Film and Media Studies Commons^™

Intersectional Realities, Multi-Dimensional Films: Reading Julie Dash's Illusions As An Activist Text, Amelia Morrison

University Honors Theses

This paper reads Julie Dash's 1982 film Illusions as an activist text, which challenges dominant cinematic and historical narratives through its Black feminist perspective. It explores the cinematic and narrative devices that Dash uses--including the weaving of fantasy and history, the strategic use of period aesthetics, and masking--to expose and subvert the mechanisms of white supremacist and patriarchal hegemony within Hollywood. Drawing on intersectional feminist theory from scholars like Kimberlé Crenshaw, Patricia Hill Collins, and bell hooks, alongside cinematic theory, this analysis demonstrates how Illusions critiques the historical erasure of people of color from United States cinema and history. By …

Cinematic Dialogue Capture With Mobile Wireless Microphones: A Systems Approach To Blocking, Acoustics, And Set Dynamics, John Trevino

Theatre Faculty Publications

This paper presents a systems-engineering analysis of cinematic dialogue capture using mobile wireless microphones. Building on field observations and workstation-based evaluation conducted between June and August 2025, the study models the acoustic, timing, and blocking interactions that shape production-sound outcomes on narrative film sets. A multi-layer framework is proposed that integrates sound recording, cinematography, actor movement, and post-production requirements. Results indicate that mobile microphone systems, when operated within disciplined workflows, can deliver high-quality dialogue coverage with notable advantages in mobility, scene flexibility, and production efficiency.

Beyond The Meadow: Exploring The Violence And Dynamics Of Power In Watership Down Through Critical Animal Studies And Cinematographic Lens, Marwa Hussein Abdelfattah

Arts and Design

This paper aims to analyze the 2018 Netflix miniseries adaptation of Richard Adams's classic novel, Watership Down, using Critical Animal Studies and a Cinematographic lens. The analysis focuses on its visual storytelling through the camera angles, lighting, and character representation. Adams’ novel was adapted three times. The first two animated versions were horrifying to the extent that one of them was banned. The most recent version used Computer-Generated Imagery (CGI) technology to be more friendly. The CGI version toned down explicit brutality while maintaining the novel's darker themes. Unlike the two previous versions, the CGI focused on inferred violence and …

La Pratique Intermédiale, Vers Une Nouvelle Approcheinterdisciplinaire : Perspectives Théoriques Et Pratiques Scripturales, Cas De La Télévision Et Dutéléphone Dans L’Œuvre De Fatou Diome, Le Ventre De L’Atlantique (2003), Youssef El Habachi

Dirassat

In the digital age, new literary forms are emerging within the post-modernist novel, particularly in french. The latter, whose aesthetic and formal construction, increasingly draws on media or artistic motifs that orient literary writing towards new aesthetic and discursive practices that break with structuralist formalism, most often based on the classic narrative schema of Julien Greimas or the actantial schema of Vladimir Propp. Thus, we are talking today about the interdisciplinary or polydisciplinary, hydrid or transcultural text, wich integrates paraliterary motifs such as the media with the aim of creating a new “vision of the world” based on exchange and …

[2025 Honorable Mention] The White Savior Trope In A “Post-Racial” Era, Gannon Camp

Ethnic Studies Research Paper Award

This paper explores how the media's promotion of the white savior trope, particularly following Obama's election, contributed to a false perception among Caucasians that significant racial issues had been resolved, despite evidence to the contrary.

