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Serials Solutions Subject Search Report 2011-2012, Andrée J. Rathemacher Aug 2012

Serials Solutions Subject Search Report 2011-2012, Andrée J. Rathemacher

Technical Services Reports and Statistics

Statistics on the total number of Serials Solutions subject searches at the University of Rhode Island Libraries by month for 2011-2012. Shows how many times the A-Z full text electronic journal list (at http://zu4tq4pb5v.search.serialssolutions.com/) was browsed by specific subjects.


College Of The Holy Cross Libraries Annual Report 2011-2012, Kathleen M. Carney Aug 2012

College Of The Holy Cross Libraries Annual Report 2011-2012, Kathleen M. Carney

Holy Cross Libraries Annual Reports

At the end of the fiscal year, the Director of the Holy Cross Libraries issues an annual report that provides a review of library services, details budgets and regular operations, and highlights programs, projects and activities that were initiated, sponsored or assisted by the Libraries.


When Black Meets White In The Heart Of Worship: A Case-Study Of Musical Changes In A Multiracial Church, Serge Volpe Jul 2012

When Black Meets White In The Heart Of Worship: A Case-Study Of Musical Changes In A Multiracial Church, Serge Volpe

Masters Theses

The Worldwide Church of God began as a denomination relying on certain Jewish practices and other Euro-centric distinctions to define its' identity. In the New York City area, African-American churchgoers exceeded that of whites; yet church liturgy retained its European-American flavor. When the denomination underwent transformation in the 1990s, many congregants were unable to accept changes, including new musical styles, and reacted in a manner inconsistent with what church leaders had hoped for. This thesis examines what some African-Americans experienced during this period when liturgy changed to include music representative of their culture. Interviews were conducted with African-American churchgoers from …


Vol. 35 No. 1/2 (2012): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI Jun 2012

Vol. 35 No. 1/2 (2012): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI

Pacific Studies

Front Matter for the Vol. 35, No 1/2-April-August, 2012 edition of the Pacific Studies Journal.


Vol. 35 No. 1/2 (2012): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI Jun 2012

Vol. 35 No. 1/2 (2012): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …


Theories Of Culture, Identity, And Ethnomusicology: A Synthesis Of Popular Music, Cultural, And Communication Studies, Alyssa Santos May 2012

Theories Of Culture, Identity, And Ethnomusicology: A Synthesis Of Popular Music, Cultural, And Communication Studies, Alyssa Santos

Communication Studies

No abstract provided.


The ‘Narod’ In Narodnjaci: Perceptions Of Turbo Folk In Contemporary Sarajevo, Uchechi Esonu Apr 2012

The ‘Narod’ In Narodnjaci: Perceptions Of Turbo Folk In Contemporary Sarajevo, Uchechi Esonu

Independent Study Project (ISP) Collection

Turbo Folk is often associated with the ultranationalism and violence of the Wars of Yugoslav Succession in the nineties. Working from the perspective of people who enjoy this music and/or frequent establishments where Turbo Folk is played in contemporary Sarajevo, I investigate the narratives employed by both listeners and detractors of Turbo Folk. What attributes or values are projected on the genre, in present day Sarajevo? Have these values changed from how the genre was perceived during the war in the 1990s? Is Turbo Folk political or politicized? Based on ethnographic field research conducted over the course of one month …


Playing Against The Rhythm: The Intersection Of Gender And Performative Space In Iran, Leila Rafei Apr 2012

Playing Against The Rhythm: The Intersection Of Gender And Performative Space In Iran, Leila Rafei

Theses and Dissertations

Since the Iranian Revolution of 1979, women have been legally prohibited from singing or playing a musical instrument solo in public. The government has sought to control women’s performative space by using concepts of permissibility and ideological compatibility. In the past decade, however, Iran has seen the birth of an underground music culture, in which women sing and play illegally. Underground and diasporic female musicians have carved new spaces that subvert state regulations on cultural purity and nationalism, deterritorializing and deconstructing notions of national space and culture. Women musicians have thus demonstrated the failure of the state to successfully regulate …


Creative Renewal Of The Son Jarocho Fandango In Los Angeles, Alexander D. Hernandez Mar 2012

Creative Renewal Of The Son Jarocho Fandango In Los Angeles, Alexander D. Hernandez

NACCS Annual Conference Proceedings

No abstract provided.


