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Saunders Lewis, J.R.R. Tolkien, And The Place Of Magic In Fantasy, Alexander Retakh

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Welsh writer Saunders Lewis was, just as his almost exact contemporary J.R.R.Tolkien, a politically conservative Catholic with a deep interest in medieval myths. Both authors wrote fantasy based on Celtic tales, such as Lewis's play Blodeuwedd and Tolkien's poem The Lay of Aotrou and Itroun. While the latter follows the dicta of Tolkien's own "On Fairy-stories," Lewis created a more modernist work. Despite biographical and ideological similarities, the two approached their sources differently. Tolkien looked for unifying aesthetic principles that he called "unhazy unromantic momentariness," while Lewis used the traditional material to escape the constraints of romantic and realistic …

Sinclair Lewis Society Newsletter, Vol 34, No. 1, The Sinclair Lewis Society

Sinclair Lewis Society Newsletter

“Every Time Something Big and Stupid Happens in America, Lewis Becomes Popular Again”: A Conference Retrospective, with Notes from a First-Time Visitor to Sauk Centre by Shaun F. Richards

Pickerbaugh’s Rhymes: Another Target of Satire in Arrowsmith by George Killough

In Memoriam: Robert E. Fleming, Father of the Sinclair Lewis Society by Sally E. Parry

Arrowsmith 100 years later: Osterholm Links Lewis’s Novel to Modern Society by Shalon Wilber

Becoming A Writer: A Review of Writers Like Us: My Life with Sinclair Lewis, by Barnaby Conrad, with Barnaby Conrad III by Shaun F. Richards

Sinclair Lewis and the Pulitzer …

Introduction: Dreaming The Daily Darg, Corey Gibson

Studies in Scottish Literature

Describes the scope of the Carnegie Trust -funded project on Working Lives in Scottish Writing since 1918, discusses the topics and theoretical perspectives explored in the research phase, noting both change and continuity from the treatment dominant in early and mid-20th century Scottish literary studies, and introduces the essays in this special issue and their contributions to the wider project theme.

Writing Loss, Culture And Change: Deindustrialisation And Community Writers’ Groups In Glasgow, Kate Wilson

Studies in Scottish Literature

No abstract provided.

Interspecies Responsivity In Early Modern Drama And Animal Performances, Taylor C. Culbert

Dissertations, Theses, and Capstone Projects

This dissertation proposes an expansive, interspecies definition of performance that uses behavior rather than cognition as the decisive feature and illustrates how such a definition can reshape our approach to theatre and performance history. Using the concept of responsivity, which refers to the embodied and affective ways that humans and non-human animals acknowledge and react to one another, I trace human–animal interactions across a variety of sixteenth- and seventeenth-century performance genres, from the aristocratic stag hunt and entertainments involving trained animals to the plays of Molière and Shakespeare. Drawing on my experience training animals, I offer a new perspective on …

A Decolonial Reading Of The Dystopian Narratives About Feticide And Infanticide In Hindi Films, Argha Basu, Priyanka Tripathi

Kritika Kultura

The guiding principle concerning the question of bodily agency and the feminist discourse of

The Mythic Circle #47

The Mythic Circle

No abstract provided.

Contributors

The Mythic Circle

No abstract provided.

Our Flag Means Gender: Gender “Fuckery” In Our Flag Means Death, Megan Abrahamson, Dusty Brooks, Cassidy Percoco

Online Midwinter Seminar (OMS)

No abstract provided.

My Achilles Years., Ash William Bittner

Electronic Theses and Dissertations

This dissertation is a historically and rhetorically grounded creative project exploring the traumas of war. This project is divided into three broad chapters, each using a different (and relevant) approach to cover the content contained within that chapter. The first chapter relies on that historical grounding, exploring the history of PTSD as it is currently understood, before exploring ancient Greek poetry and theater and both the historical and military contexts for each, before finally discussing modern warfare and the “Forever War” of the American War on Terror that lasted for nineteen years. With the historical grounding set, it moves into …

The Substance Of Reality: Moral Perfectionism In Shakespeare's Hamlet., David Wright

Electronic Theses and Dissertations

Through a selection of and close reading of key passages, I offer an interpretation of Hamlet that seeks to illuminate the play as an important work of moral philosophy, and to situate the play within a strand of moral philosophy named moral perfectionism by Stanley Cavell. Indeed, Hamlet is a masterpiece of Renaissance drama, but when read with attention to moral perfectionism, the play yields additional layers of meaning. Hamlet is a “philosophical drama” that navigates the “moral calling of philosophy”—a text that seems to, almost uncannily, elicit the audience to think reflectively, to ask fundamental human questions along …

Climate Fiction Of The Anthropocene, Joseph Paul Ferguson, Cassandra Tytler, Peta J. White, Susan Oliver

Research outputs 2022 to 2026

No abstract provided.

