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Berlioz And His World, Edited By Francesca Brittan And Sarah Hibberd. Chicago: University Of Chicago Press, 2024 [Review]., Peter Bloom

Music & Musical Performance: An International Journal

No abstract provided.

Coda: On My Six Experiments In Conjoining (And Contrasting) Two Composers, James Porter

Music & Musical Performance: An International Journal

The author has previously published six essays, each based on a novel technique: pairing one piece each from two different composers, in an attempt at teasing out important implications of these (mostly little-known) works. These implications would have been harder to glean if one focused instead, as is normally done, on a small number of oft-performed canonical works by a few great masters.

The present “Coda” offers reflections on the implications of those six essays for a continuing exploration of important themes in the history of Western art music, including romanticism, modernism, “progress,” tonality, text-music relations, and nationalism (including the …

Helen Beach Jones, The Eurydice Club, And Women Musicians In Early Toledo, Ohio, Mary Natvig

Music & Musical Performance: An International Journal

Toledo, Ohio native Helen Beach Jones (1857–1940) was a professionally trained church organist, choral conductor, and music teacher who paved the way for northwest Ohio’s art-music community today. Her story sheds light on the vibrant community of women musicians living in Toledo, Ohio, at the turn of the twentieth century, and as the founder and director of the Eurydice Club, a women’s chorus that was one of the city’s earliest and most prestigious music ensembles, she provided a home for women musicians throughout the region that lasted far longer than her tenure as conductor. In addition to her choral work, …

Spatial Narrative Beyond The Proscenium: Set Design As A Tool For Wellness, Christina Griffey

LSU Master's Theses

Inspired by a health crisis that led to spending time in medical settings, this thesis examines how our surroundings impact our well-being. By developing a framework that explores the topics of storytelling, space, place, theatre, and expanded scenography, I propose that set design can be used as a tool for wellness. I explore several disciplines through the lens of set design and highlight the disciplines, professionals, and designers that are contributing to the creation of therapeutic environments using scenographic practices.

Taruskin’S Great Contributions And A Few Shortcomings, Ralph P. Locke

Music & Musical Performance: An International Journal

Among the most needed, and durable, features of Richard Taruskin’s life’s work was his consistent interpretation of music and music-making within and against their societal and cultural contexts. This stood in contrast to the positivistic methodologies that German, British, and American musicology valued in the 1960s–70s: instances of the latter include the making of reliable critical editions and, in a very different sense, various “the notes only” methods of music analysis.

The breadth of Taruskin’s vision and his command of musical and cultural history are apparent in the enormous “Nationalism” entry in the 2001 edition of Grove (now available at …

Transforming “The Ox”, Christopher Gibbs

Music & Musical Performance: An International Journal

This reminiscence recounts my experience transforming Richard Taruskin’s six-volume The Oxford History of Western Music into a single-volume textbook. At Taruskin’s suggestion, I was approached in 2005 by Oxford University Press to see if I was interested in taking on the daunting task of drastically abridging, extensively reshaping, and judiciously augmenting his monumental history. I did so with practical considerations in mind: limitations on space, concrete pedagogical aims, and sharing his desire to tell a compelling story. I worked with editors of the accompanying anthologies and recordings to decide which compositions should receive particular attention and emphasis. In this article, …

Mozart’S Jewish Librettist: A Brief History Of A Poorly Kept Secret, Robert L. Marshall

Music & Musical Performance: An International Journal

Lorenzo da Ponte, the librettist of Mozart’s three greatest Italian operas, was born a Jew, a fact rumored about during his lifetime but not definitively established until 1900. The treatment (or not) of Da Ponte’s Jewish origins as documented from his time to the present constitutes a history of concealment, rumor, discovery, denigration, and exploitation. Its nadir was reached during the Nazi period, its zenith most recently, as the poet, hitherto a secondary player in the Mozart biographies, has emerged as the colorful protagonist in substantial biographies of his own.

