Film and Media Studies Commons^™

Representing Vietnam’S Political Leadership In International Media: A Critical Discourse Analysis Of Coverage From 2018 To 2024, Jackson Andre William Kumaat

International Review of Humanities Studies

International media play a powerful role in shaping global perceptions of political legitimacy, particularly in states where authoritarian governance coexists with economic success. Vietnam—often described as a one-party socialist state with rapid economic growth—has attracted increased attention in international news coverage, yet little research has examined how its leadership is discursively constructed through media narratives. This study addresses that gap by analyzing how Vietnam’s political leadership was represented in international media from 2018 to 2024. Using Norman Fairclough’s Critical Discourse Analysis (CDA) and Stuart Hall’s theory of representation, the research investigates how ideology, power, and meaning are embedded in news …

The 15-Minute City And Social Behavior Changes In The Tod Area: Blok M-Sisingamangaraja Tod Case Study, Dede Julfikar, Lin Yola

International Review of Humanities Studies

The changing process of the city can be due to economic development that results in urbanization then enlarges the city. This situation affects the growth and evolution of other activities in urban areas such as the emergence of new residential areas, industrial zones, and trade and service (commercial) areas. The government of DKI Jakarta is targetting to develop many public transportation infrastructure due to its target of 2040 70% of Jakarta residents live near by transit points. So that the distance of residential residents to urban facilities can be reached within 15 minutes of walking, cycling or using public transportation. …

The Establishment Of Jakarta International Schoolin Indonesia As A Reflection Of Globalisation Through Education, Brandon Cahyadhuha Rusdy, Linda Sunarti

International Review of Humanities Studies

"This article examines the establishment of Jakarta International School (JIS) within the context of the globalisation of Indonesia. Established in 1951 under the name International School of Djakarta by Antoinette Stepanek, an educator from the United States, it was the first school to provide an English-language education for the children of expatriates in Jakarta, Indonesia. The school underwent several name changes throughout its history. In 1965, the school was renamed to Joint Embassy School to reflect the support from a coalition of embassies, consisting of the United States, United Kingdom, Australia and Yugoslavia. In 1978, the school was renamed again …

The Middle Class, The Youth, The Highways: Production Of Space And Urban Memory In Blok M, Jakarta, Bimana Novantara, Yudi Bachrioktora, Lilawati Kurnia

International Review of Humanities Studies

This paper examines the historical and contemporary dynamics of the Blok M area in Jakarta as a public space undergoing a process of spatial, cultural, and symbolic transformation. Using Henri Lefebvre’s theory of the production of space and then relating it to the discourse of urban memory according to Abidin Kusno, this study traces how Blok M developed from the modernist urban planning of Kebayoran Baru after independence to be the epicenter of youth festivity, then declined until it rose again through a place that utilized the memory of this area in the past. This study highlights how the politics …

Advertising Appeals Through Instagram Caption Code Switching, Irma Aulia Irawan, Myrna Laksman-Huntley

International Review of Humanities Studies

The COVID-19 disease required everyone to go into lockdown. All activities and communications were carried out through mobile devices, driving online content consumption to double. The Instagram app, which is part of social media, increased its visits by 43 percent during the lockdown of the COVID-19 pandemic. As users turn to social media, influencers are emerging as figures in shaping online interactions and trends. One of the popular French influencers is Léna Mahfouf (@lenamahfouf). As a global fashion influencer, Mahfouf often uses English transitions in her captions. This qualitative research will identify the types of code-switching found with Poplack's theory …

Language Of Love: Kafka’S Affective Meaning In Briefe An Milena, Kafka Aisyah Triny, Julia Wulandari

International Review of Humanities Studies

Franz Kafka is known for his twisted literature filled with dark atmosphere and word choices, however when it comes to writing letters to his muse, Milena, he uses words unknown to him. He expresses his barest soul to her using word choices that indicate someone who is amazed. For a person like Kafka, love is not all about complementing word choices and emotions, seen by his internal battles with himself and uncertainty regarding the topic of love. This research will use Geoffrey Leech’s semantic framework along with Monica Schwarz and Jeannette Chur’s Wortfeld theory. The study aims to examine Kafka’s …

The Absence Of Female Representation In Film Bambang (2022): The Male Gaze And Lacanian Objet Petit A, Brigitta Winasis, Rias Antho Rahmi Suharjo

International Review of Humanities Studies

The discourse of the male gaze in popular culture constructs ideal standards of femininity deemed attractive based on traits and physical appearances that are desired by men. The film Bambang (2022) is an example of media that employs the male gaze as an exclusive tool to present female characters. By applying the mise-en-scène analysis method in film studies, this article explores the problem of female characters representation that is reduced to be desired objects through the concepts of Laura Mulvey's male gaze and Lacanian objet petit a. This article finds that Bambang (2022) utilizes objectifying dialogue by the two …

