Digital Commons Network^™

การสร้างสรรค์นาฏยศิลป์จากเพลงยาวพยากรณ์กรุงศรีอยุธยา, วิชชุลดา ตันประเสริฐ

Chulalongkorn University Theses and Dissertations (Chula ETD)

วิทยานิพนธ์เรื่องนี้มีวัตถุประสงค์เพื่อศึกษารูปแบบและแนวคิดหลังจากการสร้างสรรค์นาฏยศิลป์จาก เพลงยาวพยากรณ์กรุงศรีอยุธยา ใช้รูปแบบวิธีการวิจัยเชิงคุณภาพในรูปแบบของงานวิจัยเชิงสร้างสรรค์ โดยศึกษาวรรณกรรมเพลงยาวพยากรณ์กรุงศรีอยุธยา ผลงานทางด้านนาฏยศิลป์ที่เกี่ยวข้องกับการวิจัย ความคิดเห็นของผู้วิจัย เครื่องมือที่ใช้ในการวิจัย ได้แก่ การค้นคว้าเอกสาร การสัมภาษณ์ การสัมมนา สื่อสารสนเทศ การเก็บข้อมูลภาคสนาม เกณฑ์มาตรฐานศิลปิน และประสบการณ์ส่วนตัวของผู้วิจัย โดยนำข้อมูลที่ได้จากการศึกษามาวิเคราะห์ สังเคราะห์ สร้างสรรค์ผลงานนาฏยศิลป์ สรุปผล และนำเสนอผลการวิจัย ตามลำดับ ผลการวิจัยพบว่า จากการสร้างสรรค์นาฏยศิลป์จากเพลงยาวพยากรณ์กรุงศรีอยุธยาสามารถจำแนกตามองค์ประกอบนาฏยศิลป์ได้ 8 ประการ ประกอบด้วย 1) บทการแสดง แบ่งออกเป็น 3 องก์ ประกอบด้วย องก์ที่ 1ภาพความล่มสลาย องก์ที่ 2 ความหายนะ และองก์ที่ 3 ความรุ่งเรือง นำเสนอในรูปแบบการเล่าจากปัจจุบันย้อนกลับไปหาอดีต 2) นักแสดง มีทักษะด้านการแสดงละคร ทักษะนาฏยศิลป์ไทย ทักษะการต่อสู้ด้วยอาวุธ 3) ลีลาทางนาฏยศิลป์ ใช้การเคลื่อนไหวในกิจวัตรประจำวัน (Everyday Movement) ตามแนวคิดของนาฏยศิลป์หลังสมัยใหม่ ลีลานาฏยศิลป์ไทย และลีลาการต่อสู้ด้วยอาวุธ 4) เครื่องแต่งกายมี 2 ลักษณะ ได้แก่ การแต่งกายชาวบ้านสมัยอยุธยาและการแต่งกายโขนและละครแบบราชสำนักอยุธยา 5) อุปกรณ์การแสดงใช้แนวคิดการลดทอนองค์ประกอบ (Minimalism) สื่อเชิงสัญลักษณ์ได้อย่างชัดเจน 6) เสียงและดนตรีนั้นจะใช้วงดนตรีร่วมสมัย วงมโหรีเครื่องหก เสียงขับเสภาสด เสียงสังเคราะห์จากโปรแกรมคอมพิวเตอร์ดนตรี และเสียงการสนทนาของนักแสดง 7) พื้นที่สำหรับแสดง จัดแสดงในโรงละครในลักษณะแบล็ค บ๊อกซ์ เธียเตอร์ (Black Box Theatre) มหาวิทยาลัยกรุงเทพ 8) แสง ช่วยสร้างบรรยากาศ อารมณ์ และความรู้สึกร่วม นอกจากนี้แนวคิดที่ได้หลังจากการสร้างสรรค์ผลงานให้ความสำคัญใน 4 ประเด็น คือ การคำนึงถึงเนื้อหาวรรณกรรมเพลงยาวพยากรณ์กรุงศรีอยุธยา โดยนำเนื้อหาของวรรณกรรมมาสร้างสรรค์เป็นผลงานทางนาฏยศิลป์ การคำนึงถึงความคิดสร้างสรรค์ทางนาฏยศิลป์ เป็นการเล่าเรื่องแบบย้อนกลับจากปัจจุบันไปหาอดีต การคำนึงถึงสัญลักษณ์ในงานนาฏยศิลป์ เป็นการออกแบบเชิงสัญลักษณ์ที่ได้ปรากฏอยู่ในองค์ประกอบทางนาฏยศิลป์ ได้แก่ ลีลาทางนาฎยศิลป์ เครื่องแต่งกาย เสียงและดนตรี และอุปกรณ์ประกอบการแสดง และการคำนึงถึงแนวคิดหลังสมัยใหม่ …

