Digital Commons Network^™

Notes On Rhythm, Maya Lee-Parritz

Theses and Dissertations

Line meets impulse, association meets sign. I weave the eye towards the smudge and sublime—a fractal lineage flowing through the brush, my body, space itself. I walk toward reality in serial successions, allowing what is fragmentary to move me, to cohere in shards, murky and strange inside of me. My body is a repository of images, of broken rhythms and dissonant ideologies. All of these flow and stutter onto the surface, dripping and blurring over each other. Through all of this, I always try to make something whole, perfect, and true.

Granted, Emily Weissman

Theses and Dissertations

Granted is an Alice in Wonderland-style psychotic break of a play about trying and explosively failing to dodge the landmines of being an artist–only to become your own worst enemy: a gatekeeper.

I Now Pronounce You..., Paul Mims

Theses and Dissertations

In this satirical dramedy, an interracial gay couple’s picture perfect relationship is  upended when a “beloved” family member decides to get married—on a plantation

On A Small Strip Of Land On The Great South Bay: A Vaudeville, Kev Berry

Theses and Dissertations

In this epic, genre-exploding tragedy about the Long Island Serial Killer case, On a Small Strip of Land on the Great South Bay unearths the complex story of police corruption, sensationalized violence, and the broken dreams of the women discarded along Ocean Parkway.

Critical Improvisation: Black Secondary Graduates’ Experiences Of Student Voice, Lauren Malara

Electronic Theses and Dissertations

The purpose of this study was to describe Black secondary graduates’ experience of improvisational comedy through the framework of Student Voice. Amid silencing legislative bans in education, the study aimed to critically make meaning of participants’ shared experiences of Theater Games and provide insight into the critical applications of improvisation as a tool to develop student leaders. The study employed a hermeneutical phenomenological design, sampling six Black graduates that participated in improvisational courses as part of the secondary curriculum. Data collection included a demographic questionnaire, semi-structured interviews, and participant journals. The findings of a thematic analysis indicate that improvisation developed …

Jerry Day, Daniel Holzmna

Student Theses

The life and times of California's oldest erotic bakery.

Here’S To Screaming And Healing: An Exploration Of Women’S Intergenerational Experienced Trauma Through Performance, Bellah Noelle Crawford

Graduate Theses and Dissertations

This thesis contains a glimpse into the inner workings of my process as an actor in approaching the role of Hecuba in The Trojan Women, the application of process in performance, script analysis, and the relevancy of the play’s thematic content as it relates to my artistry, womanhood, and our modern world. Additionally, I will offer insight into the creation of my one person show – Mr. Sandman. I will discuss the inspiration that curated the play, how it finds societal relevancy, and the performative aspect of cultivating a solo theatrical piece. It includes the lineage between both productions and …

Wildflower Season: A Semi-Somnolescent Retrospective, Connor Johnson

Graduate Theses and Dissertations

I came to graduate school under the impression that I would be working on my own. I believed the process of playwriting to be an individualistic pursuit, where my plays came from my mind and my mind alone. Instead, through the process of writing my thesis play, Wildflower Season, and its subsequent production as part of the ArkType New Play Festival, I discovered that writing a play was a collective endeavor, and that one of the great pleasures the theatre has to offer is creating it with a group of other people.

Silent Sky: Exploring The Universe Of Theatre Through A Directorial Lens, Sarah Behrend-Wilcox

Graduate Theses and Dissertations

This thesis documents the directorial process of a production of Lauren Gunderson’s Silent Sky, produced by the University of Arkansas Department of Theatre. This document follows the director’s journey from initial script analysis through closing night, with an emphasis on the successes and challenges found in mounting this fully realized, artistically unified production. The central argument of this thesis is that through careful documentation of a single production, it is possible to identify both successful strategies and areas for growth in the collaborative process. This thesis is organized in four chapters: The Big Bang, The Matter, The Dark Matter, and …

“Blessed Solace”: Playing The Stoically Vulnerable Marmee, Marjorie Joann Gast

Graduate Theses and Dissertations

In this thesis, I will explain my journey bringing a well-known literary character, Marmee March from Little Women: The Broadway Musical, to life on stage. This thesis will also discuss the development of my original one-person show Pearl, its drafts and iterations, and the intended future expansion of the piece. Finally, I will include my statement of artistry, production programs, posters, and photographs; website link, headshot, and resume.

