Digital Commons Network^™

Rave Culture- A Tale Of Two Scenes, Christopher Mohr

Faculty Curated Undergraduate Works

This article compares two iterations of rave culture through the perspective on scenes as outlined by Geoff Stahl in his essay "'It's Like Canada Reduced': Setting the Scene in Montreal." By applying both communication and sociopolitical theory to the comparison of the original rave scene to that of today's, a vivid understanding of how scenes and subcultures construct themselves- both within and around the cultural environments from which they are born- will become apparent.

The Music And Multiple Identities Of Kurdish Alevis From Turkey In Germany, Ozan Aksoy

Dissertations, Theses, and Capstone Projects

This dissertation investigates the experiences of Kurdish Alevis, currently living in Germany, who trace their background to locations within the boundaries of the Republic of Turkey. I argue that music has been a particularly important mode through which Kurdish Alevis in Germany have articulated collective histories and have fashioned narratives of belonging and multiple and sometimes contradictory identities. The subjects of my research are immigrants and refugees who are ethnically Kurdish and whose religion is Alevi, an Anatolian religion whose relations to both Sunni and Shi'a Islam are historically controversial. They speak Turkish along with Kurdish, in most cases are …

Music Curriculum Map 2013-2014, Holly Gardinier, Char Booth, Dani Brecher, M. Sara Lowe, Sean M. Stone, Natalie Tagge

Curriculum Maps

This map displays degree requirements, courses, faculty information, clubs & organizations, and Library resources associated with music across the seven Claremont Colleges (7Cs) for the 2013-14 academic year. It was compiled using public information drawn from Colleges websites, course schedules and catalogs, and the Claremont Colleges Library website.

This project was completed as part of an IMLS Sparks! Ignition grant in 2013-14.

Berita Autumn 2014, Timothy P. Daniels

Berita

Table of Contents

Chair’s Address ... 2

Editor’s Foreword...4

Members’ Updates...5

Prizes ... 8

Announcements...10

Malaysian Chinese Muslims in Search of an Identity...11

Brunei’s Syariah Penal Code and Secular Fundamentalism...14

A comparative analysis of online and print media during the 2013 Malaysian General Election: A Research Note...22

Book Review...36

Obituary...39

Anthropology Curriculum Map 2013-2014, Natalie Tagge, Char Booth, Dani Brecher, M. Sara Lowe, Sean M. Stone

Curriculum Maps

This map displays degree requirements, courses, faculty information, clubs & organizations, and Library resources associated with anthropology across the seven Claremont Colleges (7Cs) for the 2013-14 academic year. It was compiled using public information drawn from Colleges websites, course schedules and catalogs, and the Claremont Colleges Library website.

This project was completed as part of an IMLS Sparks! Ignition grant in 2013-14.

Communing With Nature, The Ancestors And The Neighbors: Ancient Ceramic Musical Instruments From Coastal Oaxaca, Mexico, Guy David Hepp, Sarah B. Barber, Arthur A. Joyce

Anthropology Faculty Publications

The Mesoamerican Formative period (1600 BCE–CE 250) saw the establishment of sedentism, dietary transformations and the development of ceramic technologies for subsistence, artistic representation and the region’s earliest preserved musical instruments. These instruments include aerophones such as whistles, ocarinas and flutes. In this paper, we describe sixty-three ceramic aerophones from mostly Formative period contexts in coastal Oaxaca, Mexico. We situate our analysis in the broader contexts of research on music and iconography in Mesoamerican archaeology, as well as of the anthropology of sensory perception. Through a consideration of archaeological context, artifact form and technical properties, we conclude that music was …

TodavíA Bailamos La Cueca Sola : From Local Protest Practice Against Chile's Dictatorship To (Trans)National Memory Icon, Karolina Sonja Babic

Legacy Theses & Dissertations (2009 - 2024)

This dissertation is a multi-sited cultural-historical ethnography about the cueca sola, a dance that was created to denounce the disappearances of citizens during Chile's dictatorship in the 1970s. Some women with missing relatives, who belonged to the music group Conjunto Folclórico of the Association of the Relatives of the Detained and Disappeared (AFDD), created a variation on the Chilean national dance (the cueca - traditionally a courtship dance between a man and a woman) which did not involve a male partner. Instead, they performed it alone. In so doing, these women, who were among the first to denounce the military's …

Folkloric Musicians Among The Bugakhwe, Robert Veith

Masters Theses

Increased access to global media by traditional culture in remote parts of Africa has, in many cases, seen indigenous music marginalized in favor of imported forms. In some places, a folkloric tradition thrives, though this music may face extinction if those who practice it do not document their art in a way which can be passed down to future generations. For this project, I recorded seven musician/composers of the Bugakhwe, a Khoisan people group living in the Okavango Delta region of Botswana. Two were given enough studio time to create a complete CD-length set, so as to show off the …

