A Composed Space,
2014
Washington University in St. Louis
A Composed Space, Adam S. Hogan
Graduate School of Art Theses
My practice is invested in expanding our conscious scope—revealing phenomena and observations, and presenting the information to the viewer through auxiliary channels. Using the language of minimalism, cinema, and abstraction I create technologically sophisticated systems to produce spaces of contemplation (a meditative space challenging the ephemeral relationships between our sensorial perceptions, space, and time).
Material, space, and technology become instruments for composition manifesting as silent experimental cinema (created and controlled sonically). My work seeks to illuminate our conscious scope through the succession of frames.
Exodus Hd,
2014
Washington University in St. Louis
Exodus Hd, Christopher J. Thompson
Graduate School of Art Theses
To express the dramaticism of the themes in my work, I have written the following document in a pseudo-satirical voice, expressing both my interest in science fiction and my own eagerness to accept the profoundness of the Internet’s connectivity in my life. The sensational nature of the writing is both prophetic and personal, conflating manticism with art making. Due to the interlacing of the web’s influence with our individual lives, we must pay tribute to its power and guidance through endorsements of search engines and online marketplaces that have built a new world of convenience. This world of convenience is …
The Release: A Thesis,
2014
LSU New Orleans
The Release: A Thesis, Jonathan Frey
LSU New Orleans Theses and Dissertations
Possessing elements of both dark comedy and dramatic suspense, The Release is the story of Sean Coleman, a young, idealistic documentary filmmaker, who, in fighting for his film's release, discovers that his beliefs may not be as strong as his desire to get what he wants. This paper will examine the total production process that went into the development, creation and finalization of this film.
Turtle Beach,
2014
LSU New Orleans
Turtle Beach, Weizhong Huang, Weizhong Huang
LSU New Orleans Theses and Dissertations
This paper thoroughly examines the production of the thesis film, Turtle Beach. Each area of the film’s production is carefully dissected, including the writing, production design, cinematography, directing, editing, sound, technology, workflow and visual effect. Specific attention has been paid to writing and cinematography, and how they affect editing.
The Veil,
2014
University of New Orleans
The Veil, Gwendolyn S. Granger
LSU New Orleans Theses and Dissertations
This paper details the process of creating the UNO Graduate thesis film The Veil. Each major step in the filmmaking process is covered: screenwriting, producing, directing, cinematography, sound, production design, costumes, hair and makeup, workflow, editing, color correction, music and post-sound. An evaluation of the filmmaking decisions and the success of the project follows the discussions of the process.
La Gioconda,
2014
University of New Orleans
La Gioconda, Nikkole R. Jones
LSU New Orleans Theses and Dissertations
Set in 16th century Florence, Italy, "La Gioconda" takes you on the journey of Lisa del Gioconda, the woman behind one of the most recognized paintings in the world, The Mona Lisa. Married off at a young age, Lisa finds comfort in her secret love affair with Art. Her secret world crosses paths with an Art apprentice, Leonardo da Vinci, who takes her on as his student. Lisa tells her husband that she is at church praying while spending her afternoons with Da Vinci, mastering her craft and technique. A love affair begins to blossom and Lisa is forced …
How The Axe Falls: A Retrospective On Thirty-Five Years Of Sir Gawain And The Green Knight Performance,
2014
Boise State University
How The Axe Falls: A Retrospective On Thirty-Five Years Of Sir Gawain And The Green Knight Performance, Linda Marie Zaerr
Accessus
This retrospective represents a new approach to using historical performance as a tool for understanding medieval narrative performance. The core of the article traces how an individual performer’s interaction with a stable medieval text both indicates directions medieval performers may have taken and suggests the limitations imposed by modern performance conventions. The discussion touches on issues of adaptation and translation, variation in troupe composition and audience, expectations of modern audiences, impact of costume choices, and limitations of audio and video recordings as documentation of live performance. Juxtaposing eight performances of a single passage clarifies how performance can transform a text, …
Semper Venalis: Gower's Avaricious Lawyers,
2014
California State University - Sacramento
Semper Venalis: Gower's Avaricious Lawyers, Robert Meindl
Accessus
The first three chapters of the sixth book of the Vox Clamantis (lines 1-248) comprise a harsh critique of the many avaricious lawyers who, in Gower’s opinion, have come to dominate their profession to the disadvantage of English society in the late fourteenth century. Driven exclusively by their appetite for possessions, they have forgotten the biblical model presented in Psalm 14 that specifies the obligation of the good man to assist without recompense his neighbor’s search for justice. Falsely claiming to be men of law and inheritors of the biblical model of the good man, the causidici (as Gower calls …
Preface,
2014
Westminster College
Preface, Georgiana Donavin, Eve Salisbury
Accessus
Co-editors Georgiana Donavin and Eve Salisbury thank the readers of Accessus for an enthusiastic reception of the first issue and summarize the contents of this second issue. The second issue showcases opportunities inherent in online publishing, such as the ability to produce extended commentaries and offer video streams. Robert J. Meindl's "Semper Venalis: Gower's Avaricious Lawyers" and Linda Marie Zaerr's "How the Axe Falls: A Retrospective on Thirty-five Years of Sir Gawain and the Green Knight Performance," respectively, realize these possibilities in online publishing while adding substantially and insightfully to our knowledge of important fourteenth-century poems from England.
Grafton Ave.: A Screenplay,
2014
Bridgewater State University
Grafton Ave.: A Screenplay, Christopher Porazzo
Honors Program Theses and Projects
No abstract provided.