Through The Looking-Glass: A Process Of Trust And Discovery, Selena Mykenzie Gordon

Graduate Theses and Dissertations

This thesis explores the process of joy, trust, and discovery I have cultivated as a professional actor and its application in various productions. I will examine my role as Sabine in Ken Ludwig’s The Three Musketeers at TheatreSquared in Fall of 2025, as well as the role of Alice in my One Person Show, titled Curiouser, developed in Spring of 2024. Included in this document is my artistic statement, my one-person show script, production posters and programs, production photos, website link, headshot and resume, my character analysis of Sabine, One-Person Show class writing prompts, and proof of permission for use …

Rationalizing The Despicable: Creating Talthybius In Euripides’ The Trojan Women, P Rob Brown

Graduate Theses and Dissertations

A reflection on my personal work and development as an actor and performer over the three years of this program, specifically focusing on the work of creating the character of Talthybius in Euripides’ The Trojan Women.

The Incredible Is, Justin L. Hughes

Electronic Theses and Dissertations

The Incredible Is is a full-length philosophical play in two acts that follows Self — a man whose body contains the visible cosmos — as he travels existence with his companion Cosmic Cat in search of his creator, the "Ultimate Personifier." Along the way he encounters personified abstractions including You, Them, We, Power, Pleasure and Pain, Creator and Destroyer, and falls in love with Magic. When his obsession with finding his maker leads him to break the Rules and plunge the universe into chaos, God resets reality and Self at last confronts the Ultimate Personifier — only to discover a …

Somatic Healing And Social Choreography For Peacebuilding: Since When Did Efforts For World Peace Become A Cheesey Notion . . . ? . . . A Public Space Performance Ritual, Reese Johanson

Senior Honors Theses

Somatic practice in performance can transform culture, politics, and society. Dismantling social systems that spread systemic trauma can be achieved by repatterning our social choreography, replacing old systems with mutual aid and community support.

This paper touches upon a decade of personal and communal somatic practice and research. I experienced and witnessed a universal struggle between humans and the oppressive forces embedded in societal norms and was driven to restructure these norms in honor of self and the world through art. The “Since when…?” project culminated in 7 research laboratories where participants engaged in open and guided forms of somatic …

Staging Collapse: Anita Berber’S Cocaine And Morphium As Disability Aesthetic Performance, Blair Summers

Theses

This thesis examines Anita Berber’s performances Cocaine and Morphium within the cultural climate of Weimar Germany, where the body became closely tied to ideals of health, productivity, and national renewal. Through the framework of disability aesthetics as defined by Tobin Siebers, this study argues that Berber transforms addiction, collapse, and bodily decay into a visual and affective language of artistic and political critique. Rather than present the body as disciplined or morally ideal, Berber stages instability, excess, and death through gesture, costume, set design, and music. In doing so, she reimagines the stigmatized female body as a site of agency …

Interactions Of Dance And Mathematics: A Closer Look At Mathematical Sequences As Scores For Choreography From A Choreographic Lens, Caroline Wolfe

The Transdisciplinary STEAM+ Journal

This paper investigates the embodiment of infinite mathematical sequences through concert contemporary dance, examining how choreography can serve both as an artistic and analytical tool for exploring numerical patterns. Grounded in interdisciplinary literature on mathematical visualization in choreography, the study centers on two original choreographic works presented and performed at Missouri State University: Golden Ratio Sequence (Spring 2025), which maps the Fibonacci sequence and the natural applications of the Golden Ratio onto a spiral floor pattern, and Tetrahedral Numbers (Fall 2024), which employs an accumulation score to embody three-dimensional number growth through layered movement motifs and body created tetrahedra. The …

The Fool’S Errand: Art As Resistance. Art As Hope, Edwin Urbina

The Transdisciplinary STEAM+ Journal

This editorial offers a perspective on the role of laughter and the comedic arts through the trope of the Fool or Jester. Comedic arts not just speak truth to power through the ages; it also offers society hope, resilience, and resistance though counter narratives that make us laugh at "emperors without clothes".