Exploring The Standard: A Look Into Modern Voice And Speech Curriculum, Taylor L. Bosta

Theses and Dissertations

This thesis explores the current state of voice and speech education to discover if there is a standard of learning from university to university. By examining the history of voice and speech, discovering basic skills, breaking down teaching methodologies, and taking a look at current university and conservatory acting programs, the thesis discovers there is not a standard way of teaching, but there is a standard set of skills that should be upheld when planning voice and speech curriculum.

Listening For The Cosmic Other: Postcolonial Approaches To Music In The Space Age, Paige Zalman

Graduate Theses, Dissertations, and Problem Reports (ETD)

As government programs such as NASA and SETI seek signs of intelligent life in space and privately-funded programs such as SpaceX finalize plans to colonize Mars in the coming decades, representations of space and extraterrestrial life in American culture have become increasingly relevant. Focusing on Jóhann Jóhannsson’s musical score for Denis Villeneuve’s science-fiction film Arrival (2016), Terry Riley’s Sun Rings (2002) for string quartet, chorus, and recorded space sounds, and former International Space Station Commander Chris Hadfield’s “Songs about Space” Spotify playlist, my research problematizes the ways in which composers, musicians, and even astronauts depict alterity through music and reinforce …

Musical And Cultural Perspectives Of Héctor Campos Parsi: An Examination Of His Influences And Analysis Of Selected Vocal Works, Cynthia Ortiz-Bartley

Graduate Theses, Dissertations, and Problem Reports (ETD)

This paper examines the historical and cultural atmosphere in Puerto Rico and how it affected one of Puerto Rico’s most celebrated composers, Héctor Campos Parsi, and two selected works in two different times of his life. The discussion includes events that affected the island with respect to art music from 1898, the birth of Héctor Campos Parsi in 1922, and up to 1986, which marks the date of the second selected work. This document considers three questions about cultural and structural influences about the life and experiences of Héctor Campos Parsi: Does a composer’s life experience and environment and culture …

Examining Musical Hybridity And Cultural Influences In Valerie Coleman’S Wish Sonatine And Fanmi Imèn, Brittany Marie Trotter

Graduate Theses, Dissertations, and Problem Reports (ETD)

The purpose of this research document is to examine elements of musical hybridity and cultural influences in renowned African-American flutist-composer Valerie Coleman’s Wish Sonatine and Fanmi Imèn for solo flute and piano. Prominently known for her chamber music works, Coleman describes her compositional style as “urban-classical,” which infuses elements of popular American styles into modern Western art music traditions to highlight and encapsulate the cultural experiences of various diasporas of our time.

The most significant elements of hybridity and cultural influences examined in Wish Sonatine and Fanmi Imèn are programmatic imagery and compositional motifs. The programmatic imagery is represented through …

Review Of Recasting Folk In The Himalayas: Indian Music, Media, And Social Mobility By Stefan Fiol, Victoria M. Dalzell

HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies

No abstract provided.