Acts Of Rebellion: The Rhetoric Of Rogue Cinema,
2014
University of South Florida
Acts Of Rebellion: The Rhetoric Of Rogue Cinema, Adam Breckenridge
USF Tampa Graduate Theses and Dissertations
The purpose of this project was to articulate a definition and understanding of the emerging genre of rogue cinema through the lens of rhetorical theory. To this end, I lay out a theoretical groundwork based principally on the works of Kenneth Burke and Slavoj Zizek to build a definition and to analyze the works of four filmmakers whose work could be considered rogue: Alejandro Jodorowsky, Dusan Makavejev, Lars von Trier and Werner Herzog.
The first chapter is dedicated to articulating the theorists I use and showing how they can be used to examine rogue films. The second chapter is dedicated …
5x5: Video Games And Relationships: An Introduction,
2014
Lawrence University
5x5: Video Games And Relationships: An Introduction, Angela M. Vanden Elzen
Women and Identities in Gaming Symposium
Video Games and Relationships: An Introduction is a brief presentation about the variety of ways in which video games can play a role in romantic relationships- and why it is that they contribute to, and even facilitate strong emotions that can lead to romantic feelings.
Iron Redemption: A Biographical Documentary With Ethnographic Elements,
2014
Louisiana State University
Iron Redemption: A Biographical Documentary With Ethnographic Elements, Natalie Domingue
Honors Capstones
No abstract provided.
Dreamcatcher From Mao's Last Revolution: My Venture Into Creative Social Documentary Video,
2014
Stephen F. Austin State University
Dreamcatcher From Mao's Last Revolution: My Venture Into Creative Social Documentary Video, Christopher Shea Howard
Student Publications
Dreamcatcher From Mao’s Last Revolution is a filmmaking venture into creative social documentary production undertaken by this filmmaker as his own experimental departure from narrative feature film production and the fiction genre. This thesis report not only describes aspects of this film production that are specific to the methodology of documentary film production, but also describes the film’s cinematic expression of memory and the filmmaker’s telling of the story. Some cinematic and conceptual aspects of the story are related to the film’s influences, specifically to those theoretical concepts and techniques employed by documentary filmmaker, Werner Herzog.
The documentary story is …
Student Film Festival 2014 Poster,
2014
Providence College
Student Film Festival 2014 Poster, Providence College
Playbill and Promotions
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Student Film Festival 2014
Films by current PC students
Thursday, May 1st at 6PM
Student Film Festival 2014 Playbill,
2014
Providence College
Student Film Festival 2014 Playbill, Providence College
Playbill and Promotions
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Student Film Festival 2014
Films by current PC students
Thursday, May 1st at 6PM
INTRODUCTORY REMARKS, Rev. Kenneth Gumbert, O.P.
COMPETING FILMS
Neil Mercier '15, Retroverse
Angelo Marciano '15 & Victoria Virtue '15, Courage to be Uncommon
Kara Greeley '14, Wiggin' Out
Nicole Mazza '14, Dormant
Daniel Caplin '14, Taylor Rosenbauer '14, Justin Kanka '14 & Marc Caprio '14, Good Hosts
Neal Mercier '15 & Amanda Brown '14, Excess
Tyler Tierney '14, Handballs Deeper
JURY DELIBERATIONS
Grantis Peronda '13, Mantras in Action
AWARDS PRESENTATIONS, Rev. Kenneth Gumbert, O.P.
“Who Wants To Be A Millennial?” Game Show Production,
2014
Syracuse University
“Who Wants To Be A Millennial?” Game Show Production, Lauren Lewis
Renée Crown University Honors Thesis Projects - All
When deciding to produce a pilot episode of a television series, I thought about the type of entertainment I wanted to see on TV but had not yet seen. I thought to myself about the themes of entertainment that could resonate with my generation. I decided to combine the interests of the Millennial generation with a game show competition including popular culture and social media themes. I wanted to emulate this traditional genre of television while capitalizing on a new, emerging audience. I had witnessed this same production tactic successfully create The American Bible Challenge when I interned at …
Picturing Argentina: Myths, Movies, And The Peronist Vision,
2014
Gettysburg College
Picturing Argentina: Myths, Movies, And The Peronist Vision, Currie K. Thompson
Gettysburg College Faculty Books
No individual has had greater impact on Argentine history than Juan Domingo Perón. The years 1943–1945, when he was an influential member in his nation’s governing junta, and 1946–1955, when he was its president, were tumultuous ones that transformed Argentina. Perón was a highly controversial figure, and his memory continues to provoke intense and often acrimonious debate. Moreover, the nature of his legacy resists neat classification. Many of his achievements were positive. He oversaw the passage of progressive social legislation, including women’s suffrage and prison reform, and he implemented programs that aided the nation’s poor and working classes. On the …
Film Festival Sign Up Sheet,
2014
Providence College
Film Festival Sign Up Sheet, Providence College
Playbill and Promotions
Providence College Department of Theatre, Dance & Film
Film Festival sign up sheet
Thursday, May 1, 2014
Once Upon A Time In Louisiana: The Complex Ideology Of Beasts Of The Southern Wild,
2014
Grand Valley State University
Once Upon A Time In Louisiana: The Complex Ideology Of Beasts Of The Southern Wild, Jake T. Bart
Cinesthesia
On the face of it, Benh Zeitlin’s Beasts of the Southern Wild is an intimately scaled production that aims to tell the story of a young girl’s coming of age. However, despite its tight focus, the film brushes up against many explosively political issues—post-Katrina disaster relief, climate change, and poverty among them. Yet, extrapolating from the theories of writers like Robin Wood, Jean-Louis Comolli, and Jean Narboni reveals that all films are created from some sort of ideological basis, whether that basis is intentional or unintentional, conscious or unconscious. Viewed through a theoretical framework, Beasts of the Southern Wild possesses …