What Remains, Hailie Adamczak

Honors Theses

What Remains is a balletic contemporary dance work that explores the emotional complexity of growing older, leaving home, and returning to places that no longer feel the same. Rooted in personal experience, the piece examines the tension between memory and identity, questioning whether home is a physical place or a feeling that slowly changes over time. Through movement, music, lighting, and costume design, the work reflects the bittersweet realization that certain people, places, and experiences continue to shape us long after we leave them behind.

The choreography follows a central soloist navigating themes of belonging, conformity, grief, and self-discovery. Structured …

Kesenian Baruno Pati: Proses Penciptaan, Bentuk, Dan Representasi Kolektif, Fahri Reza Muhammad

Paradigma: Jurnal Kajian Budaya

Amidst conservation challenges and a crisis in the regeneration of local arts in Pati, Barongan Baruno emerges as a new artistic creation from Pasinaon Studio in Kertomulyo Village. This research aims to uncover its creation process, form, and the embodiment of local values as a collective representation of the Kertomulyo community. Using a qualitative-descriptive approach, the study finds that Barongan Baruno is a product of conscious and participatory collective creation. Symbolically, it reflects the community's agrarian-maritime identity and Javanese-Islamic acculturation. As a collective representation, this art form serves as a medium for embodying local wisdom, such as the importance of …

Wellness By Design: Leadership And Learning Practices For Well-Being In Arts Management, Ashleigh Olander

Student Theses

Leading with a culture of care is the art of wellness-based design. The arts are often seen as places for healing and community connection; however, arts institutions themselves frequently function in ways that undermine well-being. The systems in place do not promote wellness, nor do they dedicate resources to maintaining the vitality of staff. Wellness initiatives in the arts are ordinarily based on programming, rather than embedded into the foundation of the organization. Although engaging with the arts as a whole elevates wellness, it is challenging to find an arts institution designed with wellness practices in mind. There is a …

The Changed Woman: Analyzing Narrative Parallels In The Stories Of Biblical Women And Musical Theatre Heroines, Finleigh Klein

Honors Projects

Musical theatre has become popular with audiences around the world. Many musicals contain stories of hope and overcoming obstacles, especially in narratives concerning young women. Since the Bible also contains a wealth of stories that focus on strong women, it is interesting to consider what connections may be found between the women represented in this ancient text and the female characters in various musical theatre productions.

With these potential connections in mind, I ask the question: how is the Biblical trope of the uplifting of women represented in songs sung by female characters in musical theatre? Furthermore, how can the …

Copyright On Stage: Protecting The Directions Behind The Performance, Eliana Sakin

The Journal of Business, Entrepreneurship & the Law

In this comment, the author argues that theatrical stage directions should be recognized as copyrightable material under the U.S. Copyright Act, primarily by categorizing them as "choreographic works". Sakin highlights that while the 1976 Copyright Act explicitly protects choreography and pantomimes, stage directions—which serve as the "blueprints" for a production's blocking, technical cues, and artistic mood—currently exist in a legal gray area. Through an analysis of historical context and industry disputes, such as the Urinetown and The Most Happy Fella settlements, the author illustrates a growing industry recognition of a director’s staging as a protectable, original contribution, despite the lack …

