Digital Commons Network^™

The Creation Of Traditional African Dance/Music Integrated Scores, Doris Green

Journal of Movement Arts Literacy Archive (2013-2019)

African dances are among the oldest dance traditions in existence; their structure is uniquely different because the movement therein is inseparable from the music that governs the movements. The music is associated with the spoken language of the people, which makes it virtually impossible for outsiders to comprehend the music of different African countries. In Africa there is no dance that is not accompanied by some form of music from the voice to orchestras of different percussive instruments. For centuries the dance/music of African people has been passed between generations by a mouth to ear process. Any society that is …

Musicking And Literacy Connections In The Third Space: Leveraging The Strengths Of A Latinx Immigrant Community, Angelica Ortega

Dissertations, Theses, and Capstone Projects

The music-making classroom is a space were students enact their multi-literacies. This space is especially important for Latinx bilingual students who are often labeled as struggling in school. In the music-making classroom, students reinvent their identities as integral members of a learning community, are accepted as leaders by their peers and are seen as literate in their music making practices. This habitus of success can have a durable, generative and transposable impact on the identity formation for the bilingual student that goes beyond the music classroom. This occurs because the music–making classroom acts as a third space both cognitively and …

2018-April-15-Dr. Lee Bidgood, University Marketing And Communications, East Tennessee State University

ETSU News

No abstract provided.

2018-April-13-Bidgood: Fulbright Scholarship, University Marketing And Communications, East Tennessee State University

ETSU News

No abstract provided.

Proceedings Of The Cuny Games Conference 4.0: The Interactive Course, Robert O. Duncan, Joe Bisz, Julie Cassidy, Kathleen Offenholley, Maura A. Smale, Carolyn Stallard, Deborah Sturm, Anders A. Wallace, Cuny Games Network

Publications and Research

Proceedings of the CUNY Games Conference, held from January 22-23, 2018, at the CUNY Graduate Center and Borough of Manhattan Community College.

Critical Play with History (Panel) - Composition & Storytelling - Health & Cognitive Sciences - Gaming Anthropology: Teaching Culture and Power Through Games and Design (Panel) - Twine & Writing Games - Easy Ideas II - STEM Games - Global Games for Change Catalog (Panel) - Comics & Active Learning - Fact Checking & Research - Computer Science & Game Design - SimGlobal: Building a Serious Roleplay Course for the Social Sciences (Panel) - Role Playing Games, Narrative, …

Creating Multicultural Music Opportunities In Teacher Education: Sharing Diversity Through Songs, Dawn Joseph, Rohan Nethsinghe, Alberto Cabedo Mas

Australian Journal of Teacher Education

This paper contributes to the knowledge base for preparing pre-service teachers (PSTs) for contemporary multicultural classrooms. To do so, we refer to our ongoing project “See, Listen and Share: Exploring intercultural music education in a transnational experience” across three Higher Education sites (Australia and Spain). Drawing on our narrative, and PSTs’ questionnaire data, using Interpretative Phenomenological Analysis to analyze and code the PST data, we report on our initial experience and findings across the three sites and cultural contexts. Generalisations to other institutions cannot be made. We discuss what was taught and how it was taught in our three settings, …

Evaluative Study Of Jazz History Courses At The Collegiate Level, Charles Lawrence Bergeron

Theses and Dissertations

The primary purpose of this study was to compare quantitative information concerning jazz history courses being taught in schools of music across America. The secondary purpose of the study was to solicit and analyze opinions from experienced jazz history instructors regarding the place and importance of these courses in college curricula. Curricula in use in university music programs that offer bachelor’s degrees in jazz studies must be evaluated regarding the content and relevance of subject matter presented in jazz history classes.

Questions concerning the number of semesters required to teach a continually increasing amount of material were paramount to this …

Musicalization: Early Childhood Music Access, Discourse, And Praxis In Nyc Charter Schools, 2014-2015, Andrew Aprile

Dissertations, Theses, and Capstone Projects

Over the past two decades, charter schools have become a hallmark of education reform in the United States. Concurrent with this movement is the increasing prominence of high stakes testing. While much research has sought to compare the effectiveness of charter schools and traditional public schools in terms of standardized assessments, scant attention has been paid to the role of arts and music in charter schools, and little has been done to distinguish the distinct strands of the charter school movement. Given what we know about the importance of music education and the growth of charter schools, it was the …

2017 Convocation, Rebecca Xun '18, José M. Torres, Robert Hernandez, Gouthami Rao '08

Convocation

• Welcome: Katie Berger, Executive Director of Student Affairs
  
• Pledge of Allegiance: Rebecca Xun '18, Student Council President
• Opening Remarks: José M. Torres, Ph.D., President
• Opening Remarks: Robert Hernandez, Ph.D., Principal
• Featured Musical Selection: Nathan Huxtable, Class of 2014
• Keynote Address: Gouthami Rao, Class of 2008, Senior Policy Advisor to the Under Secretary of Education at the U.S. Department of Education
• Closing Remarks: Robert Hernandez, Ph.D., Principal

