Digital Commons Network^™

Mfa10 (Mfa 2010), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Robert Gero, Patricia J. Olynyk, Clyde Ashby, Aaron Bos-Wahl, Andrew Cozzens, John Early, Ryan James Fabel, Joel Fullerton, Mary Beth Hassan, Wenting Hsu, John Nicholas Hutchings, Dani Kantrowitz, Larry Keaty, Mamie Korpela, Paola Laterza, Mad Mohre, Emily Moorhead, Jonathan Muehlke, Jessa Richardson, Nicolette Ross, Carlie Trosclair

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum in 2010. Content includes Foreword / Buzz Spector -- Thinking as making / Robert Gero -- A new set of conversations / Patricia Olynyk -- MFA 2010 graduates. Clyde Ashby / Aaron Bos-Wahl / Andrew Cozzens / John Early / Ryan James Fabel / Joel Fullerton / Mary Beth Hassan / Wenting Hsu / John Nicholas Hutchings/ Dani Kantrowitz / Larry Keaty / Mamie Korpela / Paola Laterza / Mad Mohre / Emily Moorhead / Jonathan Muehlke / Jessa Richardson / Nicolette Ross / Carlie Trosclair …

Dit Graduate Exhibition Show Of The School Of Art, Design And Printing 2010, Dublin Institute Of Technology

DIT Publications

Exhibition committee staff Kieran Corcoran Peter Jones Paul White Robert Tully Neville Knott John Short Brenda Dermody Clare Bell Brenda Duggan Annette Buckley Pat Muldowny Joe Hanly Exhibition commitee student representatives Lucy Clarke Margaret Flynn Kate Geoghegan Gavin Gogarty Fiona O'Keeffe Cian McKenna Becky O'Hara Catalogue concept and design Paul Woods - www.paultheillustrator.com Maeve Keane - www.andstudio.ie Photography by Gillian Buckley. Typeset in DIN 9pt and 24pt. Printed on 140gsm Revive 50/50 by Future Print, Dublin. DIT Graduate Exhibition 2010

The Design Brief: Conceptual Tool For Visual Resolution Of Professional Design Problems, Jason Andrew Neal

Theses and Dissertations

In this thesis I show how I have integrated the design brief concept with my art philosophy to help guide the exploration and visual resolution of three academic visual projects. The design brief is the most significant project management tool I have added to my design philosophy and production approach during my graduate studies. It has not changed the art I create, but rather has changed how I plan for and manage the production of my art. The brief consists of a series of questions that I can apply to all design decisions to make sure those decisions remain consistent …

A Quest For Understanding Finding My Way Back, Juan Saenz

Theses and Dissertations - UTB/UTPA

My work reflects my place in nature and how through its documentation I have been given the opportunity to mend family ties. In my paintings I capture the essence of those things that bring me peace of mind and good health. The aim of my work is not solely for the purpose of self reflection but also an attempt to bring my viewers back to a different time in their lives. The following works are an example of my direction and experimentation.

Unseen, Sohee Kwon

Theses and Dissertations

Photography conveys informative data, aesthetic value, and a conceptual message very much like graphic design. In the hands of the photographer, the viewfinder of a camera becomes an editing tool. Editing by point of view, use of color and cropping determines a great deal about the communication made by imagery. In my creative project, I will explore photography as a means to generate form, concept, and content. As a result of this exploration, I expect to find new ways of approaching graphic design problems. My goal is to develop themes that combine aspects of photography and graphic design. Themes could …

From Lightbox To Love Box, Antony Nevin

Nordes Conference Series

This Design Case study will explore how the Lightbox project that was exhibited at the Lightwave Festival (Science Gallery Dublin Jan­Feb 2009) can contribute to further discussion and research about the ways in which we consider the use of analogy and the ‘technosensorary’ in design research. reflect on the use of analogy and how this may inform design resesarch.

Social Navimation: Engaging Interfaces In Social Media, Jon Olav Eikenes

Nordes Conference Series

Social media are now an integrated part of culture and digitally mediated social activities. Screen-based devices now employ sophisticated graphics including visual movement on a variety of platforms. This article explores how visually dynamic interfaces can enhance social media applications. A socio-cultural view on communication and interaction design is combined with a practice-based research approach incorporating design production with textual analysis. The term social navimation is introduced and applied in the analysis of multimodal interfaces. A set of semiotic resources are identified that should be of interest for the practice and theory of dynamic interfaces and interaction design.

