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Jbs – Usa Silver Anniversary Conference Chicago, March 23-26, 2023 Thomas Club At Symphony Center

Journal of the Jussi Björling Societies of the USA & UK

The Board of Directors is delighted to announce registrations are now available for our 25th Anniversary Conference in Chicago. In addition to celebrating Jussi’s career, we will be adding extra activities and remembrances of 25 years of JBS-USA.

Des Arbres Comme Des Lignes De Vie – Pascale Cassagnau Et Suhaib Gasmelbari En Conversation, Pascale Cassagnau, Suhaib Gasmelbari

Regards

As part of a study day organized in September 2025 at the University of Grenoble Alpes in partnership with the Centre National des Arts Plastiques entitled “The Loss of Images: Research and Creative Narratives,” Pascale Cassagnau and Suhaib Gasmelbari discussed his film Talking about Trees (2019), focusing on the film’s sources and structure, the history of Sudanese cinema that it reveals within the film itself, and the metaphors of trees and plants as lifelines and living archives at a time when images have disappeared.

Résumé
Dans le cadre d’une journée d’études organisée en septembre 2025 à l’Université Grenoble Alpes en …

Introduction – Carnets Filmiques, Carnets Sonores : Des Essais Intimes Et Collectifs, Robert Bonamy, Aude Fourel, Eve Le Fessant Coussonneau

Regards

Le sens à attribuer à la notion de carnet filmique ou de carnet sonore suscite quelque indécision, en raison du caractère composite et mouvant des cas envisagés. L’enjeu principal ne paraît ainsi pas ici celui d’une définition serrée d’un objet, mais plutôt une attention accordée à des tentatives de réalisation. De surcroît, si la forme-carnet permet à peu près tout, elle n’interdit donc véritablement rien : l’esquisse, le brouillon, l’approximation, voire l’échec et l’interruption.
[...]

Du Journal De Deuil À L’Œuvre De Sépulture : « Lo » (Thanassis Vassiliou, 2021-2025), Marie Martin

Regards

After his mother’s death in 2017, Thanassis Vassiliou returned to Greece and began filming. The instinctive act of recording aimed both to come to terms with the now definitive absence in places still filled with memories, and to document his own reactions, attempting to preserve them even if he could not fully understand them. These filmic notes could perhaps, later on, allow another perspective, according to the dynamic that Antoine Compagnon aptly analyzed as paradoxical in relation to Barthes’s Mourning Diary: “mourning and narrative are antinomic, but [...] only narrative [...] is capable of expressing the experience of mourning, …

« From Ground Zero » Et « Letters » : Carnets Polyphoniques En Quête D’Intersubjectivité, Eve Le Fessant Coussonneau

Regards

The two polyphonic films From Ground Zero (2025, produced by Rashid Masharawi) and Letters (2025, produced by Josef Khallouf) bring together, in response to the war in Gaza, unique short films, letters and chronicles that address collective questions. How do these films take charge of the urgent need to problematize, aesthetically and politically, the relationship between subjectivity and the collective? From the Palestinian enclave or neighboring Lebanon, they seek irreducible singularities and intersubjective connections in the face of the horror of genocide. Caught in a complex combination of places and times, their address to our spectatorial gaze thus reveals the …

Le Vent Du Sud, « La Nuit Et L’Enfant » – Récit D’Une Vidéo-Correspondance Avec Zoheir Mefti, David Yon

Regards

Entre 2011 et 2012, Zoheir Mefti et David Yon ont entretenu une correspondance autour de la réalisation filmique. A travers leurs échanges, ils questionnent la nécessité de l’image. Zoheir Mefti travaille un geste filmique de l’urgence, tandis que David Yon prépare un film en Algérie dans un temps plus long. Après les mots, ils partagent des images et des sons, tels des carnets filmiques, dans lesquels ils donnent leurs positions et interrogent les liens entre la vie et le cinéma.

