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Issue 04, Cariso!Summer 2005, Columbia College Chicago

Cariso! The Alton Augustus Adams Music Research Institute newsletter

Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: "Performance Forum on VI Music and Dance Traditions", "CBMR Rockefeller Resident Fellows for 2005-06", "March 2005 Lecture and Summit", "AMRI Holds First Workshop for Teachers", "Family of the 'Duke of Iron' Donates Instrument to the People of the Virgin Islands", "Upcoming AMRI Events", "Brown Girl in the Ring and Other Game Songs of the U.S. Virgin Islands", "Stanley …

Three Violin Sonatas By Twentieth Century Mexican Composers: An Alternative To The Standard Violin Literature With Pedagogical Application, Martha Placeres

Theses and Dissertations - UTB/UTPA

The project "Three Violin Sonatas by Twentieth Century Mexican Composers: an Alternative to the Standard Violin Literature with Pedagogical Application" has as its objectives to introduce violin music by Mexican composers to the community of the Rio Grande Valley, to demonstrate how these works can become part of the standard violin repertoire, and to develop pedagogical strategies for teaching these pieces.

To start this project, it was necessary to choose and incorporate the following composers: Manuel Maria Ponce Cuellar because he is the most known and prolific composer in Mexico and also well-known around the world; Blas Galindo Dimas because …

Spring 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format.

Fall/Winter 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Issue 03, Cariso! Winter 2005, Columbia College Chicago

Cariso! The Alton Augustus Adams Music Research Institute newsletter

Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: ""Christmas with the Ancestors: Jonkonnu and Related Festivities in Jamaica", "New AMRI Hours", "St. John People Love and Honor Their Elder Musicians", "Support from VICA", "St. Croix Colloquium" , "Rockefeller Fellow Dr. Kennth Bilby Lectures on Jonkonnu", "Teaching the Music of Alton Adams", "Tra-la-la-la-la: Music in the U.S. Virgin Islands", "The 2004=05 Rockefeller Fellows". Issue 3, 12 pages.

Information Delivery On Mobile Devices Using Contour Icon Sonification, Charlie Cullen, Eugene Coyle

Conference papers

This paper examines the use of musical patterns to convey information, specifically in the context of mobile devices. Existing mechanisms (such as the popularity of the Morse code SMS alert) suggest that the use of musical patterns on mobile devices can be a very efficient and powerful method of data delivery. Unique musical patterns based on templates known as Contour Icons are used to represent specific data variables, with the output rendering of these patterns being referred to as a Sonification of that data. Contour Icon patterns mimic basic shapes and structures, thus providing listeners with a means of categorising …

"You Better Work": Underground Dance Music In New York City By Kai Fikentscher, Eliot Bates

Publications and Research

You Better Work!: Underground Dance Music in New York City is arguably the first ethnography of electronic dance music culture; it is also one of the first ethnomusicologically-influenced monographs on mediated dance music. Kai Fikentscher deftly avoids the wealth of music industry genre tags (such as "deep house" or "two step garage") that plague many writings on electronic dance music, instead focusing on a specific dance community in New York City which began its social dance practice in the days of disco and continued the practice well into the 1990s. His study took place over the course of thirteen years, …

The World Map Of Music: The Edison Phonograph And The Musical Cartography Of The Earth By Ulrich Wegner, Eliot Bates

Publications and Research

The Berlin Phonogram-Archive was founded in 1900 by Carl Stumpf and Otto Abraham with a collection of twenty wax cylinders of a Siamese theatre ensemble. Erich Moritz von Hornbostel became the head of the archive in 1905, and ever since, the archive—and its archivists—have held an important place in the histories f folklore, ethnomusicology, and recorded sound. Recognized in 1999 by UNESCO’s “Memory of the World” project, the archive now holds over 150,000 music recordings and recently released a comprehensive catalogue (Ziegler 2006) and the CD-ROM The World Map of Music: The Edison Phonograph and the Musical Cartography of the …

Eisler Shadow-Puppet Collection Catalogue, Joko Susilo

Scholarship and Research

This illustrated, scholarly catalogue of the more than 200 traditional Central Javanese puppets comprising the David Eisler Collection of Shadow-Puppets was written by Dr. Joko Susilo, a Fulbright scholar at Bates College in 2004.  Dr. Susilo is an eighth-generational Indonesian puppeteer and scholar who teaches in the Departmetn of Music at the University of Otago in New Zealand.  The Eisler collection is on long-term, permanent loan to the Bates College Gamelan Orchestra.

Research Note: Musical Traditions In India, Salil Sachdev

Bridgewater Review

No abstract provided.

Summer 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Spring 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Fall 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Canons In Harmony, Or Canons In Conflict: A Cultural Perspective On The Curriculum And Pedagogy Of Jazz Improvization, Kenneth E. Prouty

Research & Issues in Music Education

This essay examines how jazz educators construct methods for teaching the art of improvisation in institutionalized jazz studies programs. Unlike previous studies of the processes and philosophies of jazz instruction, I examine such processes from a cultural standpoint, to identify why certain methods might be favored over others. Specifically, jazz education is treated as a fusion of two distinct historical and cultural forces: those of musical academia, and of the jazz community. I argue that methods of teaching improvisation reflect a dual identity, in which these two cultural traditions sometimes exert an uneven influence upon the learning environment. Improvisational curricula, …

Joseph Cooper Walker, Esq. (C. 1761-1810), A Forgotten Irish Bard: A Dissection Of His Advertisement As A Map To His Melodies, Hilary Brady Morris