The Discursive Agency Of Productive Ambiguity, Lisa Grocott

Nordes Conference Series

This poster is an attempt to visually communicate the findings of a practice-led research study — a study that came to recognize the value of critical discussion provoked by the ambiguous readings of artifacts. Interested in considering how practitioners’ share the outcomes of research, the study was motivated to see the sharing of design research as less about wrapping up and more an invitation for ongoing critical reflection between the designer and audience. Within this context the poster works as a dissemination artifact that asks carefully crafted questions as opposed to presenting closed, definitive findings. This move seeks to engage …

Peepholes As Means Of Engagement In Interaction Design, Christian Dindler, Peter Dalsgaard

Nordes Conference Series

We present and discuss the concept of peepholes as a means for creating engaging interactions. By peepholes, we refer to aspects of interactive artifacts and environments that utilize the tension between what is hidden and what is revealed to foster engagement. As a foundation for discussing the qualities of peepholes, we outline a pragmatist perspective on engagement, emphasising the reciprocal relation between people, technology, and environment. We articulate peepholes as an example of a concrete means of engagement. Through a range of examples and two design cases, we explore peepholes as a means of engagement and discuss the pragmatist conception …

Staging Urban Atmospheres In Interaction Design, Peter Dalsgaard, Karen Johanne Kortbek

Nordes Conference Series

In this article, we address the concept of atmosphere from a designerly perspective and discuss challenges facing interaction designers who seek to stage atmospheres in urban settings. We outline previous academic works on atmosphere and the emergence of atmosphere as a subject-space encounter, primarily on the basis on Gernot Böhme’s notion of atmosphere. We then present the argument that, in the field of interaction design, it is worthwhile to expand an analytical and operational understanding of atmosphere to encompass technological, social and temporal concerns, as these are central to interaction design discourse. In order to explore this expanded notion of …

A Sense Of Place: A Personal Exploration, Analysis And Re-Interpretation Of Diverse Places, Hyejin Park

Theses and Dissertations

Every city/place has unique, distinctive qualities. Individuals acquire a sense of place in accordance with their own experiences and perspectives, which may not be the same as the experiences and viewpoints of another person. In this project, I explore, analyze, and re-interpret three places that have creatively and emotionally influenced me and remained in my memory: Times Square, New York City; Insadong, Seoul, South Korea; and Broad Street, Richmond, Virginia. To comprehend and draw a sense of place, I observe, feel, and document the characteristics of each place through different methods and processes, based on my own experiences. In addition, …

Mobile Exhibition System, Sanford Jillian Columbus

Theses and Dissertations

Through the development and design of a Mobile Exhibition System (MES) in this thesis, I will demonstrate the benefits and possibilities of a flexible and mobile system within an exhibition environment. A flexible system will be able to adapt to a wide range of content, while at the same time, maintaining a synergy between its form and function. By the reuse and reappropriation of shipping containers as the exhibition envelope, the goal of mobility can be achieved, reaching out to those who might not otherwise experience learning through an exhibition environment.

Design By Accident, Mengfu Zhang

Theses and Dissertations

Accident is a metaphor for life. From an arbitrary point in time, we potentially preview the entirety of existence. There is a Chinese idiom called “ blessing or bane,” which implies that a misfortune may perhaps soon turn into a blessing. Focusing on accident as a design method implies making the best out of a bad situation. An accident reveals invisible circumstances and potentialities in the world, both familiar and unfamiliar. Looking into the unpredictable world, I can begin to release my control, take a breath, and see what might happen if I do not fight the situation. I am …

Crafting Authenticity, Allison N. Schumacher

Theses and Dissertations

Authenticity is what we want from the world around us, from others, and crucially from ourselves and what we make. As it relates to graphic design, I define authenticity as a perceived match between form and purpose. For the designer, its quality is found in the process of simultaneously developing a concept and crafting the design/object.

Forming Process : Design Through Layered Visual Systems And Multiple Collection Methods : A Thesis, Jen Magathan

Masters Theses

"Do not hide the structure, celebrate it in the form" ; "Approach design from multiple points of view."

These adages, so important in my architectural training, reverberate with intricate practicality in my work as a graphic designer, both as a way of building my design and as a means of developing a design process which explores multiple ways of organizing content through visual systems. Forming Process is defined by three conditions: celebrating the visual systems which organize the design, archiving content from multiple ways of collecting, and creating work by which the process of design is implicit in the design …

In Pursuit Of Harmony: Calligraphy & Typography, Feifei Fan

Theses and Dissertations

Chinese calligraphy and Western typography have been evolving for around five thousands years. During this time, they have developed quite different characteristics. Compared with the geometrical form and precision of Western printing types, Chinese calligraphy features abstract shapes and spontaneous strokes. These differences result in a gap that prevents a harmonious and organic relationship between them. This project explores the possibilities of combining these two historical visual systems, demonstrates specific methods and approaches for creating compelling formal relationships, and endeavors to establish a friendly, organic and harmonious dialogue between Chinese calligraphy and Western typography. The outcome of this project is …

Vernal, Jason Orvis Dilworth

Theses and Dissertations

Culminating with a dream, this project transverses theoretical and geographical boundaries with explorations into the message-carrying potential of video, sound, performance, print, and web. Stories and content are extracted from an autobiographical history of one small western town turned boomtown. That town, the center from which the project emerges, is Vernal, Utah.

The Dismissive Actually, Alexander Egner

Theses and Dissertations

This project is about giving in to the impulse of ideas. My mind is a little messy and cluttered, swirling with bits of stimuli. The spark of an idea happens when the bits collide. I prefer not to initiate or control the process so much as keep it fed and active. Through graphic design, I bear witness to these ideas, giving them form as a series of visible, tangible objects. Viewed comprehensively, the work establishes an ongoing chronicle of my creative life and mind.