A Variety Of Things, Bridget Anne Creedon Mar 2012

A Variety Of Things, Bridget Anne Creedon

Blogging the Library

So it's been a while since my last post. I'll just clue you in as to what I've been doing the past two weeks. I did some score cataloging for Lina. Cataloging is so complex, but I feel like when you remember all the steps and repeat them, it becomes less foreign. It's also a challenge to finish all the work because it is overwhelming going through records and trying to find the perfect one for our library. Some records have wrong editions or dates... there's a lot of work that goes into what the average student sees on their …


Changing Language, Remaining Pygmy, Serge Bahuchet Feb 2012

Changing Language, Remaining Pygmy, Serge Bahuchet

Human Biology Open Access Pre-Prints

In this article I am illustrating the linguistic diversity of African Pygmy populations in order to better address their anthropological diversity and history. I am also introducing a new method, based on the analysis of specialized vocabulary, to reconstruct the substratum of some languages they speak. I show that Pygmy identity is not based on their languages, which have often been borrowed from neighboring non-Pygmy farmer communities with whom each Pygmy group is linked. Understanding the nature of this partnership, quite variable in history, is essential to address Pygmy languages, identity and history. Finally, I show that only a multidisciplinary …


Chapter 11, Songs In Intimacy And Community In A Changing World: Sikaiana Life 1980-1993, William Donner Jan 2012

Chapter 11, Songs In Intimacy And Community In A Changing World: Sikaiana Life 1980-1993, William Donner

Sikaiana Ethnography

A chapter on song composition and performance in the Sikaiana ethnography. Songs were an important part of Sikaiana life in 1980-1993. There were two major song types: songs composed in a traditional Polynesian style, and songs composed for the more recently introduced guitar.

A related website is www.sikaianaarchives.com


From Modern Rock To Postmodern Hard Rock: Cambodian Alternative Music Voices, Linda Saphan Jan 2012

From Modern Rock To Postmodern Hard Rock: Cambodian Alternative Music Voices, Linda Saphan

Ethnic Studies Review

Cambodian modernity was driven by the political agenda of the Sihanouk government beginning in the 1950s, and Cambodian rock and roll emerged in the 1960s in step with Sihanouk's ambitious national modernization project. Urban rockers were primarily upper-class male youths. In. the postcolonial era rock and roll was appropriated from abroad and given a unique Cambodian sound, while today's emerging hard rock music borrows foreign sociocultural references along with the music. Postmodern Cambodia and its diaspora have seen the evolution of a more diverse music subculture of alternative voices of hard rock bands and hip-hop artists, as well as post-bourgeois …


The Bonefolder: An E-Journal For The Bookbinder And Book Artist, Vol 8, 2012, Peter D. Verheyen Jan 2012

The Bonefolder: An E-Journal For The Bookbinder And Book Artist, Vol 8, 2012, Peter D. Verheyen

Librarian Publications

No abstract provided.


Vamonos Al Baile! Corridos, Regionalism, & Cultural Symbolism: An Expressive Narrative Approach To Los Tigres Del Norte, Jorge Luis Aguilar Jan 2012

Vamonos Al Baile! Corridos, Regionalism, & Cultural Symbolism: An Expressive Narrative Approach To Los Tigres Del Norte, Jorge Luis Aguilar

Open Access Theses & Dissertations

This study seeks to understand how qualities and characteristics of the study's participants are influenced not only by their families and humble roots, but also for how they are influenced specifically by corridos of Los Tigres Del Norte in which the theme of the songs speak of immigrant life, values, and experiences as bicultural citizens and naturalized citizens. In this study, these ideas are explored and examined using various methodological approaches, including in-depth interviews, open-ended questions, and participant observations. This study also demonstrates how corridos communicate with their listeners, how they are influenced by the corridos, and more importantly, how …


Performing Community: The Place Of Music, Race And Gender In Producing Appalachian Space, Deborah J. Thompson Jan 2012

Performing Community: The Place Of Music, Race And Gender In Producing Appalachian Space, Deborah J. Thompson

Theses and Dissertations--Geography

Traditional, participatory music is a powerful medium through which people express and shape their ideas about identity, mobility, social relations, and belonging, and through which people are in turn shaped. The everyday cultural practices of playing, sharing, and dancing to traditional music, as well as discussions about the nature of traditional music and production of events involving traditional music, all work to construct the region called Appalachia.

Through this dissertation, I seek to answer some simple questions that have complicated answers involving place, identity, power, and social relations, with economic, social, and emotional ramifications: Who gets to be an Appalachian …


Gondang Di Komunitas Parmalim Batak Toba: Teks, Konteks Dan Aspek Performatif, Irwansyah Harahap Jan 2012

Gondang Di Komunitas Parmalim Batak Toba: Teks, Konteks Dan Aspek Performatif, Irwansyah Harahap

Antropologi Indonesia

This writing is about Gondang music which exists among the Toba Batak Parmalim community of Hutatinggi in the district area of Toba Samosir, North Sumatra province of Indonesia. Content of discussion includes an historical background of the people and knowledge and expressions of Gondang music among Toba Batak people in general and Parmalim community in particular. The performance aspects of Parmalim gondangs, including music ensembles, repertoires and ritual musical practices, will also be discussed as part of discussion.