Inquiry: The University of Arkansas Undergraduate Research Journal

In conducting preliminary research for my undergraduate honors thesis, I discovered a two-volume publication in Mullins Library at the University of Arkansas, The Historical Memoirs of the Irish Bards (1818) by Joseph Cooper Walker, Esq. (c. 1761-1810). It held a variety of information on the music and poetry of ancient Ireland. What interested me most was the collection of melodies at the end of the first volume. Looking at overviews of Irish music collection, I saw little mention of Walker and his Irish Bards. Upon further investigation, I found that the first edition of his book (1786) contained only fifteen …

An Ethnoarchaeomusicological Investigation Of Highland Guatemalan Maya Dance-Plays, Mark Harold Howell

Dissertations, Theses, and Capstone Projects

Instrumental music played on two valveless trumpets and a wooden slit-drum currently accompanies the highland Guatemalan Maya dance-play Rab'inal Achi. These two instrument types are known from the Prehispanic record and have been associated with the play since its first mention in the mid-nineteenth century.

The script of the Rab'inal Achi is considered by many scholars to have Prehispanic roots. The possibility that its accompanying music also originated in Precolumbian times is the impetus behind my study. To explore this possibility I apply ethnoarchaeomusicological research methods, incorporating data supplied by iconology-iconography, ethnographic analogy, history, archaeology, and music analysis. Ethnoarchaeomusicological …

A Practical Guide To Twentieth-Century Violin Etudes With Performance And Theoretical Analysis, Aaron Michael Farrell

LSU Doctoral Dissertations

This document is a partial catalog of what is readily available to violinists for studies relating to twentieth-century repertoire. More studies in this area exist throughout the world, so those presented here are intended merely as a starting point. The document also contains factual information about the studies, as well as performance and theoretical analysis and biographical information about the composers. This information is designed to serve a variety of purposes. The factual and biographical information may be used by the violinist to choose appropriate etudes for himself/herself or a student. Later, the in-depth analysis will assist players throughout the …

The Organ Works Of Fela Sowande: A Nigerian Organist-Composer, Godwin Simeon Sadoh

LSU Doctoral Dissertations

Fela Sowande (1905-1987) has a huge compositional output including orchestral and vocal works. However, his organ music outnumbered the totality of his compositions. His organ pieces represent a truly intercultural music in which distinct tripartite cultural idioms are evident—Nigerian, African American and European. Works of this nature serve as creative source materials for aspiring composers, performers, scholars, music educators, and students in Africa and the world. This composer, folklorist, and music educator was born into a well-known music family in Nigeria. He was active in radio broadcasting, Yoruba folklore and mythology, indigenous music research, Nigerian art music, performance, orchestral conducting, …

The Guajira Between Cuba And Spain: A Study In Continuity And Change, Peter L. Manuel

Publications and Research

No abstract provided.

Fall 2003, 909 Wmpg Fm

WMPG Program Guides

Fall 2003

Le Nuove Musiche, March 18, 2003, Michelle Vought, Glenn Block

School of Music Programs

Center for the Performing Arts
Tuesday Evening
March 18, 2003
8:00 p.m.

Women In Music Symposium Iv: Today And Tomorrow, March 3, 2003, James E. Major

School of Music Programs

Center for the Performing Arts
March 3, 2003
8:00 a.m.

Old-Time Kentucky Fiddle Tunes, Chris J. Goertzen

Faculty Publications

No abstract provided.

Winter/Spring 2003, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis

History: Faculty Publications and Other Works

A detailed analysis of the reception of Wagner's, Meistersinger, in the Third Reich.

Flamenco Guitar: History, Style, And Context, Peter L. Manuel

Publications and Research

No abstract provided.

Developing A Four-Mallet Marimba Technique Featuring The Alternation Of Mallets In Each Hand For Linear Passages And The Application Of This Technique To Transcriptions Of Selected Keyboard Works By J.S. Bach, Thomas Allen Zirkle

LSU Doctoral Dissertations

The goal of this study is to develop a four-mallet marimba technique that utilizes alternation within each hand on linear passages, then apply this technique to selected keyboard works of J. S. Bach. This paper provides a method of training the hands for this type of alternation and will hypothesize a conception of hand positions as a method of facing the visual/spatial logistics issues of marimba performance. A performance annotation chapter will then apply the alternation sticking, and its resultant positional concepts, to three new transcriptions of J. S. Bach's inventions and a prelude and fugue from his Well-Tempered Clavier …

The Dies Irae ("Day Of Wrath") And Totentanz ("Dance Of Death"): Medieval Themes Revisited In 19th Century Music And Culture, Erin Brooks

Inquiry: The University of Arkansas Undergraduate Research Journal

During the pivotal November 2002 football game of Arkansas vs. Georgia in the SEC conference championship, the Georgia marching band struck up their defensive rallying song. Instead of a typical "defense" song, the band played an excerpt of the Gregorian Sequence Dies Irae ("Day of Wrath'') from the Roman Catholic Requiem Mass. Drastically dissociated from its original medieval milieu, this musical Sequence still manages to elicit the same effect of fear and foreboding nearly a thousand years later. Precisely because of its deep musical and cultural roots, the Dies Irae occupies a significant place in history, closely intertwined from early …

From Scarlatti To "Guantanamera": Dual Tonicity In Spanish And Latin American Musics, Peter L. Manuel

Publications and Research

No abstract provided.

When Tejano Ruled The Airwaves: The Rise And Fall Of Kqqk In Houston, Texas, Guadalupe San Miguel Jr.

NACCS Annual Conference Proceedings

No abstract provided.