Film and Media Studies Commons^™

Cine, Producción Audiovisual Y Participación Politica En Centroamérica, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

Si el cine y la fotografía son lenguajes altamente dependientes por su constitución tecnológica y su asociación a procesos industriales y de producción de mercancías, la historia de su desarrollo en Latinoamérica, y en especial en Centroamérica, confirma la enorme flexibilidad intrínseca a estos lenguajes, que les ha permitido ser reapropiados y reinventados de modo multifacético en la región. La presente Sección Especial de Istmo no. 20 presenta a las/los lectoras/es los trabajos de siete investigadores académicas/os expertas/os en estudios de cine, producción audiovisual y participación política en Centroamérica.

Estos trabajos basan su discusión en el reconocimiento de que la …

Gothic Representations: History, Literature, And Film, Daniel Gould

All Student Theses and Dissertations

Gothic storytelling has come a long way since the publication of Horace Walpole's The Castle of Otranto in 1764. This short novel created the standard motifs and tropes that will forever be associated with the genre-the destitute castle, the foreboding atmosphere, supernatural or inexplicable events, omens, prophecies, heroes, villains, and of course, a deteriorating world facilitated by the unconscious evils within hwnanity causing the complete destabilization of society.

This paper will examine the evolution of Gothic fiction and how it has been represented from its romantic heritage and Victorian upbringing to the American Gothic traditions of the nineteenth century and …

Mr. Monk And The Emotion-Reason Dilemma, E. Deidre Pribram Ph.D.

Communications: Faculty Publications

Adrian Monk (Tony Shalhoub) belongs to a tradition of brilliant but personally flawed detectives. Like others in this tradition, including his television colleague, Dr. Gregory House (Hugh Laurie), Monk’s genius resides in his exceptional, even excessive, rationality. Both Monk and House embody near-perfect detection or diagnostic skills. And, in both cases, the cause of their damaged personalities is excessive emotionality, represented by their respective emotional disorders. In their internal dynamics, emotion is almost always the ‘problem,’ and both shows suggest that troubled emotionality is the price Monk and House must pay for their intense brilliance.

Anger, Cognition, Ideology: What Crash Can Show Us About Emotion, Sue J. Kim

College of Arts & Sciences Professional Work

Sue J. Kim’s essay “Anger, Cognition, Ideology: What Crash Can Show Us About Emotion” argues for the relevance and importance of cognitive studies to ethnic and postcolonial literary studies, and vice versa. After surveying recent developments in the field of cognitive studies, the essay combines cultural and cognitive approaches in order to examine anger in and around the 2005 Paul Haggis film Crash.

Beyond Europe: Launching Digital Radio In Canada And Australia, Brian O'Neill

Books/Book chapters

Eureka 147 was, as we have argued throughout this volume, a European technology designed within the very particular context of European public service broadcasting (see also Rudin 2006; O'Neill 2009). At the same time, the consortitum behind DAB technology had the ambition that Eureka 147 would become the world standard for digital radio. DAB was indeed the first such technological system to achieve standardisation at the European Telecommunications Standards Institute (ETSI), and be recommended as a global standard for digital terrestrial sound broadcasting by the International Telecommunications Union (ITU).

Dislocations: Participatory Media With Refugees In Malta And Ireland, Anthony Haughey

Books/Book chapters

Malta is located in the Mediterranean Sea between North Africa and Europe, a receiving country for significant inward migration. For most migrants the goal is to reach mainland Europe. However, every year a significant number of smuggler boats inadvertently drift into Maltese territorial waters often in severe distress, resulting in rescue by the Maltese Navy and an uncertain future.

Whilst working in Malta I was struck by the similarities between Ireland and Malta. Both islands’ are peripheral locations on the western and southern edges of Europe. Historically both countries have experienced significant outward migration of its citizens who live all …

Not Seeing The Joke: The Overlooked Role Of Humour In Media Production Research, Edward Brennan

Conference Papers

This paper attempts to offer a methodological contribution to media production research. By reconsidering an earlier case study, and reviewing relevant literature, it illustrates how humour can fulfill several functions in media production. Importantly, humour is a central means of performing the ‘emotional labour’ that increasingly precarious media work demands. Methodologically, the everyday joking and banter of media workers can provide an important and, heretofore, overlooked means of accessing culture, meaning, consensus and conflict in media organisations. The article argues that humour’s organisational role should be considered when designing production research.