Modes Of Participation: Co-Creative Approaches To The Design Process, Carissa Henriques

Theses and Dissertations

This project explores the notion of participation within the graphic design and problem-solving process. Through projects using generative tools and collaboration, I explore ways to instigate controlled participation from designers and non-designers. I observe and document how the methods and means of participation affect the creative process during these projects.

I Read My Mind Through You: Designing Personal Communication In The Public Realm, Or, I Made This Thesis For You, Mary Banas

Masters Theses

As graphic designers, we're trained to be rational, systematic, and concise. In contrast, human emotion is irrational, passionate, and complex. By projecting personal experience into the public sphere, this study explores the tension between these two mindsets. I Read My Mind Through You elevates the voice of the banal to a call for empathy and renewed sentimentality.

I Read My Mind Through You elevated the voice of the banal to a call for empathy and renewed sentimentality.

This body of work originates from a love affair with turns of phrase, an affinity for the absurd, and the current cultural obsession …

Find Meaning Make Meaning, Karen Stein

Theses and Dissertations

Employing the designer William Morris as a source of inspiration, this project seeks to explore the call for nature and beauty as a part of our lives. Moreover, it interweaves the necessity for experience of the sensual world (the five senses) with the cerebral world (a requisite to igniting the internal imagination)—a concept embodied in the form of the book. It advocates a redefining of the book as an imagination sculpture (the external and the internal) reflecting this new definition.

The Open Road, Bryan Condra

Theses and Dissertations

In our journeys on the open road, we travel through a landscape of visual imagery composed of patterns, rhythms and a spectrum of changing colors. Our previous experiences, mental and physical attitudes and expectations, shape our perceptions. By visually interpreting and presenting my experiences of the journey on the open road I hoped to tell a story of how the open road energizes the creative spirit. My goal was to explore how the landscape is altered by motion and speed as we pass through it, and how the journey can be experienced in various ways. I wanted to investigate and …

Design Research Quarterly Volume 3 Issue 3, Peter Storkerson

Design Research Quarterly (2006 - 2009)

Design Research Quarterly (2006-9) was a hybrid journal-newsletter of the Design Research Society. It contained news of the society, its members and regions and its sister societies, as well as peer-reviewed articles about issues of importance to design research, theory and knowledge.

Making Time, Christine Coffey

Theses and Dissertations

We are living in an age where the quantity of information has exceeded its quality. No doubt the digital and information revolutions have provided the world with countless positive improvements, but they have also increased the speed at which we live and work to the detriment of the heath of our world. This project explores ways in which designers can aid in an effort to slow down in order to reinvigorate a more sustainable graphic design product.

Typography As Performance: Bringing The Stage Into The Design Process, Ann Ford

Theses and Dissertations

Graphic design is historically a visual language consisting of text and image composed for the purposes of sending messages in print format. The voice of graphic design is typography—structuring and arranging letter forms into visual language. Over the past two decades, new communication formats such as motion and interaction have frequently been related to performance. My intention, however, is to explore how performance can influence typography in two and three dimensions, and even in digital environments.

Fundamentals In Nature, Andrea Quam

Theses and Dissertations

This project explores innovative methodologies for design education. It is an investigation of teaching design fundamentals in an outdoor classroom.

Color: The Influence On Visual Communication, Amy Pierson

Honors Capstones

Capstone submitted as a graduate requirement for the BSU Honors Program.

David Herrold: A Retrospective, Richard Burkett, David Herrold

Galleries at Peeler Exhibition & Program Publications

David Herrold: A Retrospective Exhibition January 30 – March 2, 2008 Richard E. Peeler Art Center DePauw University. Richard Burkett, 2007 University of California, San Diego

The True Colors Of Trademark Law: Green-Lighting A Red Tide Of Anti Competition Blues, Ann Bartow

Law Faculty Scholarship

The elevation of color to stand-alone trademark status illustrates the unbounded nature of trademarks within the judicial consciousness. The availability of color-alone marks also facilitates the commoditization of color in ways that complicate the development and distribution of products and services that use color for multiple purposes conterminously. The economic case for color-alone trademarks is severely undermined by careful observation of the ways that colors are actually deployed in commerce, which makes it clear that the trademarks of multiple goods and services can utilize the same color to telegraph the same message without confusing anyone or diluting the commercial power …

Many Telling Moments:The Essence Of Fragmented Image Culture, Bonnie Ebner

Electronic Theses and Dissertations

My purpose in entering the UCF MFA program was to further explore and develop my passion for photography. During my time in the program, I developed my methodology--from having the traditional photography paradigm ingrained in my mind (and wanting to fit into it) to accepting and valuing my own unique process. I construct installations using diverse imagery and non-traditional presentation. In my installations, one may witness a reflection of the contemporary pace of image perception--fragmented, complex, abundant, and disordered. Together, images and their arrangements are used to create a unified piece that satisfies a new system within apparent disorder. The …