Berlioz's Mysterious Amélie, Pascal Beyls, Peter Bloom

Music & Musical Performance: An International Journal

In September 1864, in a letter to his long-time confidante, the Princess Carolyne von Sayn-Wittgenstein, Berlioz mentioned the name of the woman with whom, as he had earlier confided to the Princess, he had conducted a brief but passionate affair: “her name was Amélie.” Until now, the Berlioz scholars have been unable properly to identify this mysterious person. From other letters and documents, including Ernest Legouvé’s Soixante ans de souvenirs, we have known the approximate dates of the beginning and ending of the relationship. But only now, on the basis of the birth and death certificates of the woman and …

The Japanese Shakuhachi: Comparing The Ancient Tuning With The Modern One, Nick Bellando, Bruno Deschênes

Music & Musical Performance: An International Journal

The difference between traditional and modern shakuhachi construction and tuning is significant in that it represents a paradigm shift in the psychological aim and embodied techniques employed in association with the instrument. Beginning in Edo-era Japan as an ostensibly religious instrument, the shakuhachi was at first played with a similar technique to its predecessor, the hitoyogiri, using the breath to modify pitch and giving priority to tone color. Coming into the modern era, the shakuhachi came to be used increasingly as a modern musical instrument; the resulting higher priority of pitch-precision brought about changes in construction and playing techniques that …

A “Free Artist Of Color” In Late-Eighteenth-Century Saint-Domingue: The Life And Times Of Minette, Bernard Camier

Music & Musical Performance: An International Journal

This article sets forth, for the first time in detail, the life and career of Minette, who was the main female opera singer in Port-au-Prince at the end of the eighteenth century. The city was the capital of the thriving and wealthy French colony of Saint-Domingue (which, upon gaining independence in 1804, took the name Haïti). Theatrical activity in Port-au-Prince was comparable to what one could find in any large provincial city, and the success that Minette gained was all the more remarkable for her being categorized as colored (mestive). The details of Minette’s origins, life, and career …

The Power Of A Princess: Rebranding For A New Generation, Victoria A. Heath

USF Tampa Graduate Theses and Dissertations

The lyric “Well, that sounds an awful lot like princess problems” from Snow White (2025) reflects Disney’s evolving portrayal of its princesses as more self-aware and independent. This shift is echoed in earlier live-action adaptations, such as Beauty and the Beast (2017), where Belle’s longing for “adventure in the great wide somewhere” signals her rejection of a limited, traditional role. Guided by Feminist Film Theory and media framing, this study examines how Disney’s rebranding of princess characters in Beauty and the Beast (2017), The Little Mermaid (2023), and Snow White (2025) reflects contemporary ideals of empowerment. Through narrative content and …

Critical Roles And Critical Rolls: A Frame-Analytical Perspective Of Self-Making, Safe Spaces, And Worldbuilding In Tabletop Role-Playing Games, Cal Quayle

Electronic Theses and Dissertations

Many gamers prefer to play tabletop roleplaying games, or TTRPGs, in order to a) join a community, and b) tell a story collaboratively with friends and acquaintances. This thesis discusses selfhood-making, safe spaces, and allegory in imaginary worlds from the perspective of Erving Goff man’s frame analysis. It relies on a theoretical framework of imagined communities, the magic circle, and subcreation. This research culminated in the understanding that people play TTRPGs for a variety of reasons - collaborative storytelling and exercising critical thinking skills, but respondents overwhelmingly reported that they enjoyed the ability to socialize with friends and strangers, and …

Songs Of John Bucchino: The Dr. Justin Vickers Studio Recital; March 20, 2026, Illinois State University School Of Music

School of Music Programs

This is the one hundred and twentieth program of the 2025-2026 season.

Kemp Recital Hall

March 20, 2026

Friday Evening

7:30 p.m.