Mets: Flexibility V. Interoperability, Katherine N. Ralson

Library Philosophy and Practice (e-journal)

This paper examines whether projects making use of the METS metadata schema do so due to its flexibility or its interoperability. Projects listed in the METS Implementation Registry of the Library of Congress METS Official Web Site, as well as selected case studies are analyzed for the reason METS was used in their projects. Data gathered from these sources is consolidated and further analyzed using cluster analysis in order to answer the research questions: 1) Can it be said that METS is being selected for projects based primarily on one of two criteria: its flexibility or its interoperability?” And if …

Vol. 36 No. 3 (2013): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Vol. 36 No. 3 (2013): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 36, No 3-Dec 2013 edition of the Pacific Studies Journal.

Serials Solutions Subject Search Report 2012-2013, Andrée J. Rathemacher

Technical Services Reports and Statistics

Statistics on the total number of Serials Solutions subject searches at the University of Rhode Island Libraries by month for 2012-2013. Shows how many times the A-Z full text electronic journal list (at http://zu4tq4pb5v.search.serialssolutions.com/) was browsed by specific subjects.

Vol. 36 No. 1/2 (2013): Pacific Studies Full Issue, Et Al Miranda Forsyth

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

A Study Of How Selected Public School Junior-High Students Perceive The Effect Of Popular Music On Classroom Behavior, Christopher Mc Allister

Masters Theses

The objective of this study is to further the understanding of how junior-high students in the public schools perceive the effects of popular music on their behavior in the classroom. Two primary research questions serve as the foundation for this study. The first question investigates how themes disclosed in interviews of selected public school junior high students help to explain their personal perceptions of how popular music affects their behavior in the academic environment. The second question seeks to determine whether students that listen to a particular genre of popular music have different or similar perceptions of how music affects …

When The Cradle Falls: The Subversion, Secrets, And Sentimentality Of Lullabies, Lauren R. Castro

Music

No abstract provided.

Crossed Boundaries In Musical Culture Between Asia And The West, Kheng K. Koay, Mikel Ledee

CLCWeb: Comparative Literature and Culture

In their article "Crossed Boundaries in Musical Culture between Asia and the West" Kheng K. Koay and Mikel LeDee examine Tony Prabowo's Pasar Loak (Flea Market) for soprano and percussions and Chinary Ung's Grand Alap (A Window in the Sky). Composers Prabowo and Ung adopt modernist techniques from Western and traditional Asian music cultures in their compositions. Koay and LeDee explore aspects which broaden the presentation of sound in the two selected compositions and the background influences of Western and Asian music on the two composers. Prabowo and Ung absorb new experiences and embrace music that excites them and Prabowo, …

I Am Not Your Video Girl, Rashida Aluko-Roberts

SURGE

“We need girls who are willing to be up on stage with us and who are not afraid to go HAM dancing in front of a crowd. I know at least a few of you who have the confidence/jaw-dropping dance moves to pull this off.” [excerpt]

The Faculty Notebook, April 2013, Provost's Office

Faculty Notebook

The Faculty Notebook is published periodically by the Office of the Provost at Gettysburg College to bring to the attention of the campus community accomplishments and activities of academic interest. Faculty are encouraged to submit materials for consideration for publication to the Associate Provost for Faculty Development. Copies of this publication are available at the Office of the Provost.

Adapting & Appropriating Art From Afar: Negotiating A Global Identity Through Popular Culture, A Study Of Salsa In The Senegalese Context, Elizabeth Bockenfeld

Independent Study Project (ISP) Collection

The following study is essentially an attempt to explore cross-cultural exchange and the resulting (re)creation of different forms of cultural expression. In its broadest sense it aims to explore the quotidian, cultural sides of globalization. It takes for its focus the re-appropriation of salsa music in Dakar, Senegal. Through interviews and participant observation in a number of salsa venues, I explore the various meanings Senegalese salseros put into salsa music and dance. Senegalese salsa is rooted in a very concrete historical background, while also holding meaning for the present. In short, the appropriation of salsa into the Senegalese context serves …

Singing To The Spirits: Cultural And Spiritual Traditions Embodied In The Native American Gourd Dance, Alicia M. Gummess

Honors Projects

In this paper, I provide a brief overview of the history and practice of the Native American Gourd Dance, a traditional ceremony integrating music and dance practiced by Gourd Dance societies in Southern Oklahoma. I examine the reasons behind its popularity and spread to other regions of North America, including the Southwest and the Northern Plains. Gourd Dance performances usually occur in the context of larger ceremonial gatherings called pow wows, in which Native American communities hold dances to celebrate their values and practice their religious beliefs and cultural traditions. Pow wows feature many traditional and more modern Native American …