Beyond The Meadow: Exploring The Violence And Dynamics Of Power In Watership Down Through Critical Animal Studies And Cinematographic Lens, Marwa Hussein Abdelfattah

Arts and Design

This paper aims to analyze the 2018 Netflix miniseries adaptation of Richard Adams's classic novel, Watership Down, using Critical Animal Studies and a Cinematographic lens. The analysis focuses on its visual storytelling through the camera angles, lighting, and character representation. Adams’ novel was adapted three times. The first two animated versions were horrifying to the extent that one of them was banned. The most recent version used Computer-Generated Imagery (CGI) technology to be more friendly. The CGI version toned down explicit brutality while maintaining the novel's darker themes. Unlike the two previous versions, the CGI focused on inferred violence and …

Introduction, Dominic Davies, Candida Rifkind

WLU Press Books

This is the introductory chapter of Graphic Refuge Visuality and Mobility in Refugee Comics by Dominic Davies and Candida Rifkind.

Graphic Refuge is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas.

Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, …

Lost In Transition: An Examination Of The Burden Of Choice In Samuel Beckett's Dramatic Works, Sam Parrish

English Theses

Samuel Beckett's plays, Waiting for Godot and Endgame, provide ample room for applying existential and speech act theories to examine the goals of the characters. In analyzing the exchanges between these characters, the audience becomes aware of the phenomenon of miscommunication and how it alienates the characters. This thesis furthers the discussion of Beckett's intentions regarding the human experience as embodied on stage by examining the text of the plays, rather than any specific performances. Specifically, I develop a framework that identifies a main character within each of the plays discussed, and how the interactions between that main character and …

Surveillance, Punishment, And Rebellion: The Eye Of Sauron And Foucauldian Panopticism In J. R. R. Tolkien’S The Lord Of The Rings, Isabel M. Birge

Journal of Tolkien Research

This article uses Michel Foucault's theory of Panopticism, as outlined in his book Discipline and Punish as a framework for understanding the role of surveillance in Middle-earth throughout J. R. R. Tolkien's The Lord of the Rings. Drawing parallels between Foucault’s understanding of the Panopticon of Jeremy Bentham and Tolkien’s depiction of Sauron’s totalitarian vision, the paper explores the ways in which power operates invisibly through intermediaries, such as the Orcs and the Nazgûl, who internalize Sauron’s all-seeing gaze and perpetuate his dominion as well as through magical/technological means of gazing such as the Palantíri. This essay argues that, …

Thou Swearest Thy Gods In Vain: The Victory Of Christ As Deus Ex Machina In King Lear Over Apollo In Euripides's Orestes, Aaron B.Y. Gorner

Criterion: A Journal of Literary Criticism

No abstract provided.

The Interconnectedness Of Fun Home On Page And Stage, Livia M. Nocito

English and Creative Writing Independent Study Projects

In Fun Home: A Family Tragicomic by Alison Bechdel, instances of Alison’s emotional “rise,” or openness in being queer, and Bruce’s “descent,” or need to conform, in the book are further supplemented by translations made into the musical through leitmotif and musical composition. This cements not only their roles as Daedalus and Icarus respectively in the metaphor Alison presents in her memoir, but also highlights their lived experiences in a way that truly extends Alison’s liberation as a lesbian to be elevated in grandeur and Bruce’s stifling life to be as damning as Icarus’s fall into the sea.

“The Best Storyteller In The World:” Gwydion, Court Poetry, And Statecraft In The Fourth Branch Of The Mabinogi, Abigail Fathauer '25

Senior Scholarly and Creative Symposium

Gwydion, the trickster protagonist of The Mabinogi, orchestrates the plot and manipulates those around him. His trickery ultimately results in political shifts, changes, and even wars, reflecting his role as a powerful player in the text. Moreover, Gwydion's use of poetry, knowledge, and words to enact his schemes and manipulations reflects the power of poets in medieval Welsh courts. My thesis argues that Gwydion's use of poetry to manipulate the politics around him reflects the power of poetry to craft nation states, as medieval Welsh poets did.