‘Evil Against Evil’: The Parabolic Structure And Thematics Of William Friedkin's The Exorcist, Larrie Dudenhoeffer

Faculty Articles

This essay examines and deconstructs three sets of antagonisms in William Friedkin's The Exorcist (1973). It argues that the film describes its own narrative conflicts as a thematics of ‘evil against evil,’ so as to de-ethicize the moral violence of those metaphysical dogmatisms that compete over the ‘souls’ of others. It then re-couches the one-sidedness of scientific and religious orthodoxies, which damage in similar ways Regan MacNeil, one of the film's main characters, as another variation of this thematics. Finally, this essay suggests that The Exorcist surveys certain sociopolitical tensions, thus commenting, in its video and theatrical re-releases, ‘timelessly’ on …

Review Of Teaching Graphic Novels, By Katie Monnin, Susan Spangler

SANE journal: Sequential Art Narrative in Education

No abstract provided.

Sequential Art, Graphic Novels, And Comics, Brian Kelley

SANE journal: Sequential Art Narrative in Education

The first global distribution of a paper prepared for the Science Fiction, Fantasy, and Graphic Novels Special Interest Group of the International Reading Association,the Executive Board of the New Jersey Reading Association, and the Legislative and Professional Standards Committee of the NJRA.

Se7en: Medieval Justice, Modern Justice, Valerie Allen

Publications and Research

No abstract provided.

"Life Is Beautiful, Or Is It?" Asked Jakob The Liar, Ilona Klein

Faculty Publications

In 1999 the 71st Academy Awards ceremony awarded to the film The Last Days the prize for Best Documentary Feature. Underwritten by Steven Spielberg's Survivors of the Shoah Visual History Foundation, this documentary depicts in a compelling, historically objective fashion what the Nazi regime called the "Endlösung" ["Final Solution"]: the effort to annihilate all of European Jewry. In the film, five Hungarian survivors are interviews with honesty and compassion. Their answers record history as it unwound. Clearly, the intent of the interviews is to assure that historical facts are not falsified, nor taken for granted. Documentaries of this kind can …

Prospero’S Muccs: The Meaning Of Martin Scorsese’S Italian American Dialect, George Guida

Publications and Research

No abstract provided.

The Warrior Women Of Transnational Cinema: Gender And Race In Hollywood And Hong Kong Action Movies, Lisa Funnell

Theses and Dissertations (Comprehensive)

In The Warrior Women of Transnational Cinema, I consider the significance of transnational Asian action women in the post-1997 Hong Kong cinema; more specifically, I explore how Pan-Asian (e.g. Michelle Yeoh, Pei Pei Cheng, Ziyi Zhang), Asian American (Lucy Liu, Maggie Q, Marsha Yuen), and Asian Canadian (e.g. Francoise Yip, Charlene Choi, Kristy Yang) warrior women function as a source of transnational female identity for local, Pan-Asian (i.e. East and Southeast Asian), and diasporic Asian audiences. I argue that the post-1997 Hong Kong cinema—and not Hollywood—has offered space for the development of Pan-Asian and Asian North American screen identities …

Ecos Góticos En La Novela Y El Cine Del Cono Sur, Nadina Estefania Olmedo

University of Kentucky Doctoral Dissertations

Latin American literary criticism has traditionally underestimated the significance of the Gothic aesthetic, in spite of the rich Gothic literary tradition of Latin America. Specifically in the Southern Cone - the focus of my research - there is a particular recurrence and consumption of this genre, not only in literature but also in cinema, which has not been deeply analyzed. I argue that a close examination of the Gothic and Fantastic elements in these novels and films unveils anxieties, repressions and manifestations of social decay that underlie common codes of social decency and the conventions of maintaining an oppressive social …

Review Of Charade, Michael Adams

Publications and Research

Review of Stanley Donen's 1963 film.

Review Of Out Of Africa, Michael Adams

Publications and Research

Review of Sydney Pollack's Out of Africa: http://www.media-party.com/discland/2010/05/out-of-africa-bluray.html

Review Of Forbidden Planet, Michael Adams

Publications and Research

Review of Fred McLeod Wilcox's Forbidden Planet: http://www.media-party.com/discland/2010/09/forbidden-planet-blu-ray.html

Review Of Contempt, Michael Adams

Publications and Research

Review of Jean-Luc Godard's Contempt: http://www.media-party.com/discland/2010/03/contempt-bluray.html

Review Of Flash Gordon, Michael Adams

Publications and Research

Review of Mike Hodges' Flash Gordon: http://www.media-party.com/discland/2010/07/flash-gordon-bluray.html