Kachin Sound Instruments Within The Context Of The Kachin Baptist Convention Of Northern Burma: History, Classification, And Uses, Walter Brath

Masters Theses

This organology identifies and describes the Kachin's sound instruments, classifies them according to the Hornbostel-Sachs' system, and considers evidence of an indigenous classification scheme. Very little research exists to date on the music of the Kachin peoples of Northern Burma. This paper cites the only known indigenous organology and is the first English language study to extrapolate evidence into an emergent classification system. This qualitative study is based on ethnographic interviews, the minimal literature available on the topic, and participant observation drawn from fieldwork conducted in the Kachin State of Northern Burma (modern day Myanmar) during the months of May …

Music And Movement Share A Dynamic Structure That Supports Universal Expressions Of Emotion, Beau Sievers, Larry Polansky, Michael Casey, Thalia Wheatley

Dartmouth Scholarship

Music moves us. Its kinetic power is the foundation of human behaviors as diverse as dance, romance, lullabies, and the military march. Despite its significance, the music-movement relationship is poorly understood. We present an empirical method for testing whether music and movement share a common structure that affords equivalent and universal emotional expressions. Our method uses a computer program that can generate matching examples of music and movement from a single set of features: rate, jitter (regularity of rate), direction, step size, and dissonance/visual spikiness. We applied our method in two experiments, one in the United States and another in …

College Of The Holy Cross Libraries Annual Report 2012-2013, Kathleen M. Carney

Holy Cross Libraries Annual Reports

At the end of the fiscal year, the Director of the Holy Cross Libraries issues an annual report that provides a review of library services, details budgets and regular operations, and highlights programs, projects and activities that were initiated, sponsored or assisted by the Libraries.

Performing Folk Punk : Agonistic Performances Of Intersectionality, Benjamin D. Haas

LSU Doctoral Dissertations

The overarching goal of this project is to argue that folk punk performances offer spaces where a listening audience is exposed to a radical and intersectional politics, and enable that audience to identify with those views. By considering the performances of Inky Skulls, Pussy Riot!, and Against Me!, this study looks to the ways in which these folk punk exemplars highlight elements of the radical politics of the American left and in the history of folk and punk music. In particular, this project considers the intersections of race and class, women and nonhuman animals, and queerness and anarchism, as intersecting …

Pacific Studies Vol. 35, No. 3 - December 2012 Full Issue

Pacific Studies

No abstract provided.

Just Sing What You Want To Say: The Importance Of Linguistic Tone In Bai Songs, Lisa Andrews

Masters Theses

The Bai people, a minority group in the People's Republic of China numbering at least 1.6 million, live mostly in the Dali Autonomous Prefecture in northwest Yunnan. Historically, Bai from the central region would gather annually at the base of Shibaoshan Mountain to sing partner style love songs in search for a suitable marriage partner; today, this time is marked by a three-day festival officially titled "Shibaoshan." The annual song competition invites skilled singers to spontaneously compose melodies in response to their counterpart, crafting lyrics to flatter or tease their singing partner. The study quantifies the close relationship between Bai …

Pacific Studies Vol 35, No. 3 - December 2012

Pacific Studies

No abstract provided.

An Undergraduate Seminar On Irish Musical Culture In Ireland And The Irish Diaspora In America, Including The Influence Of Irish Music On Appalachian Folk Music Culture, Frieda Eakins

Masters Theses

The following project establishes a concise, yet multifaceted design for a seminar on Irish musical culture. While it was initially developed as a course for its author to teach in the undergraduate, on-ground classroom, this project provides a framework adaptable enough for use by other instructors and/or for additional music seminars. This project is unique in its two-fold purpose in that the design and resources are directed to assist the instructor with streamlining course curriculum preparation, while the course content specific to the project when utilized offers students in the undergraduate college classroom a better understanding of Irish musical culture …

Year Of Ghana 2012-13 Reading List, Dewi J. Wilson

Research Guides & Subject Bibliographies

Reading list for Kennesaw State's "Year of Ghana" Celebration.

Tibetan Guozhuang In Diqing Autonomous Prefecture: A Comparative Musical Analysis, Christina Du Breuil

Independent Study Project (ISP) Collection

The song and dance traditions of the Tibetan peoples of Diqing Prefecture are numerous and varied. Of these traditions, Guozhuang is cited as one of the oldest and most centrally traditional pieces of folk heritage. However, Guozhuang varies even within Diqing Prefecture. This paper addresses the basic form and structure of Guozhuang as well as variations between Benzilan and Shangri-la Guozhuang, two places separated not only by geographical distance but also the encroachment of development on traditional culture.