Where Angels Fear To Tread And Heart Of Darkness: Imperialism’S Civil Dehumanization, Roan Brimacomb

The Criterion

No abstract provided.

"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski

English

This paper proposes a new literary theory framework based on the zine "an aromantic manifesto" by yingchen and yingtong, as well as the work of Erving Goffman, using theater as a device to examine romantic relationships. Blending English and sociology, I focus each chapter on a different literary period and examine two plays each: early modern (Christopher Marlowe's Doctor Faustus and William Shakespeare's Much Ado About Nothing), modern (Edward Albee's Who's Afraid of Virginia Woolf? and Djuna Barnes' "To The Dogs"), and contemporary (Caryl Churchill's Cloud 9 and Margaret Edson's W;t). In tandem with analysis of formal elements---like …

Shakespeare, Storytelling, And Science: An Exploration Of The Relationship Between The Early Modern Scientific Movement And Shakespeare’S 17th-Century Works, Morgan Mead

Undergraduate Honors Thesis Collection

The 17th-century scientific movement generated a “death of the metaphor” that reverberated across the literary landscape. The creation of the Royal Society in 1660 shifted the ways in which literature and art were represented and respected in Western society. Shakespeare's works, believed to have been written from 1592-1615, show the growing relevance of the scientific and philosophical issues and queries that led to the formation of the Royal Society. A deep dive into Shakespearean metaphor and the scientific works that were causing shifts within Shakespeare’s world provides insight into the mind of an artist consumed and perturbed by matters of …

Embodied Feminist Authorship In Stage And Screen Adaptations Of Mary Shelley’S Frankenstein, Abigail Marie Hoehn, Leah Grace Ollie

Undergraduate Honors Thesis Collection

Mary Shelley’s feminist ideals and lived experience have been illuminated by years of adaptation, retelling, and counter-discourse that have told her own story within that of her acclaimed novel Frankenstein. In this thesis project, we argue that through the process of reproducing the narrative of Frankenstein, such adaptations — on both stage and screen — have memorialized authorial identity on Shelley’s behalf, as well as highlighted her feminist outlooks on birth, motherhood, loneliness, and womanhood that live on in her creative works. By first surveying a selection of films that tell the story of both Frankenstein and its storied author, …

Love Y Ganas; A Revolutionay Revelation, Thomas J. Salas

Open Access Theses & Dissertations

My thesis does not have an abstract.

Antisemitism In Medieval Drama: The Villainization Of Judaism In The Croxton ‘Play Of The Sacrament’ And The York Corpus Christi Play, Amber Leech

English and Creative Writing Honors Papers

In early Middle England, Jews faced an onslaught of antisemitic violence as they were falsely accused of blood libels and the murdering of young children. This culminated in their expulsion from England in 1290, but although they had no legal standing in the country, antisemitism ran rampant in their absence. In this project, I will examine instances of antisemitism in medieval culture, specifically through its drama. The Croxton ‘Play of the Sacrament’ and The York Corpus Christi Play are two plays that display the antisemitism that permeated England throughout the Middle Ages by perpetuating stereotypes that Jews are violent and …

A Review Of The Edinburgh Companion To W. B. Yeats And The Arts Edited By Charles I. Armstrong, Adrian Paterson, And Tom Walker, Rob Harris

International Yeats Studies

No abstract provided.

A Review Of Yeats, Revival, And The Temporalities Of Irish Modernism By Gregory Castle, Tom Walker

International Yeats Studies

No abstract provided.

The Immobile Nobility Of “Life Herself ”: Silence And Stillness In “The Irish Dramatic Movement,” The Bounty Of Sweden, And New Poems, Wit Pietrzak

International Yeats Studies

No abstract provided.

Yeats And Heaney’S Noble Words, Geraldine Higgins

International Yeats Studies

No abstract provided.

Yeats, Tagore, And The Nobel Prize In Literature: Imprimaturs In Modernist Cultural Conversations, Ragini Mohite

International Yeats Studies

No abstract provided.