Representations Of Queer Cowboys In History, Literature, And Film, Olivia Black

History & Classics Undergraduate Theses

My senior thesis focuses on showing the existence and erasure of queerness in American cowboys. The first chapter uses two journals from two different cowboys as well as an article from a Denver newspaper to establish what being queer looked like to cowboys and how that queerness continued after the end of the Frontier. Chapter two focuses on interpretations of cowboys in literature using two fictional cowboy stories which included the queer aspects of cowboy life as well as autobiographical and fictional cowboy poetry that confirmed explicit homosexual activity and revealed a shift in public views on being queer. The …

The Seduction Of Journalism In Atlanta: William Randolph Hearst And The Atlanta Georgian, Andrew J. Bramlett

The Kennesaw Journal of Undergraduate Research

The Atlanta Georgian was founded in 1906, quickly becoming a rival of the already established Atlanta Constitution and Atlanta Journal. Its founding editor, John Temple Graves, was a devoted believer of the New South Movement and a prominent ally of newspaper mogul William Randolph Hearst. In 1912, Hearst purchased the Georgian, expanding his influence into the South. The Georgian was a small piece of his grander plan to become President of the United States, and he quickly turned it into Atlanta’s most discussed newspaper. However, since the first edition of the Georgian was published in 1906, Hearst’s presence …

Transmedial Econarratology: Environment And The Subject Of Science Fiction, Joseph R. Boisvere

Dissertations, Theses, and Capstone Projects

This dissertation argues that narrators are constructed by their interactions with diegetic space and time in an ecological relationship. This argument draws upon Erin James’s work on econarratology, particularly her book The Storyworld Accord: Econarratology and Postcolonial Narratives, putting her theories of narrating time and place in dialogue with contemporary “unnatural” narratology as theorized by scholars such as Jan Alber and Brian Richardson. Science fiction (SF) offers a rich complement to these theoretical stances. I also focus much of my dissertation on how narratology works across and is influenced by specific media, featuring literary, audiovisual, and digital media, including novels, …

Love And Power: Narrative Resistance In The Contemporary Literature And Film Of The Americas, Tania Nicolaou

Dissertations, Theses, and Capstone Projects

This project analyzes the ways in which narratives of love, care, and intimacy support sociocultural change through cinema, literary fiction, and memoir in Indigenous, immigrant, and diasporic communities in the United States, Haiti, and Cuba. The project’s intervention revolves around how we compare and examine narratives of the marginalized, underrepresented, and misremembered in a way that does not focus primarily on pain and trauma, but on experiences that embody radical change, healing, and a shift in the colonial matrix of power. The chapters consider love as constructed through family, identity, memory, and nationhood, all in relationship to what love looks …

Cuny In The News: A History Of Reporting On The Humanities At The City University Of New York, Jacqueline R. Cahill

Dissertations, Theses, and Capstone Projects

This project compiles newspaper articles concerning humanities at the City University of New York, placing them on a timeline to establish patterns and changes within media reporting and public perception. The archival research of this project explores four distinct eras, grouped around major events in the history of the university: 1961-1971, for the founding of the university and open admissions struggle; 1980-1990, for the response to the ‘70s fiscal crisis and introduction of the Board of Trustees; 2000-2010 for the post-open admissions era and the centralization of CUNY; and 2020-present, for COVID and a new fight for racial equity. Examining …

The Reimagined Past: Investigating Generational Trauma Through Visual Semiotics And Visual Autoethnography Of Recreated Family Photographs, Josephine A. Barnett

Dissertations, Theses, and Capstone Projects

Family photographs, and particularly the curation of family photo albums, serve as a source of data, providing researchers with the opportunity to illustrate the role of the visual in reproducing certain social norms and ideals by dictating the depiction or representation of specific types of families and experiences. Arguably, what is left outside the frame of a photograph is more revealing about familial norms, memory, and narrative than what is deliberately captured within it (Hirsch, 1997a; Kuhn, 2002a). In other words, the hegemony and standardization of family photos shed light on the need for an alternative visual narrative that depicts …

An Interactive Walkthrough Of Richard Kostelanetz’S Library, Martin Glick

Dissertations, Theses, and Capstone Projects

My project utilizes the visual novel game engine Ren’Py to create an embodied virtual walkthrough of Richard Kostelanetz’s personal library. Kostelanetz is a pioneering avante-garde artist, critic, and anthologist whose work spans multiple decades and artistic practices. This interactive experience introduces users to the astounding collection of 25,000 books that Kostelanetz has amassed in Ridgewood, Queens over his decades of publishing avant-garde literature. While scholars might be familiar with his anthologies such as Scenarios: Scripts to Perform (1980) and Texts-Sound Texts (1980), my project allows users to browse through sample pages of his original “Book Art”.