Carnets De Bord. Tables D’Orientation « Tariq Teguia », Pascale Cassagnau, Tariq Teguia

Regards

This interview by Pascale Cassagnau with Tariq Teguia puts into perspective the Algerian filmmaker’s work notebooks, which are both autonomous objects and working documents, linked to the film itself. A medium for thought, the notebook is a space for language, a score and a cartographic space that gives shape to the writing of the film in a graphic way. A discursive space parallel to the space of scriptwriting, the notebook accompanies the development of the film from its inception, collecting the writing of thought in no particular chronological order.

Résumé
Cet entretien de Pascale Cassagnau avec Tariq Teguia met en …

« Voi(E)X De L’Exil, Formes De La Pensée » : Le Cinéma-Essai De Borhane Alaouié », Elie Yazbek, Farah Alhashem

Regards

This article offers a comprehensive study of Borhane Alaouié’s work, a central figure in modern Lebanese cinema, situating it within the tradition of the essay film. Through an analysis of Lettre d’un temps d’exil, À toi où que tu sois and Khallas, it examines how exile, wounded memory, and fragmentary thought shape the filmmaker’s aesthetic and ethical approach. Exile is explored not only as a geopolitical condition but as an interior state, a persistent uncertainty that structures voices, narratives and images. The study highlights the importance of voice-over, fragmentation, memory-driven editing and epistolary address, while positioning Alaouié’s work …

The Personal Is Collective: Egyptian First-Person – Documentary Cinema As Post-Revolution Diary, Eman Elharmeel

Regards

The 2011 Egyptian revolution marked a watershed moment in the reconfiguration of individuality, autonomy and self-expression within Egyptian society. Challenging long-standing collectivist frameworks, the revolutionary moment opened new spaces for individual agency and subjective reflection. This paper examines how these shifts intersect with the rise of first-person documentary cinema as a powerful medium for articulating post-revolutionary subjectivity in Egypt.
Focusing on The Past Will Return (2015) by Dina Hamza, Happily Ever After (2016) by Nada Riyadh and Ayman El Amir, and Little Eagles (2016) by Mohamed Rashad, the paper analyzes how filmmakers negotiate personal desires, familial pressures and collective belonging …

Triste Souvenir Et Sombre Avenir, « Lettre À Ma Sœur » (2006) De Habiba Djahnine, Boualem Khelifati

Regards

This article explores how Letter to My Sister (2006), a film by director and poet Habiba Djahnine dedicated to her sister Nabila, a democratic and feminist activist who was murdered by Islamist terrorists in Tizi Ouzou in 1995, revisits the fate of the direct and indirect victims of Algeria’s dark decade of the 1990s and the repressive religious and state policies towards women. It employs a narrative structure that combines several film genres – film-letter, film-journey, film-poem, and film-archive – showing situations in which memories and pain are shared, as well as the necessary perpetuation of a struggle that is …

Beyrouth 1978-1982 : Le Fonds Photographique De Monica Maurer – Une Collection Contre L’Oubli Et La Destruction, Aude Fourel

Regards

It was while searching for unused film footage on the Palestinian struggle for a documentary essay that I discovered the filmography of German director Monica Maurer and her work restoring and preserving Palestinian films. For the past four years, we have been working together to digitise and catalogue the photographs and documents she still keeps at home.
I reflect on the paths opened up by the writing of a film in the making, on the formatting of Monica Maurer’s photographic collection, and on the initial prospects for visual and historical studies of this material in the particular context of the …

Sonorisation De L’Anarchive Ou La Palestine Comme Projet Politique – À L’Écoute De « A Fidai Film » De Kamal Aljafari Et De « Partition » De Diana Allan, Judith Abensour

Regards

Kamal Aljafari’s A Fidai Film draws on Palestinian archives confiscated by Israel in Beirut in 1982. Diana Allan created Partition using archives from Mandatory Palestine held at the Imperial War Museum in London. The film notebook not only refers to a type of fragmentary editing, but also allows us to revisit the relationship between sound and image, thus offering an exercise in remembrance in the present. By adding sound to images, the two filmmakers question the contradictions inherent in archives, their erasure or their resistance to authoritative or propagandistic discourse. Thus, under the guise of sensory and sound anthropology for …