Music Professor Receives Prestigious International Fellowship, Staff Report

University of Mississippi News

Carnegie African Diaspora Fellowship supports George Dor's work with Nigerian university

Grit & Ghetto: American Pop Music From The '90s To The '00s, Ernest M. Oleksy

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

Since music became easily accessible through technological advances, the industries progression has been largely dictated by the preferences of middle-class, adolescent Caucasians. When bearing this in mind, the prevalence of pop music that was either made or inspired by African American influences, particularly from an urban setting, or that invokes the persona of the white, suburban "rejects", like Nirvana, becomes an interesting inquiry. This article charts how both members and pretenders of the seemingly unpopular subgroups of black "ghetto" city-folk and awkward, friendless scruffy white males has led to some of the most critically-acclaimed and popularly adored genres of music …

Why Are We Here? On The (Philosophical) Value Of Documents, Marco Inchingolo, Valeria Martino

Proceedings from the Document Academy

What does a philosopher do with documents? The most natural answer to this question would probably be that philosophers, as writers, produce documents. What would appear as less intuitive, though, is a philosopher producing documents about documents. But philosophy—and in particular ontology—has always been interested in what there is out there in the world. And documents are a peculiar class of objects, the stuff the world is filled with. This year, the Annual Meeting of the Document Academy has been hosted by a philosophy department for the first time: by the Department of Philosophy of the University of Turin. …

Bastin, Glen (Fa 1241), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1241. Collection of 38 cassette tapes featuring Glen Bastin's regional public affairs syndicated radio program, "Pondering Kentucky: The Magazine." A contents list was prepared and appears at the end of this finding aid.

Negotiating The Personal And Professional: Ethnomusicologists And Uncomfortable Truths, Rebecca S. Miller, Svanibor Pettan, Anne K. Rasmussen, Margaret Sarkissian

Music: Faculty Publications

The panel, “Negotiating the Personal and Professional: Ethnomusicologists and Uncomfortable Truths,” presented at the Forty-third ICTM World Conference in Astana, Kazakhstan, grew out of informal conversations common among ethnomusicologists. As practitioners in our discipline, we are involved in complex webs of experience, relationships, and representations focused around music, broadly defined. Our work is inherently social and, when in the field, we develop close relationships with our teachers and consultants as we become comfortable in our sites of research. We are grateful for priceless access to communities and individuals. The intensity and combination of certain relationships and circumstances, however, can lead …

Cseas Weekly Bulletin (December 3, 2018), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.

Percussion Ensemble Fall Concert, Kayleen Justus, Andrew Creech, Jonathan Steltzer, Aldo Cardenas

Bailey School of Music Concert Programs

KSU Percussion Ensemble, led by director John Lawless, performs an exciting program of repertoire for various groupings of percussion instruments and players.

School Of Music Faculty/Staff Newsletter, December 2018, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

Vol. 41 No. 3 (2018): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 41, No 3-Dec 2018 edition of the Pacific Studies Journal.

Vol. 41 No. 3 (2018): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

The Role Of Music In Worship Among Deaf Culture Christianity, Mallory Ruth Dunn

Masters Theses

Throughout the Word of God, we are called to worship our Creator through music. "Shout for joy to the Lord, all the earth, burst into jubilant song with music; make music to the Lord with the harp and the sound of singing, with trumpets and the blast of the ram's horn--shout for joy before the Lord, the King" (Psalm 98: 4-6 [NIV]). It has been said that music is a universal language: but all cultures use it differently and therefore it is not a universal language but a universal phenomenon. What about the individual who cannot hear the music or …

Finding Identity Through Irish Music In The Appalachian Mountains, Marina Delores Rayl

Masters Theses

The Appalachian Mountains are filled with remnants of Scot-Irish heritage. The music found in this region includes bluegrass, Old-time, and country music, all created from the blending of Scottish and Irish traditional music with other ethnic sounds. Despite these music variations, traditional Irish music has remained consistent in its original form in the mountain region. This concept is supported by the popularity of two key events occurring in both the northern and southern sections of the Appalachians. Through fieldwork and personal interviews, the rationales of those who participated were discovered. The research brought to light three people sub-groups revealing the …

“I’Ve Always Identified With The Women:” How Appalachian Women Ballad Singers’ Repertoire Choices Reflect Their Gendered Concerns, Sara Lynch-Thomason

Electronic Theses and Dissertations

This thesis explores how contemporary Appalachian women’s gendered experiences influence their choices of ballad repertoire. This inquiry is pursued through a feminist analysis of interviews with six women ballad singers from Madison County, North Carolina. In evaluating the women’s choices of ballads and their commentary on the songs, this thesis draws upon narratological theories as well as concepts from Appalachian traditional music studies.

