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Strange Embedded Fellows: The Socio-Narrative Radicalism Of Ann Radcliffe's Gothic Romance, E. Jordan Sellers Jr.

English Theses & Dissertations

Through a close narratological analysis of Ann Radcliffe's romances, this thesis will demonstrate that the form of Radcliffe's novels is fundamentally linked to her contemporary cultural contexts. Although traditional criticism of Radcliffe rather dubiously labels her a conservative writer and regularly cites her heroines and servants as idealized and submissive stock devices, this project will demonstrate that her characters have significant subversive agency based in narrative structure, which subtly points to the radicalism of Radcliffe's politics. These conventional readings of Radcliffe's novels have too long separated the concerns of servants, women, and Radcliffe's own politics. It is only when we …

Finding Where I Am: A Collection Of Creative Nonfiction - Creative Thesis, Jana Lloyd

Theses and Dissertations

This thesis is a collection of five pieces of creative nonfiction written over the academic years 2003—2005. Creative nonfiction is a genre that, in some form or another, has always existed, though trends in form and style are constantly in flux. Based on the experiences of the actual author, creative nonfiction seeks to present the journey of a mind at work, in a style that is candid, quirky, and insightful. It seeks to persuade its reader by establishing a likeable and trusted narrator; by relating interesting facts that teach the reader something about the subject at hand; and by appealing …

Translating Huck: Difficulties In Adapting "The Adventures Of Huckleberry Finn" To Film, Bryce Moore Cundick

Theses and Dissertations

Filmmakers have had four main difficulties adapting The Adventures of Huckleberry Finn to film: point of view, structure, audience and the novel's ending. By studying the different approaches of various directors to each obstacle, certain facts emerge about both the films and the novel. While literary scholars have studied Huck from practically every angle, none have sufficiently viewed the book through the lens of adaptation, despite the fact that it has been adapted to film and television over twenty times. The few critics who have studied the adaptations have done so using dated methodologies that boil down to little more …

The Byronic Myth In Brazil: Cultural Perspectives On Lord Byron's Image In Brazilian Romanticism, Matthew Lorin Squires

Theses and Dissertations

Byron's reception in one of the nineteenth century's largest and most culturally significant post-colonial outposts, Brazil, has been virtually ignored in English studies. The implications of Lord Byron's influence in Brazil are extensive since he was overwhelmingly popular among poets but also subversive to the nationalistic aims of Brazilian Romanticism. Nearly all of the well known Brazilian Romantics were not only influenced by him, but translated him. Their notion of what it meant to be "Byronic," however, differed from ideas held in Europe. The Brazilian Byronic hero was more extreme, macabre, and sentimental, lonelier, darker, and deadlier. Byron had various …

Negotiating Hope And Honesty: A Rhetorical Criticism Of Young Adult Dystopian Fiction, Lauren Lewis Reber

Theses and Dissertations

Young adult dystopian fictions follow the patterns established by the classic adult dystopias such as George Orwell's 1984 and Aldous Huxley's Brave New World, but not completely. Young adult dystopias tend to end happily, a departure from the nightmarish ends of Winston Smith and John Savage. Young adult authors resist hopelessness, even if the fictional world demands it.

Using a rhetorical approach established by Wayne Booth in The Rhetoric of Fiction and The Company We Keep, this thesis traces the reasons for the inclusion of hope and the strategies by which hope is created and maintained. Booth's rhetorical …

The Translator's (In)Visibility In Ann Patchett's Bel Canto, Amy Dawn Glauser

Theses and Dissertations

Transferring words and ideas from one language to another has always been a puzzling and difficult matter for those involved in it. For centuries, English-speakers and translators have dealt with these difficulties by enforcing, through professional codes of ethics and through publishing contracts, what Lawrence Venuti calls "the translator's invisibility," as chronicled in his book by the same name. By evaluating translation solely on the transparency and fluency of the target language translation (that is, by making a translation not seem like a translation), English translators and audiences assured that translators remained faithful to original authors' intents, or so they …

Eng 2005-001: Beginning Playwriting, David Radavich

Spring 2005

No abstract provided.

Eng 1002g-056: Composition And Literature, Zahlan

Spring 2005

No abstract provided.

Eng 3009g-001-003: Myth And Culture, Michael Leddy

Spring 2005

No abstract provided.

Eng 4801-001: Integrating The English Language Arts, Jerie Weasmer

Spring 2005

No abstract provided.

Eng 2091g-099: Literature, The Self And The World: Fiction, Zahlan

Spring 2005

No abstract provided.

Eng 3009g-005: Myth And Culture, Carol Stevens

Spring 2005

No abstract provided.

Eng 2099g-099: Labor, Class, Power, John David Moore

Spring 2005

No abstract provided.

Eng 2850-001: Post-Colonial Literature, Zahlan

Spring 2005

No abstract provided.

Eng 3803-001: English Literature, Carol Stevens

Spring 2005

No abstract provided.

Eng 1002g-034-057: Composition And Literature, Lucinda Berry

Spring 2005

No abstract provided.