Videotracts For Palestine : Images Et Contre-Images, Lola Maupas

Regards

This article examines the political and aesthetic gesture of Videotracts for Palestine, a collective founded on Instagram in November 2023 in the context of the Israeli offensive in Gaza. Heirs to the ciné-tracts of 1968 and, more broadly, to international militant cinema, these very short anonymous films also mobilize contemporary digital tools and produce what might be called a counter-visuality of resistance. The study highlights how the collective situates itself within a tradition of images as weapons of struggle while inventing its own forms, shaped by the massive circulation enabled by the Internet and social media. The videotracts deconstruct …

Des Sons Pour L’Histoire. Correspondance Avec Mohammed Yaghi, Aude Fourel

Regards

Sounds for History. Correspondence with Mohammed Yaghi
Mohammed Yaghi was born in 1992 and trained in sound engineering in Gaza. He has worked for UNRWA television and collaborated with Palestinian and international documentary film production companies.
These sound recordings for films, educational programs and interviews were the first step in the sound diary that he has kept on building on a daily basis.
[...]


Résumé
Mohammed Yaghi est né en 1992 et s’est formé aux métiers du son à Gaza. Il a travaillé à la télévision de l’UNRWA et collaboré avec des maisons de productions palestiniennes et internationales de films …

Red Snow Day, Jon Michael Johnson

The Lindenwood Review: a journal of literary prose

No abstract provided.

Contributors

The Lindenwood Review: a journal of literary prose

No abstract provided.

Language Game And Material Design Creation By Future Romance Languages Instructors, Simone Gugliotta, Sophie Burkhardt, Monia Marie Bamina, Ella Comfort-Cohen, Naomi Piper-Pell, Mikayla Parrales, Suha Khan, Giulia Laurenza, Sarina Duffy, Hillary Connor, Xinhe Li, Andrea Magaña, Dayana Caluna, Kokwe Dadzie, Alex Herrera

Spanish and Portuguese: Faculty Publications

No abstract provided.

Isu Symphony Orchestra: March 1, 2026, Illinois State University School Of Music

School of Music Programs

This is the one hundred and thirteenth program of the 2025-2026 season.

Center for the Performing Arts

March 1, 2026

Sunday Afternoon

3:00 p.m.

La Bayadère: An Examination Of The Romantic Era In The Modern-Day, Charlene O. Font, Autumn Eckman

The Kennesaw Journal of Undergraduate Research

The Romantic Era of art saw a shift from male to female dancers on stage. The female dancer became associated with mysticism and fantasy for the benefit of the male audience. With the onset of mysticism, came the idealization of death which was a common theme in many Romantic Ballets. The ballet, La Bayadère, is a Romantic Era ballet that has been adapted multiple times within the past half-century. However in an effort to preserve its relevance to the modern-day audience, three ballerinas - Marianela Nuñez, Natalia Osipova, and Tamara Rojo - have altered the original choreography to present the …

Dressing For The Descent: Costume Designing Eurydice, Hannah Olivia Schoen

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

During the early spring of my second graduate year, I was assigned to be costume designer for the upcoming production of Sarah Ruhl’s Eurydice. Eurydice is a retelling of a narrative that had been mostly given spotlight to the male hero in past iterations. Now we as a design team were going to tell the story from Eurydice’s point of view. After doing an analysis and research into details that would give me ideas on how I wanted to present these characters, I was able to present initial ideas to the director at our first design meeting.The design process …

2026-03-01 Caudill Connection, Morehead State University. Caudill College Of Arts, Humanities And Social Sciences.

Caudill Connection

Caudill Connection newsletter for March of 2026.