The Role Of Otto In Indecent By Paula Vogel, Ben Turchiarelli

Student Theses

Between December 5th and 9th, 2025, Brooklyn College’s Department of Theater presented Indecent by Paula Vogel, directed by MFA directing candidate Sam Plattus. It was my privilege to play the role of Otto, a member of a troupe of dead actors, tasked with presenting a nearly coextensive play-within-a-play describing the controversial Broadway production of The God of Vengeance, by Sholem Asch. Otto presents several older male characters, including real-life figures; among them author I.L. Peretz, and actor Rudolph Schildkraut. Some of these scenes are depicted in the story as a play-within-a-play-within-a-play, and there are numerous musical interludes throughout wherein Otto …

University Theatre Guild Guide, Maria Perez

Honors Theses

The WMU Theatre Guild Assistant position is one of the primary assistantships in the Arts Administration department. The Theatre Guild Assistant works alongside Emily Duguay, the Director of Arts Administration, Joan Herrington, the Director of the School of Theatre and Dance, and the WMU Theatre Guild Board to manage their daily operations and help develop donor events. The University Theatre Guild Guide explains the details and processes this position follows. This guide is broken down into four sections. The first section is the Introduction. The Introduction includes congratulations from the past Theatre Guild Assistant and a short breakdown of the …

Review: Misrecognitions: Plotting Capital In The Victorian Novel By Ben Parker, Suvij Sudershan

CLCWeb: Comparative Literature and Culture

No abstract provided.

Review: The Poetics Of Science: Marx’S Literary Style By Ludovico Silva, Thomas A. Laughlin

CLCWeb: Comparative Literature and Culture

No abstract provided.

Review: The Persistence Of Realism In Modernist Fiction By Paul Stasi, Chris Gortmaker

CLCWeb: Comparative Literature and Culture

No abstract provided.

Cultural Negotiations In Revisionist Mythmaking: Comparative Reading Of Bahram Beyzaei And Mary Zimmerman, Sepehr Karimi Mr., Bahee Hadaegh

CLCWeb: Comparative Literature and Culture

 Although more than fifty years have passed since feminist scholars pioneered revisionist mythmaking, drama remains underexplored in this field despite its unique potential for cultural and social reinterpretation. This study offers a comparative analysis of revisionist mythmaking in Iranian and American drama, specifically examining Bahram Beyzaei’s play, One Thousand and First Night alongside Mary Zimmerman’s Metamorphoses as examples. This research aims to establish general principles for revisionist mythmaking within drama, spotlighting the complexities that emerge in transnational contexts. It explores how Beyzaei and Zimmerman negotiate cultural narratives and try to reshape traditional stories and reflect contemporary issues, emphasizing gender dynamics …

Between Revolutions: The Leftist Reception Of American Literature In Iran (1905-1979), Behnam Mirzababazadeh Fomeshi

CLCWeb: Comparative Literature and Culture

This paper examines the reception of American literature in Iran during the period between the Persian Constitutional Revolution (1905–1911) and the Iranian Revolution of 1979. Divided into four distinct phases (1905–1922, 1922–1941, 1941–1953, and 1953–1979), this study explores how political and ideological dynamics shaped the interpretation and translation of American literary works. Central to this reception was its inherently political nature, driven by the dominance of leftist ideologies within Iran’s intellectual landscape. The influence of the Tūdih Party and other leftist movements profoundly impacted the ways American literature, particularly the works of Walt Whitman, was translated, interpreted, and disseminated. By …

Christian Motifs In Forough Farrokhzad’S Works: A Comparison With T.S. Eliot’S Poetry, Mona Monsefi

CLCWeb: Comparative Literature and Culture

Forough Farrokhzad’s (1934–1967) film The House is Black (1962) is a visual poem set in a leprosarium in Iran. Farrokhzad was a prominent modernist poet who merged poetry with contemporary art forms, primarily cinema. In this film, she employed a camera to express her poetic vision, highlighting her signature style that prioritizes unique imagery. This emphasis on visual and literary images is often intertwined with themes such as religion. Notably, Farrokhzad recomposed verses from the Old Testament, infusing them with her poetic language to enrich the film’s narrative. This article explores her unique, Western-influenced interpretation of Christian motifs in …