Chicago Brass Band And Symphonic Winds: March 20, 2026, Dr. Mark Taylor, Dr. F. Mack Wood, Dr. Damon S. Talley, Madison Mueller-Howell

School of Music Programs

This is the one hundred and twenty-first program of the 2025-2026 season.

Center for the performing Arts

March 20, 2026

Friday Evening

8:00 p.m.

Concert Intime

Dance Programs

No abstract provided.

Rollin Pease In "Elijah" By Mendelsshon, State Teachers College Choral Club

Documents

FSTC Choral Club Program-Performance of "Elijah" May 24, 1931

Dating Among University Undergraduates Living With Disability In South-Western Nigeria, Usman A. Ojedokun, Bukunmi I. Oluborode, Lateef J. Adeyemo

The Journal of Social Encounters

In many university campuses in Nigeria, undergraduates living with disability are visible and functionally involved in academic, political, social, and religious activities. However, the social life of these students is hardly the focus of scholarly research. Therefore, this study explored dating behaviours among undergraduates of selected public universities in south-western Nigeria living with disability. The social disability model was employed as the conceptual framework. Data were elicited through in-depth interview and focus group discussion methods.  Findings showed that the choice of partners among undergraduates living with disability was guided by trust, communication, emotional safety, shared values, and acceptance of disability …

Fire On Water: The Destructive Forces Behind The Sixteenth Century Naval Battle, Felicia M. Else

Art and Art History Faculty Publications

No abstract provided.

When Women Weep: The Gendered Politics Of Lamenting And Death In Early Irish Literature, Catherine Van Wey

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

Early Irish literature of the ninth through thirteenth centuries encodes gendered assumptions about women’s emotion through narratives in which grief, sorrow, and shame repeatedly lead to female death. Focusing on the thirteenth-century hagiographic text Tales of the Elders of Ireland, feminist standpoint theory is applied to reveal how male-dominated authorship shapes literary portrayals of women as emotionally excessive, dependent on men, and narratively expendable once those men are lost. Situated within the cultural tradition of female lamentation or caoineadh, these portrayals show how women’s ritual roles as mourners were mythologized and reworked into literary mechanisms that reinforce patriarchal authority. Within …

Lighting Design For Terminator: The Musical By Breanna Beitz, Mikayli Marciulionis

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

This paper discusses the lighting design for a production of Terminator: the Musical at the University of Minnesota Morris. The directorial concept revolved around the idea of camp: big sound, flashy lights, big spectacle. Camp refers to an aesthetic style that embraces exaggeration, playfulness, irony, and theatricality. It often celebrates things that are considered 'over the top' — artificial, sentimental, or deliberately tacky — but does so with affection, humor, and self-awareness. Leaning into the concept of it being 'so bad it is good,' is how the director envisioned Terminator: The Musical to be. To this end, my approach for …

Handwritten Histories: Exploring Identity Through Personal Correspondence, Savana Hauck

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

This project examines handwritten correspondence as a site of gendered and sexual self-discovery, intimacy, and historical continuity. Developed for HIST 2708W - Gender, Women, and Sexuality in Modern Europe - , it centers on a collection of contemporary “snail mail” letters written in response to reflective prompts about participants’ lived experiences of gender and sexuality. These personal narratives are presented in a physical, scrapbook-style format that emphasizes slowness, care, and trust as methodological and ethical practices.

By placing these contemporary letters in dialogue with historical examples of correspondence—including an 1882 letter sent to German psychiatrist Richard von Krafft-Ebing, the intimate …

The Creation And Performance Of Eulogy, Evan Anderson

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

In completion of my senior project for my theatre arts degree at the University of Minnesota Morris, I wrote, composed, and directed Eulogy, performing with myself as Mark, Olivia Emmrich as Amelia, Savana Hauck as the Reverend, and Jennie Odello as the pianist. The following will explore my artistic process: highlighting how I chose my topic, my playwriting and composing process, collaborating with my colleagues, our rehearsal process, the performance, and my reflection on my project.