The Framing Narrative And Mise En Abyme In Crebillon's Le Sopha: A Playful Subversion Of Narrative Codes, Abdou Ndiaye

Faits de Langue et Société (FLS)

The main objective of this article is to analyze how Le Sopha by Crébillon fils, through its complex narrative structure and mise en abyme, subverts the conventions of the 18th-century philosophical and libertine tale. By examining the role of the narrator, transformed into a sofa, and the use of the Oriental frame, this article seeks to understand how Crébillon fils invites the reader to critically reflect on morality, desire, and social conventions, while manipulating the audience’s expectations. We will also explore how the work employs irony, metanarratives, and ambiguous characters to engage the reader in an active reflection that goes …

Digital Practices Among Young Oasis Women: Tailor-Made Internet Connections, Douha Ejjaouani, Zakaria Kadiri

Faits de Langue et Société (FLS)

Cette étude analyse l’appropriation des technologies numériques par les jeunes femmes de l’oasis de Toudgha (Tinghir) à travers le prisme de la sociocritique et des études de genre. Dans un contexte marqué par un contrôle patriarcal, le smartphone apparaît comme un outil de « braconnage » quotidien. À travers une intimité « sous la couette », l’espace virtuel devient un refuge nocturne, favorisant l’expérimentation identitaire face aux stigmates sociaux tels que le divorce et le mariage précoce. Fondé sur trente entretiens qualitatifs, l’article explore la tension entre l’émancipation numérique et la reproduction des inégalités du monde réel. Si le monde …

Cold War Origins: The Iron Curtain Descends, I. B. Landry

Bound Away: The Liberty Journal of History

The West’s policy of containment would come to define the early years of the Cold War. Rooted in the communist takeover of Russia following the First World War, Soviet aggression was fostered under the leadership of Stalin, who envisioned global domination under communism. Thus, while tensions came to a head following World War II, evidence for an eventual clash of ideologies can be seen in its preceding years.

Charles W. Bolen Faculty Recital: Joshua Mobley, Trumpet; February 27, 2026, Joshua Mobley, Anne Mcnamara, Grace Eom

School of Music Programs

This is the one hundred and tenth program of the 2025-2026 season.

Kemp Recital Hall

February 27, 2026

Friday Evening

7:30 p.m.

Su Drama Picnic Production Photos, Henry Killbourn, Alex Jainchill, Reyna Sanchez

Drama - All Scholarship

This project strengthens the Syracuse University Department of Drama’s ability to document its theatrical productions through high-quality digital photography. With support from the SOURCE grant, the department acquired updated photography equipment that enables students to capture clearer, more accurate images of performances. These photographs document acting, staging, costumes, sets, and lighting in a professional and archival manner.

Introduction: Rethinking Circulation In Italian Film And Media, Simone Brioni Dr., Rachel Johnson, Shelleen Greene

Department of English Faculty Publications

This introduction to the special issue ‘Rethinking Circulation in

Italian Film and Media’ reconsiders how Italian audiovisual culture

moves across borders – industrially, geographically, linguistically,

and digitally. By focusing on the complex dynamics of circulation,

the essays gathered here trace the evolving connections between

production and distribution, exploring how contemporary modes

of localization, translation, and platform curation shape the

visibility and cultural capital of Italian cinema in global contexts.

From streaming giants such as Netflix to curated services like

MUBI, and from film festival circuits to independent film-making

networks, the issue interrogates how transnational infrastructures

of distribution redefine what counts …

Curators Connect Taxpayer Funded Research To Their Communities, Adrianne Parker

Research on Capitol Hill

In 2025, Utah State held an exhibition celebrating 50 years of Undergraduate Research (UR) . As a freshman art history major, I was the lead student curator in charge of the exhibition. The overall story I wanted to highlight was how research is much more than STEM projects, and students across majors can conduct research on subjects they are passionate about.

2025-2026 Opera Fuoco: The Labyrinth Of Love, Katharina Wolff, Juliette Tacchino, Sophia Stern, Jennifer Hardy, Jean Brégnac, Kenneth Weiss

Guest Recitals

No abstract provided.

Isu Philharmonia String Orchestra: Samuel Chen, Director; February 25, 2026, Samuel Chen, Jayce Milburn

School of Music Programs

This is the one hundred and seventh program of the 2025-2026 season.

Kemp Recital Hall

February 25, 2026

Wednesday Evening

7:30 p.m.