Forbidden Planet -- whose plot is inspired by Shakespeare's Tempest -- reconfigures in Shakespeare's play. Caroti begins by defining the genre of science fiction and explaining its attraction for modern audiences. Following Darko Suvin's notions of science fiction, Caroti highlights the theme of cognitive estrangement and shows how Forbidden Planet offers a cultural translation of this theme in The Tempest. The result of Caroti's analysis is to read Prospero and his magic in …

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Reality And Metaphor In Jane Howell's And Julie Taymor's Productions Of Shakespeare's Titus Andronicus, Lucian Ghita Mar 2004

Reality And Metaphor In Jane Howell's And Julie Taymor's Productions Of Shakespeare's Titus Andronicus, Lucian Ghita

CLCWeb: Comparative Literature and Culture

In his paper, "Reality and Metaphor in Jane Howell's and Julie Taymor's Productions of Shakespeare's Titus Andronicus," Lucian Ghita looks at how Jane Howell's 1985 BBC production of Shakespeare's Titus Andronicus and Julie Taymor's film 1999 adaptation Titus re-fashion the image of Young Lucius. In Ghita's interpretation this happens by structuring the boy as the nexus of a cycle of violence that disturbs not only Andronicus's household, but also the moral and socio-political structures of ancient Rome. Ghita shows how the two directors politicize and ritualize their films by using cinematic techniques to distinguish, on the one hand, the real …

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Bibliography For The Study Of Shakespeare On Film In Asia And Hollywood, Lucian Ghita Mar 2004

Bibliography For The Study Of Shakespeare On Film In Asia And Hollywood, Lucian Ghita

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Deriving Backwriting From Writing Back, Rebecca Moore Howard Jan 2004

Deriving Backwriting From Writing Back, Rebecca Moore Howard

The Writing Center Journal

No abstract provided.

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Censoring What Tutors' Clothing "Says": First Amendment Rights/Writes Within Tutorial Space, Margaret Weaver Jan 2004

Censoring What Tutors' Clothing "Says": First Amendment Rights/Writes Within Tutorial Space, Margaret Weaver

The Writing Center Journal

No abstract provided.

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