Predicting Income Satisfaction From Artists’ Annual Income And Collegiate Embedded Entrepreneurial Knowledge And Skills, Joy Albert Quarmout

Doctoral Dissertations and Projects

The purpose of this quantitative, predictive correlational study was to determine how accurately income satisfaction could be predicted from a linear combination of annual income and inclusion of entrepreneurial knowledge and skills curricula in liberal arts education programs among public college graduates within the past ten years. A purposive sample of 87 graduates was drawn from universities with established art programs who graduated one to ten years ago. The planned behavior theory formed the logic model that guided the thought process, attitude, and reasoning behind this study. The research instrument, The Strategic National Arts Alumni Project: Survey Questionnaire, served as …

Full Issue

Newsletter of the Jussi Björling Societies of the USA & UK

No abstract provided.

The 2022 Jussi Björling Stipendium To Baritone John Lundgren

Newsletter of the Jussi Björling Societies of the USA & UK

Baritone John Lundgren has received the 2022 Jussi Björling Stipendium (Award). This award is given on behalf of The Royal Theatre’s Soloists Foundation, and previous recipients have included soprano Hillevi Martinpelto, violinist Kalle Moraeus and Harald Henrysson. This year’s award was 125,000 kroner (about $12,600 US). Lundgren has also received the Birgit Nilsson Prize in 2006, and was named a Royal Court Singer by King Carl XVI Gustaf in 2021.

Lundgren was educated at Vadstena Academy and in The Opera Academy in Copenhagen. During his studies he joined the ensemble of The Royal Danish Theatre and debuted as Schaunard in …

2025-2026 A Semiquincentennial Salute To The United States Of America: Friends Of The Conservatory Of Music Concert And Friendship Tea, Jon Cruz, Yilian Concepcion, Sheng Yuan Kuan, Ian Lewis, Isabella Swalm, Aidan Quintana, Ziling Wang, Gabrielle Siena

Friends of the Conservatory Events

No abstract provided.

Full Issue

Journal of the Jussi Björling Societies of the USA & UK

No abstract provided.

When The Muses Went Silent And Almost Died:, Thomas M. Hines

Journal of the Jussi Björling Societies of the USA & UK

What would life be like if there were no fine or performing arts? If music could not be heard in public, if great paintings of famous artists of the past and present could not be seen—in other words, how would we adjust in an esthetically deprived existence? In truth, we could continue to see and hear; nature would still be around us, but the interpretative acuity of our senses would be dulled. Opportunities to witness works of art would not be readily available. Our creative images would be internalized and not reflective of visual or auditory models. It would be …

“I Was So Nervous For Him” – Kerstin Thorborg And Jussi Björling, Nils-Göran Olve

Journal of the Jussi Björling Societies of the USA & UK

Kerstin Thorborg (1896–1970) was a leading mezzo-soprano with the Metropolitan for thirteen seasons, singing twenty roles in 350 performances. Her debut was as Frick in Die Walküre on 21 December 1936 and her final performances in 1950. Fifteen years older than Jussi Björling and born in the same Swedish region Dalarna (Dalecarlia), she enjoyed twenty years of rather solitary retirement there and died ten years after him. Her Met repertoire focused on Wagner so they met rarely on stage, but of course they knew each other well during the years they met professionally (1936–41 and 1945–50). They can be heard …

Einar Larson, Singer And Colleague, Harald Henrysson

Journal of the Jussi Björling Societies of the USA & UK

As far as I can remember, I only met Einar Larson-- who has written so vividly about his friendship with Jussi----once, at Jussi Björlinggården in Borlänge, the exhibition that had been opened in May 1969. I remember him as a strikingly stately, friendly man, very engaged in what was being done in Jussi’s memory in his native city, but we had no closer contact. I think I can vouch for the fact that there were no objections when the chairman of the local heritage association, rector Gösta A. Karlsson, said about him in his speech at the opening of the …