La Lutte Pour Les Droits Des Femmes Africaines: Le Womanisme Dans Taafe Fanga, Elizabeth Davis

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

Dans cette thèse, j'analyserai le film Taafe Fanga (Pouvoir de Pagne en français), un film de 1997 du Mali, réalisé par Adama Drabo. Le film suit l'histoire du village de Yanda où des femmes, avec l'aide d'un masque qui invoque la peur dans des hommes, changent des rôles de genre, leur permettent de prendre le rôle masculin et dominant et mettent des hommes dans les rôles que les femmes tenaient avant. J'examinerai ce film d'un angle womaniste. J’affirme que, bien que les femmes dans le film d'Adama Drabo qui s'appelle Taafe Fanga luttent pour les droits des femmes, ce n'est …

Derrida In Mesopotamia: On The Import Of The Cuneiform Inscriptions In Of Grammatology, Will Greenshields

CLCWeb: Comparative Literature and Culture

Cuneiform writing has a small but privileged position in Derrida’s Of Grammatology – providing the text with its first two epigraphs. By elucidating the source and import of these inscriptions and evaluating Derrida’s understanding of the cuneiform writing system in reference to more recent grammatological studies, this paper explains the significance of these references to the ancient Near East for Derrida’s arguments regarding the origins of Western metaphysics and logocentrism. In the first part, I analyze Derrida’s brief paragraph on cuneiform writing in Of Grammatology as evincing a “fundamental synaesthesia” of phonetic and non-phonetic elements that problematizes the phonocentric definition …

"El Corregidor" At The Crossroads: Desire, Law, And Coloniality In Martel's Zama, Leisa Kauffmann

CLCWeb: Comparative Literature and Culture

In "'El Corregidor at the Crossroads: Desire, Law and Coloniality in Martel's Zama" Leisa Kauffmann discusses Lucrecia Martel's filmic adaptation of Antonio DiBenedetto's 1952 novel, Zama. Highlighting the director's emphasis on the psychoanalytic (as opposed to the existentialist) dimensions of the novel, the essay follows the titular characater's unravelling and shows how Martel's film allegorizes colonial(ist) subjectivity. In Kauffmann's essay, various psychoanalytic theories (such as the work of Bhabha, Fanon, and Žižek), and critiques centering the notion of race in the Lacanian tradition are applied. In addition, differences between the novel and film, particularly regarding Zama's mutilation and …

Haunting Pasts, Cancelled Futures: Polish And Argentinian Experiences Of Postdependency, Ewa Kobyłecka-Piwońska

CLCWeb: Comparative Literature and Culture

The aim of this article is to compare Polish and Argentinian experience of democratic transitions of the 1980s and 1990s. Establishing new political and economic orders in both countries did not entail a change in their citizens’ post-dependent mentality. In the first part of the paper, a connection is drawn between Polish and Argentinian collective memories in line with the methodology of transcultural memory studies (Erll, Rothberg). The post-dependent condition is articulated twofold: through the remembrance of the disappearance (of the Jews, the victims of the Argentina’s state terrorism, the indigenous peoples), and through the confusion in grasping the sense …

Identity Entanglement In Transnational Body Horror Cinema, Jessica Hughes

Staff Scholarship - Australia & Dubai

This paper will examine Coralie Fargeat’s The Substance (2024) within the context of transnational body horror films, arguing that its power lies in its ability to entangle audiences in themes of identity fragmentation. The Substance, echoing work by filmmakers including David Cronenberg, Pedro Almodóvar, and Takashi Miike, depicts the disturbing erosion of self through visceral transformations and psychological disintegration. By analysing Fargeat’s

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recent film alongside earlier films such as Videodrome (1983), The Skin I Live In (2011), and Audition (1999), this paper demonstrates how body horror, despite diverse origins, shares a preoccupation with blurring self/other boundaries. Drawing on Blasi’s …

Artwork From Animation (Ani216 Animation Studio), Adrian Bruch

Staff Scholarship - Australia & Dubai

A series of pen and ink and photograph collages inspired by my teaching and the scene I created as part of the ANI216 Animation Studio group project. These were made as a response to the invitation to exhibit 3 artworks in a group exhibition. They were all subsequently sold.