The Impact Of Hip-Hop Culture On Freshman Student Identity, David Shanks

Theses and Dissertations

The purpose of this investigation is to explore the impact that hip-hop has on the identity of freshman students at Rowan University during the spring 2017 semester. The survey questions were geared toward answering the primary focus. The survey has 34 items, the first five questions were used to collect demographic information from the students including Gender, GPA, Ethnicity, Class rank, and Age. The next 29 questions divided into three factor groupings, these groups were used to investigate the identity of select freshman, what students believe about their knowledge of hip-hop culture, how committed these students are to hip-hop culture, …

Music, Politics, And Sociality: Ethnic Tensions And The Performance Of Gikuyu Nationalism, Peter Njagi Mwangi

Foreign Languages & Literatures ETDs

This thesis examines how some selected Gikuyu popular music propagates ethnic tensions in Kenya by promoting Gikuyu nationalism at the expense of Kenyan nationalism. This music derives its themes from the historical period of the Mau Mau armed struggle against British colonists and connects this struggle with everyday experiences of the Gikuyu people. Memory and the performance of everyday life in this music solidifies the Gikuyu community as tied to a common destiny and distances other Kenyan communities from this destiny. The music consolidates Gikuyu ethnic nationalism and authenticates the position of the community as superior and a dominant force …

The “Bitter Sweetness” Of Hybridity: Being A Bicultural Greek Australian Musician, Renee Georgoulas, Jane E. Southcott

The Qualitative Report

“Calista” is a bilingual, bicultural Greek-Australian musician in Melbourne, Victoria who explores and enacts her bicultural identity by musicking (making music). This single case study explores the formation and development of hybridized identity which is a complex lifelong process that may generate tensions for an individual that changes across the lifespan. There are strengths and challenges for those traversing different cultures. This study focuses on a bicultural identity formed by personal, musical and cultural contexts. Calista enacts her bimusicality in different musical genres and in different modes of musical engagement. Data were collected by semi-structured interview and by reference to …

We Are One: Singing, Sisterhood, And Solidarity In Appleton-Area Women's Choirs, Lauren Vanderlinden

Lawrence University Honors Projects

Despite its relatively small population, the city of Appleton has a large and thriving women’s choir community. Between the Lawrence Academy of Music Girl Choir, which serves hundreds of girls every year, and Cantala, the women’s choir at Lawrence University, opportunities for involvement in nationally-recognized female-voice ensembles range from second grade all the way through to college graduation. Using the theories of Foucault, Bourdieu, Butler, Green, and Bentham, this project explores the women’s choir culture of Appleton in an attempt to discover the core values of these two influential programs. I accomplished this by conducting ethnographic research in the form …

Going Old School: Using Eighteenth Century Pedagogy Models To Foster Musical Skills And Creativity In Today's Students, Monique Arar

UNLV Theses, Dissertations, Professional Papers, and Capstones

Recent research has illuminated a pedagogical approach to keyboard improvisation of the Italian conservatories of the seventeenth and eighteenth centuries, namely that of partimenti: single-stave, multiple clef exercises in which students were trained to improvise (Gjerdingen 2007, Sanguinetti 2012, van Tour 2015). This approach was passed down through oral instruction until the mid-twentieth century, when pedagogical priorities shifted away from improvisation and compositional creativity towards virtuosity, technique and adherence to the printed page. Simultaneously, the tradition of decade-long musical apprenticeship was replaced with semester-long courses in music theory and harmony.

The existing research on partimenti presents a compelling historical narrative …

April 2017, Global News, Haenicke Institute

Global News

• Governor, honorary degree recipient highlight WMU commencement
• Screening, performance set for world premiere of 'Spirit Moves'
• WMU, K College grant to bolster Asian language and culture classes
• U.C.-Davis prof to focus on economic impact of immigration in Sichel talk
• Take advantage of global engagement opportunities in May
• Experience Chinese culture by taking a class this summer

Flash Study Analysis And The Music Learning Profiles Project, Radio Cremata, Bryan Powell, Joseph Michael Pignato, Gareth Dylan Smith

John J. Cali School of Music Scholarship and Creative Works

This paper introduces the Music Learning Profiles Project, and its methodological approach, flash study analysis. Flash study analysis is a method that draws heavily on extant qualitative approaches to education research, to develop broad understandings of music learning in diverse contexts. The Music Learning Profiles Project (MLPP) is an international collaboration to collect and curate a large number of flash studies exploring musicking and music learning in a variety of contexts that fall outside traditional school music education. In this paper the authors present context, rationale, and methods for the project, along with indicative preliminary findings. The project aims to …

War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, Michael B. Bakan

Yale Journal of Music & Religion

Abstract

This article explores processional action as a form of cosmological intervention in Hindu-Balinese cremation processions, focusing on the multiple and intersecting functions of a particular type of Balinese instrumental music ensemble: the gamelan beleganjur. It explores the alternately “enlivening and protective aspects” (DeVale 1990, 62) that underlie the use of beleganjur music in the ngaben, or cremation ritual, showing how beleganjur’s sonic power and rhythmic drive serve to combat malevolent spirit beings, strengthen and inspire processional participants in their efforts to meet challenging ritual obligations, and grant courage to the souls of deceased individuals embarking on their …

102nd Convocation 2016 Address - The Sky And Sea, John Mcknight

Convocation Addresses

Dean of Institutional Equity and Inclusion John McKnight states "I know for sure that the liberal arts teach students how to think critically and provide unparalleled access to opportunities to translate good thinking into action."