This study finds that women’s repertoire preferences reveal contemporary female concerns for physical safety and political agency. The singers also extract hidden transcripts from ballad texts and use ballads to educate audiences about women’s historic oppression. However, …

The Song Style Of Antonio Carlos Jobim: An Analysis Of Four Songs, Rachel Rogers

Master's Theses

The songs of Antônio Carlos Jobim are a national treasure of Brazil, beloved around the world. Their beauty and subtle simplicity have enthralled audiences for the last 60 years, yet they often reveal some unusual construction. Following the lead of other Brazilian theorists, this study was commenced with the belief that applying rigorous theoretical analysis to bossa nova would show its qualityand enduring worth. Four songs were selected for analysis based on their importance in Jobim’s career and their centrality to the bossa nova genre, “Chega de Saudade,” “Corcovado,” “Insensatez,” and “Garota de Ipanema.” They are among the most recorded …

Schulman, Steven A. (Fa 1227), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1227. Student paper titled “The Preacher’s Just Like a Grasshopper: A Study of a Kentucky Song Maker” in which Steven Schulman details the life of Howess Dewey Winfrey, a song-maker from Cumberland County. Schulman collected folk songs and performances from Winfrey over the course of two months. His fieldwork revealed that Winfrey was a creator of satirical tunes, which were influenced by his childhood, his experiences with the Church of the Nazarene, his time spent as a logger, his relationships with family and friends, politics, and land ownership. The paper includes excerpts from …

"Sounding The Nile" In Nubian Musical Expression, Regan L. Homeyer

Shared Knowledge Conference

Nubians are indigenous peoples of the Nile River Valley whose ancient civilization parallels that of ancient Egypt. In 1964, 50,000 Egyptian Nubians were removed from their homeland along the Nile because of President Gamal Abdel Nasser’s initiative, the Aswan High Dam Project. With fertile lands and sacred temples doomed to inundation by the waters of what is now Lake Nassar, Nubians were resettled in government built villages that promised both preservation of culture and modern conveniences. What these riverine people received, in fact, were poorly constructed, unfinished dwellings located in the desert, more than five miles from the Nile. A …

Volume Cxxxvi, Number 8, November 2, 2018, Lawrence University

The Lawrentian

No abstract provided.

Honors Oracle, November 2018, Marshall University Honors College

Honors Oracle

Marshall University’s Honors College newsletter

Winona Currents Magazine, University Advancement - Winona State University

Winona Currents

This magazine published by Winona State University’s University Advancement was intended to inform WSU Alumni, students, faculty, staff and the greater community about Alumni and the university.The cover themes are: The Power of Experience.

“Classical Music”: How Can One Phrase Mean So Much?, Tyler Barboza

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Cultural Appropriation In Classical Music: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Electronic Dance Music: Is It Art? Selected Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

Electronic Dance Music, or EDM, is a genre of music that has enjoyed success. Although it grew out of art music in the twentieth century, EDM is considered popular music. But, is the future of EDM confined only within popular music or is there potential for it to influence or become art music? Or perhaps, is EDM already a form of art regardless of whether or not it is commonly seen as such? In response to such quandaries, this paper will form a method of critique to analyze EDM in comparison to art music. To do so, an overall understanding …

There Has Been A Certain Type Of Demographic That Has Consistently Attended Classical Music Performances, But At The Same Time The Classical World Can Broaden Its Group Of Audience Members, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Ron Carter's Influence On Miles Davis' Quintet From 1963 - 1968, Bob Songster

Musicology and Ethnomusicology: Student Scholarship

How Ron Carter influenced Miles Davis’ 1963-1968 quintet, and how this quintet influenced Ron Carter’s playing style. Compare and contrast both Carter's work before and after the Davis quintet, and Davis’ work before and after the quintet.