Characteristics Of Serial Title Changes And Recognition Of New Serial Works: Theoretical And Practical Implications, Mavis B. Molto Dec 2011

Characteristics Of Serial Title Changes And Recognition Of New Serial Works: Theoretical And Practical Implications, Mavis B. Molto

Library Faculty & Staff Publications

The paper reports findings from a study to identify characteristics of serials with title changes and then make recommendations for recognizing new works for these serials. Findings show title changes occur due to underlying subject, function, corporate, geographic, frequency, or format changes, with 80.8% of the changes being subject or function changes. It is recommended that reasons for title changes be determined from clear statements in text or elsewhere, and that new works be recognized based upon the requirements of a definition of a work. With the FRBR definition, a new work would be recognized only for a significant subject …


New Representations Of The “Golden Lineage”: The Mongolian Folk Rock Of Altan Urag, Jonathan Heins Oct 2011

New Representations Of The “Golden Lineage”: The Mongolian Folk Rock Of Altan Urag, Jonathan Heins

Independent Study Project (ISP) Collection

This project will examine the ways in which the self-proclaimed Mongolian “folk rock” band, Altan Urag, combines elements of both traditional Mongolian and Western music and culture in order to recast and recreate Mongolian tradition. These new representations of Mongolian tradition occur within the context of a young and rapidly developing democratic nation which looks both deeply into its own past to construct a strong national sense of identity and looks increasingly outward to the international community with aspirations of establishing itself as a recognized and respected member of that community. Altan Urag’s new representations of Mongolian national heritage are …


“Los Huaynos Me Recuerdan A Mi Tierra”: La Música Radial De Cusco Y La Formación De Identidades Migrantes”, Violet Cavicchi Oct 2011

“Los Huaynos Me Recuerdan A Mi Tierra”: La Música Radial De Cusco Y La Formación De Identidades Migrantes”, Violet Cavicchi

Independent Study Project (ISP) Collection

La experiencia migratoria de muchos peruanos de comunidades con identidades andinas marcadas que se mudan a la ciudad de Cusco crea un conflicto identitario que es distinto. Estas personas se enfrentan con nuevas influencias que complican su conceptualización de una identidad propia. Este estudio considera la manera en que un foro especifico de la música radial funciona como un espacio para trabajar estas influencias solapadas y construir un entendimiento de identidad regional en este nuevo contexto. El artículo empieza con un análisis del contexto histórico que establece este fenómeno y que explica la importancia de la radio y su música …


Variation On A Traditional Theme: The Question Of Racial And Ethnic Diversity In Mla, Mark A. Puente, Susannah Cleveland Sep 2011

Variation On A Traditional Theme: The Question Of Racial And Ethnic Diversity In Mla, Mark A. Puente, Susannah Cleveland

University Libraries Faculty Publications

Following the findings from the MLA Survey of Personnel Characteristics, 2009 that pointed to discrepancies between the racial and ethnic diversity of MLA members and the general population, an analysis of the diversity of MLA’s patron base and an assessment of other organizations' efforts at diversity are analyzed. Recommendations for efforts by MLA to address these discrepancies as well as justification for making such efforts follow.


Intermediality, Rewriting Histories, And Identities In French Rap, Isabelle Marc Martínez Sep 2011

Intermediality, Rewriting Histories, And Identities In French Rap, Isabelle Marc Martínez

CLCWeb: Comparative Literature and Culture

In her article "Intermediality, Rewriting Histories and Identities in French Rap" Isabelle Marc Martínez analyzes aspects of French hip hop culture. As an example of resistant cultural manifestations, hip hop scenes all over the world develop strategies to subvert mainstream values and to replace them by new de-localized, contesting identities via intermedial and intertextual processes. In France during the 1990 rap was intended to reassess French national history and national self-perception. Foundational hip hop bands such as Assassin, Ministère AMER, IAM, and NTM aimed at discrediting official narratives concerning the French culture's colonial and social past. hip hop artists, who …


Temple Of Ancient Knowing: Music Therapy Portraits Of Globalized Indian Identity, Sangeeta Swamy Jul 2011

Temple Of Ancient Knowing: Music Therapy Portraits Of Globalized Indian Identity, Sangeeta Swamy