What Can The Active Learning Teacher Learn From Dramatic Arts Practice?, Strutts Psyridis

Staff Scholarship - Australia & Dubai

This presentation explores how active learning pedagogy can be informed by practices in the dramatic arts, particularly film editing and theatre direction. Drawing on an autobiographical lens, it argues that teaching and creative practice share a performative, interpretive, and collaborative structure. Concepts such as facilitative teaching, embodied cognition, intuition, and kinesthetic empathy are used to reframe the teacher as an active orchestrator rather than a passive facilitator. Through analysis of narrative construction, interpretive space, and audience engagement, the paper highlights parallels between editing and classroom practice. It proposes that effective teaching operates as a dynamic, multi-dimensional, and emotionally responsive creative …

Where The Fog Hangs: An Interview With Elaine Sheldon Mcmillion On Appalachia, Filmmaking, And The Power Of Small Acts, Elaine Mcmillion Sheldon, Scott C. Mcdaniel

Critical Humanities

An Interview with Elaine Sheldon McMillion

Fire In The Hole: Appalachia’S Elemental Narrative In Harlan County, Usa And King Coal, Somak Mukherjee

Critical Humanities

In Elaine McMillion Sheldon’s documentary King Coal (2023) coal is being referred to as a matter that is “not dirty or clean, but elemental.” The acclaimed film centers on the complex histories and cultures of coal in Central Appalachia, based on the perspective of Sheldon, a coal miner’s daughter, and a West Virginia native. The elemental nature of coal is explored in the film by situating coal less as a resource and more as a mythic foundation for the community's cultural history. This article puts King Coal in conversation with Barbara Kopple's seminal Harlan County, USA (1976) which narrates the …

The Extraction Unconscious: Solar-Powered Utopias In Catching The Sun (2015) And In The Name Of Lithium (2021), Isidora Cortés-Monroy

Critical Humanities

By comparing the depictions of future energy regimes in the two ecodocumentaries, Catching the Sun (2015) and In the Name of Lithium (2021), this article explores representations of post-carbon futures from the US and Argentina. Read closely alongside Frederic Jameson’s notions of utopias, the article delineates the extent to which a solar powered future challenges and reiterates current neocolonial extractivist structures. Basing myself on Patricia Yaeger’s concept of an “energy unconscious,” I argue that these solar utopias maintain an “extraction unconscious” that continues to produce sacrifice zones where primary commodities needed for the energy transition can be found. By analysing …

De Vente A Alemania, Pepe A ¿Te Has Venido A Alemania, Pepe?: Aspectos Económicos Y Culturales De La Emigración En Dos Generaciones Distintas, Daniel López Fernández

Homage to Alexander von Humboldt: Travels to and from Spain Throughout the Centuries / Homenaje a Alexander von Humboldt: Viajes hacia y desde España de todos los siglos

En Vente a Alemania, Pepe, el epónimo protagonista decide seguir el camino de muchos de sus compatriotas y abandonar temporalmente España con la intención de ganar más dinero en el extranjero, una esperanza que se ve pronto frustrada. Décadas más tarde, la crisis económica que comenzó en 2008 parece haber dado lugar a una repetición de este capítulo tragicómico de la historia española. No obstante, existen diferencias notables entre ambas generaciones. La migración actual atañe a una generación muy distinta de la que se marchó en los años sesenta y setenta. Se trata, en muchos casos, de inmigrantes con una …

Through The Glass Darkly: Cross-Cultural Collaboration And The Experimental Adaptation Of Shakespeare, James Thompson

Staff Scholarship - Australia & Dubai

Through the Glass Darkly is an experimental Australian-Indonesian film adaptation of Shakespeare's Macbeth, employing fragmented narratives, hallucinatory imagery, and cross-cultural spiritual frameworks to explore violence, guilt, and moral corruption. The project emerged from a collaboration between Australian and Indonesian film professionals and educators. Drawing on trauma cinema aesthetics and Indonesian mystical traditions (Kebatinan, Rangda masks), the adaptation structures itself around five vignettes: prophecy, murder, hallucination, retribution, and washing. The filmmaker employs a "heuretic" research methodology, prioritizing exploration over interpretation, to create a hybrid cultural text that interrogates Western canonical literature through postcolonial perspectives while navigating censorship through international collaboration.

Reveltion Perth International Film Festival Academic Conference 2025, James Thompson

Staff Scholarship - Australia & Dubai

The Revelation International Film Festival conference invites vibrant discussions and debates, exploring creative practice and praxis, and the theoretical surrounds of contemporary cinematic and screen culture.

Revelation stands as Australia’s exclusive international film festival integrating academic discourse within its renowned screening program. Our mission extends beyond screens, sharing compelling discoveries with audiences across the country and beyond. Embracing a pivotal role in fostering film discourse and analysis, Revelation is a cornerstone in Australian cinematic dialogue.

Under the auspices of SAE University College Perth, the academic conference took place at the SAE campus 116-120 Roe St.  Northbridge, Perth, Western Australia.

The …