Five Things I Learned From Working With The Student-Consultant For Teaching And Learning Program, Morgan Luker, Benjamin Morris

Teaching and Learning Together in Higher Education

No abstract provided.

2016-February-09-Basler Lectures, University Marketing And Communications, Est Tennessee State University

ETSU News

No abstract provided.

2016-January-12-Ethnomusicologist To Serve As Basler Chairholder, University Marketing And Communications, East Tennessee State University

ETSU News

No abstract provided.

2016 Spring And Winter - Schedule Of Classes, Office Of The Registrar, East Tennessee State University

Registration Resources

No abstract provided.

Music As Narrative In American College Football, John M. Mccluskey

Theses and Dissertations--Music

American college football features an enormous amount of music woven into the fabric of the event, with selections accompanying approximately two-thirds of a game’s plays. Musical selections are controlled by a number of forces, including audio and video technicians, university marketing departments, financial sponsors, and wind bands. These blend together in a complex design that offers audible and visual stimulation to the audience during the game’s pauses. The music chosen for performance in these moments frequently communicates meaning beyond entertainment value. Selections reinforce the game’s emotional drive, cue celebrations, direct specific audience actions, and prompt behaviors that can directly impact …

2015-12-18-Ethnomusicologist To Serve As Basler Chairholder In Spring 2016, University Marketing And Communications, East Tennessee State University

Accent [newsletter]

No abstract provided.

Gettysburg: Our College's Magazine Fall 2015, Communications & Marketing

Gettysburg: Our College’s Magazine

Table of Contents

From the President Janet Morgan Riggs '77

Helping Others Get A Great Start (Bill Seeman '73, Professor Charles Glatfelter '46, Nate Pugliese '98)

Scott Hancock: History and Africana Studies Professor Scott Hancock

Pursuing Music's Stories Devan Grote White '11

The 411: Lauren Eby '06 (Lauren Eby '06)

"It's All About Helping People" Devan Grote White '11

The 3% Conference: Increasing Female Creative Leadership (Kat McCaw Gordon '87)

DIY G-Burg

Come Here and Make a Difference (Troy Datcher '90)

A Full G-Burg Experience is a Key to Success Paul Seale '75, P'06

Gettysburgreat: The Campaign for Our College …

Wmu International News Fall 2015, Haenicke Institute

WMU International News

• Internationalizing the arts
• Friends from Kurdistan find musical home at Western
• 5 Music lessons from South Vietnam
• Note taken on this WMU trombonist on an international stage
• Flutist composer coins new genre, Universal Americanism
• Music WMU professor takes worldly approach in researching the healing power of music
• Dominican Republic art calloborative brings interactive exhibit to WMU
• Cross-cultural graphic designer and artist conjoins east and west technology and creativity
• Coupling art and architecture opens doors to China for WMU professor
• Book Arts in Venice study abroad program
• Engineering alumnus masters theater in India
• Dancer becomes vehicle for social change in Panama

Lawrence University Annual Report, Fall 2015, Lawrence University

Alumni Magazines

No abstract provided.

“Charleston, Goddam”: An Editorial Introduction To Act 14.2, Brent C. Talbot

Sunderman Conservatory of Music Faculty Publications

In this editorial, I trace the events following the tragic and racist shootings that occurred at the A.M.E. church in Charleston, South Carolina on June 17, 2015. Drawing upon anti-racist scholars and musical activists, I make a case for getting political and for cultivating activism in our classrooms. I ask our field to critically reflect upon our participation in a system that advantages Whites. I suggest that one possibility to engage in dialogue around issues of race is to encourage an environment of musical creativity where—together with students—teachers study and write music that speaks to our times and addresses issues …

Celebration Schedule 2015 (Saturday), Provost's Office

Celebration

Full presentation schedule for Celebration, Saturday, May 2, 2015

From Paper To Podium: Exploring The Gap Between University Training And Professional Experience In Orchestral Conductors, Rachel L. Waddell

UNLV Theses, Dissertations, Professional Papers, and Capstones

In African polyrhythmic drum circles there is a proverb that exemplifies the necessity of common vision and community in group musical performance: “I am because we are.” This simple ideal is ostensibly mirrored in the western institution of the symphonic orchestra, an ensemble of many that nevertheless must arrive at one, shared interpretation of a piece of music. The structure of the orchestra is a complicated hierarchy with section players at its base, followed by principals, the concertmaster, and finally the conductor. Although conductors are the public face of leadership in orchestras, if they alienate the musicians they will have …