Expressive Therapies Dissertations

This dissertation study assessed ethnic identity in adults of Indian origin through Culturally Centered Music & Imagery (CCMI), an arts-based, psychotherapeutic technique. The purpose was to examine how Indian music, in the context of CCMI, could evoke identity-based imagery and assess Indian identity in a globalized context. Five Indian men and women participated in CCMI sessions, and the qualitative methodology of portraiture was used in this study. The results provide support for the cultural or ethnic unconscious and suggest the potential for CCMI to access this internal, collective space. Results also indicate that CCMI may be used in a clinical …


Serials Solutions Subject Search Report 2010-2011, Andree J. Rathemacher Jul 2011

Serials Solutions Subject Search Report 2010-2011, Andree J. Rathemacher

Technical Services Reports and Statistics

Statistics on the total number of Serials Solutions subject searches at the University of Rhode Island Libraries by month for 2010-2011. Shows how many times the A-Z full text electronic journal list (at http://zu4tq4pb5v.search.serialssolutions.com/) was browsed by specific subjects.


The Status Of Students With Special Needs In The Instrumental Musical Ensemble And The Effect Of Selected Educator And Institutional Variables On Rates Of Inclusion, Edward C. Hoffman Iii Jul 2011

The Status Of Students With Special Needs In The Instrumental Musical Ensemble And The Effect Of Selected Educator And Institutional Variables On Rates Of Inclusion, Edward C. Hoffman Iii

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this study was to describe the current status of students with special needs in the instrumental musical ensemble and to examine the effect of selected educator and institutional variables on rates of inclusion. An online survey was designed by the researcher and distributed electronically to 600 practicing K-12 instrumental music educators in the states of Idaho, Mississippi, Nebraska, Nevada, New Mexico, and Rhode Island. While 13.6% of the total school-aged population nationwide received special education services, demographic data provided by respondents revealed that students with special needs accounted for 6.8% of all students participating in bands, orchestras, …


Holy Cross Libraries Annual Report Fy2011, Kathleen M. Carney Jun 2011

Holy Cross Libraries Annual Report Fy2011, Kathleen M. Carney

Holy Cross Libraries Annual Reports

At the end of the fiscal year, the Director of the Holy Cross Libraries issues an annual report that provides a review of library services, details budgets and regular operations, and highlights programs, projects and activities that were initiated, sponsored or assisted by the Libraries


Survey Of Music-Library Personnel Characteristics, 2009, Susannah Cleveland, Mark A. Puente Jun 2011

Survey Of Music-Library Personnel Characteristics, 2009, Susannah Cleveland, Mark A. Puente

University Libraries Faculty Publications

Results from the 2009 Music Library Association (MLA) Survey of Personnel Characteristics are presented and analyzed. Areas covered include education and training, status and salaries, professional activities, and demographics of MLA members. In each area, comparisons are made to results from the study of the same name conducted in 1997.


The Symbolic Creation Of Cultural Performance At The Walnut Valley Festival, Maggie Colleen Cobb May 2011

The Symbolic Creation Of Cultural Performance At The Walnut Valley Festival, Maggie Colleen Cobb

Graduate Theses and Dissertations

Through two years of ethnographic fieldwork and 19 interviews, I synthesize symbolic interaction and a sociological framework of culture to examine the ways in which the Walnut Valley Festival is created and experienced as a unique form of cultural performance, one that is always shifting in response to the emergent cultural creation and reception of attendees. No work to date combines the dimensions of both production and reception of music festivals as a unique form of cultural performance. In bringing back the oftentimes ignored affective dimension in cultural studies, I use Griswold's (2004) metaphor of a cultural diamond, examining the …


Music, Anthropology, And The Senses: Cognition For Social Change, Marcia Mikulak Apr 2011

Music, Anthropology, And The Senses: Cognition For Social Change, Marcia Mikulak

Anthropology Faculty Publications

Both anthropology and music embrace the method of participant observation: performance and observation of self and others. As a classical musician, I bring a musical heritage in both classical and experimental music performance, and as a cultural anthropologist my training in ethnology allows me to couple musical sensibilities with participant observation. This paper explores three venues of human expression: experimental musical improvisation, musical performance with and for street and working youth in Brazil, and anthropological fieldwork. I argue that the combination of musical expression and participant observation provide unique opportunities to share the universality of lived experiences, while augmenting complex …


Spring 2011, Friends Of Dacus Library Apr 2011

Spring 2011, Friends Of Dacus Library

Friends of Dacus Library Newsletter

Inside this Issue:

Dean’s Welcome
Changes in the Library: Physical and Metaphysical
Library Board Members Board Actions 3/2/11
Shetuni Book
DDA, not Dada Bi-Lo
Boosters
Membership List
Membership Form
Note from the Chair