This New Media Object …

Theatricality Of The Ephemeral: Media Of Surplus And Spectatorship In Liang Dynasty (南朝梁, 502-557) Palace-Style Poetry And Hou Hsiao-Hsien’S A City Of Sadness (1989), Yingyi Wang

Comparative Literature M.A. Essays

This essay focuses on the mediation of spectatorship experience by “ephemeral media” in Liang Dynasty (南朝梁, 502-557) palace-style poetry and Hou Hsiao-hsien’s film A City of Sadness (1989). Drawing from Alexander Galloway’s “the interface effects” in new media studies, I investigate how the diegetic “ephemeral media” in these two texts, such as dust, candlelight, silence, and writing, function as opaque interfaces that complicate spectatorship. I examine spectatorship experience from the angle of ephemeral media by looking at how they direct spectators’ attention from the world of representations to processes of mediation. Transplanting Xiaofei Tian’s notion of the “surplus” in her …

Cultural Shadows: Vampires And The Shifting Fears Of The West, A Creative Exploration Of Vampire Media And Its Reflection Of Evolving Social Anxieties, Tasha Sayre

University Honors Theses

Cultural Shadows: Vampires and the Shifting Fears of the West is a creative-critical thesis that explores vampire media as a reflection of evolving social anxieties in Western culture. Focusing primarily on film and television, with reference to key literary texts, this study examines how the vampire figure is used to articulate and dramatize recurring societal fears—particularly those surrounding women's sexuality and autonomy, queer identity, and class-based inequality. Through close readings of influential vampire narratives, the thesis demonstrates how these stories mirror cultural tensions and moral panics, transforming the vampire into a symbol of both fear and fascination. Drawing on gender …

Playing Makes Believing: Narrative Creation In Tabletop Role-Playing Games, Evan Salthouse

University Honors Theses

Tabletop role-playing games (TTRPGs) are a medium of narrative creation that combine collaborative improvisation, dice rolling, and game mechanics to allow players to tell mythical stories of fantasy and adventure. How are TTRPG systems used to create such memorable, evocative narratives? This research paper analyses Dungeons & Dragons (D&D) 5th Edition, examining its multifaceted system of narrative creation and the forces of influence at play, and outlining how narrative emerges from each aspect of the game. It highlights the act of play as the catalyst for these narratives supported by scholarship of role-playing game studies, and suggests future research investigating …

Manny The Barber: Transitioning The Neurodivergent From High School To Workplace, Julia Barlas

Dissertations, Theses, and Capstone Projects

This capstone project is a documentary short film. The narrative focuses on Manny, a young man on the autism spectrum, who dreams about working in a barber shop. He lives in New York City and attends a specialized public high school. The film empathizes with Manny and with his community at large, illustrating the need for further job training and hiring initiatives acknowledging the potential and value of the neurodivergent. The observational mode of this documentary with some participatory elements serves to present the neurodivergent behavioral nuisances, patterns of speech, and interactions with the surroundings. Pieces of interviews with teachers …

Contributors, Michaela Velleno

.RAW Journal of Art and Design

No abstract provided.

'The Heart Is A Lonely Hunter' & 'She Burns Quietly', Noir Campbell, Kiana Lee

.RAW Journal of Art and Design

No abstract provided.

'The Cauldron Of Resilience And Doubt' & 'Hopes And Dreams', María Belén Luzuriaga Abad, Samarra Sanders

.RAW Journal of Art and Design

No abstract provided.

'Merry Christmas' & 'Leper's Coil', Grace Franklin, Theo Milner-Hansen

.RAW Journal of Art and Design

No abstract provided.