Linking Genesis To Modern Day Castaway Narratives, Shawndra Russell

Theses, Dissertations and Capstones

This thesis analyzes two castaway novels, Lord of the Flies and John Dollar, and compares these novels to segments of Genesis, focusing primarily on the story of Adam and Eve. To compare and contrast these three works, I pulled out eleven similar ideas found in each text which formed eleven different chapters. This project evolved into offering an alternative way to interpret these castaway narratives as retellings of the creation story. The characters in John Dollar and Lord of the Flies become Adam and Eve type figures as they try to survive on Edenlike islands. At the same time, this …

Fighting The Good Fight: The Real And The Moral In The Contemporary Hollywood Combat Film, Philippa Gates

English and Film Studies Faculty Publications

No abstract provided.

Brightwood, Theodore Haddin

Birmingham Poetry Review

pp. 51-52

Hybrid Identity And Arab/American Feminism In Diana Abu-Jaber's Arabian Jazz, Nicole Michelle Khoury

Theses Digitization Project

In her novel Arabian Jazz, Diana Abu-Jaber attempts to explore the Arab American identity as something new; as an identity that exists related to, but ultimately separate from, the Arab and American identities from which it was originally created. This thesis discusses the emergence of the depiction of the Arab American female identity in the novel, examining how the characters explore issues of race, class, imperialism, and sex within both the Arab and the American cultures as those issues shape female identity. The thesis also presents a rhetorical analysis of the speeches that allow the characters a voice with respect …

"I Thought Perhaps The Reaper Was Going To Do Something To You": The Serpent's Kiss And The Issue Of Reverse-Objectification, Jason Mcentee

English Faculty Publications

In this discussion, I examine the continual problem of female representation in the movie narrative. Movie narratives often rely on female characters situated in roles that find them objectified by males, allowing us to hypothesize--as the body of feminist film criticism has done since at least the mid- I970s--that she also becomes objectified by her viewing audience. Then calling for a sweeping change in the mindsets of both male and female filmmakers, Sharon Smith precisely points out the problems of female representation:

"The role of the woman in a film almost always revolves around her physical attraction and the mating …

Legacies Of The Borderland In The Crystal Frontier, Wendy Fabiola Cedillo

Hipertexto

No abstract provided.

Review Of Mary E. Hocks And Michelle R. Kendrick, Eloquent Images: Word And Image In The Age Of New Media, Laura J. Gurak, Amy Propen

English

No abstract provided.

Sabbatical Report, Umeeta Sadarangani

Sabbaticals

No abstract provided.

The Cultural-Historical Origins Of The Literary Vampire In Germany, Heidi Crawford

Journal of Dracula Studies

Before British authors began writing vampire literature, culminating in 1897 with Bram Stoker’s Dracula, eighteenth-century German poets, most significantly Heinrich August Ossenfelder, Gottfried August Bürger, and Johann Wolfgang von Goethe, had begun to adapt the curious phenomenon of vampirism from Central Europe for the creative literature they were producing in the enlightened West. Possibly the most striking observation about the origins of the vampire figure in German poetry is that the German poets seem to have drawn more on Central European than German folklore. The reason for this is that the literary vampire was introduced into eighteenth-century German ballad poetry …

The People Of Bram Stoker's Transylvania, Duncan Light

Journal of Dracula Studies

One of the defining features of Bram Stoker’s Dracula is the “specific and detailed geographical context that sets this novel apart from other gothic novels” (Florescu & McNally 5). Indeed, although Stoker had not visited Transylvania, he is known to have read widely in preparing Dracula.1 While his historical research has come under particular scrutiny, little attention has been paid to his representation and understanding of the region’s geography.2 As a human geographer with research interests in Romania, I find that there is something not “quite right” about Stoker’s Transylvania. In particular, where are the Romanians? And why are there …

Echoes Of Dracula: Racial Politics And The Failure Of Segregated Spaces In Richard Matheson's I Am Legend., Kathy Davis Patterson

Journal of Dracula Studies

No abstract provided.

"Betwixt Sunset And Sunrise": Liminality In Dracula, Mark M. Hennelly Jr.

Journal of Dracula Studies

No abstract provided.

Dracula And The Afterlife: A Psychological Explanation, Jack D. Maser

Journal of Dracula Studies

Until relatively recently, the primary psychological approach to understanding Bram Stoker’s Dracula and the folklore of vampires has been psychoanalysis. Maurice Richardson asserted in 1956 that Dracula must be seen from a Freudian standpoint, since “from no other does the story really make any sense” (427). However, the psychoanalytic approach shares little with modern, scientifically based psychology. Fascinating though it may be, psychoanalytic theory has almost no measurable attributes and may itself be as mythical as vampires and an afterlife. Rather, psychoanalysis is a creative theory of human cognition and behavior that can be neither proven false, objectively replicated, nor …

Ivy Leaves, 2004-2005, Ivy Leaves Editorial Staff

Ivy Leaves

The 2005 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Joshua Burdette, Darcie Davis, Leanne Gray, Maghan Lush, Jessica Sopolosky, Marissa Sullivan, Sarah Swofford, Becky Bradstreet, Brian Burrell, Kayla Evett, Anthony Gonzalez, Melissa Johnson, Kari Pettit, Donavon Schmidt, Ashely Smoak, Alice Wilkins, Wayne Cox, and Jane Dorn. Cover art by Kari Pettit.